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  • 1
    Buch
    Buch
    Jackson, Miss. :Univ. Press of Mississippi,
    UID:
    almafu_BV035119420
    Umfang: XV, 380 S. : , Ill. ; , 25 cm.
    Ausgabe: 1. printing
    ISBN: 978-1-60473-109-5 , 978-1-60473-108-8 , 1-60473-108-7 , 1-60473-109-5
    Anmerkung: Why are comics still in search of cultural legitimization? / Thierry Groensteen -- Rodolphe Töpffer's aesthetic revolution / David Kunzle -- How comics came to be : through the juncture of word and image from magazine gag cartoons to newspaper strips, tools for critical appreciation plus rare seldom witnessed historical facts / Robert C. Harvey -- The "vulgar" comic strip / Gilbert Seldes -- Excerpt from Seduction of the innocent / Fredric Wertham -- William Gaines and the battle over EC Comics / Amy Kiste Nyberg -- The comics debates internationally / John A. Lent -- The definition of the superhero / Peter Coogan -- Two boys from the Twin Cities / M. Thomas Inge -- Caricature / David Carrier -- Beyond comparison / W.J.T. Mitchell -- The impossible definition / Thierry Groensteen -- An art of tensions / Charles Hatfield -- The arrow and the grid / Joseph Witek -- The construction of space in comics / Pascal Lefèvre -- The acoustics of Manga / Robert S. Petersen -- Ally Sloper : the first comics superstar? / Roger Sabin -- Jackie and the problem of romance / Martin Barker -- Home loving and without vices / Anne Rubenstein -- Autobiography as authenticity / Bart Beaty -- Manga versus Kibyōshi / Adam L. Kern -- Beyond Shoujo, blending gender / Fusami Ogi -- The innocents march into history / Ariel Dorfman -- The garden in the machine / Thomas Andrae -- An examination of "Master Race" / John Benson, David Kasakove, Art Spiegelman -- The comics of Chris Ware / Gene Kannenberg, Jr. -- Transcending comics : crossing the boundaries of the medium / Annalisa Di Liddo -- History and graphic representation in Maus / Hillary Chute
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Comic ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    UID:
    b3kat_BV018075137
    Umfang: 256 S. , zahlr. Ill.
    Ausgabe: 2. print
    Originaltitel: Bande dessinée et figuration narrative
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    Schlagwort(e): Comic ; Geschichte ; Comic ; Geschichte
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almahu_BV046750346
    Umfang: 1 Online-Ressource (viii, 254 Seiten) : , Illustrationen.
    ISBN: 978-1-350-02821-0 , 978-1-350-02820-3
    Serie: Bloomsbury comics studies
    Inhalt: "The first critical guide to cover the history, form and key critical issues of the medium, Webcomics helps readers explore the diverse and increasingly popular worlds of online comics. In an accessible and easy-to-navigate format, the book covers such topics as: The history of webcomics and how developments in technology from the 1980s onwards presented new opportunities for comics creators and audiences -- Cultural contexts - from the new financial and business models allowed by digital media to social justice causes in contemporary webcomics -- Key texts - from early examples of the form such as Girl Genius and Penny Arcade to popular current titles such as Questionable Content and Dumbing of Age -- Important theoretical and critical approaches to studying webcomics Webcomics includes a glossary of crucial critical terms, annotated guides to further reading, and online resources and discussion questions to help students and readers develop their understanding of the genre and pursue independent study."
    Anmerkung: Introduction -- Historical Overview -- Social and Cultural Impact Ubiquity -- Technology Conflicts with Newspaper Strips -- Audience Participation Education/Social Causes Formats -- Financing Key Texts -- Girl Genius by Phil and Kaja Foglio Penny -- Arcade by Mike Krahulik and Jerry Holkins -- Questionable Content by Jeph Jacques -- Stand Still. Stay Silent. by Minna Sundberg -- The Adventures of Gyno-Star by Rebecca Cohen -- Dumbing of Age by David M. Willis Empathize -- This by Tak Shiota et al. -- Critical Uses Discussing Webcomics -- Webcomics as a Genre? -- Genres in Webcomics -- Defining Success -- Success: Easier or More Difficult? -- The Negative Side of Creator Access -- Permanence vs. Etherialness -- Paratexts -- Appendix -- Solution -- Squad Lesson Plan -- Glossary -- Resources. - Mode of access: World Wide Web
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-3500-2818-0
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-3500-2817-3
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Comic ; Internet ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online-Ressource
    Online-Ressource
    London ; : Routledge,
    UID:
    almafu_9961568049202883
    Umfang: 1 online resource (273 pages)
    Ausgabe: 1st ed.
    ISBN: 1-00-303940-5 , 1-003-03940-5 , 1-000-40459-5
    Serie: Gender, Sexuality and Comics
    Anmerkung: Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Figures -- Contributors -- Acknowledgements -- 1 Feminist Comics: An expanding Field -- Introduction -- An Expanding Historical Context: Feminist Comic Art in Sweden and Finland -- An Expanding Geographical Perspective: Feminist Comic Art in the Baltic Sea Region -- An Expanding Collaborative Landscape: Feminist Comic Art Activity in the Baltic Sea Region -- Comic Art and Feminism in the Baltic Sea Region: Transnational Perspectives -- Notes -- References -- Part I Swedish Feminist Comics Artists -- 2 Swedish Feminist Comics and Cartoons at the Turn of the Millennium: Joanna Rubin Dranger and åsa Grennvall (schagerström) -- Introduction -- Background: The Feminist Context -- Joanna Rubin Dranger -- The Feminist Superhero "Fittflickan" -- Miss Remarkable & -- Her Career -- Åsa Grennvall (Åsa Schagerström) -- Fanzines -- Violence Against Women -- Conclusion -- Notes -- References -- 3 A Woman's Place (in the Panel): Positioning and Framing in Comics by Nina Hemmingsson and Lotta Sjöberg -- Introduction -- Nina Hemmingsson and Lotta Sjöberg -- The Single-Panel Comic -- Theories of Positioning and Framing -- Positioning Theory -- Framing Theory -- Analysis -- Nina Hemmingsson -- Lotta Sjöberg -- Humour As Visual and Interactional Incongruity -- A Woman's Place: Discussion -- Notes -- References -- Part II Gender, Sex, and Sexuality in German-Language Comics -- 4 A Brief History of Girlsplaining?: Reading Klengel, Patu, and Schrupp With Strömquist. Or: Reflecting visualities of Gender and Feminism in German-Language Comics -- Introduction -- Contemporary German-Language Comics on Feminism and the Influence of Liv Strömquist's Works -- "HIDDEN in Our Culture" - Vulvas -- "maybe the Thinker COULD Look Like This" - Art Quotations. , "HAHA Just Kidding!!" - Humour -- Conclusion -- Notes -- References -- 5 "What's in a Name?": Anke Feuchtenberger's Roses and the Mythic Methodologies of Her Feminist Comic Art -- Introduction -- Anke Feuchtenberger and German Comics After 1989 -- The Myths and Myth-Making Processes of Ideology -- Feuchtenberger's Myth and Artificial Myth "Rosen" and "No Roses" -- Conclusion: Feuchtenberger's Comics Semiotics -- Notes -- References -- 6 For Sex-Positivity?: Potential and Limits of Representing Sex and Sexuality in Ulli Lust's Comics Across Genres -- Introduction -- Ulli Lust As a Comics Artist -- Thinking Sex With Sex-Positive Feminists -- Pornographic Visions of Pleasure and Fantasy -- Autobiographical Perspectives On Sexual Agency and Liberation -- Observations of Sexual Diversity in Reportage -- Conclusion -- Notes -- References -- Part III Non-Binary and Queer Expression in Comics -- 7 Strategies of Ambiguity: Non-Binary Figurations in Non-Binary-german-Language Comics -- Introduction -- Narratology, Semiotics, and Queer-Feminism in Comic Studies -- Comic Theory: Is There a Political Aesthetic of Comics? -- Strategies of Combining, Avoiding, Fragmentation, and Overlapping: Analysis -- Combining -- Avoiding -- Fragmentation and Overlapping -- Ambiguous Focalisation: "Hure h" By Anke Feuchtenberger and Kathrin De Vries -- Hure H In-Between -- Unambiguous Focalisation -- Conclusion -- Notes -- References -- 8 Feminist and Queer Aesthetics in Tove Jansson's Moomin Comics -- Introduction -- Gender and Sexuality in the Moomin Comic Strip -- Moomin's Chosen Families -- Moominmamma's Emancipation -- Moomin Masculinities and Femininities -- Conclusion -- Notes -- References -- Part IV Addressing Violence in Finnish Comics. , 9 Feminist Education and Empowerment: The Individual and the Collective in Emmi Nieminen and Johanna Vehkoo's Comic On Online Violence -- Introduction -- Feminist Comics and Comics Journalism in Finland -- Formations of the Individual and the Collective -- The Targets of Hate: Individual Case Narratives -- The Situated Knowledge of the Creator-Narrator-Characters -- The Haters As Contrast to the Collective of Women -- The Collective Risen above the Problem -- The Inclusion of the Reader -- Conclusion -- Notes -- References -- 10 The Narrative Complexity of Showing and Telling Sexual Harassment and Violence in Kati Kovács's Comics -- Introduction -- Kovács's Comics in the Finnish Comics Scene -- Sexual Violence in Comics and the Challenge of Representation -- Naïve Protagonist, Experienced Narrator? - Narrative Tensions and the Discrepancy of Knowledge -- Unreliable Narrator in the Interaction Between Words and Images -- Conclusion -- Notes -- References -- Part V Memoir and Remembering in Polish and Russian Comics -- 11 "After all, We Must be Our Own Heroines": The Power of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir Totalnie Nie Nostalgia: Memuar -- Introduction -- The Paradoxes of Feminism in Communist Poland -- The Past Is Present: Fun Home and the Power of the Graphic Memoir Genre -- (Don't) Look at Me: The Body and the Self -- Drawing Trauma and the "Ethics of the Image" -- Conclusion -- Notes -- References -- 12 Staring Back at History: Varvara Pomidor and Russian Comics -- Introduction -- Varvara Pomidor's Pravda and Late Soviet History -- Conclusion: "I of Course Wanted a 'Lady's' Coat" -- Notes -- References -- Index.
    Weitere Ausg.: ISBN 1-03-202496-8
    Weitere Ausg.: ISBN 0-367-48333-5
    Sprache: Englisch
    Schlagwort(e): Electronic books.
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  • 5
    UID:
    almahu_9949315536402882
    Umfang: XIX, 348 p. 65 illus. in color. , online resource.
    Ausgabe: 1st ed. 2022.
    ISBN: 9783030935078
    Serie: Palgrave Studies in Comics and Graphic Novels,
    Inhalt: This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice. Maggie Gray lectures in Critical & Historical Studies at Kingston University, UK with a specialism in comics, cartooning, and visual narrative. She is author of Alan Moore, Out from the Underground: Cartooning, Performance and Dissent (Palgrave Macmillan 2017). Ian Horton is a Reader in Graphic Communication and a founder member of the Comics Research Hub (CoRH!!) at the University of the Arts London, UK. He is Associate Editor of the Journal of Graphic Novels and Comics and his research is focused on comic books, graphic design and illustration.
    Anmerkung: Ways of Seeing Comics: Art-Historical Approaches to the Form -- Part I Old Skool Art History -- The Lives of the Artists -- Connoisseurship, Attribution, and Comic Strip Art: The Case of Jack B. Yeats -- Reading Comics with Aby Warburg: Collaging Memories -- Part II Perception, Reception and Meaning -- Psychologies of Perception: Stories of Depiction -- Aesthetics of Reception: Uncovering the Modes of Interaction in Comics -- Reading Richard Felton Outcault's "Yellow Kid" Through Perception of the Image -- Colour in Comics: Reading Lorenzo Mattotti Through the Lens of Art History -- Part III The New and Newer Art Histories -- Feminist Art History as an Approach to Research on Comics: Meta Reflections on Studies of Swedish Feminist Comics -- Towards Feminist Comics Studies: Feminist Art History and the Study of Women's Comix in the 1970s in the United States -- Real Queer Bodies: Visual Weight and Imagined Gravity in Sport Manga -- Part IV Comics for/Beyond Art History -- Afrofuturism and Animism as Method: Art History and Decolonisation in Black Panther -- What Is an Image? Art History, Visual Culture Studies, and Comics Studies -- From Giotto to Drnaso: The Common Well of Pictorial Schema in 'High' Art and 'Low' Comics -- VAST/O Exhibition (De)Construction: Exploring the Potentials of Augmented Abstract Comics and Animation Installations as a Method to Communicate Health Experiences -- From Tableau to Sequence: Introducing Comics Theory Within Art History to Study the Photobook.
    In: Springer Nature eBook
    Weitere Ausg.: Printed edition: ISBN 9783030935061
    Weitere Ausg.: Printed edition: ISBN 9783030935085
    Weitere Ausg.: Printed edition: ISBN 9783030935092
    Sprache: Englisch
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  • 6
    Online-Ressource
    Online-Ressource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949386185102882
    Umfang: 1 online resource (xxiv, 569 pages) : , illustrations.
    ISBN: 9780429559303 , 0429559305 , 9780429264276 , 0429264275 , 9780429554834 , 0429554834 , 9780429563775 , 0429563779
    Serie: Routledge companion
    Inhalt: "The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics and Graphic Novels. A diverse range of international and interdisciplinary scholars take a closer look at how gender and sexuality have been essential in the evolution of comics, and how gender and sexuality in comics demand that we re-frame and re-view comics history. Essays cover a wide array of intersectional topics including Queer Underground and Alternative comics, Feminist Autobiography, Re-drawing disability, Latina testimony, and re-evaluating the critical whiteness and masculinity of superheroes in this first truly global reference text to gender and sexuality in comics. Comics have always been an important place for the radical exploration of feminist and non-binary sexualities and identities, and the growth of non-normative comic book traditions as a field of inquiry makes this an essential text for upper level undergraduates, postgraduates and researchers studying Comics Studies, Women's and Gender Studies, Literary Studies and Cultural Studies."
    Anmerkung: Part I: Interrogating restrictive frames. Translating masculinity : the significance of the frontier in American superheroes -- Black boys and black girls in comics : an affective and historical mapping of intertwined stereotypes -- Pocket-sized pornography : representations of sexual violence and masculinity in Tijuana Bibles -- The comic strip in advertising : persuasion, gender, sexuality -- Real men choose vasectomy : questioning and redefining Mexican national masculinity in Los supermachos, from Rius to anonymous authors -- Marriage, domesticity and superheroes (for better or worse) -- "Is that a monster between your legs or are ya just happy to see me?" : Sex, subjectivity, and the superbody in the Marvel Swimsuit Special -- Part II: Ethnoracial queer and feminist space clearing gestures. Life out loud in the closet : the grotesque as Latinx imagination in Cristy C. Road's Spit and passion -- Graphic (narrative) presentations of violence against Indigenous women : responses to the MMIW crisis in North America -- From "accidental" autobiography to comics activism : tracing the development of an Andalusian-Chinese feminism in the work of comics artist Quan Zhou -- Plea deal compounds : Black women's anger In "the system" of Bitch planet -- Part III: Back to the future. Panels of innocence and experience : reading sexual subjectivity through horror comics -- Teenage biology 101 : serializing a queer girlhood in Ariel Schrag's Potential -- Genre, gender, sexual, textual and visual, and real representations in Bande Dessinée -- A comics Écriture Féminine : Anke Feuchtenberger's feminist graphic expression -- "I'm trapped in here!" : Gender performativity and affect in Emma Ríos's I.D -- Empirical looking : situating the multiple elements of Radioactive : Marie & Pierre Curie, a tale of love and fallout as vehicles for articulating a place for women in science -- Part IV: Counterpublics. From anodyne animals to filthy beasts : defying and defiling safety, sanctity, and sexual suppression in underground animal comics -- Wonder Woman's complicated relationship with feminism -- "Part of something bigger": Ms. /Captain Marvel -- Higher, further, faster baby! : The feminist evolution of Carol Danvers from comics to film -- Female fans, female creators, and female superheroes : the semiotics of changing gender dynamics -- Public-facing feminisms : subverting the lettercol in Bitch planet -- "I'd like everything that's bad for me!" : Tank Girl's cracks in patriarchal pop culture -- Falling in or stepping out : little red formation as agentic gender construction in Lumberjanes -- Part V: Worldly interventions. "A revelation not of the flesh, but of the mind" : performing queer textuality in Alison Bechdel's Fun home -- Blood, or : gender and nation in the contemporary Polish comic -- My grandmother collects memories : gender and remembrance in Hispanic graphic narratives -- Feminist riots and gay giants : the Mayo Feminista and cultural context of contemporary Queer Chilean comics -- Questioning obscenity : the place of "pussy" in manga and the world -- See him, see her, see Xir : LGBTQ visibility in shōnen manga at the turn of the century -- An age of sparkle and drama : exploring gender identities and cultural narratives in 1970s shōjo -- Part VI: Queer and feminist intermedial textures. Representing the extreme end-point of sexual violence : ethical strategies in Phoebe Gloeckner's La tristeza -- The people upstairs : space, memory, and the queered family in My favorite thing is monsters by Emil Ferris -- Fat bats, postpunks, and ice witches : Afrogoth and the undead music of Militia Vox and the comix of Calyn Pickens Rich -- Catherine Meurisse and the gender of art -- My life with toys : an academic Esai into the queer multipurposing of toys as interrupted by the author's life -- "Bobby ... you're gay" : Marvel's Iceman, performativity, continuity, and queer visibility.
    Weitere Ausg.: Print version: Routledge companion to gender and sexuality in comic book studies. Abingdon, Oxon ; New York, NY : Routledge : imprint of the Taylor & Francis Group, 2021 ISBN 9780367209414
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc. ; Comics criticism. ; Electronic books
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  • 7
    UID:
    gbv_442828128
    Umfang: 256 Seiten , Illustrationen , 28 cm
    Ausgabe: second Printing
    Originaltitel: Bande dessinée et Figuration Narrative
    Anmerkung: Index
    Sprache: Englisch
    Schlagwort(e): Ausstellungskatalog
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  • 8
    Online-Ressource
    Online-Ressource
    Lanham, Maryland :Fairleigh Dickinson University Press,
    UID:
    almafu_9959242058902883
    Umfang: 1 online resource (274 p.)
    Ausgabe: 1st ed.
    ISBN: 1-61147-852-9 , 1-61147-557-0
    Inhalt: This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one.
    Anmerkung: Bibliographic Level Mode of Issuance: Monograph , Intro -- Contents -- Acknowledgments -- Introduction -- Chapter One: Antiquity and Bandes Dessinées -- Chapter Two: Did You Learn Your Strip? -- Chapter Three: "Ils sont fous ces Gaulois!" -- Chapter Four: Image and Text in Service of the Nation -- Chapter Five: Who Is Diana Prince? -- Chapter Six: Wonder Woman as Patriotic Icon -- Chapter Seven: Comic Containment -- Chapter Eight: Graphic/Narrative/History -- Chapter Nine: SuperGay -- Chapter Ten: The Man in the Gray Metal Suit -- Chapter Eleven: Seen City -- Chapter Twelve: The Zombie Apocalypse -- Chapter Thirteen: Logicomix and the Enunciatory Apparatus -- Bibliography -- Index -- About the Contributors. , English
    Weitere Ausg.: ISBN 1-306-31525-5
    Weitere Ausg.: ISBN 1-61147-556-2
    Sprache: Englisch
    Schlagwort(e): Electronic books.
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  • 9
    Online-Ressource
    Online-Ressource
    New York :Routledge,
    UID:
    almahu_9949384422402882
    Umfang: 1 online resource
    Ausgabe: First edition.
    ISBN: 9780429467905 , 0429467907 , 9780429886027 , 0429886020 , 9780429886034 , 0429886039 , 9780429886010 , 0429886012
    Inhalt: Visual-Gestural Communication is a truly unique volume in non-language communication devoted to the study of universal gestures, facial expressions, body language, and pantomime. Readers develop the skill and confidence to interact -- sans shared language -- with individuals, such as someone who is deaf or hard of hearing, or who speaks a foreign language. The text and accompanying online resources feature a wealth of icebreakers, sequenced yet modular activities and assignments, as well as resources, student exercises, and teacher-guided tasks that explore aspects and amalgamations of nonverbal communication, theatre, and sign language. It is a tremendous resource for students of visual-gestural communication, sign language interpretation, American Sign Language (and other foreign sign languages), nonverbal communication, theatre, and performance studies, as well as community educators in deaf awareness and advocacy. In addition to the text's vital use in the theatrical arena, it is also applicable to teachers who wish to help their students maximize the use of their facial expressions, gestures, and body language as a prerequisite to learning ASL.
    Anmerkung: Cover; Half Title; Title; Copyright; Contents; ACKNOWLEDGMENTS; CHAPTER 1 INTRODUCTION; Inherent Benefits; An Abridged, Concise (Perhaps Quirky) History of Gestures; Gesture-Sign Language Connections; Gesture and Pantomime in Theatre; Nonverbal Applications; Some Iconic Gestures in Culture, Film, and TV; Self-Awareness; CHAPTER 2 WARM-UPS, ICEBREAKERS, AND EXERCISES; Physical Warm-Ups and Icebreakers; Point and Go; Anthropomorphic Ball; Energy Ball; Rhythm Game; Who's the Leader?; Real and Imaginary Jump Roping; Real and Imaginary Tug-of-War; Invisible Puppetry; Elephant Gestures , Fear the SwordGroup Arm Wave; Group Clap; Newspaper Tag; Group Sculpture; Factory Assembly Line; Emotional Symphony; Observing, Copying, and Exaggerating Walks; Facial Expression Exercises; What's My Face Saying?; Go Face!"" Card Game; Mask Makers; Yes/No Game; Visual Exercises; Mirror Game; Visual Instincts; What Changed?; What's Wrong with This Picture?; Who's the Killer?; Visual-Gestural Exercises; Gesturing Tips; Gestural Name Game; Celebrity Party: Who Am I?; Enacting Wordless Comic Strips; Sports Fans; Polaroids; I Am a Camera; What Are We Doing?; Manual Gibberish , Transformation ExercisesWhere Are We?; Down to the Last Detail; Your Game; Get That Person Off the Chair!; What's in the Room?; Guesstures; Gestural Competition; Clay/Model/Artist; Telephone Game; Let's Go Shopping; The Elevator; United Nations of Gestures; Gift Giving in Gestures; CHAPTER 3 VISUAL-GESTURAL COMMUNICATION ASSIGNMENTS; Your Gestural Introduction; Personal Coat of Arms; Universal Gestures; International Sign; Random Universal Phrases or Questions; Weekend Highlight in Universal Gestures; Cirque du Soleil: Nouvelle Experience; Body Language , Some Basic Hand Orientations for 2D GesturesDeveloping a Pantomime With 2D Gestures; Abstract 2D Gestures; Practice With Basic 3D Hand Shapes: Objects; Creating 3D Objects; Continued Practice with 3D Hand Shapes: Buildings and Structures; Arrangement of Related Objects; Repeating Patterns; Angles and Perspectives; Environmental Gestures; Cooking Up a Storm; Character Description; Character Icons; Animal Character Description; Vehicle Gestures; Visual Vernacular: An Aspect Using Body Movement Designators; CHAPTER 4 PROJECTS; Playwriting, and Performing With Gestures and Movement , Creating a Scene and Script DevelopmentPerformance; Gestures in the Work World; Creating an Original, Visual, Nonverbal, Comical Script à la Mr. Bean; Assessing Your Facial Expressions; Facial Storytelling; Performance Reaction Paper; Visual-Gestural Translation of a Haiku; Re-enacting Little Miss Muffet in Gestures and Movement; Two Crows Project; Two Crows; Visual Theatre Project; Remains of [Bosnians]; Research Project; Final Project; APPENDIX; BIBLIOGRAPHY
    Weitere Ausg.: Print version: Visual-gestural communication New York : Routledge, 2019. ISBN 9781138605855
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books.
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  • 10
    Online-Ressource
    Online-Ressource
    [s.l.] :The Ohio State University Press,
    UID:
    almahu_9949281243702882
    Umfang: 1 online resource (276 p.)
    Serie: Studies in Comics and Cartoons
    Inhalt: In the years following 1975, a group of female-created comic strips came to national attention in a traditionally male-dominated medium. Typical Girls: The Rhetoric of Womanhood in Comic Strips uncovers the understudied and developing history of these strips, defining and exploring the ramifications of this expression of women's roles at a time of great change in history and in comic art. This impressive, engaging, and timely study illustrates how these comics express the complexities of women's experiences, especially as such experiences were shaped by shifting and often competing notions of womanhood and feminism. Including the comics of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook's Comeek), Barbara Brandon-Croft (Where I'm Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls is an important history of the representation of womanhood and women's rights in popular comic strips.
    Anmerkung: Introduction: The Women's Liberation Movement in comic strips -- Crocodilites and Cathy: the worst of both worlds -- Visualizing motherhood in the comic frame: For better or for worse -- Punk rock girl: constituting community in Barry's Girls and boys -- Nicole Hollander's Sylvia: Menippean satire in the mainstream -- "The lesbian rule" in Alison Bechdel's Dykes to watch out for -- Establishing community through dis/association in Barbara Brandon-Croft's Where I'm coming from -- Something from nothing: the inductive argument of Stone soup.
    Weitere Ausg.: ISBN 0-8142-1457-6
    Sprache: Englisch
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