Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    Milton :Taylor & Francis Group,
    UID:
    almahu_9949561376102882
    Format: 1 online resource (375 pages)
    Edition: 1st ed.
    ISBN: 1-000-98784-1
    Series Statement: Routledge Studies in Twentieth-Century Literature Series
    Note: Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction: Strategy Meets Ambiguity -- I Textual Strategies -- 1 Enduring Ambiguity -- 2 The (Strategic) Ambiguity of Poem Titles -- 3 The Strategic Use of Ambiguous Images in Multisemiotic Textures -- 4 Radical Text Theory and Textual Ambiguity: With Two Analyses of Dadaist Anti-Text Strategies -- 5 The Case of Epistemic Ambiguity and Its Strategic Production: Connecting Text and Cognition -- 6 Political Ambivalence and Dramatic Ambiguity: Bertolt Brecht's Lehrstück Die Maßnahme (1930/31) -- II Productive Perception -- 7 (Non)Strategic Production Planning and Ambiguity: Experimental Evidence -- 8 Reading Aloud Strategic Ambiguities in Poetic Texts -- 9 Does Reanalysis Need Ambiguity? -- 10 Are Hearer Strategies Strategic?: Relevance Theory and the Strategicness of Hearer Action in Everyday Language and Language Change -- 11 Ambiguation as Rhetorical Strategy in Sermo 38 by Maurice of Sully -- 12 "To Define Is to Distrust": Intertextual Ambiguity in Laurence Sterne's Tristram Shandy and James Joyce's Ulysses -- 13 Sacred Drama, the Law, and Ambiguities of Form in Nineteenth-Century England -- 14 Annotating Ambiguity Across Disciplines: The Tübingen Interdisciplinary Corpus of Ambiguity Phenomena (TInCAP) -- Index.
    Additional Edition: ISBN 9781032287010
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Rochester, N.Y. :Camden House,
    UID:
    almafu_9960117022902883
    Format: 1 online resource (viii, 348 pages) : , digital, PDF file(s).
    ISBN: 1-281-74129-9 , 9786611741297 , 1-57113-635-5
    Series Statement: Studies in German literature, linguistics, and culture
    Content: As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform. , English
    Additional Edition: ISBN 1-57113-076-4
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Rochester, N.Y. : Camden House
    UID:
    b3kat_BV019581608
    Format: IX, 348 S.
    Edition: 1. publ.
    ISBN: 1571130764
    Series Statement: Studies in German literature, linguistics, and culture
    Note: Rez.: German Studies Review 29 (2006),1, S. 197-198 (Michael M. Metzger); Etudes Germaniques 64 (2009),3, S. 723 (M. Silhouette) , Includes bibliographical references and index , Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- "Viel Theorie in Dialogform."
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Brecht, Bertolt 1898-1956 ; Theatertheorie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    b3kat_BV041554688
    In: pages:29-49
    In: Yearbook 1962 / ed. by Heimo Rau, New Delhi, 1962, S. 29 - 49
    Language: English
    Author information: Lutze, Lothar 1927-2015
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413056602882
    Format: 1 online resource (viii, 348 pages) : , digital, PDF file(s).
    ISBN: 9781571136350 (ebook)
    Content: As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts - 'Verfremdungseffekte' (de-familiarization devices) and epic theater, among others - were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and considered in light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of 'epic' presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous. John J. White is Emeritus Professor of German and Comparative Literature at King's College London.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Epic opera and epic theater -- Conceptualizing the exile work -- The dramaturgical poems and their contexts -- Preparations for East Berlin -- Viel Theorie in Dialogform.
    Additional Edition: Print version: ISBN 9781571130761
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Book
    Book
    Rochester, N.Y. :Camden House,
    UID:
    almahu_BV025552486
    Format: VIII, 348 S.
    Edition: digital print.
    ISBN: 978-1-57113-076-1
    Series Statement: Studies in German literature, linguistics, and culture
    Note: Rez.: German Studies Review 29 (2006),1, S. 197-198 (Michael M. Metzger). - Includes bibliographical references and index
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1898-1956 Brecht, Bertolt ; Theatertheorie
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    Book
    Book
    Rochester, NY [u.a.] :Camden House,
    UID:
    almafu_BV039546565
    Format: 348 S.
    Edition: 1. publ., repr. in paperback
    Series Statement: Studies in German literature, linguistics and culture
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1898-1956 Brecht, Bertolt ; Theatertheorie
    Author information: White, John J. 1940-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 8
    Online Resource
    Online Resource
    New York, New York :Routledge,
    UID:
    almahu_9949555825102882
    Format: 1 online resource (xiv, 358 pages) : , illustrations.
    ISBN: 1-000-98780-9 , 1-00-329808-7 , 1-003-29808-7
    Series Statement: Routledge studies in twentieth-century literature
    Content: "There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy, or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a listener strategically perceives ambiguity, which may happen both synchronically (e.g. in conversations) as well as diachronically (e.g. when strategically ambiguating biblical texts in order to make them applicable to moral lessons). Another example is the question whether ambiguity awareness increases the strategic use of ambiguity in prosody. Moreover, the authors not only enquire into effects of ambiguous meanings but also into the strategic use of ambiguity as such, for example, as a response to censorship or as a means of provoking irritation. This volume brings together several contributions from linguistics, literary studies, rhetoric, psychology and theology, and aims at providing a systematic approach to the strategic production and perception of ambiguity in a variety of texts and contexts"--
    Note: Introduction: Strategy Meets Ambiguity Matthias Bauer and Angelika ZirkerI. -- Textual StrategiesEnduring AmbiguityVeronika Ehrich -- The (Strategic) Ambiguity of Poem Titles Matthias Bauer and Martina Bross -- The Strategic Use of Ambiguous Images in Multisemiotic Textures Nicolas Potysch-- Radical Text Theory and Textual Ambiguity: With Two Analyses of Dadaist Anti-Text Strategies Joachim Knape -- The Case of Epistemic Ambiguity and Its Strategic Production: Connecting Text and CognitionFlorian Rohmann, Lisa Ebert, Elias-Jason Güthlein and Carolin Munderich-- Political Ambivalence and Dramatic Ambiguity: Bertolt Brecht's Lehrstück Die Maßnahme (1930/31)Sebastian Meixner -- II. Productive Perception(Non)Strategic Production Planning and Ambiguity: Experimental EvidenceBettina Remmele, Sophia Schopper, Robin Hörnig and Susanne Winkler -- Reading Aloud Strategic Ambiguities in Poetic TextsDavid Fishelov-- Does Reanalysis Need Ambiguity?Ulrich DetgesAre Hearer Strategies Strategic? Relevance Theory and the Strategicness of Hearer Action in Everyday Language and Language ChangeGesa Schole and Carolin Munderich-- Ambiguation as Rhetorical Strategy in Sermo 38 by Maurice of SullyNikolai Kohler and Mirjam Sigmund-- "To Define Is to Distrust": Intertextual Ambiguity in Laurence Sterne's Tristram Shandy and James Joyce's Ulysses-- Leona TokerSacred Drama, the Law, and Ambiguities of Form in Nineteenth-Century EnglandJan-Melissa Schramm-- Annotating Ambiguity across Disciplines: The Tübingen Interdisciplinary Corpus of Ambiguity Phenomena (TInCAP)Jutta Hartmann, Lisa Ebert, Gesa Schole, Wiltrud Wagner and Susanne Winkler.
    Additional Edition: ISBN 9781032286914
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 9
    Online Resource
    Online Resource
    Milton :Taylor & Francis Group,
    UID:
    edoccha_9961250540802883
    Format: 1 online resource (375 pages)
    Edition: 1st ed.
    ISBN: 1-000-98784-1
    Series Statement: Routledge Studies in Twentieth-Century Literature Series
    Note: Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction: Strategy Meets Ambiguity -- I Textual Strategies -- 1 Enduring Ambiguity -- 2 The (Strategic) Ambiguity of Poem Titles -- 3 The Strategic Use of Ambiguous Images in Multisemiotic Textures -- 4 Radical Text Theory and Textual Ambiguity: With Two Analyses of Dadaist Anti-Text Strategies -- 5 The Case of Epistemic Ambiguity and Its Strategic Production: Connecting Text and Cognition -- 6 Political Ambivalence and Dramatic Ambiguity: Bertolt Brecht's Lehrstück Die Maßnahme (1930/31) -- II Productive Perception -- 7 (Non)Strategic Production Planning and Ambiguity: Experimental Evidence -- 8 Reading Aloud Strategic Ambiguities in Poetic Texts -- 9 Does Reanalysis Need Ambiguity? -- 10 Are Hearer Strategies Strategic?: Relevance Theory and the Strategicness of Hearer Action in Everyday Language and Language Change -- 11 Ambiguation as Rhetorical Strategy in Sermo 38 by Maurice of Sully -- 12 "To Define Is to Distrust": Intertextual Ambiguity in Laurence Sterne's Tristram Shandy and James Joyce's Ulysses -- 13 Sacred Drama, the Law, and Ambiguities of Form in Nineteenth-Century England -- 14 Annotating Ambiguity Across Disciplines: The Tübingen Interdisciplinary Corpus of Ambiguity Phenomena (TInCAP) -- Index.
    Additional Edition: ISBN 9781032287010
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Online Resource
    Online Resource
    Milton :Taylor & Francis Group,
    UID:
    edocfu_9961250540802883
    Format: 1 online resource (375 pages)
    Edition: 1st ed.
    ISBN: 1-000-98784-1
    Series Statement: Routledge Studies in Twentieth-Century Literature Series
    Note: Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction: Strategy Meets Ambiguity -- I Textual Strategies -- 1 Enduring Ambiguity -- 2 The (Strategic) Ambiguity of Poem Titles -- 3 The Strategic Use of Ambiguous Images in Multisemiotic Textures -- 4 Radical Text Theory and Textual Ambiguity: With Two Analyses of Dadaist Anti-Text Strategies -- 5 The Case of Epistemic Ambiguity and Its Strategic Production: Connecting Text and Cognition -- 6 Political Ambivalence and Dramatic Ambiguity: Bertolt Brecht's Lehrstück Die Maßnahme (1930/31) -- II Productive Perception -- 7 (Non)Strategic Production Planning and Ambiguity: Experimental Evidence -- 8 Reading Aloud Strategic Ambiguities in Poetic Texts -- 9 Does Reanalysis Need Ambiguity? -- 10 Are Hearer Strategies Strategic?: Relevance Theory and the Strategicness of Hearer Action in Everyday Language and Language Change -- 11 Ambiguation as Rhetorical Strategy in Sermo 38 by Maurice of Sully -- 12 "To Define Is to Distrust": Intertextual Ambiguity in Laurence Sterne's Tristram Shandy and James Joyce's Ulysses -- 13 Sacred Drama, the Law, and Ambiguities of Form in Nineteenth-Century England -- 14 Annotating Ambiguity Across Disciplines: The Tübingen Interdisciplinary Corpus of Ambiguity Phenomena (TInCAP) -- Index.
    Additional Edition: ISBN 9781032287010
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages