Kooperativer Bibliotheksverbund

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Umfang: XIX, 416 S. : , zahlr. Ill., Kt.

ISBN: 978-963-977-603-6 , 978-963-977-605-0

Sprache: Englisch

Fachgebiete: Geschichte , Slawistik , Allgemeines

Schlagwort(e): Film ; Kommunismus ; Museum ; Kommunismus ; Musealisierung ; Aufsatzsammlung ; Ausstellung ; Aufsatzsammlung ; Aufsatzsammlung ; Ausstellung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016428601&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Umfang: 1 Online-Ressource

ISBN: 9789639776036 , 9786155211430

Inhalt: How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. The book brings together perspectives of linked but still distinctive ways of enquiry: visual studies, cultural studies, area studies, museum studies and contemporary history with its passion for ethnography and oral evidence.

Anmerkung: English

Sprache: Englisch

URL: kostenfrei

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Umfang: 1 online resource (436 p.)

Ausgabe: 1st ed.

ISBN: 9786611128944 , 9786155211430 , 6155211434 , 9782821815223 , 2821815220 , 9781281128942 , 1281128945 , 9781435612365 , 1435612361

Inhalt: How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.

Anmerkung: Description based upon print version of record. , Frontmatter -- , Contents -- , Introduction -- , Documents Of Communism: Lost And Found -- , Documents Of Communism: Lost And Found -- , The Man in the White Raincoat -- , Communist Secret Services on the Screen. The Duna-gate Scandal in and beyond the Hungarian Media -- , Façades The Private and the Public in Kádár’s Kiss by Péter Forgács -- , The Experiences of a Filmmaker. Reconstructing Reality from Documents in Communist Archives -- , Subjects of Nostalgia: Selling the Past -- , Out of the Past. Memories and Nostalgia in (Post-)Yugoslav Cinema -- , Long Farewells. The Anatomy of the Soviet Past in Contemporary Russian Cinema -- , The Economics of Nostalgia. Socialist Films and Capitalist Commodities in Contemporary Poland -- , “We Have Democracy, Don’t We?” Czech Society as Reflected in Contemporary Czech Cinema -- , Objects of Memory: Museums, Monuments, Memorials -- , The Redistribution of the Memory of Socialism. Identity Formations of the “Survivors” in Hungary after 1989 -- , Raising the Cross. Exorcising Romania’s Communist Past in Museums, Memorials and Monuments -- , The “Unmemorable” and the “Unforgettable.” “Museumizing” the Socialist Past in Post-1989 Bulgaria -- , Containing Fascism. History in Post-Communist Baltic Occupation and Genocide Museums -- , How Is Communism Displayed? Exhibitions and Museums of Communism in Poland -- , About the Authors -- , Name Index -- , Subject Index , English

Weitere Ausg.: ISBN 9789639776036

Weitere Ausg.: ISBN 9639776033

Sprache: Englisch

DOI: 10.1515/9786155211430

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Umfang: Online-Ressource (xix, 416 p) , ill , 23 cm

ISBN: 1281128945 , 9781281128942

Inhalt: Intro -- Contents -- Introduction -- DOCUMENTS OF COMMUNISM: LOST AND FOUND -- The Man in the White Raincoat -- Communist Secret Services on the Screen -- Façades -- The Experiences of a Filmmaker -- Subjects of Nostalgia: Selling the Past -- Out of the Past -- Long Farewells -- The Economics of Nostalgia -- "We Have Democracy, Don't We?" -- Objects of Memory: Museums, Monuments, Memorials -- The Redistribution of the Memory of Socialism -- Raising the Cross -- The "Unmemorable" and the "Unforgettable" -- Containing Fascism -- How Is Communism Displayed? -- Name Index -- Subject Index.

Anmerkung: Includes bibliographical references and indexes , Title from e-book title screen (viewed September 29, 2009)

Weitere Ausg.: ISBN 9789639776050

Weitere Ausg.: ISBN 9789639776036

Weitere Ausg.: Erscheint auch als Druck-Ausgabe Past for the Eyes : East European Representations of Communism in Cinema and Museums After 1989

Sprache: Englisch

URL: Volltext

URL: Volltext  (lizenzpflichtig)

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Umfang: xix, 416 p.

Ausgabe: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.

Sprache: Englisch

Schlagwort(e): Electronic books.

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