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  • 1
    Book
    Book
    New Haven [u.a.] :Yale Univ. Press,
    UID:
    almafu_BV011884286
    Format: VIII, 244 S.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Lyrik ; Barock ; Lyrik ; 1608-1674 Milton, John ; Lyrik ; 1572-1631 Donne, John ; Lyrik
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  • 2
    UID:
    gbv_1854622870
    Format: 1 Online-Ressource (224 pages)
    Edition: 1st ed
    ISBN: 9781350323469
    Series Statement: Bloomsbury Neo-Latin Series: Studies in Early Modern Latin
    Content: This volume addresses the idea of the Baroque in European literature in Latin. With contributions by scholars from various disciplines and countries, and by looking at a range of texts from across Europe, the volume offers case studies to deepen scholarly understanding of this important literary phenomenon and inspire future research. A key aim of the volume is to address the distinctiveness of these texts by interrogating the usefulness and specificity of the term 'Baroque', especially in relation to the classical rules it transgresses to produce effects of grandeur, richness, and exuberance in a range of secular and sacred arts (e.g. music, architecture, painting), as well as various forms of literature (e.g. prose, poetry, drama). The contributors consider how and why Latin writing mutated from earlier humanist paradigms, thus exploring how ideas of 'early modern' and 'Baroque' are related, and examine the interplay of the theory and practice of the 'Baroque', including its debts to and deviations from ancient models, and its limits and limitations
    Note: List of contributors Preface 1 Introduction (Gesine Manuwald, UCL, UK and Andrew Taylor, Churchill College, Cambridge, UK) 2 The sixteenth century's revolution in rhetoric and its impact on the Baroque (Lucy R. Nicholas, Warburg Institute, UK) 3 The Greekness of Neo-Latin wit: Hermogenes and ingenuity in Julius Caesar Scaliger's Poetices libri septem (Javiera Lorenzini Raty, KCL, UK) 4 The triumph of the saint: St Casimir Jagiellon and the militant motifs in Baroque hagiographical poetry (Patryk Ryczkowski, Universität Innsbruck, Austria) 5 Innovation and fusion: Sarbiewski's theory of Baroque literary style (Tomas Riklius, Vilnius University, Lithuania) 6 Christ's blood or Mary's milk? 'Clarus Bonarscius', Baroque piety and English Protestant outrage (Alison Shell, UCL, UK) 7 An example of Baroque Latinity through the inclusion of ancient literary models into modern thought: Claude-Barthélemy Morisot's Peruviana (1644) (Valérie Boutrois-Wampfler, University of Reims Champagne-Ardenne, France) 8 Maffeo Barberini's poems for the Farnese family in early Baroque Rome (Stephen J. Harrison, University of Oxford, UK) 9 Mannerisms in Latin Baroque poetry by Paul Fleming (1609-40) and Georg Gloger (1603-31) (Beate Hintzen, Universität Bonn, Germany) 10 What makes a Neo-Latin tragedy Baroque? (Jan Bloemendal, Royal Netherlands Academy/Huygens Institute, Netherlands and James Parente, University of Minnesota, USA) 11 Asses at the lyre: Latin as musical language and the benefits of exclusion (Eric Bianchi, Fordham University, USA) 12 Latin motet texts in seventeenth-century Rome and the Exercitia spiritualia of St Ignatius of Loyola (Adrian Horsewood, Royal Birmingham Conservatoire, UK) Index
    Language: English
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  • 3
    UID:
    almahu_9947413066502882
    Format: 1 online resource (viii, 297 pages) : , digital, PDF file(s).
    ISBN: 9781782043546 (ebook)
    Content: The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los significantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulación y recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento conspicuo" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao. Jean Andrews is Associate Professor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews, Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia, Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , La poesía mutante del Siglo de Oro / Aurora Egido -- Moving in ... Garcilaso de la Vega's "Dulces prendas por mi mal halladas" / Isabel Torres -- The movement of thought and feeling in the "Ode to Juan de Grial" / Terence O'Reilly -- Metaphors of movement in two poems of fray Luis de León / Colin Thompson -- El tiempo medido en versos : Camila Lucinda en las Rimas (1609) de Lope de Vega / Marsha S. Collins -- Upwards to Helicon : Lope de Vega, the Laurel de Apolo, and acts of judgment / Mark J. Mascia -- "Dulce es refugio" : el peregrino de Góngora se detiene / Noelia Cirnigliaro -- The staging of Góngora's three funereal sonnets for Margarita de Austria Estiria / Jean Andrews -- Jealousy in Maria de Zayas's intercalated poetry : lyric illness and narrative cure / Dana Bultman -- Hacia otra lectura del petrarquismo en Sor Juana Inés de la Cruz / Verónica Grossi -- El conde de Salinas y Leonor Pimentel : cuando se juntan el amor y la poesía / Trevor J. Dadson -- Poesía popular en movimiento : los jeroglíficos "muy propios al intento y muy de su profesión" en las celebraciones de la Valencia barroca / Carmen Peraita -- Responding to Góngora : María Rosal and the Clori poems / Anne Holloway -- Traveling in place : Baroque lyric transports in translation, or Flames that bridge the stream / Amanda Powell.
    Additional Edition: Print version: ISBN 9781855662841
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Chichester, West Sussex, UK :Malden, MA :
    UID:
    almafu_9959328966302883
    Format: 1 online resource
    ISBN: 9781118876183 , 1118876180 , 9781118876121 , 1118876121 , 9781118876169 , 1118876164
    Series Statement: Wiley Blackwell Handbooks to Classical Reception.
    Content: A Handbook to the Reception of Ovid presents more than 30 original essays written by leading scholars revealing the rich diversity of critical engagement with Ovid's poetry that spans the Western tradition from antiquity to the present day.-Offers innovative perspectives on Ovid's poetry and its reception from antiquity to the present day -Features contributions from more than 30 leading scholars in the Humanities.-Introduces familiar and unfamiliar figures in the history of Ovidian reception.-Demonstrates the enduring and transformative power of Ovid's poetry into modern times.
    Note: Ovid's self-reception in his exile poetry / K. Sara Myers -- Modeling reception in Ovid's Metamorphoses: Ovid's epic Cyclops / Andrew Feldherr -- Ovidian myths on Pompeiian walls / Peter E. Knox -- Ovid in Flavian occasional poetry (Martial and Statius) / Gianpiero Rosati -- Poetae ovidiani: Ovid's Metamorphoses in imperial Roman epic / Alison Keith -- Ovid in Apuleius' Metamorphoses / S.J. Harrison -- A poet between two worlds: Ovid in late antiquity / Lan Fielding -- Commentary and collaboration in the medieval allegorical tradition / Jamie C. Fumo -- The mythographic tradition after Ovid / Gregory Hays -- Ovid's exile and medieval Italian literature: the lyric tradition / Catherine Keen -- Venus's clerk: Ovid's amatory poetry in the Middle Ages / Marilynn Desmond -- The metamorphosis of Ovid in Dante's Divine comedy / Diskin Clay -- Ovid in Chaucer and Gower / Andrew Galloway -- Ovid's Metamorphoses and the history of baroque art / Paul Barolsky -- The poetics of time: the Fasti in the Renaissance / Maggie Kilgour -- Shakespeare and Ovid / Sean Keilen -- Ben Jonson's light reading / Heather James -- Love poems in sequence: the Amores from Petrarch to Goethe / Gordon Braden -- Don Quixote as Ovidian text / Frederick A. De Armas -- Spenser and Ovid / Philip Hardie -- Ovidian intertextuality in Ariosto's Orlando Furioso / Sergio Casali -- "Joy and harmles pastime": Milton and the Ovidian arts of leisure / Mandy Green -- Ovid translated: early modern versions of the Metamorphoses / Dan Hooley -- Ovid in restoration and eighteenth-century England / James M. Horowitz -- The influence of Ovid in opera / Jon Solomon -- Ovid in Germany / Theodore Ziolkowski -- Ovid and Russia's poets of exile / Andrew Kahn -- Alter Ovid: contemporary art on the hyphen / Jill H. Casid -- Contemporary poetry: after after Ovid / Sarah Annes Brown -- Ovid's "biography": novels of Ovid's exile / Rainer Godel -- Ovid and the cinema: an introduction / Martin M. Winkler.
    Additional Edition: Print version: Handbook to the reception of Ovid. Chichester, West Sussex : John Wiley & Sons, 2014 ISBN 9781444339673
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
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  • 5
    Book
    Book
    New Haven [u.a.] : Yale Univ. Press
    UID:
    b3kat_BV006986764
    Format: VIII, 244 S.
    Edition: 2. print.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Donne, John 1572-1631 ; Lyrik ; Milton, John 1608-1674 ; Lyrik ; Barock ; Lyrik ; Lyrik ; Geschichte 1600-1750
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  • 6
    Book
    Book
    New York :Octagon Books,
    UID:
    almafu_BV002868623
    Format: VIII,244 S.
    Edition: Repr.
    ISBN: 0-374-96052-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , English Studies
    RVK:
    RVK:
    Keywords: 1572-1631 Donne, John ; Lyrik ; 1608-1674 Milton, John ; Lyrik ; Barock ; Lyrik ; Lyrik
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  • 7
    Book
    Book
    London : Chatto & Windus
    UID:
    gbv_72874189X
    Format: 309 S. , 24 cm
    ISBN: 0701186461 , 9780701186463
    Content: Beyond the Lyric is "a book of enthusiams": an intelligent and wittily presented map of contemporary British poetry today. Today's field is vibrant, exciting and diverse, and Fiona Sampson provides a radical map of living British poets, grouped according to the kind of poetry they write. From the groundbreaking, bread-and-butter diction of the Plain Dealers (Ruth Fainlight and Alan Brownjohn) to the baroque sensibilities of Dandies (Glyn Maxwell, Hugo Williams), we are introduced to the Oxford Elegists (John Fuller, Andrew Motion and Mick Imlah) and the New Formalists (Don Paterson, Mimi Khalvati), the Anecdoctalists (Carol Ann Duffy, Simon Armitage) and Mythopoesis (Robin Robertson). Sampson's close reading dramatically shifts the critical focus back to the poem itself, and asks the big questions about what makes a poem
    Note: Includes index
    Additional Edition: ISBN 1448138663
    Additional Edition: ISBN 9781448138661
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Lyrik
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  • 8
    Online Resource
    Online Resource
    Amsterdam ; : J. Benjamins Pub.,
    UID:
    edocfu_9959239008902883
    Format: 1 online resource (279 p.)
    Edition: 1st ed.
    ISBN: 1-283-35862-X , 9786613358622 , 90-272-7773-7
    Series Statement: Purdue University monographs in Romance languages, v. 38
    Content: During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Góngora himself experimented with dramatic form in his two little-known plays, Las firmezas de Isabela and El doctor Carlino. In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful
    Note: Description based upon print version of record. , POETRY AS PLAY; Editorial page; Title page; Copyright page; Dedication; Table of contents; Preface; Acknowledgments; 1. The Comedia Nueva and Poetic Practice in the Golden Age; I. INDETERMINACY OF GENRE IN THE COMEDIA NUEVA; II. POETIC RENOVATIO AND ITS IMPACT ON THE COMEDIA; A. THE ROMANCERO AND THE COMEDIA; B. PETRARCHISM AND AMATORY POETRY IN THE COMEDIA; C. THE COMEDIA AND GONGORISMO; 2. Theatricality and Dramatic Attitude in Renaissance and Baroque Poetry; I. GENERAL OBSERVATIONS ON BAROQUE THEATRICALITY; A. THE ORALITY AND PUBLIC NATURE OF POETRY; B. THE CERTÁMENES POÉTICOS , C. DRAMATIZING THE LYRIC VOICED. THE POETRY OF SELF-FASHIONING; E. BAROQUE METAPHOR; II. ANALOGIES BETWEEN POETIC DISCOURSE AND DRAMATIC CONVENTION; 3. Lope and Góngora Revisited; I. PERSONAL RIVALRY AND TEXTUAL REPERCUSSIONS; A. GÓNGORA'S PARODIES OF LOPE; B. LOPE'S AMBIGUOUS RESPONSE; II. SEVENTEENTH-CENTURY ATTITUDES TOWARD LOPE'S COMEDIA AND GÓNGORA'S POETRY; A. CONTROVERSIES OVER THE COMEDIA; B. CONTROVERSIES OVER GÓNGORA'S POETRY; C. DEFENSES OF COMEDIA AND GÓNGORA'S POETRY; 4. Góngora and the Comedia (Part I): Las firmezas de Isabela: Transforming the Model , I. CHARACTERIZATION AND ACTION IN LAS FIRMEZAS II. DIALOGUE, MONOLOGUE, AND ASIDE; III. DRAMATIZING POETRY; 5. Góngora and the Comedia (Part II): Parody as Performance in El doctor Carlino; 6. The Critique of Góngora and Culteranismo in Lope's Comedias; I. THE STORY OF ANGÉLICA; II. EL CAPELLÁN DE LA VIRGEN; III. LA DAMA BOBA; IV. LA DOROTEA AND LAS BIZARRÍAS DE BELISA: LOPE'S FINAL CRITIQUE AND EMBRACE OF GONGORISMO; 7. Gongorismo and Dramatic Practice after Lope; I. GONGORINE REPERCUSSIONS IN SEVENTEENTH-CENTURY PLAYS; II. ""COLORES Y RUIDOS"": GONGORISMO AND CALDERÓN'S THEATER , A. CALDERONIAN DRAMA AND THE NEW THEATRICAL AESTHETICB. THE COMEDIA AS SELF-CONSCIOUS GENRE; C. THE POETRY OF CALDERÓN'S PLAYS; D. THEATRICALITY AND GONGORISMO; III. CONCLUSIONS; Notes; Works Consulted; Index , English
    Additional Edition: ISBN 1-55619-304-1
    Additional Edition: ISBN 90-272-1761-0
    Language: English
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  • 9
    Online Resource
    Online Resource
    Amsterdam ; : J. Benjamins Pub.,
    UID:
    almahu_9949179432302882
    Format: 1 online resource (279 p.)
    Edition: 1st ed.
    ISBN: 1-283-35862-X , 9786613358622 , 90-272-7773-7
    Series Statement: Purdue University monographs in Romance languages, v. 38
    Content: During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Góngora himself experimented with dramatic form in his two little-known plays, Las firmezas de Isabela and El doctor Carlino. In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful
    Note: Description based upon print version of record. , POETRY AS PLAY; Editorial page; Title page; Copyright page; Dedication; Table of contents; Preface; Acknowledgments; 1. The Comedia Nueva and Poetic Practice in the Golden Age; I. INDETERMINACY OF GENRE IN THE COMEDIA NUEVA; II. POETIC RENOVATIO AND ITS IMPACT ON THE COMEDIA; A. THE ROMANCERO AND THE COMEDIA; B. PETRARCHISM AND AMATORY POETRY IN THE COMEDIA; C. THE COMEDIA AND GONGORISMO; 2. Theatricality and Dramatic Attitude in Renaissance and Baroque Poetry; I. GENERAL OBSERVATIONS ON BAROQUE THEATRICALITY; A. THE ORALITY AND PUBLIC NATURE OF POETRY; B. THE CERTÁMENES POÉTICOS , C. DRAMATIZING THE LYRIC VOICED. THE POETRY OF SELF-FASHIONING; E. BAROQUE METAPHOR; II. ANALOGIES BETWEEN POETIC DISCOURSE AND DRAMATIC CONVENTION; 3. Lope and Góngora Revisited; I. PERSONAL RIVALRY AND TEXTUAL REPERCUSSIONS; A. GÓNGORA'S PARODIES OF LOPE; B. LOPE'S AMBIGUOUS RESPONSE; II. SEVENTEENTH-CENTURY ATTITUDES TOWARD LOPE'S COMEDIA AND GÓNGORA'S POETRY; A. CONTROVERSIES OVER THE COMEDIA; B. CONTROVERSIES OVER GÓNGORA'S POETRY; C. DEFENSES OF COMEDIA AND GÓNGORA'S POETRY; 4. Góngora and the Comedia (Part I): Las firmezas de Isabela: Transforming the Model , I. CHARACTERIZATION AND ACTION IN LAS FIRMEZAS II. DIALOGUE, MONOLOGUE, AND ASIDE; III. DRAMATIZING POETRY; 5. Góngora and the Comedia (Part II): Parody as Performance in El doctor Carlino; 6. The Critique of Góngora and Culteranismo in Lope's Comedias; I. THE STORY OF ANGÉLICA; II. EL CAPELLÁN DE LA VIRGEN; III. LA DAMA BOBA; IV. LA DOROTEA AND LAS BIZARRÍAS DE BELISA: LOPE'S FINAL CRITIQUE AND EMBRACE OF GONGORISMO; 7. Gongorismo and Dramatic Practice after Lope; I. GONGORINE REPERCUSSIONS IN SEVENTEENTH-CENTURY PLAYS; II. ""COLORES Y RUIDOS"": GONGORISMO AND CALDERÓN'S THEATER , A. CALDERONIAN DRAMA AND THE NEW THEATRICAL AESTHETICB. THE COMEDIA AS SELF-CONSCIOUS GENRE; C. THE POETRY OF CALDERÓN'S PLAYS; D. THEATRICALITY AND GONGORISMO; III. CONCLUSIONS; Notes; Works Consulted; Index , English
    Additional Edition: ISBN 1-55619-304-1
    Additional Edition: ISBN 90-272-1761-0
    Language: English
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  • 10
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9948022485402882
    Format: 1 online resource (xxii, 699 pages) : , digital, PDF file(s).
    ISBN: 9781139056175 (ebook)
    Content: Italy possesses one of the richest and most influential literatures of Europe, stretching back to the thirteenth century. This first substantial history of Italian literature to appear in the English language for forty years provides a comprehensive survey of Italian writing from its earliest origins up to the present day. Leading scholars describe and assess the work of writers who have contributed to the Italian literary tradition, including Dante, Petrarch and Boccaccio, the Renaissance humanists, Machiavelli, Ariosto and Tasso, pioneers and practitioners of commedia dell'arte and opera, and the contemporary novelists Calvino and Eco. The Cambridge History of Italian Literature sets out to be accessible to the general reader as well as to students and scholars: translations are provided, along with a map, chronological chart and up-to-date and substantial bibliographies.
    Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Origins and Duecento / Jonathan Usher. 1. The earliest evidence. 2. Poetry. 3. Prose. 4. Dante / Lino Pertile. 5. Boccaccio / Pamela D. Stewart. 6. Petrarch / John Took. 7. Minor writers / Steven Botterill. 8. Humanism. 9. Power, patronage and literary associations. 10. Literature in the vernacular -- The Cinquecento. 11. Prose / Brian Richardson. 12. Narrative poetry / Peter Marinelli. 13. Lyric poetry / Anthony Oldcorn. 14. Theatre / Richard Andrews -- The Seicento: Poetry, Philosophy and Science / Paolo Cherchi. 15. The Baroque. 16. Lyric poetry. 17. Mock-epic poetry and satire. 18. Treatises. 19. Narrative prose. 20. Theatre. 21. Opera / David Kimbell -- The Settecento / Franco Fido. 22. The first half of the Settecento. 23. The theatre from Metastasio to Goldoni. 24. Opera / David Kimbell. 25. The Enlightenment and Parini. 26. Alfieri and pre-Romanticism. 27. The Romantic controversy. 28. Monti. 29. Foscolo. 30. Leopardi. 31. Manzoni and the novel. 32. Other novelists and poets of the Risorgimento. 33. Opera since 1800 / David Kimbell -- The Literature of United Italy (1870-1910). 34. Writer and society in the new Italy / Robert Dombroski. 35. Pirandello / Felicity Firth -- The Rise and Fall of Fascism (1910-45) / Robert Dombroski. 36. Poetry and the avant-garde. 37. Philosophy and literature from Croce to Gramsci. 38. The novel -- The Aftermath of the Second World War (1945-56) / John Gatt-Rutter. 39. After the Liberation. 40. Neo-realism. 41. History and the poets -- Contemporary Italy (since 1956) / Michael Caesar. 42. The late 1950s and the 1960s. 43. The 1970s. 44. The 1980s.
    Additional Edition: Print version: ISBN 9780521434928
    Language: English
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