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  • 1
    Online Resource
    Online Resource
    London :Bloomsbury Visual Arts, | London :Bloomsbury Publishing (UK),
    UID:
    almahu_9949712144602882
    Format: 1 online resource (360 pages)
    Edition: 1st ed.
    ISBN: 1-350-35949-1
    Content: This open access handbook explores the increasingly cross-disciplinary nature of cultural work and assesses how it engages with other fields, such as: education, research, and health; as well as the defining issues of our time such as the climate emergency, the quest for sustainable development, discrimination of all kinds, and the need for achieving greater inclusivity. Across six sections, the book includes over 30 contributions from a range of authors - from cultural practitioners in the public, private, and non-profit sectors, based on direct experience in the field, as well as theoretical analyses of these areas by academics, curators, and independent researchers. The book is essential reading for students of arts and cultural management, management in other creative industries, and curation. 〈i〉The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by The Onassis Foundation, Greece. 〈/i〉
    Note: 〈b〉Table of Contents〈/b〉 〈b〉List of Illustrations〈/b〉 〈b〉Notes on Contributors〈/b〉 〈b〉Acknowledgements〈/b〉 〈b〉 〈/b〉 〈b〉Foreword: Cultural Work in a Complex World〈/b〉 〈b〉Introduction to the Handbook of Cultural Work, 〈i〉Christos Carras (Onassis Cultural Centre, Greece)〈/i〉〈/b〉 〈b〉Part One: Spaces of cultural action〈/b〉 1.1. Cultural and creative districts in a changing Europe, 〈i〉Adrian Ellis (Global Cultural District Network, UK / Turkey)〈/i〉 1.2. Transformative arts. Community theatre as democratic infrastructure, 〈i〉Jasmina Ibrahimovic (Rotterdam Wijktheater, Bosnia and Herzegovina / Netherlands)〈/i〉 & 〈i〉Catherine Koekoek (Erasmus Universiteit Rotterdam, The Netherlands)〈/i〉 1.3. The power of neglected spaces, 〈i〉Mieke Renders (BE, Manager for urban and rural regeneration, Belgium)〈/i〉 1.4. Spaces of cultural action: focusing on working in and with communities, in public spaces, in urban districts or rural areas, or across borders, 〈i〉Piotr Michalowski (European Network of Cultural Centres, Poland)〈/i〉 1.5. Places for life, 〈i〉Gundega Laivina (Pratt Institute, NY, Latvia)〈/i〉 1.6. The street, the field, the workshop and the stage: staging grounds for transdisciplinary urban enquiry, 〈i〉Dr. John Bingham-Hall (Theatrum Mundi, UK)〈/i〉 1.7. Artists Without Borders - Building a case for cultural policies that transcend nations, 〈i〉Milica Ilic (Office National de Diffusion Artistique, Serbia)〈/i〉 〈b〉Part Two: Cross-sectoral cultural action〈/b〉 2.1. New Cultural Policies for Enabling Cross-Sectoral Positive Transformation, 〈i〉Sylvia Amann (IDEA Consult / Creative FLIP, Denmark)〈/i〉 2.2. Culture and well-being - a promising area of cross-sectoral action, 〈i〉Rarita Zbranca (Cluj Cultural Centre, Romania)〈/i〉 2.3. Navigating the digital future, Kristina Maurer 〈i〉(S+T+ARTS, EU)〈/i〉 & 〈i〉Veronika Liebl (Ars Electronica Centre, Austria)〈/i〉 2.4. The Lion and the Mouse - The move from informal to formal education in Brussels, 〈i〉Christophe De Jaeger (Gluon - Platform for Art, Science, and Technology, Belgium)〈/i〉 2.5. Artistic Thinking and Societal Change, 〈i〉Dr. Jaana Erkkilä-Hill〈/i〉 〈i〉(University of the Arts, Finland)〈/i〉 〈b〉Part Three: Politics, Power & Access〈/b〉 3.1. The meaning of participation, 〈i〉François Matarasso (A Restless Art / Independent researcher / blogger, France)〈/i〉 3.2. How can culture and the arts recover and reaffirm values of solidarity? Strategy and action from a network of municipalities, 〈i〉Marta Martins (Artemrede, Portugal)〈/i〉 3.3. Et maintenant, on va où? Diversity in arts and culture: between formal correctness and genuine needs, 〈i〉Yamam Al-Zubaidi (National Touring Theatre of Sweden, Iraq / Sweden)〈/i〉 3.4. Road of Oblivion and Love: Orchestrated Ebbs and Flows in Romany Cultural Development, 〈i〉Vasil Chaprazov (Roma public intellectual, Bulgaria)〈/i〉 3.5. Art, Aesthetics, and Access: disability and contemporary cultural practice, 〈i〉Ben Evans (British Council, UK)〈/i〉 3.6. A call to bear witness, 〈i〉Christina Varvia (GR, Forensic Architecture)〈/i〉 〈b〉Part Four: The cultural economy, funding, and policies in Europe〈/b〉 4.1. The busy intersection of cultural and social policy, 〈i〉Tere Badia (Culture Action Europe, Belgium / Estonia)〈/i〉 & Gabriele Rosana 4.2. For Culture to address global challenges - the 2022 Recommendation of the Council of Europe, 〈i〉Philippe Kern (KEA, France)〈/i〉 4.3. Imagine! Philanthropy for Europe, 〈i〉André Wilkens (NEMO, Amsterdam)〈/i〉, 〈i〉Isabelle Schwarz〈/i〉〈i〉〈/i〉&〈i〉 Tsveta Andreeva (European Cultural Foundation, Amsterdam)〈/i〉 4.4. The potential of crowdfunding in culture, 〈i〉Isabelle De Voldere (IDEA Consult, Belgium)〈/i〉 & 〈i〉Martina Fraioli (European Network of Cultural Centres, Belgium)〈/i〉 4.5. Cultural entrepreneurship and funding policies in Europe, 〈i〉Annick Schramme (University of Antwerp, Belgium)〈/i〉 〈b〉Part Five: Culture, the climate emergency and the Sustainable Development Goals〈/b〉 5.1. Senses of Purpose, 〈i〉Lucia Pietroiusti (Serpentine Galleries, UK / Italy)〈/i〉 5.2. Culture and the Sustainable Development Goals, 〈i〉Christos Carras (Onassis Cultural Centre, Greece)〈/i〉 5.3. Environmental Policy Frameworks and Cultural Work, 〈i〉Iphigenia Taxopoulou〈/i〉 〈i〉(Julie's Bicycle, UK / Greece)〈/i〉 5.4. Theatre into the Doughnut, 〈i〉Caroline Barneaud, Darious Ghavami & Tristan Pannatier (Théâtre Vidy-Lausanne, Switzerland)〈/i〉 5.5. What Would It Mean to Restitute to Earth All We Have Taken from the Earth? Decolonial Aesthesis and Transition in Art, Design, and Fashion, 〈i〉a Discussion between Hicham Khalidi and Rolando Vázquez (Van Eyck Academy, Netherlands / Mexico)〈/i〉 5.6. Ecological sensing of "aquaforming" in the age of Aquatocene, 〈i〉Robertina Šebjanic (HR/SI, Artist, Croatia / Slovenia)〈/i〉 〈b〉Part Six: The digital transformation of cultural practice〈/b〉 6.1. The Digital Transformation of Cultural Practice, 〈i〉Oonagh Murphy (Goldsmiths, University of London, UK / Ireland)〈/i〉 6.2. The interdependence of networked archives, 〈i〉Alessandro Ludovico (Neural / Winchester School of Art, University of Southampton, UK / Italy)〈/i〉 6.3. How to communicate, collaborate and distribute - Canal180's decade-long learnings, case studies and contributions from our network, 〈i〉João Vasconcelos (Canal 180, Portugal)〈/i〉 6.4. Platform fever, 〈i〉Prodromos Tsiavos (Onassis Cultural Centre, Greece)〈/i〉 〈b〉Index〈/b〉
    Additional Edition: ISBN 1-350-35946-7
    Language: English
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  • 2
    Online Resource
    Online Resource
    London :Methuen Drama, | London :Bloomsbury Publishing (UK),
    UID:
    almahu_9949563588502882
    Format: 1 online resource (416 pages)
    Edition: 1st ed.
    ISBN: 9781350145429
    Series Statement: Bloomsbury Handbooks
    Content: The Bloomsbury Handbook of Muslims and Popular Culture illustrates how Muslims participate in a broad spectrum of activities. Moving beyond a framework that emphasizes ritual, legal, historical, or theological issues, this book speaks to how Muslims live in the world, in relation to their religion and the realities of the world around them. The international team of contributors provide in-depth analysis that chronicles Islamic cultural products in regional and transnational contexts, explores dominant and emerging theories about popularization, and offers provocations in the field of religion and popular culture. The handbook is structured in six parts: spaces; appetites; performances; readings; visions; and communities. The book explores a variety of Muslim societies and communities within the last 100 years, ranging from the Islamic presence in Latin American architecture to Muslim Anglophone hip-hop, and Muslims in modern Indian theatre.
    Note: List of Images List of Contributors Acknowledgments Introduction: "The Orientations of Muslim Popular Culture", Hussein Rashid (independent scholar, USA) and Kristian Petersen (Old Dominion University, USA) 〈u〉Part I: Spaces〈/u〉 1. Islamic Presence in Latin American Architecture. Three Periods - Three Ways, Fernando Luis Martinez Nespral, (University of Buenos Aires, Argentina) 2. Impact of Shiah Government on Public Spaces' Morphology of Tehran after the Islamic Revolution, Narciss Sohrabi (Paris Nanterre University, France) 3. Sights and Sites of Translocal Islam: Chinese-style Mosques in Malaysia and Indonesia, Wai Weng Hew (National University of Malaysia, Malaysia) 4. Eidgah: Multifunctional Open Architecture as a Shared Space for Memory and Emotion, Shaista Anwar (independent architectural historian, India) 5. Image and Object in Islam: On the Ka'bah and Its Popular Representations, Ann Shafer (Rhode Island School of Design, USA) 6. This is Home Now! 'Migrating' Mosques as Symbols of Territorial Identity in the Modern Australian Suburban Landscape, Majdi Faleh (Nottingham Trent University, UK) 〈u〉Part II: Appetites〈/u〉 7. Shi'i Muslim Food Practices in Contemporary Iran: Transformation, Blessing, and Citizenship, Rose Wellman (University of Michigan-Dearborn, USA) 8. Muslim Butchers, Ethical practice and Sensory Politics: The Changing Economy of Meat in Mumbai, Shaheed Tayob (Stellenbosch University, South Africa) 9. Muslim Foodways and Pop Culture: Beyond halal, Boundary Maintenance, and SAME-Cuisine, Rachel Brown (University of Victoria, Canada) and Aldea Mulhern (Fresno State University, USA) 〈u〉Part III: Performances〈/u〉 10. Rai, World Music, and Islam, Ted Swedenburg (University of Arkansas, USA) 11. Desert Rhythms and Islamic Girl Groups: Making Modern Music for the Muslim Masses in 1970s Southeast Asia, Bart Barendregt (Leiden University, The Netherlands) 12. The Poetics of Resistance in Muslim Anglophone Hip Hop: A Reading of Omar Offendum as a Representative Voice, Naglaa Hassan (Fayoum University, Egypt) 13. What is a Muslim Comedian? Muslim Comedians and Racialization in the United States, David Feltmate (Auburn University at Montgomery, USA) 14. Representation, Identity, and Community: Muslims in Modern Indian Theatre, Jaclyn Michael (University of Tennessee at Chattanooga, USA) 15. Muslims and Cricket, Ali Khan (Lahore University of Management Sciences, Pakistan) 〈u〉Part IV: Readings〈/u〉 16. Sisters, Skanks, and Jezebels: American Muslim Fiction and The Other Woman, Layla AbdullahPoulous (SUNY Empire State College, USA) 17. Towards a Global History of Islamicate Science Fiction, Rebecca Hankins (Texas A&M University, USA) and Muhammad Aurangzeb Ahmad (University of Washington, USA) 18. Counter-Images?: The Cultural Transfer of the Caricature into Modern Egyptian Culture, Keren Zdafee (Tel Aviv University, Israel) 〈u〉Part V:〈/u〉〈u〉 Visions〈/u〉 19. Indigeneity and Identity Transmission: Amazigh Cultural Expression through Film, Yahya Laayouni (Bloomsburg University of Pennsylvania, USA) and Habiba Boumlik (LaGuardia Community College, USA) 20. Kannywood: An Embattled Hausa Film Industry in 'Muslim Northern' Nigeria, Muhsin Ibrahim (University of Cologne, Germany) 21. Malaysia's Popular Malay-Muslim TV Fiction and Fan Narratives, Mohd Muzhafar Idrus (Islamic Science University of Malaysia, Malaysia), Ruzy Suliza Hashim (National University of Malaysia, Malaysia), and Raihanah M. M (National University of Malaysia, Malaysia) 22. Islamic Geometric Design in Popular Culture, Eric Broug (Independent Scholar, UK) 23. Radical Hope in Cultural Subversion: Muslim Women Artists on Space and Identity, June-Ann Greeley (Sacred Heart University, USA) 〈u〉Part VI: Communities〈/u〉 24. Consuming Sufism: Rumi and the Marking of a Cultural Icon, Shobhana Xavier (Queen's University, Canada) 25. Materializing Islam: Fashion Advertisements and the Production of the "Muslim Woman", Kayla Wheeler (Xavier University, USA) 26. The Prophet Muhammad's Sandalprint: Muslim Retro-Cool and the Product-Placed Sermon in Contemporary Turkey, Christiane Gruber (University of Michigan, USA) 27. Muslim Preachers and Mass Media, Jacquelene Brinton (University of Kansas, USA) Index
    Language: English
    Subjects: Theology
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  • 3
    Online Resource
    Online Resource
    Cham :Palgrave Macmillan,
    UID:
    almafu_BV047271248
    Format: 1 Online-Ressource (xvi, 518 Seiten) : , Illustrationen.
    ISBN: 978-3-030-43957-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-030-43956-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-3-030-43959-0
    Language: English
    Subjects: General works
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    Keywords: Drama ; Theater ; Ethnische Beziehungen ; Rassismus ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    Oxford, United Kingdom :Oxford University Press,
    UID:
    almafu_BV043523080
    Format: xxix, 764 Seiten : , Illustrationen.
    ISBN: 978-0-19-870613-7 , 0-19-870613-8
    Content: The Oxford handbook of modern Irish theatre' provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.0
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-181992-6
    Language: English
    Subjects: General works , English Studies
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    Keywords: Theater ; Drama ; Aufsatzsammlung ; Aufsatzsammlung
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  • 5
    Online Resource
    Online Resource
    Abingdon ; : Routledge,
    UID:
    almahu_9949641581302882
    Format: 1 online resource.
    ISBN: 9781003204886 , 1003204880 , 9781000952032 , 1000952037 , 9781000951936 , 1000951936
    Series Statement: Routledge literature handbooks
    Content: "Theatre has made star appearances in hundreds of novels and stories. Dozens of history's most influential authors from J. W. Goethe to Virginia Woolf have set stages on their pages and cast actors, directors and playwrights as their characters. But while science fiction, sea fiction, or crime fiction have been extensively discussed, "theatre-fiction" has not received the attention that this enduringly popular and complex genre deserves. The Routledge Companion to Theatre-Fiction convenes an international community of scholars to put a spotlight on novelists from many eras and parts of the world who enter theatre through their fiction. Bringing canonical novelists like Louisa May Alcott and Mikhail Bulgakov into conversation with new writers including Mona Awad and Eleanor Catton, as well as understudied writers from Mishima Yukio to Syed Mustafa Siraj and Vicente Blasco Ibañez, the Companion's thirty chapters examine what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre"--
    Additional Edition: Print version: Routledge companion to theatre-fiction New York : Routledge, 2024 ISBN 9781032069906
    Language: English
    Subjects: General works
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    Keywords: Criticism, interpretation, etc. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    New York :Oxford University Press,
    UID:
    almahu_9949441984502882
    Format: 1 online resource (xiv, 575 pages) : , illustrations (black and white).
    ISBN: 9780190247874
    Series Statement: Oxford handbooks
    Content: 'The Oxford Handbook of Hip Hop Dance Studies' offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the 'studio-fication' of hip hop, and the cultural shift into theatre, TV, and the digital social media space.
    Note: Also issued in print: 2022. , Hard Love Part 1: Corporealities of Women Ethnographers of Hip Hop Dances / , Breakin' Down the Bloc: Hip Hop Dance in Armenia / , Hip Hop Dance and Injury Prevention / , Is She B-boying or B-girling? Understanding How B-girls Negotiate Gender and Belonging / , Through Sound and Space: Notes on Education from the Edge of the Cypher / , Battles and Ballets: Hip Hop Dance in France / , Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance Theater / , Can Expert Dancers Be a Springboard Model to Examine Neurorehabilitation Via Dance? / , Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship / , What Makes a Man Break? / , They Come for the Hip Hop but Stay for the Healing: Reflections on the Work of BluePrintForLife in Remote Indigenous Communities and Maximum-Security Youth Prisons / , The Technical developments in Breaking from Conditioning to Mindset / , Twerking and P-Popping in the Context of the New Orleans Local Hip-Hop Scene / , Globalization and the Hip Hop Dance Cipher / , Foundation: Context and Components of Breaking Fundamentals / , Framing Hip Hop Dance as an Object of Sociological and Cultural Research / , Breaking in My House: Popular Dance, Identity Politics, and Postracial Empathies / , Make the Letters Dance: A Hip Hop Approach to Creative Practice / , Staging Hip Hop Dance: Fly Girls in the House / , Introduction / , The Camera and the Cypher: High Times and Hypervisibility in Early Hip Hop Dance / , Critical Hiphopography in Streetdance Communities (Hard Love Part 2) / , Asian American Liminality: Racial Triangulation in Hip Hop Dance / , Streetdance and Black Aesthetics / , Afterword: Dance, Hip Hop Studies, and the Academy / , Connecting Hip Hop History and Heritage / , The Vault: Collecting and Archiving Streetdance Footage / , Living in the Tension: The Aesthetics and Logics of Popping / , Kung Fu Fandom: NYC B-Boys and the Grindhouse Distribution of Kung Fu Films /
    Additional Edition: Print version : ISBN 9780190247867
    Language: English
    Keywords: Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    almahu_9947971791102882
    Format: XXXIII, 866 p. 21 illus. , online resource.
    ISBN: 9781137585882
    Content: This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
    Note: 1. Introductions/Orientations -- 2. The Mainstream: Problematising and Theorising; Shaun Richards -- 3. The Theatre Royal, Dublin; Conor Doyle -- 4. The Politics of Performance: Theatre in and About Northern Ireland; Lisa Fitzpatrick -- 5. The Literary Tradition in the History of Modern Irish Drama; Christopher Murray -- 6. #WakingTheFeminists; Carole Quigley -- 7. Live Art in Ireland; Una Mannion -- 8. Gestures of Resistance: Dance in 1990s Ireland; Finola Cronin -- 9. Contemporary Theatre in Irish Language; Máirtín Coilféir -- 10. Theatre for Young Audiences in Ireland; Tom Maguire -- 11. Performance in the Community: Amateur Drama and Community Theatre; Elizabeth Howard -- 12. Performing Politics: Queer Theatre in Ireland, 1968-2017; J. Paul Halferty -- 13. Long Flame in the Hideous Gale: The Politics of Popular Irish Performance, 1950-2000; Susanne Colleary -- 14. Other Theatres; Christopher Collins -- 15. Independent Theatre and New Work; Gavin Kostick -- 16. Funding, Sponsorship and Touring; Shelley Troupe -- 17. New Century Theatre Companies; Cormac O'Brien -- 18. The Joyful Mysteries of Comedy; Bernard Farrell -- 19. Lambert Theatre and Puppetry Redefined; John McCormick -- 20. Scenic Transitions: From Drama to Experimental Practices in Irish Theatre; Noelia Ruiz -- 21. Key Moments and Relationships: Working with Pat Kinevane; Jim Culleton -- 22. Irish Cinema and Theatre; Ruth Barton -- 23. Actor Training Ireland since 1965; Rhona Trench -- 24. Ireland: A Designer’s Theatre; Siobhán O’Gorman -- 25. Props at the Abbey; Eimer Murphy -- 26. Ireland: An Actor’s Theatre; Bernadette Sweeney -- 27. The Figurative Artist: ÚNA’N’ANU; Úna Kavanagh -- 28. Ireland: A Director’s Theatre; Ian R. Walsh -- 29. In the wake of Olwen Fouéré’s riverrun; Kellie Hughes -- 30. Ireland: A Writer’s Theatre; Nicholas Grene -- 31. The Making of Mainstream; Rosaleen McDonagh -- 32. Participatory Performance: Spaces of Creative Negotiation; Kate McCarthy and Una Kealy -- 33. Other Spaces (Non-Theatre Spaces); Charlotte McIvor -- 34. Irish Plays in Other Places; Kevin Wallace -- 35. Adaptation and Transformation; Anne Fogarty -- 36. Circuitous Pathways: Marina Carr's Labyrinth of Feminist Form in the US World Premiere of Phaedra Backwards; Melissa Sihra -- 37. Being Intercultural in Irish Theatre and Performance; Cathy Leeney -- 38. Once Upon a Time in the Life of Arambe: A Personal Reflection; Bisi Adigun -- 39. Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama; Eva Urban -- 40. Dramaturgical Complicity: Representing Trauma in Brokentalkers' Blue Boy; Kate Donoghue -- 41. Between the City and the Village: Liminal Spaces and Ambivalent Identities in Contemporary Irish Theatre; Brian Devaney -- 42. Verse in Twenty-First Century Irish Theatre; Kasia Lech -- 43. The Gate Theatre on the Road: O’Casey, Pinter and Friel; Mária Kurdi -- 44. Festivals and Curation; Willie White -- 45. Interart Relations and Self-reflexivity in Contemporary Irish Drama; Csilla Bertha -- 46. "Contempt of Flesh": adventures in the uncanny valley; Ashley Taggart -- 47. The Dance of Affect in Contemporary Irish Dance Theatre; Aoife McGrath -- 48. Artistic Vision and Regional Resistance: The Gods Are Angry, Miss Kerr and the Red Kettle Theatre Company; Richard Hayes and Una Kealy -- 49. Cultural Materialism and a Class Consciousness?; Erica Meyers -- 50. The Utilisation of Domestic Space in the Reflection of Economic Struggles of Modern Living in Conor McPherson's New Translation of The Nest; Maha Alatawi -- 51. Audiences: Immersive and Participatory; Ciara L. Murphy -- 52. Sounding Affect in Pan Pan Theatre’s Adaptation of All That Fall; Angela Butler -- 53. Music in Irish Theatre: the sound of the people; Ciara Fleming -- 54. Sightings of Comic Dexterity; Eric Weitz -- 55. Acts of Remembering in Irish Theatre; Emilie Pine -- 56. Staging a Response: No Escape and the rise of documentary theatre in Ireland; Luke Lamont -- 57. Children of the Revolution: 1916-2016; James Moran -- 58. Post-feminism and Ethical Issues in Four Post-Celtic Tiger Irish Plays; Mária Kurdi -- 59. Reflections on Bernard Shaw and the 21st Century Dublin Stage; Audrey McNamara -- 60. 'Endless Art': The Contemporary Archive of Performance; Barry Houlihan.
    In: Springer eBooks
    Additional Edition: Printed edition: ISBN 9781137585875
    Additional Edition: Printed edition: ISBN 9781349843800
    Additional Edition: Printed edition: ISBN 9781349843794
    Language: English
    Subjects: General works , English Studies
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    Keywords: Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Online Resource
    Online Resource
    Amsterdam ; : Elsevier,
    UID:
    almahu_9947367651202882
    Format: 1 online resource (699 p.)
    ISBN: 1-281-05101-2 , 9786611051013 , 0-08-047829-8
    Series Statement: Handbook of defense economics ; 2
    Content: The second volume of the Handbook of Defense Economics addresses defense needs, practices, threats, and policies in the modern era of globalization. This new era concerns the enhanced cross-border flows of all kinds (e.g., capital and labor flows, revolutionary rhetoric, guerrillas, and terrorists) including the spillovers of benefits and costs associated with public goods and transnational externalities (i.e., uncompensated interdependencies affecting two or more nations). These ever-increasing flows mean that military armaments and armies are less able to keep out security threats. Thus,
    Note: Description based upon print version of record. , Front cover; Handbook of Defense Economics. Defense in a Globalized World; Copyright page; Introduction to the Series; Dedication; Contents of the Handbook; Contents of Volume 2; Chapter 20. Defense in a Globalized World: An Introduction; Abstract; Keywords; 1. Introduction; 2. Defense economics: Then and now; 3. Our decision on what to include in Volume 2; 4. Organization of the book; 5. Concluding remarks; References; Chapter 21. Economics of Defense in a Globalized World; Abstract; Keywords; 1. Overview; 2. World trends and big picture security themes , 3. Defense: A normative problem in economics4. New century salients in defense economics; 5. Tasks for defense economics: Two special and timely topics; 6. Some examples of economic method applied to defense; 7. Conclusions: Future direction of defense economics; References; Chapter 22. Economics of Conflict: An Overview; Abstract; Keywords; 1. Introduction; 2. Technologies of conflict; 3. Representative models of conflict and the determinants of power; 4. Settlement in the shadow of conflict; 5. Why fight?; 6. Trade, insecurity, and conflict; 7. Coalitions and group formation , 8. Dynamics and growth9. Conflict management and the state; 10. Concluding remarks; References; Chapter 23. Civil War; Abstract; Keywords; 1. Introduction; 2. Concepts and data; 3. Causes of civil war; 4. Duration; 5. Consequences of civil war; 6. Post-conflict; 7. Policy interventions; 8. Conclusions and research agendas; References; Chapter 24. Political Economy of Peacekeeping; Abstract; Keywords; 1. Introduction; 2. Background; 3. Financial arrangements and burden sharing; 4. Economic assessment of peacekeeping, intervention and policy implications , 5. Peacekeeping in theatre and policy implications6. Summary and future directions; References; Chapter 25. Terrorism: A Game-Theoretic Approach; Abstract; Keywords; 1. Introduction; 2. A brief look at the early literature; 3. Counterterrorism: Normal-form representations; 4. Counterterrorism: Extensive-form games; 5. Alternative externalities; 6. Pitfalls of international cooperation; 7. Game theory and never conceding to terrorist demands; 8. Asymmetric information; 9. Concluding remarks; References; Chapter 26. Terrorism: An Empirical Analysis; Abstract; Keywords; 1. Introduction , 2. Statistical properties of the terrorist incident types3. Counterterrorism policy: The substitution effect; 4. Terrorism since 9/11; 5. Measuring the economic costs of terrorism; 6. Measuring the economic determinants of terrorism; 7. Conclusions and assessment; References; Chapter 27. The Political Economy of Economic Sanctions; Abstract; Keywords; 1. Introduction; 2. Economic effects of sanctions; 3. The political determinants of sanctions policies in sender states17; 4. The political effects of sanctions on the target country , 5. Single-rational actor and game theory approaches to sanctions , English
    Additional Edition: ISBN 0-444-51910-6
    Language: English
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  • 9
    UID:
    almahu_9949582027802882
    Format: 1 online resource (504 pages)
    Edition: 1st ed.
    ISBN: 9781350323230
    Series Statement: Bloomsbury Handbooks
    Content: Friedrich Froebel (1782 - 1852), the inventor of kindergarten, was one of the most influential educational thinkers of the 19th century. This book showcases the cutting-edge work being undertaken around the world inspired by this pioneer of early childhood education and shows the many ways in which Froebel's work has been applied and extended. It presents a wealth of Froebelian expertise on topics including pedagogy and curriculum, history, architecture, neuroscience, peace and religious education and links Froebel's theories to other thinkers including John Dewey, Michel Foucault, Paulo Freire, Aili Helenius and Chen Heqin. It highlights what Froebel means today in a variety of settings around the world and includes contributions from academics and practitioners based in North and South America, Europe, Australasia, Africa and Asia.
    Note: Tribute Introduction: Connections, Disconnections, Reconnecting and Interconnecting, 〈i〉Tina Bruce (University of Roehampton, UK)〈/i〉 〈b〉Reflections〈/b〉 Froebel for Me, 〈i〉Aili Helenius〈/i〉 What Froebel Means to Me, 〈i〉Louis Werth (〈/i〉〈i〉University of Cambridge, UK)〈/i〉 〈b〉Part l: Connections - Searching for the Authentic Friedrich Froebel〈/b〉 Editor's Introduction, 〈i〉Helge Wasmuth (Mercy College, USA)〈/i〉〈i〉〈/i〉 1. Translating Pedagogy - Reading Froebel in Different Languages, 〈i〉Sebastian Engelmann (University of Education Karlsruhe, Germany)〈/i〉 2. Froebel's Law of the Sphere as a Theoretical Groundwork for his Pedagogy, 〈i〉Michael Winkler (〈/i〉〈i〉University of Jena, Germany)〈/i〉 3. Froebel's Mathematical Thinking, German Idealism and the Occupation of Plaiting,〈i〉 〈/i〉〈i〉Michael Friedmann (Humboldt University Berlin, Germany)〈/i〉 4. Between Theory and Educational Approach: Anthropological Presumptions and Basic Terms of Froebel's Pedagogy of Play, 〈i〉Ulf Sauerbrey (〈/i〉〈i〉University of Applied Sciences in Neubrandenburg, 〈/i〉〈i〉Germany)〈/i〉 5. Friedrich Froebel's 〈i〉Mutter- und koselieder〈/i〉 and Its Importance Today, 〈i〉Christiane Konrad (Germany)〈/i〉 6. Archival Holdings on Friedrich Froebel and the Edition of His Letters,〈i〉 Bettina Irina Reimers (〈/i〉〈i〉Bibliothek für Bildungsgeschichtliche Forschung) 〈/i〉〈i〉and Stefan Cramme (〈/i〉〈i〉Bibliothek für Bildungsgeschichtliche Forschung) 〈/i〉7. A Discussion of Fröbel From Authentic to Modern, 〈i〉Isabel Schamberger 〈/i〉〈i〉(Friedrich-Froebel Museum, Bad Blankenburg, Germany) 〈/i〉8. Peace as Unification of Life - Peace Building as Hidden Curriculum in Froebel's 〈i〉Education of Man〈/i〉, 〈i〉Karl Neumann (T〈/i〉〈i〉echnische Universitet Braunschweig, Germany) 〈/i〉〈b〉Part II: Disconnection and Transitology (The Transfer, Translation and Transformation of Froebelian Study and Practice)〈/b〉 Editor's Introduction, 〈i〉Yukiyo Nishida (〈/i〉〈i〉University of Aberdeen, UK)〈/i〉 9. Discoveries at the Back of the Kindergarten Cupboard, 〈i〉Helen May 〈/i〉〈i〉〈/i〉〈i〉(University of Otago, New Zealand)〈/i〉 10. Pioneering Froebelians and the Kindergarten Movements in Italy, 〈i〉Keiko Omri 〈/i〉〈i〉〈/i〉〈i〉(Kwansei Gakuin University, Japan)〈/i〉 11. From Keihau to the UK: Eleonore Heerwart's Role in Establishing Froebelian Pedagogy in Britain From 1861 to 1883, 〈i〉Jane Read (〈/i〉〈i〉University of Roehampton, UK)〈/i〉 12. Grace Fulmer and Conservative and Liberal Approaches to Froebelian Education, 〈i〉Larry Prochner 〈/i〉〈i〉〈/i〉〈i〉(University of Alberta, Canada)〈/i〉 13. The American Froebelians, 〈i〉Ann Taylor Allen (〈/i〉〈i〉University of Louisville, USA)〈/i〉 14. Morality, Beauty and Froebel: Cultural Philanthropy and the Establishment of Free-Kindergartens in Australia, 〈i〉Luke Touhill 〈/i〉〈i〉〈/i〉〈i〉(Macquarie University, Australia)〈/i〉 15. The Route to the Hebrew Kindergarten in the Early 20th century, 〈i〉Yael Dayan 〈/i〉〈i〉〈/i〉〈i〉(Hebrew University of Jerusalem, Israel)〈/i〉 16. The Froebelian Garden in Spain, 〈i〉José Pedro Marín Murcia 〈/i〉〈i〉(Complutense University of Madrid, Spain) and Maria Jose Martinez-Ruiz-Funes (University of Murcia, Spain)〈/i〉 〈b〉Part〈/b〉 〈b〉lll: Reconnecting - Exploring and Working Through the Challenges of Current Practice〈/b〉 Editor's Introduction, 〈i〉Jane Whinnett 〈/i〉〈i〉〈/i〉〈i〉(University of Edinburgh, UK),〈/i〉 17. Getting Down and Dirty with Froebel on the Allotment, 〈i〉Kate Razzall 〈/i〉〈i〉〈/i〉〈i〉(Endorsed Froebel Trust Travelling Tutor, UK)〈/i〉 18. Pollinating Minds at Guildford Nursery School and Family Centre: A Froebelian Approach, 〈i〉Sally Cave (〈/i〉〈i〉〈/i〉〈i〉Froebel Trust Hub, UK)〈/i〉 19. Exploring Interconnectivity Between Froebelian Principles and Australian Aboriginal Ways of Knowing, Being and Doing, 〈i〉〈/i〉〈i〉Libby Lee Hammond, (Purnululu Aboriginal Independent Community School, Western Australia), Elizabeth Jackson-Barret (Edith Cowan University, Australia) and Stella Louis (Early Childhood Consultant, UK)〈/i〉 20. Hope Cottage Nursery School - A Year of Nature and Sustainability in the Age of Climate Crisis: A Journey In Progress, 〈i〉Natasha Stewart〈/i〉 21. #Blocks Rock, 〈i〉Catriona Gill 〈/i〉〈i〉(〈/i〉〈i〉University of Edinburgh, 〈/i〉〈i〉UK)〈/i〉 22. Blocks in Bhutan,〈i〉 〈/i〉〈i〉〈/i〉〈i〉Margaret Brooks (University of New England, Australia) and Chimi Demi (Paro College of Education, Bhutan)〈/i〉 23. Froebelian Approaches in Primary School: A Case Study of Topic-Based Learning in the Primary Phase at Annan School, 〈i〉Alastair Leigh〈/i〉 (〈i〉Annan Froebel School, UK) 〈/i〉with an Introduction by 〈i〉Mark Hunter 〈/i〉〈i〉(Annan Froebel School, UK)〈/i〉 24. The Glory Kindergarten and Peace Education, 〈i〉Fusa Abe〈/i〉〈i〉 and Ran Shirai 〈/i〉〈i〉(The Glory Kindergarten, Japan)〈/i〉 25. The Power of Partnership: Linking Froebelian Practice and Connecting Practitioners Across Early Learning Centres and Primary Settings in Midlothian, Scotland, 〈i〉〈/i〉〈i〉John Dagger (Moorfoot Primary School North Middleton, UK) and Kerry Knight (Burnbrae Primary School, Midlothian, UK)〈/i〉 26. Learning From Our Children: The Story of Eilidh, 〈i〉Lynn McNair 〈/i〉〈i〉〈/i〉〈i〉(University of Edinburgh, UK)〈/i〉 27. Family Songs at Home: A Multiagency Approach to Supporting Children and Families Through Digital Media Using Froebel's Mother Songs, 〈i〉Donna Green 〈/i〉〈i〉〈/i〉〈i〉(Froebel in Falkirk Lead, UK)〈/i〉 28. Developing Froebel's 'Instinct into Insight': A Play Therapist Supports Families to Grow and Find Solutions to Their Own Challenges, 〈i〉Elaine Fullerton 〈/i〉〈i〉〈/i〉〈i〉(Play Therapy Base, Midlothian, UK)〈/i〉 〈b〉Part lV: Interconnecting - Exploring and Finding Links Between the Essentials of Froebelian Principles and Practices and Current Research and Theories〈/b〉 Editor's Introduction, 〈i〉Sacha Powell 〈/i〉〈i〉(The Froebel Trust, UK)〈/i〉 29. Pedagogies of Care with 1-year-olds: A Contemporary Froebelian Lens in New Zealand, 〈i〉Maria Cooper and Jean Rockel 〈/i〉〈b〉〈u〉〈/u〉〈/b〉〈i〉(University of Auckland, New Zealand)〈/i〉 30. A Froebelian Approach to Making Theatre for the Very Young, 〈i〉Samantha Lane 〈/i〉〈i〉(Angel Theatre for Children, UK)〈/i〉 31. A Life 'In and With' Nature in the Period of Earliest Childhood, 〈i〉Jo Josephidou (〈/i〉〈i〉The Open University, UK) 〈/i〉〈i〉and Nicola Kemp (〈/i〉〈i〉〈/i〉〈i〉University of Canterbury, UK)〈/i〉 32. From 'Real Spaces' to 'Other Spaces' in Young Refugee Children's Free-Flow Play, 〈i〉Sandra El Gemayel 〈/i〉〈i〉〈/i〉〈i〉(〈/i〉〈i〉University College London, UK〈/i〉〈i〉)〈/i〉 33. The Encounter of the Froebel Blocks and the Giant-Sized Blocks, 〈i〉Fredrika Visuri and Susanna Gilberg 〈/i〉〈i〉(Ebeneser Foundation Kindergarten Museum, Finland)〈/i〉 34. Pedagogies of Hope: Exploring Play Opportunities for Young Children in an Urban Environment, 〈i〉Marlene McCormack, 〈/i〉〈i〉Aishling Silke, Annette Kearns, Leah O'Toole, 〈/i〉〈i〉Patsy Stafford, 〈/i〉〈i〉Tríona Stokes and Mathias Urban 〈/i〉〈i〉(〈/i〉〈i〉Maynooth University〈/i〉〈i〉, Ireland)〈/i〉 35. The Roots of Froebelian Arts and Skills Pedagogy in Memorised Narratives about Finnish Early Childhood Education and Teacher Education From the 1920s to the 1990s, 〈i〉Inkeri Ruokonen (University of Turku, Finland) and Taina Sillanpää 〈/i〉〈i〉(Ebeneser Foundation Kindergarten Museum, Finland)〈/i〉 36. The Art of Serious Play: Froebel's Influence on Early Childhood Pedagogy and Beyond to the Creative Work of Artists and Designers, 〈i〉Pete Moorhouse (〈/i〉〈i〉〈/i〉〈i〉Early Years Creative Consultant)〈/i〉 37. Off the Grid: Insight into Design's Inner and Outer Landscapes, 〈i〉John M. Reynolds 〈/i〉〈i〉(Miami University Architecture and Interior Design, USA)〈/i〉 38. Spirituality in Early Childhood Pedagogy: a Froebelian Lens on the Role of Women in a Chinese Context, 〈i〉Fengling Tang 〈/i〉〈i〉(University of Roehampton, UK) 〈/i〉〈i〉and Juan Zhao 〈/i〉〈i〉(Hebei University, China)〈/i〉 39. The Realisation of 'Life Unity' in the Mother Songs, 〈i〉Yumiko Taoko 〈/i〉〈i〉(Ryukoku University Junior College, Japan)〈/i〉 40. Educating Hearts and Minds in Early Childhood Education: The Importance of Social-Emotional Learning, , Spatiality in Finnish Early Childhood History and its Connections to Finnish Pedagogy - A Closer Look at the Kitchen Area, 〈i〉Taina 〈/i〉〈i〉Sillanpää 〈/i〉〈i〉(Ebeneser Foundation Kindergarten Museum, Finland)〈/i〉 44. Integrative Neuroscience and Froebelian Understandings in Early Childhood Education, 〈i〉Carole Bloch 〈/i〉〈i〉(University of the Western Cape, South Africa and 〈/i〉〈i〉PRAESA, South Africa〈/i〉〈i〉)〈/i〉 45. Froebel as an Antidote to 21st century Neoliberal Curriculum Reform Policies, 〈i〉Dan Castner 〈/i〉〈i〉(Indiana University, USA)〈/i〉 46. From Freire to Froebel, 〈i〉Sive Ngubethole Mbolekwa 〈/i〉〈i〉(PRAESA, South Africa) 〈/i〉〈i〉and Tina Bruce 〈/i〉〈i〉(University of Roehampton, UK)〈/i〉 47. Froebel Researchers and the Implications for Research Practice in Post Second World War Japan: Two Case Studies by Professor Shoji Masako and Professor Ogasawara Michio, 〈i〉Naoko Matsuma 〈/i〉〈i〉(Yamaguchi Gakugei University, Japan)〈/i〉 48. Young Voices on COVID: An Exploration of the Froebel Storytelling Approach in Support for Young Children's Agency and Autonomy through the Covid-19 Pandemic, 〈i〉Chris Pascal and Tony Bertram 〈/i〉〈i〉〈/i〉〈i〉(Centre for Research in Early Childhood, UK)〈/i〉 Conclusion List of Contributors Index
    Language: English
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  • 10
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_BV043695602
    Format: 1 online resource (620 pages).
    ISBN: 978-1-139-20705-8
    Series Statement: Cambridge handbooks in psychology
    Content: The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J. , Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21. , Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-02628-5
    Language: English
    Subjects: Psychology , Philosophy
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Künste ; Psychologie ; Ästhetik ; Kunstpsychologie ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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