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  • 1
    UID:
    gbv_756651972
    Umfang: 317 S. , Ill. , 22 cm
    ISBN: 9789042036819
    Serie: Postmodern studies 49
    Anmerkung: Literaturverz. S. [291] - 303
    Weitere Ausg.: ISBN 9789401209427
    Sprache: Englisch
    RVK:
    Schlagwort(e): Collage ; Postmoderne ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Amsterdam : Editions Rodopi
    UID:
    gbv_1738125998
    Umfang: 1 Online-Ressource (312 pages)
    ISBN: 9789401209427
    Serie: Postmodern studies v. 49
    Inhalt: Preliminary Material -- Acknowledgments -- INTRODUCTION -- FRAGMENTS: PRODUCTION, CONSUMPTION, AND THE READYMADE -- INVENTION: NEWSPAPERS, ADVERTISING, AND THE ORIGINS OF COLLAGE -- CRITIQUE: COLLAGE AND THE POLITICS OF THE CUT -- NOSTALGIA: COLLAGE, COLLECTING AND THE PASTE -- GLEANING: EVERYDAY LIFE IN COLLAGE CULTURE -- FROM THE TWENTIETH CENTURY’S CUTTING EDGE TO THE TWENTY-FIRST-CENTURY COPY -- NOTES -- BIBLIOGRAPHY -- INDEX.
    Inhalt: Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9789401209427
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Banash, David Collage culture Amsterdam : Editions Rodopi, 2013 ISBN 9789401209427
    Sprache: Englisch
    URL: DOI
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Amsterdam :Editions Rodopi,
    UID:
    almahu_9949701588202882
    Umfang: 1 online resource (312 pages)
    ISBN: 9789401209427
    Serie: Postmodern studies ; v. 49
    Inhalt: Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
    Anmerkung: Preliminary Material -- Acknowledgments -- INTRODUCTION -- FRAGMENTS: PRODUCTION, CONSUMPTION, AND THE READYMADE -- INVENTION: NEWSPAPERS, ADVERTISING, AND THE ORIGINS OF COLLAGE -- CRITIQUE: COLLAGE AND THE POLITICS OF THE CUT -- NOSTALGIA: COLLAGE, COLLECTING AND THE PASTE -- GLEANING: EVERYDAY LIFE IN COLLAGE CULTURE -- FROM THE TWENTIETH CENTURY'S CUTTING EDGE TO THE TWENTY-FIRST-CENTURY COPY -- NOTES -- BIBLIOGRAPHY -- INDEX.
    Weitere Ausg.: Print version: Banash, David. Collage culture. Amsterdam : Editions Rodopi, 2013 ISBN 9789401209427
    Sprache: Englisch
    URL: DOI:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    Amsterdam :Rodopi,
    UID:
    almahu_9948318479302882
    Umfang: 1 online resource (312 pages) : , illustrations.
    ISBN: 9789401209427 (e-book)
    Serie: Postmodern studies ;
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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