Kooperativer Bibliotheksverbund

UID:

Format: XIV, 788 Seiten : , Illustrationen ; , 24 cm.

Edition: 1. publ.

ISBN: 0-19-924908-3

Note: Includes bibliographical references (pages 733-755) and index. - Includes filmography: pages 731-73 , Introduction: The culture war -- pt. 1. Marking the territory. Propaganda wars and cultural treaties -- The gladiatorial exhibition -- pt. 2. Stage and screen wars: Russians and America. Broadway dead, says Soviet critic -- The Russian question: a Russian play -- Soviet cinema under Stalin -- Hollywood: the Red Menace -- Witch hunts: Losey, Kazan, Miller -- Soviet cinema: the new wave -- pt. 3. Stage and screen wars: Europe. Germany divided: stage and screen -- Brecht and the Berliner Ensemble -- Dirty Hands: the political theatre of Sartre and Camus -- Squaring the circle: Ionesco, Beckett, Havel, Stoppard -- Andrzej Wajda: Ashes and diamonds, marble and iron -- pt. 4. Music and ballet wars. Classical music wars -- Shostakovich's Testimony -- All that jazz: Iron Curtain calls -- The ballet dancer defects -- pt. 5. Art wars. Stalinist art: Tractor drivers' supper -- Passports for paintings: abstract expressionism and the CIA -- Picasso and communist art in France -- The other Russia: pictures by "jackasses'

Language: English

Subjects: History , General works

Keywords: Ost-West-Konflikt ; Kulturpolitik ; Massenkultur ; Auswärtige Kulturpolitik ; Kulturimperialismus ; Malerei ; Abstrakter Expressionismus ; Ost-West-Konflikt ; Kultur ; Hegemonie ; Abstrakter Expressionismus ; Historische Darstellung

URL: Inhaltstext

URL: http://www.loc.gov/catdir/enhancements/fy0723/2004297973-b.html

UID:

Format: 233 Seiten , 21 cm x 12.8 cm

ISBN: 3549074794 , 9783549074794

Content: For more than five decades, Wolf Biermann has been one of the most popular songwriters. Encouraged by Hanns Eisler, he began composing and singing his verses in the late 1950s. This band brings together a selection of songs and poems from fifty years, especially those that have played a key role in Biermann's life

Note: Vorwort -- Die grüne Schwemme (1960) -- Ballade von der Buckower Süsskirschenzeit (1962) -- Ballade vom Fernlastfahrer Bruno (1959) -- Ballade vom Traktoristen Kalle mitm steifn Bein (1961) -- Ballade von dem Drainage : Leger Fredi Rohsmeisl aus Buckow (1962) -- Kleinstadtsonntag (1962) -- Berlin, du deutsche deutsche Frau (1962) -- An die alten Genossen (1962) -- Hanns Eisler oder die Anatomie einer Kugel (1964) -- Rücksichtslose Schimpferei (1962) -- Antrittsrede des Sängers (1963) -- Warte nicht auf bessre Zeiten (1963) -- Keine Party ohne Biermann (1963) -- Ballade vom Mann der sich eigenhändig beide Füsse abhackte (1963) -- Ballade vom Briefträger William L. Moore aus Baltimore (1963) -- Prolog für den Film "Spur der Steine" (1965) -- Das Barlach-Lied (1963) -- Soldat Soldat (1963) -- Frühzeit (1964) -- Ballade auf den Dichter Franco̦is Villon (1964) -- Was verboten ist, das macht uns grade scharf! (1964) -- Fällt mir der Himmel auf den Kopf (1964) -- Ballade zur Beachtung der Begleitumstände beim Tode von Despoten (1964) -- Acht Argumente für die Beibehaltung des Namens "Stalinallee" für die Stalinallee (1966) -- Deutschland, ein Wintermärchen, Kapitel I (1964) -- Ach Freund, geht es nicht auch dir so? (1965) -- Vier sehr verschiedene Versuche, mit den alten Genossen neu zu reden (1965) -- Populärballade (1965) -- Von mir und meiner Dicken in den Fichten (1965) -- Frühling auf dem Mont-Klamott (1966) -- In China hinter der Mauer (1966) -- Die hab ich satt! (1966) -- Ah : jaa! (1966) -- Bilanzballade im dreissigsten Jahr (1966) -- Wie eingepfercht in Kerkermauern (1966) -- Preussische Romanze No. 1 (1966) -- Ermutigung (1966) -- Moritat auf Biermann seine Oma Meume in Hamburg (1966) -- Nicht sehn : Nicht hörn : Nicht schrein oder Ballade von meiner Mutter einzigem Sohn (1967) -- Die Stasi-Ballade (1967) -- Brecht, deine Nachgeborenen (1967) -- Das Hölderlin-Lied (1967) -- Tischrede des Dichters (1967) -- Grosses Gebet der alten Kommunistin Oma Meume in Hamburg (1967) -- Ballade für einen wirklich tief besorgten Freund (1967) -- Gesang für meine Genossen (1965) -- Kleines Lied von den bleibenden Werten (1968) -- In Prag ist Pariser Commune (1968) -- Noch (1968) -- Drei Kugeln auf Rudi Dutschke (1968) -- Der Hugenottenfriedhof (1969) -- Ballade vom Traum (1969) -- Wer sich nicht in Gefahr begibt (1969) -- Die Elbe bei Dresden (1973) -- Comandante Che Guevara (1973) -- Chile, Ballade vom Kameramann (1973) -- Der Herbst hat seinen Herbst (1967) -- Bin mager nun und fühle mich (1973) -- Einschlaf- und Aufwachelied (1974) -- Die Bibel-Ballade (1974) -- Das kann doch nicht alles gewesn sein oder Lied vom donnernden Leben (1975) -- Kuckuck Kuckuck (1974) -- Ballade vom Aale räuchern (1975) -- Ballade vom preussischen Ikarus (1976) -- Und als wir ans Ufer kamen (1976) -- Die Karyatiden (1979) -- Auf dem Friedhof am Montmartre (1979) -- Drei Partisanen (1981) -- Für einen faulen Fan (1979) -- Der Alte von Blohm & Voss (1979) -- Rudi Dutschke Totenlied (1979) -- Bei Flut (1981) -- Willkommenslied für Til (1981) -- Willkommenslied für Marie (1981) -- À Paris (1981) -- Kaminfeuer in Paris (1981) -- Die Mainacht (1981) -- Ewiger Friede (1983) -- Die Mutter Erde geht schwanger (1983) -- Aber vorher (1981) -- Mir selber helfen kann ich nicht (1985) -- Regenbogen (1984) -- Rencontre à Paris (1986) -- Jan Gat unterm Himmel in Rotterdam (1988) -- Die Ehescheidenden (1984) -- Melancholie (März 1989) -- Ballade von den verdorbenen Greisen (1989) -- Ballade vom gut Kirschenessen (1989) -- Um Deutschland ist mir gar nicht bang (1994) -- Nur wer sich ändert, bleibt sich treu (1991) -- Die Elbe bei Hamburg (1993) -- Gräber (1994) -- David und Goliath (1995) -- Abrahams Söhne (2002) -- Meleken an der Elbe bei Brokdorf (1994) -- Spätsommer, östlich von Flensburg (1994) -- Abschied vom Freund (1996) -- Rheinfahrt (1998-2011) -- Meine Wohnung (1997) -- Jürgen Fuchs (1999) -- Bilanzballade im elften Jahr (2000) -- Schlaflied für Mollie (2001) -- Religionsunterricht (2003) -- Mich wundert (2001) -- La Douce France (2001) -- Pedro Soler oder Das Leben im Weinberg (1980-2002) -- Wir bleiben doch die wir werden (2002) -- Pin Parasol (2002) -- Bildnis eines alten Dichters (2005) -- Ost-Westliche Milchstrasse (2006) -- Am Anfang war der Kuss (2013) -- Heimat (2006) -- Heimweh (2006) -- Kurzer Lebenslauf für Pamela (2014) -- Bilanzballade im achtzigsten Jahr (2016).

Additional Edition: ISBN 9783843714600

Additional Edition: In Beziehung stehende Ressource Online-Ausgabe ISBN 9783843714600

Language: German

Subjects: German Studies

Keywords: Anthologie

URL: Inhaltstext

URL: Inhaltsverzeichnis

URL: http://deposit.dnb.de/cgi-bin/dokserv?id=acca94bfc34f48ebb697b8cf8dcb0da9&prov=M&dok_var=1&dok_ext=htm

Author information: Biermann, Wolf 1936-

UID:

Format: 1 online resource (xix. 340 pages) : , illustrations (some colour).

ISBN: 9789004261259 , 9004261257

Series Statement: Studies in Medieval and Reformation Traditions, Volume 176

Content: Many students of memory assume that the practice of memory changed dramatically around 1800; this volume shows that there was much continuity as well as change. Premodern ways of negotiating memories of pain and loss, for instance, were indeed quite different to those in the modern West. Yet by examining memory practices and drawing on evidence from early modern England, France, Germany, Ireland, Hungary, the Low Countries and Ukraine, the case studies in this volume highlight the extent to which early modern memory was already a multimedia affair, with many political uses, and affecting stakeholders at all levels of society. Contributors include: Andreas Bähr, Philip Benedict, Susan Broomhall, Sarah Covington, Brecht Deseure, Sean Dunwoody, Marianne Eekhout, Gabriela Erdélyi, Dagmar Freist, Katharine Hodgkin, Jasmin Kilburn-Toppin, Erika Kuijpers, Johannes Müller, Ulrich Niggemann, Alexandr Osipian, Judith Pollmann, Benjamin Schmidt, Jasper van der Steen

Note: Includes index. , Preliminary Material -- , Introduction. On the Early Modernity of Modern Memory / , 1. The Usable Past in the Lemberg Armenian Community’s Struggle for Equal Rights, 1578–1654 / , 2. A Contested Past. Memory Wars during the Twelve Years Truce (1609–21) / , 3. ‘You Will See Who They Are that Revile, and Lessen Your . . . Glorious Deliverance’. The ‘Memory War’ about the ‘Glorious Revolution’ / , 4. Civic and Confessional Memory in Conflict. Augsburg in the Sixteenth Century / , 5. Tales of a Peasant Revolt. Taboos and Memories of 1514 in Hungary / , 6. Shaping the Memory of the French Wars of Religion. The First Centuries / , 7. Celebrating a Trojan Horse. Memories of the Dutch Revolt in Breda, 1590–1650 / , 8. ‘The Odious Demon from Across the Sea’. Oliver Cromwell, Memory and the Dislocations of Ireland / , 9. Material Memories of the Guildsmen. Crafting Identities in Early Modern London / , 10. Between Storytelling and Patriotic Scripture. The Memory Brokers of the Dutch Revolt / , 11. Lost in Time and Space? Glocal Memoryscapes in the Early Modern World / , 12. The Spaces of Memory and their Transmediations. On the Lives of Exotic Images and their Material Evocations / , 13. Disturbing Memories. Narrating Experiences and Emotions of Distressing Events in the French Wars of Religion / , 14. Remembering Fear. The Fear of Violence and the Violence of Fear in Seventeenth-Century War Memories / , 15. Permeable Memories. Family History and the Diaspora of Southern Netherlandish Exiles in the Seventeenth Century / , 16. Women, Memory and Family History in Seventeenth-Century England / , 17. The Experience of Rupture and the History of Memory / , Index. , Text in English.

Additional Edition: ISBN 9789004261242

Additional Edition: ISBN 9004261249

Language: English

Keywords: Electronic books. ; Electronic books

URL: Click to View

URL: DOI

URL: kostenfrei

UID:

Format: 1 online resource (xi, 190 pages) : , digital, PDF file(s).

ISBN: 0-511-69960-3 , 1-107-20280-9 , 1-107-41263-3 , 1-282-33683-5 , 9786612336836 , 0-511-63505-2 , 0-511-63289-4 , 0-511-63461-7 , 0-511-63168-5 , 0-511-63409-9

Content: New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions.

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Introduction. Scandals as a non-event? ; Art as provocation? ; Freedom of art? ; What is scandal? ; A moral institution? -- Overtures. The morality of robbers (Schiller's Die Räuber) ; The battle of Hernani (Hugo's Hernani) -- Scanning the surface. The drama of schnaps and forceps (Hauptmann's Vor Sonnenaufgang) ; The drama of the savage god (Jarry's Ubu Roi) -- Sounding the depths. Femme de siècle (Wilde/Strauss's Salome) ; Spring massacre (Stravinsky's Le Sacre du printemps) -- Diagnosing the present. Dancing toward the abyss (Schnitzler's Reigen) ; Trouble in Mahogonny (Brecht/Weill's Aufstieg und Fall der Stadt Mahogonny) -- Overcoming the past. Defrocking the deputy (Hochhuth's Der Stellvertreter) ; The wreck of the Medusa (Henze's Das Floss der Medusa). , Introduction -- Overtures -- Scanning the surface -- Sounding the depths -- Diagnosing the present -- Overcoming the past -- Conclusion. , English

Additional Edition: ISBN 0-511-63550-8

Additional Edition: ISBN 0-521-11260-5

Language: English

Subjects: General works

URL: https://doi.org/10.1017/CBO9780511635502

URL: Volltext  (lizenzpflichtig)

URL: Volltext  (lizenzpflichtig)

UID:

Format: 191 S.

ISBN: 3-906751-32-5

Series Statement: New York University Ottendorfer series N.F., 45

Language: English

Subjects: German Studies

Keywords: 1898-1956 Brecht, Bertolt ; Französisch ; Literatur ; 1898-1956 Brecht, Bertolt

UID:

Format: 1 online resource (xii, 176 pages) : , digital, PDF file(s).

ISBN: 1-78744-379-5 , 1-78744-247-0

Series Statement: Studies in German literature, linguistics, and culture

Uniform Title: Erzahle, damit du dein Recht erweist.

Content: This is the first English translation of the memoirs of the great German-Jewish theater producer Ernst Josef Aufricht (in German 1966, rpt. 1998). The title alludes to Brecht and Weill's Threepenny Opera, the premiere of which was produced by Aufricht at his Theater am Schiffbauerdamm in Berlin in 1928, launching Brecht and Weill to worldwide fame. Aufricht's book is most notable for its insider's account of the Berlin theater scene from the great days of the late 1920s and early 30s. Its range, however, from school years and the military to his time as an actor and then producer, the rise of the Nazis, and finally long years of exile in France and America, gives the picture of a complex individual with a talent for survival and a winningly understated sense of humor. The book will be of interest to an academic audience, but its reflections on a period of momentous artistic and political events will expand its appeal to a wider group: those interested in twentieth-century German history, music and theater history, as well as the general reader. Benjamin Bloch is a clinical psychologist who grew up speaking German at home with his native German father and studied German and English Literature at Oberlin College. Marc Silberman is Emeritus Professor of German at the University of Wisconsin.

Note: Title from publisher's bibliographic system (viewed on 26 Sep 2018). , Th e original from which this translation is made was fi rst published in Germany in 1966 under the title Erzähle, damit du dein Recht erweist. It was republished in 1998 by Alexander Verlag Berlin under the title Und der Haifi sch, der hat Zähne. Aufzeichnungen eines Theaterdirektors, ISBN 9783895810121, 1998 by Alexander Verlag Berlin, Fredericiastrasse 8, D-14050 Berlin, Germany. , Frontmatter -- , CONTENTS -- , INTRODUCTION -- , TRANSLATOR’S ACKNOWLEDGMENTS -- , CHAPTER ONE -- , CHAPTER TWO -- , CHAPTER THREE -- , CHAPTER FOUR -- , CHAPTER FIVE -- , CHAPTER SIX -- , CHAPTER SEVEN -- , CHAPTER EIGHT -- , CHAPTER NINE -- , CHAPTER TEN -- , CHAPTER ELEVEN -- , CHAPTER TWELVE -- , CHAPTER THIRTEEN -- , CHAPTER FOURTEEN -- , CHAPTER FIFTEEN -- , CHAPTER SIXTEEN -- , CHAPTER SEVENTEEN -- , CHAPTER EIGHTEEN -- , CHAPTER NINETEEN

Additional Edition: ISBN 1-64014-017-4

Language: English

Subjects: General works

Keywords: Autobiografie

DOI: 10.1515/9781787442474

URL: http://www.cambridge.org/core/product/identifier/9781787442474/type/BOOK

URL: Volltext  (lizenzpflichtig)

URL: lizenzpflichtig

UID:

Format: 191 S.

ISBN: 3-906751-32-5

Series Statement: New York University Ottendorfer series N.F.,45

Language: English

Subjects: German Studies

Keywords: 1898-1956 Brecht, Bertolt ; 1898-1956 Brecht, Bertolt ; Französisch ; Literatur

Author information: Chetana Nagavajara 1937-

UID:

Format: 1 online resource (xxii, 591 pages)

ISBN: 9781119021551 , 1119021553 , 9781119021544 , 1119021545 , 1119021529 , 9781119021520

Content: Ultrasound Elastography for Biomedical Applications and Medicine Ivan Z. Nenadic, Matthew W. Urban, James F. Greenleaf, Mayo Clinic Ultrasound Research Laboratory, Mayo Clinic College of Medicine, USA Jean-Luc Gennisson, Miguel Bernal, Mickael Tanter, Institut Langevin - Ondes et Images, ESPCI ParisTech CNRS, France Covers all major developments and techniques of Ultrasound Elastography and biomedical applications The field of ultrasound elastography has developed various techniques with the potential to diagnose and track the progression of diseases such as breast and thyroid cancer, liver and kidney fibrosis, congestive heart failure, and atherosclerosis. Having emerged in the last decade, ultrasound elastography is a medical imaging modality that can noninvasively measure and map the elastic and viscous properties of soft tissues. Ultrasound Elastography for Biomedical Applications and Medicine covers the basic physics of ultrasound wave propagation and the interaction of ultrasound with various media. The book introduces tissue elastography, covers the history of the field, details the various methods that have been developed by research groups across the world, and describes its novel applications, particularly in shear wave elastography. Key features: Covers all major developments and techniques of ultrasound elastography and biomedical applications. Contributions from the pioneers of the field secure the most complete coverage of ultrasound elastography available. The book is essential reading for researchers and engineers working in ultrasound and elastography, as well as biomedical engineering students and those working in the field of biomechanics.

Note: Introduction. Editors' Introduction / Ivan Nenadic, Matthew Urban, James Greenleaf, Jean-Luc Gennisson, Miguel Bernal, Mickael Tanter -- Fundamentals of Ultrasound Elastography. Theory of Ultrasound Physics and Imaging / Roberto Lavarello, Michael L Oelze -- Elastography and the Continuum of Tissue Response / Kevin J Parker -- Ultrasonic Methods for Assessment of Tissue Motion in Elastography / Jingfeng Jiang, Bo Peng -- Theory of Mechanical Properties of Tissue. Continuum Mechanics Tensor Calculus and Solutions to Wave Equations / Luiz Vasconcelos, Jean-Luc Gennisson, Ivan Nenadic -- Transverse Wave Propagation in Anisotropic Media / Jean-Luc Gennisson -- Transverse Wave Propagation in Bounded Media / Javier Brum -- Rheological Model-based Methods for Estimating Tissue Viscoelasticity / Jean-Luc Gennisson -- Wave Propagation in Viscoelastic Materials / Yue Wang, Michael F Insana -- Static and Low Frequency Elastography. Validation of Quantitative Linear and Nonlinear Compression Elastography / Jean Francois Dord, Sevan Goenezen, Assad A Oberai, Paul E Barbone, Jingfeng Jiang, Timothy J Hall, Theo Pavan -- Cardiac Strain and Strain Rate Imaging / Brecht Heyde, Oana Mirea, Jan D'hooge -- Vascular and Intravascular Elastography / Marvin M Doyley -- Viscoelastic Creep Imaging / Carolina Amador Carrascal -- Intrinsic Cardiovascular Wave and Strain Imaging / Elisa Konofagou -- Harmonic Elastography Methods. Dynamic Elasticity Imaging / Kevin J Parker -- Harmonic Shear Wave Elastography / Heng Zhao -- Vibro-acoustography and its Medical Applications / Azra Alizad, Mostafa Fatemi -- Harmonic Motion Imaging / Elisa Konofagou -- Shear Wave Dispersion Ultrasound Vibrometry / Pengfei Song, Shigao Chen -- Transient Elastography Methods. Transient Elastography: From Research to Noninvasive Assessment of Liver Fibrosis Using Fibroscan® / Laurent Sandrin, Magali Sasso, Stéphane Audière, Cécile Bastard, Céline Fournier, Jennifer Oudry, Véronique Miette, Stefan Catheline -- From Time Reversal to Natural Shear Wave Imaging / Stefan Catheline -- Acoustic Radiation Force Impulse Ultrasound / Tomasz J Czernuszewicz, Caterina M Gallippi -- Supersonic Shear Imaging / Jean-Luc Gennisson, Mickael Tanter -- Single Tracking Location Shear Wave Elastography / Stephen A McAleavey -- Comb-push Ultrasound Shear Elastography / Pengfei Song, Shigao Chen -- Emerging Research Areas in Ultrasound Elastography. Anisotropic Shear Wave Elastography / Sara Aristizabal -- Application of Guided Waves for Quantifying Elasticity and Viscoelasticity of Boundary Sensitive Organs / Sara Aristizabal, Matthew Urban, Luiz Vasconcelos, Benjamin Wood, Miguel Bernal, Javier Brum, Ivan Nenadic -- Model-free Techniques for Estimating Tissue Viscoelasticity / Daniel Escobar, Luiz Vasconcelos, Carolina Amador Carrascal, Ivan Nenadic -- Nonlinear Shear Elasticity / Jean-Luc Gennisson, Sara Aristizabal -- Clinical Elastography Applications. Current and Future Clinical Applications of Elasticity Imaging Techniques / Matthew Urban -- Abdominal Applications of Shear Wave Ultrasound Vibrometry and Supersonic Shear Imaging / Pengfei Song, Shigao Chen -- Acoustic Radiation Force-based Ultrasound Elastography for Cardiac Imaging Applications / Stephanie A Eyerly-Webb, Maryam Vejdani-Jahromi, Vaibhav Kakkad, Peter Hollender, David Bradway, Gregg Trahey -- Cardiovascular Application of Shear Wave Elastography / Pengfei Song, Shigao Chen -- Musculoskeletal Applications of Supersonic Shear Imaging / Jean-Luc Gennisson -- Breast Shear Wave Elastography / Azra Alizad -- Thyroid Shear Wave Elastography / Azra Alizad -- Perspective on Ultrasound Elastography. Historical Growth of Ultrasound Elastography and Directions for the Future / Armen Sarvazyan, Matthew W Urban.

Additional Edition: Print version: Handbook of ultrasound elastography. Hoboken, NJ : Wiley, 2018 ISBN 9781119021513

Language: English

Keywords: Electronic books. ; Electronic books. ; Electronic books.

DOI: 10.1002/9781119021520

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119021520

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119021520

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119021520

UID:

Format: Online-Ressource (576 p)

Edition: Online-Ausg.

ISBN: 9783486703122

Series Statement: Studien zur Zeitgeschichte

Content: In France, the notion of the 'other Germany' was at once myth and model. How else do we explain France's intensive contact with East Germany? Using a broad range of sources, Christian Wenkel examines the basic specifics of France-East German relations and analyzes the genesis and evolution of ties at the economic, cultural, parliamentary, and political levels. Christian Wenkel, Deutsches Historisches InstitutParis.

Content: In France, the notion of the "other Germany" was at once myth and model. How else do we explain France''s intensive contact with East Germany? Using a broad range of sources, Christian Wenkel examines the basic specifics of France-East German relations and analyzes the genesis and evolution of ties at the economic, cultural, parliamentary, and political levels

Note: Description based upon print version of record , Literaturverz. S. [523] - 545 , Zugl.: München, Univ., Diss., 2008 , Inhalt; Geleitwort von Horst Möller und Maurice Vaïsse; Dank; Einleitung; Erster Teil. Perzeption und Interesse, Kontakte und Engagement: Grundlagen für die Geschichte der Beziehungen Frankreichs zur DDR; I. Die französische Konzeption eines „anderen Deutschlands" und die Perzeption der DDR; II. Das zentrale Netzwerk - die Échanges franco-allemands; 1. Die Geschichte des Netzwerks im Spiegel seiner Kongresse; 2. Strukturen; 3. Personen; III. Die DDR als Projektionsfläche politischer Utopien; Zweiter Teil. Die Beziehungen im Spannungsfeld von Vorstellung und Wirklichkeit , A. Die Wirtschafts- und HandelsbeziehungenI. 1952-1967: Von den Handelsbeziehungen als Diplomatieersatz zu wirtschaftlicher Kooperation; 1. Die Entwicklung der Handels- und Wirtschaftsbeziehungen im Rhythmus alljährlicher Abkommen und Zugeständnisse; 2. Die Leipziger Messe und das französische Interesse an der DDR als Handelspartner; II. 1968-1975: Die westdeutsche Konkurrenz als zentrale Herausforderung für die französische Industrie auf dem ostdeutschen Markt; 1. Die privatwirtschaftlichen Initiativen; 2. Strukturelle Kontinuität im Übergang zu den offiziellen Wirtschaftsbeziehungen , Epilog: Die Wirtschaftsbeziehungen in den 1980er JahrenB. Die Kulturbeziehungen; I. 1954-1960: Von den Anfängen der Kulturbeziehungen bis zur Berlin-Krise; 1. Brecht und das Théâtre des nations - Austausch im künstlerischen Bereich; 2. Die Kulturbeziehungen und das französische Außenministerium; 3. Die Échanges franco-allemands - Grundlinien des kulturellen Austausches; II. 1963-1980: Die Entwicklung kultureller Beziehungen zwischen privatgesellschaftlichen Initiativen und der Kontrolle durch das Außenministerium; 1. Die Kulturbeziehungen auf privatgesellschaftlicher Ebene , 2. Vom Deutschen Theater zur Comédie-Française - die Anerkennung der „patrie de Brecht"3. Der lange Weg zum Kulturabkommen; Epilog: Die Kulturbeziehungen in den 1980er Jahren; C. Die Beziehungen auf politischer Ebene; I. Beziehungen auf parlamentarischer Ebene; 1. Parlamentarischer Diskurs: die Auswärtigen Ausschüsse der französischen Nationalversammlung und des Senats als Ort der Auseinandersetzung mit der DDR; 2. „Parlamentarischer Tourismus": die Reisen französischer Parlamentarier in die DDR im Zeichen französischer Entspannungspolitik , 3. Parlamentarische Diplomatie: von der Schaffung der Groupes d'amitié in der Nationalversammlung und im Senat bis zur DDR-Reise von Edgar FaureII. Der Prozess der Anerkennung der DDR durch Frankreich; 1. Die beginnende Normalisierung der Beziehungen auf wirtschaftlicher, kultureller und parlamentarischer Ebene 1968-1972; 2. Zwischen Bilateralismus und Multilateralismus: die Aufnahme diplomatischer Beziehungen zur DDR 1972/73 , 3. Von den Problemen um die Eröffnung der Botschaft bis zu den Schwierigkeiten eines Konsularabkommens - Frankreich und das fortgesetzte Ringen der DDR um Anerkennung 1973-1980

Additional Edition: ISBN 9783486719314

Additional Edition: ISBN 9783486989373

Additional Edition: ISBN 9783486989618

Language: German

Subjects: History , Political Science

Keywords: Electronic books

DOI: 10.1524/9783486719314

URL: Volltext

Author information: Wenkel, Christian 1977-

UID:

Format: 1 online resource (328 p.)

ISBN: 9781474467452

Series Statement: New Materialisms : NEMA

Content: Puts modernist theatre in conversation with new materialist, posthumanist philosophyEstablishes a dialogue between new materialism, the biopolitical turn, affect theory, and theatreProvides close readings of key dramatic texts as entry points into a cartography of four related spatiotemporal locations across Europe – Scandinavia, Germany and France in 1889, 1918, 1935 and 1943 – leading up to and contemporaneous with European fascismEstablishes a conversation between generations of cultural theorists in both the epistemological and ontological traditions that will increase your understanding of 20th and 21st century theoretical movementsMaps the trajectory from representationalist-naturalist theatre to the theatre of the historical avant-garde (Brecht, Artaud), and from the rationalist, humanist philosophical tradition to new materialism and posthumanismExplores the performativity of theatre in its double senseArguing that existing modernisation theories have been unnecessarily one-sided, Hedwig Fraunhofer offers a rewriting of modernity that cuts across binary methodologies – nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre.She specifically reworks the biopolitical exclusions that mark modern western epistemology, leading up to modernity’s totalitarian crisis point.Fraunhofer reveals the performativity of theatre in its double sense – as theatrical production and as the intra-activity of a dynamic system of multiple relations between human and more-than-human actors, energies and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning collapse in a common life.

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction: Anxious Flesh -- , Part I: Copenhagen and Paris, circa 1889: Economies of Excess -- , 1 Posthumanism and Gender, or the Fall Back into Nature -- , 2 Death and Community, or Metaphors and Materiality -- , Part II: Munich and Paris, 1918–1943: Encounters with Fascism -- , 3 Bare Life, or Becoming-Animal -- , 4 Flies vs. the Fetishisation of Consciousness -- , 5 Artaud and the Plague: A Posthumanist Theatre? -- , 6 Where Does the Body End? Artaud’s Materialsymbolic Theatre -- , Conclusion -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.1515/9781474467452

URL: https://www.degruyter.com/isbn/9781474467452

URL: https://www.degruyter.com/isbn/9781474467452

URL: lizenzpflichtig