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  • 1
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949551467102882
    Format: 1 online resource
    ISBN: 9781003384250 , 1003384250 , 9781000953329 , 1000953327 , 9781000953268 , 1000953262
    Content: "Drawing upon a wide variety of authors, approaches, and ideological contexts, this book offers a comprehensive and detailed critique of the distinct and polemical senses in which the concept of ressentiment (and its cognate 'resentment') is used today. It also proposes a new mode of addressing ressentiment in which critique and polemics no longer set the tone. Contemporary tendencies in political culture such as neoliberalism, nationalism, populism,identity politics, and large-scale conspiracy theories have led to the return of the concept of ressentiment in armchair political analysis. This book argues that, due to the tension between its enormous descriptive power and its mutually contradicting ideological performances, it is necessary to 'redramatize' the concept of ressentiment. Inspired by Marxist political epistemology, affect theory, postcolonialism, and feminism, the book maps, delimits, and assesses four irreducible ways in which ressentiment can be articulated: the ways of the priest, the philosopher, the witness, and the diplomat. The first perspective is typically embodied by conservative (Scheler, Girard) and liberal (Smith, Rawls) political theory, the second by Nietzsche, Deleuze and Foucault, whereas the third is found in the writings of Améry, Fanon and Adorno, and the fourth is the author's own, albeit inspired by philosophers such as Ahmed, Stiegler, Stengers and Sloterdijk. In producing a dialectical sequence between all four typical modes of enunciation, the book seeks to answer the question by what right do we possess and use the concept of ressentiment, and what makes the phenomenon worth knowing? The Dialectic of Ressentiment will be of interest to scholars and advanced students working in critical theory, social and political philosophy, cultural studies, sociology, history, literature, and anthropology. It will also appeal to anyone interested in (public debates on) the politics of anger, discourse ethics, trauma studies, and memory politics"--
    Additional Edition: Print version: Tuinen, Sjoerd van, 1978-. Dialectic of ressentiment New York, NY : Routledge, [2024] ISBN 9781032470214
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Milton :Taylor & Francis Group,
    UID:
    almafu_9961163477102883
    Format: 1 online resource (323 pages)
    Edition: 1st ed.
    ISBN: 1-00-338425-0 , 1-000-95326-2 , 1-003-38425-0
    Content: "Drawing upon a wide variety of authors, approaches, and ideological contexts, this book offers a comprehensive and detailed critique of the distinct and polemical senses in which the concept of ressentiment (and its cognate 'resentment') is used today. It also proposes a new mode of addressing ressentiment in which critique and polemics no longer set the tone. Contemporary tendencies in political culture such as neoliberalism, nationalism, populism,identity politics, and large-scale conspiracy theories have led to the return of the concept of ressentiment in armchair political analysis. This book argues that, due to the tension between its enormous descriptive power and its mutually contradicting ideological performances, it is necessary to 'redramatize' the concept of ressentiment. Inspired by Marxist political epistemology, affect theory, postcolonialism, and feminism, the book maps, delimits, and assesses four irreducible ways in which ressentiment can be articulated: the ways of the priest, the philosopher, the witness, and the diplomat. The first perspective is typically embodied by conservative (Scheler, Girard) and liberal (Smith, Rawls) political theory, the second by Nietzsche, Deleuze and Foucault, whereas the third is found in the writings of Améry, Fanon and Adorno, and the fourth is the author's own, albeit inspired by philosophers such as Ahmed, Stiegler, Stengers and Sloterdijk. In producing a dialectical sequence between all four typical modes of enunciation, the book seeks to answer the question by what right do we possess and use the concept of ressentiment, and what makes the phenomenon worth knowing? The Dialectic of Ressentiment will be of interest to scholars and advanced students working in critical theory, social and political philosophy, cultural studies, sociology, history, literature, and anthropology. It will also appeal to anyone interested in (public debates on) the politics of anger, discourse ethics, trauma studies, and memory politics"--
    Additional Edition: ISBN 9781032470214
    Language: English
    Keywords: Electronic books.
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  • 3
    Book
    Book
    Stanford, California : Stanford University Press
    UID:
    gbv_1602146489
    Format: xii, 177 Seiten , Illustrationen (schwarz-weiß) , 24 cm
    Edition: Original printing
    ISBN: 0804745609 , 0804745617
    Series Statement: Cultural memory in the present
    Note: Literaturangaben , Hier auch später erschienene, unveränderte Nachdrucke , Present pasts : media, politics, amnesiaMonumental seduction : Christo in Berlin -- The voids of Berlin -- After the war : Berlin as palimpsest -- Fear of mice : the Times Square redevelopment -- Memory sites in an expanded field : the memory park in Buenos Aires -- Doris Salcedo's memory sculpture Unland : the orphan's tunic -- Of mice and mimesis : reading Spiegelman with Adorno -- Rewritings and new beginnings : W.G. Sebald and the literature on the air war -- Twin memories : after-images of nine/eleven.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Psychology , Sociology , Philosophy
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    Keywords: Gedenkstätte ; Geschichtsphilosophie ; Stadt ; Erinnerung ; Gedächtnis ; Kollektives Gedächtnis
    Author information: Huyssen, Andreas 1942-
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  • 4
    Book
    Book
    London ; New York : Wallflower Press
    UID:
    b3kat_BV035551164
    Format: IX, 171 Seiten , Illustrationen , 24 cm
    Edition: 1. published in Great Britain
    ISBN: 9781905674855 , 9781905674862 , 1905674856 , 1905674864
    Note: Filmografie Seite 157-160. - Literaturverzeichnis Seite 161-171 , The Adorno paradox -- Against method -- Analogue/digital splice -- Boredom and analogue nostalgia -- The digital spectacular -- Disposable aesthetics -- DV humanism -- Filmless films -- Frame dragging -- The ideology of the long take -- Image/text -- Incompleteness -- Interfaces -- iPod experiment -- Ironic mode -- Looking at yourself looking : avatar as spectator -- Media as its own theory -- Mobile viewing -- Moving space in the frame, and a note on film theory -- Natural time -- Nonlinear -- Pausing -- Punk -- Realism -- Real time -- The real you -- Remainders -- Sampling -- Secondary becomes primary -- Self-deconstructing narratives -- Shaky camera -- Shoot! (Si gira) -- Simultaneous cinema -- Small screens -- Target video -- Time, memory -- Time-shifting -- Tmesis : skimming and skipping -- Undirected films -- Viewer participation -- Virtual humanism : part 1 -- Virtual humanism : part 2 -- Visible language, spring 1977
    Language: English
    Subjects: General works
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    Keywords: Film ; Neue Medien ; Film ; Philosophie ; Film ; Digitalisierung ; Film ; Neue Technologie
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  • 5
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960118203002883
    Format: 1 online resource (x, 225 pages) : , digital, PDF file(s).
    ISBN: 1-108-53026-5 , 1-108-52596-2 , 1-108-53452-X
    Content: Critics have traditionally maintained that capitalism's resurgence after the Second World War precipitated the transition from modernism to postmodernism. This revisionist account shows that modernism does not simply decline. By foregrounding phenomenological conceptions of bodily experience, Jason M. Baskin reveals modernism's ongoing vitality. Key postwar writers, critics and philosophers, including Elizabeth Bishop, Ezra Pound, Ralph Ellison and Raymond Williams, as well as Maurice Merleau-Ponty and Theodor Adorno, developed an aesthetics of embodiment that adapted modernism to a new postwar landscape. Working across differences of race, gender, national and intellectual tradition, genre and form, Baskin contends that these authors used ordinary bodily experiences, such as perception, memory and laughter, to imagine modes of common being and purpose that were otherwise unavailable in a postwar society dominated by liberal capitalism.
    Note: Title from publisher's bibliographic system (viewed on 15 Nov 2018). , Late modernism and the aesthetics of embodiment -- Elizabeth Bishop's rhythmic looking -- Ezra Pound's scraps of a self -- Ralph Ellison's invisible laughter -- Raymond Williams's collaborative labor.
    Additional Edition: ISBN 1-108-42339-6
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Cambridge ; : Cambridge University Press,
    UID:
    almafu_9959239671502883
    Format: 1 online resource (x, 226 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 1-107-11778-X , 0-521-03531-7 , 0-511-15006-7 , 0-511-48533-6 , 0-511-32459-6 , 1-280-16277-5 , 0-511-11788-4 , 0-511-04849-1
    Content: In Joyce, Derrida, Lacan and the Trauma of History, Christine van Boheemen-Saaf examines the relationship between Joyce's postmodern textuality and the traumatic history of colonialism in Ireland. Joyce's influence on Lacanian psychoanalysis and Derrida's philosophy, Van Boheemen-Saaf suggests, ought to be viewed from a postcolonial perspective. She situates Joyce's writing as a practice of indirect 'witnessing' to a history that remains unspeakable. The loss of a natural relationship to language in Joyce calls for a new ethical dimension in the process of reading. The practice of reading becomes an act of empathy to what the text cannot express in words. In this way, she argues, Joyce's work functions as a material location for the inner voice of Irish cultural memory. This book engages with a wide range of contemporary critical theory and brings Joyce's work into dialogue with thinkers such as Zizek, Adorno, Lyotard, as well as feminism and postcolonial theory.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , The stolen birthright: the mimesis of original loss -- , Representation in a postcolonial symbolic -- , The language of the outlaw -- , The primitive scene of representation: writing gender -- , Materiality in Derrida, Lacan, and Joyce's embodied text. , English
    Additional Edition: ISBN 0-521-66036-X
    Additional Edition: ISBN 0-511-01754-5
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 7
    UID:
    almafu_9959244782902883
    Format: 1 online resource (304 pages).
    ISBN: 3-11-052432-5 , 3-11-052564-X
    Series Statement: Interdisciplinary German Cultural Studies, Volume 22
    Content: Alexander Kluge's revolutionary storytelling for the 21st-century pivots on the production of anti-realist hope under conditions of real catastrophe. Rather than relying on possibility alone, his experimental miniatures engender counterfactual horizons of futurity that are made incrementally accessible to lived experience through narrative form. Innovative close readings and theoretical reflection alike illuminate the dimensional quality of future time in Kluge's radical prose, where off-worldly orientation and unnatural narrative together yield new sensory perspectives on associative networks, futurity, scale, and perspective itself. This study also affords new perspectives on the importance of Kluge's creative writing for critical studies of German thought (including Kant, Marx, Benjamin, and especially Adorno), Holocaust memory, contemporary globalization, literary miniatures, and narrative studies of futurity as form. Cosmic Miniatures contributes an experiential but non-empirical sense of hope to future studies, a scholarly field of pressing public interest in endangered times.
    Note: Frontmatter -- , Acknowledgements -- , Contents -- , Introduction: Hope in Time -- , Part One: Cosmic Miniatures and Critical Horizons: Exercising the Future Sense -- , Part Two: Global Miniatures and Marxist Horizons: Conjunctions in Narrative Time -- , Part Three: German Miniatures and Perspectival Horizons: Recalibrating Historical Voice -- , Postscript: Futurity as Fairy Tale? From Flaschenpost to Nachricht and More -- , Works Cited -- , Alphabetical List of Kluge Titles Discussed, in German and English -- , Index of Persons -- , Index of Works -- , Index of Terms , Issued also in print. , In English.
    Additional Edition: ISBN 3-11-061108-2
    Additional Edition: ISBN 3-11-052384-1
    Language: English
    Subjects: German Studies
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    Keywords: Electronic books.
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    New York :Bloomsbury Academic, | [London, England] :Bloomsbury Publishing,
    UID:
    almahu_9949074238302882
    Format: 1 online resource (208 pages).
    Edition: [1.].
    ISBN: 9781350174993
    Content: "Combining the philosophy and musicology of T.W. Adorno, Walter Benjamin, and Gilles Deleuze, Joseph Weiss makes an original contribution to the field of aesthetics and critical theory. Highlighting previously hidden connections between these philosophers' work brings into focus a new perspective on the dynamic relationship between music, nature, history, and technology. Musical expression in this study is presented as one of the core ways in which human beings are able to escape their more base natures and instincts. The complex ways in which song is taken up across time and place is viewed through the prism of different technologies and histories. This historical process, which Weiss refers to as the 'instrumentalization of the voice', following Deleuze, is illuminated though a wide-ranging analysis encompassing lullaby, jazz, classical music, and the electroacoustic avant-garde. Deepening the aesthetic analysis of music in relation to the conceptual problems of continental philosophy, Weiss reveals enlightening theoretical consequences. By engaging with an eclectic range of 20th century theorists, including Primo Levi, James Baldwin, Édouard Glissant, Fred Moten, and Angela Davis, Weiss makes the argument that advanced music remains a refuge for political hopes that are as yet blocked from realization. Speaking to contemporary debates on post-humanism, memory, and the threat of neo-fascist social relations, the author outlines a bold new aesthetics of music"--
    Note: Prologue: On Presentation -- Introduction: Natural History after the Brahmsian Mode -- Excursus I: From the Lullaby to Electroacoustic Music -- Excursus II: The Sorrow Song of Nature -- Excursus III: Music after Auschwitz -- Index. , Also published in print. , Mode of access: World Wide Web.
    Additional Edition: Print version: ISBN 9781350174962
    Language: English
    Keywords: Electronic books. ; Electronic books
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  • 9
    UID:
    almahu_BV036444317
    Format: VIII, 207 Seiten : , Notenbeispiele ; , 24 cm.
    ISBN: 978-0-8108-6379-8 , 978-0-8108-7295-0
    Series Statement: Europea 10
    Note: The silence of displacement. "Das Lied ist aus" : The final resting place along music's endless journey / Philip V. Bohlman ; Dimensions of silencing : On Nazi anti-semitism in musical displacement / Peter Petersen ; Jez̆ek, Zeisl, Améry, and the exile in the middle / Michael Beckerman -- Displacement and acculturation. The vision of the east and the heritage of the west : Displacement as a catalyst for the creation of musical life in the Jewish community of Palestine / Jehoash Hirshberg ; Time, place, and memory : Songs for a North African Jewish pilgrimage / Ruth F. Davis ; Displaced sounds : Popular music-making among the Irish diaspora in England / Sean Campbell ; On taking leave : Mahler, Jewishness, and jazz in Uri Caine's Urlicht/Primal light / Björn Heile -- Theories and/of displacement. "The splinter in your eye" : Uncomfortable legacies and German exile studies / Florian Scheding ; Adorno and exile : Some thoughts on displacement and what it means to be German / Max Paddison ; Places of the body : Corporal displacements, misplacements, and replacements in music and dance research / Sydney Hutchinson ; Little stories from the Balkans / Jim Samson
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-08108-7410-7
    Language: English
    Subjects: Musicology
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    Keywords: Musik ; Migration ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Levi, Erik 1949-
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  • 10
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    almahu_BV043039467
    Format: 1 online resource (333 pages).
    ISBN: 0-520-94055-5 , 978-0-520-94055-0
    Series Statement: Ahmanson Foundation book in the humanities
    Note: Print version record , List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo , 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack , 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. , This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr
    Additional Edition: Erscheint auch als Druck-Ausgabe Goldmark, Daniel Beyond the Soundtrack : Representing Music in Cinema ISBN 978-0-520-25069-7
    Language: English
    Subjects: Musicology , General works
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    Keywords: Film ; Musik ; Filmmusik ; Aufsatzsammlung
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