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Format: 1 Online-Ressource , illustrations (black and white)

ISBN: 9781800101487

Note: Introduction -- Enid Guene and Benoît Henriet and Miles Larmer and Iva Pesa and Rachel Taylor〈br〉PART 1: MICRO-STUDIES OF URBAN LIFE〈br〉Beyond Paternalism: Pluralising Copperbelt Histories -- Iva Pesa and Benoît Henriet〈br〉Being a Child of the Mines: Youth Magazines and Comics in the Copperbelt -- Enid Guene〈br〉Divergence and Convergence on the Copperbelt: White Mineworkers in Comparative Perspective, 1911 -- 63 -- Duncan Money〈br〉Football on the Zambian and Katangese Copperbelts: Leisure and Fan Culture from the 1930s to the Present -- Hikabwa D. Chipande〈br〉Beware the Mineral Narrative: The Histories of Solwezi Town and Kansanshi Mine, Northwestern Zambia -- Rita Kesselring〈br〉PART 2: THE LOCAL COPPERBELT AND THE GLOBAL ECONOMY〈br〉Kingdoms and Associations: Copper's Changing Political Economy during the Nineteenth Century -- David M. Gordon〈br〉Of Corporate Welfare Buildings and Private Initiative: Post-Paternalist Ruination and Renovation in a Former Zambian Mine Township -- Christian Straube〈br〉From a Colonial to a Mineral Flow Regime: The Mineral Trade and the Inertia of Global Infrastructures in the Copperbelt -- Hélène Blaszkiewicz〈br〉Houses Built on Copper: The Environmental Impact of Current Mining Activities on "Old" and "New" Zambian Copperbelt Communities -- Jennifer Chibamba Chansa〈br〉PART 3: PRODUCING AND CONTESTING KNOWLEDGE OF URBAN SOCIETIES〈br〉"The British, The French and even the Russians use these Methods": Psychology, Mental Testing and (Trans)Imperial Dynamics of Expertise Production in Late Colonial Congo -- Amandine Lauro〈br〉Historical Knowledge Production at the University of Lubumbashi (1956 -- 2018) -- Donatien Dibwe dia Mwembu〈br〉The Decolonisation of Community Development in Haut Katanga and the Zambian Copperbelt, 1945 -- 1990 -- Miles Larmer and Rachel Taylor〈br〉Reimagining the Copperbelt as a Religious Space -- Stephanie Lämmert

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-84701-266-1

Language: English

DOI: 10.2307/j.ctv199tj8b

DOI: 10.1515/9781800101487

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Format: xi, 251 pages : , illustrations, maps, music ; , 24 cm

Edition: 1st ed.

ISBN: 9780198930938 , 0198930933 , 9780198930945 , 0198930941

Series Statement: British Academy Monographs

Content: Music, the market, and the marvellous" examines 'féerie', the French fairy play, in the last third of the nineteenth century. It is among the first book-length studies on the genre, the first in a language other than French, and the first from a musicological perspective. Sabbatini demonstrates that, contrary to conventional wisdom, 'féerie' was still thriving during the fin de siècle, giving rise to innovations such as composerly 'féerie' and scientific 'féerie'. The plays, the theatre industry, and urban geography are discussed together, as befits a commercial genre where the marvellous was shaped by the market. Recovering this forgotten - but once hugely influential - repertoire provides an occasion to rethink generic taxonomies of Parisian theatre and the ontology of nineteenth-century 'popular' theatre.

Note: Cover -- Half-title -- Series information -- Title page -- Copyright information -- Table of contents -- List of Figures -- List of Tables -- List of Musical Examples -- Acknowledgements -- 1 Overture: Féerie and Theatre with Music -- Evidence: Les bibelots du diable (1858) -- Theatre with music -- Féerie and the total artwork of the present -- 2 Composerly Féerie and the Operettisation of Féerie -- 1868: The death of féerie that wasn't -- Haussmann, or the gentrification of Parisian theatre -- A féerie from the July Monarchy to the Second Empire: La biche au bois -- Offenbach, or the gentrification of féerie -- The age of operettocracy (c. 1868-98) -- 3 Scientific Féerie and the Féerisation of Parisian Theatre -- 1874-1940: the age of scientific féerie -- Le tour du monde en 80 jours, féerie -- After Le tour du monde: a landscape of féerised plays -- Comic travelogues -- The féeries of Gaston Serpette -- 4 The People of Féerie -- A phenomenon without a noumenon -- The machinist -- The child -- The woman -- The foreigner -- Beyond féerie -- Appendix 1: Chronology and Sources -- Chronology of plays -- Selected primary sources -- Printed plays -- Vocal scores -- Vocal excerpts -- Instrumental excerpts -- Manuscript music -- Production books and notated choreographies -- Appendix 2: Personalia -- Index.

Language: English

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Format: 1 online resource (560 p.) : , 142 B/W illustrations 54 colour illustrations 142 black & white and 54 colour illustrations

ISBN: 9781474484183 , 9783110993899

Series Statement: Edinburgh Companions to Literature and the Humanities

Content: The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual artsIt covers a wide range of intermedial cultural productions, from popular to elite, and from the public to the domestic sphere, including literary texts, paintings and prints, literary galleries, exhibition catalogues, illustrated magazines, household objects and designAll the essays in this volume are newly commissioned and include cutting edge research from an interdisciplinary group of writers, literary scholars, art historians, and exhibition curatorsIt brings together work of emerging as well as established scholars in the field, from Europe, North America and Australia, reflecting the global significance of this growing fieldFrom the birth of the museum to the explosion of mass-produced illustrated books, the Romantic period (c. 1770-1840) was a moment of rapid change and fruitful experimentation in the fields of art and literature alike. New advances in print production encouraged a wider range of readers to engage with literary forms that opened a path into the once aristocratic field of the visual arts. This Companion captures the way recent engagements with visual studies have reshaped how we approach and understand the boundaries between print and visual culture in the period. It brings together 27 research-led chapters that offer a detailed account of the productive, if sometimes tense, interactions between emergent forms of intermedial expression that were redefining culture in the Romantic period -- as they continue to do today.

Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgements -- , Introduction -- , Part I Perspectives -- , 1 'The happiest vehicles of antiquarian knowledge': The Visual Arts and Romantic Antiquarianism -- , 2 The Gothic Aesthetic: Word and Image -- , 3 Aesthetic Landscapes: Travel and Tourism -- , 4 Visualising the Indigenous Pacific -- , 5 Elite and Popular Orientalisms -- , Part II Exhibition, Commerce and Culture -- , 6 Collecting and the Country House, 1750-1840 -- , 7 Public Improvement as 'National Ornament': Commerce, Culture and Patriotism in London and Edinburgh -- , 8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia -- , 9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780-1840 -- , 10 Exhibitions Culture, Consumerism and the Romantic Artist -- , 11 Portraiture: Commerce and Celebrity -- , 12 Convergence and Dissonance: Romantic Theatre and the Visual Arts -- , 13 Sound and Vision in Blake's London -- , 14 Taken By Storm: Multisensory Learning in the Lecture Room -- , 15 Romanticism, 'Real' Illusions and the Transformation of Experience in Modernity -- , Part III Circulations: Print Culture and the Arts -- , 16 Romantic Art and the Novel -- , 17 Mired in Print: Romantic Writers and Caricature -- , 18 'A Point to Aim at in a Morning's Walk': Encounters at the Print Shop -- , 19 Illustrated Poetry in the Romantic Period -- , 20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk's Watercolours of The Faerie Queene -- , 21 Angelica Kauffman and the Sister Arts -- , 22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations -- , Part IV Romanticism Reimagined, the 1830s and Beyond -- , 23 Album Culture: Begging for Scraps -- , 24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality -- , 25 Romantic Caricatures and Comics -- , 26 Cultural Manifestations of Romanticism on the Contemporary Screen -- , 27 Looking Back Through Fashion: Regency Romances and a 'Jumble of Styles' -- , Notes on Contributors -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752

In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738

In: Edinburgh University Press Complete eBook-Package 2023, De Gruyter, 9783110797640

Additional Edition: ISBN 9781474484176

Language: English

Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.1515/9781474484183

URL: https://doi.org/10.1515/9781474484183

URL: https://www.degruyter.com/isbn/9781474484183

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Format: IX, 196 S. : zahlr. Ill.

Edition: 1. publ.

ISBN: 0-7123-4521-3

Language: English

Subjects: English Studies

Keywords: Künstler ; Komik ; Biografie ; Komik ; Wörterbuch ; Wörterbuch ; Wörterbuch ; Enzyklopädie

URL: Rezension

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Format: 1 online resource (269 pages)

Edition: 1st ed.

ISBN: 9783839471487

Series Statement: Image Series

Note: Cover -- Inhalt -- 1. Einleitung -- 2. Die erste Phase der Rezeption japanischer Holzschnitte (1860-1920) -- 2.1 Die Entdeckung japanischer Holzschnitte in intellektuellen Kreisen um 1860 -- 2.2 Japanische Holzschnitte als begehrte Ware und lukratives Handelsobjekt: der Kunsthändler Siegfried Bing (1838-1905) -- 2.3 Japanische Holzschnitte kommen nach Amerika -- 2.4 Eine neue Sammlergeneration in Europa, die Überführung von Ukiyo‑e in Museen und das Abklingen des Interesses in den Zwanzigerjahren -- 2.5 Das Erbe der ersten Phase der Wertschätzung: Ukiyo‑e als am meisten vorhandene japanische Kunstform in westlichen Museen -- 3. Die Einführung von Ukiyo‑e gegenüber der Öffentlichkeit in den Ausstellungen der Fünfziger‐ und Sechzigerjahre -- 3.1 Private Sammler als Stifter von Ukiyo‑e‐Ausstellungen: die Reihen von Theodor Scheiwe und Hans Lühdorf -- 3.1.1 Die Ausstellungen der Sammlung Scheiwe und die Positionierung von Ukiyo‑e als Kunstform gegenüber der Öffentlichkeit -- Ausstellung japanischer Farbholzschnitte aus der Sammlung Theodor Scheiwe (1957) -- 3.1.2 Ukiyo‑e als Bilder einer fernen und zugleich nahen Welt -- 3.1.3 Ukiyo‑e im Aufstieg: die Spätmeister‐Ausstellungen aus der Sammlung Lühdorf im Kunstmuseum Düsseldorf 1961-1966 -- Kuniyoshi (1798-1861) (1961) -- Kuniyoshi (1798-1861) - Kunisada (1786-1865) (1962/63) -- Die Osaka‐Meister: Japanische Holzschnitte des 19. Jahrhunderts (1966) -- 3.2 Ausstellungsnetzwerke: eine theoretische Einordnung anhand der Akteur‐Netzwerk‐Theorie (ANT) -- 3.2.1 Grundlagen und Funktionsweise des Modells der ANT -- 3.2.2 Ausstellungen als Netzwerke: die ANT als Leitmodell der Sammlerausstellungen -- 3.3 Kunstbegriff, Authentizität, die Rolle der Presse und das Erbe des 19. Jahrhunderts: Gesichtspunkte im Prozess der Etablierung der Ukiyo‑e als Kunstform. , 3.3.1 Die Fortführung von Präferenzen aus der Erstphase der Rezeption -- 3.3.2 Die Rolle der Presse in der Popularisierung der Ukiyo‑e -- 3.3.3 Der japanische Holzschnitt als »wahre« Form ostasiatischer Kunst -- 3.4 Das Ausstellungsfeld in den Fünfziger‐ und Sechzigerjahren: ein Ausblick in die Zukunft -- 4. Ausstellungen in den Siebzigerjahren: das Zeitalter der Institutionen -- 4.1 Die Merkmale der Großausstellungen -- 4.2 Großausstellungen in Amerika: Suzuki Harunobu (1970) und The Primitive Period (1971) -- Suzuki Harunobu. Philadelphia Museum of Art (1970) -- Ukiyo‑e Prints and Paintings: The Primitive Period (1680-1745). Art Institute of Chicago (1971) -- 4.3 Großausstellungen in Europa und der Beginn von Sammlungsaufarbeitungen -- 4.4 Die Transformation des Ausstellungsfeldes in den Siebzigerjahren -- 5. Ukiyo‑e, Japanfieber und Imagekampagne: japanische Holzschnitte als Medium der japanischen Kulturdiplomatie in den Achtzigerjahren -- 5.1 Japans Aufstieg zur Supermacht und die wachsende Bedeutung der Kulturdiplomatie -- 5.2 Japan erfindet sich neu: die Edo‐Zeit als ideale Vergangenheit für die Propagierung eines bestimmten Japanbildes -- 5.3 Japan als Sponsor: Ukiyo‑e‐Ausstellungen als Teil der Kulturdiplomatie -- 5.4 Imaginationen von Edo als beliebtes Thema in den Ukiyo‑e‑Ausstellungen -- 5.5 Ein neuer zeitgenössischer Charakter für Ukiyo‑e -- 5.6 Ukiyo‑e als Bilder von Japan -- 6. Die Ausstellungen in den Neunzigerjahren: Internationalisierung des Feldes und Durchbruch der Blockbuster‐Formate -- 6.1 Neue Bedingungen im Feld: Kulturdiplomatie, Japonismus und internationale Netzwerke -- 6.1.1 Kulturdiplomatische Ausstellungskooperationen mit Japan in Expansion -- 6.1.2 Der Einfluss des Thementrends Japonismus auf die Ukiyo‑e‑Ausstellungen -- 6.1.3 Expertencliquen und internationale Allianzen. , 6.2 Blockbuster‐Ausstellungen wandeln das Ausstellungsfeld -- 6.2.1 Blockbuster‐Themenausstellungen -- The Floating World Revisited. Portland Museum of Art (1993) -- The Women of the Pleasure Quarter: Japanese Paintings and Prints of the Floating World. Worcester Art Museum (1996) -- 6.2.2 Blockbuster‐Ausstellungen der Namen Hokusai, Hiroshige und Utamaro -- Hokusai: Prints and Drawings. Royal Academy of Arts London (1991) -- Hiroshige: Images of Mist, Rain, Moon and Snow. Royal Academy of Arts London (1997) -- The Passionate Art of Kitagawa Utamaro. British Museum (1995) -- 6.3 Ukiyo‑e in den Neunzigerjahren: vom Blockbuster zum brandaktuellen Forschungsfeld -- 7. Ausstellungen in den Zweitausenderjahren: Ukiyo‑e als Vorboten populärkultureller Medien -- 7.1 Kommerz statt Kunst: Ukiyo‑e als Massenmedium der Populärkultur -- 7.2 Ukiyo‑e als populärkulturelles Medium: ein neuer Ausstellungstypus -- Edo Pop: The Graphic Impact of Japanese Prints. Japan Society (2013) -- Hokusai x Manga: Japanische Popkultur seit 1680. Museum für Kunst und Gewerbe Hamburg (2016) -- 7.3 Ukiyo‑e und Manga: die langersehnte Verwandtschaftsentdeckung -- 7.4 Utagawa Kuniyoshi und Katsushika Hokusai als Erfinder des Comics -- 7.4.1 Hokusai als Urvater des modernen Mangas -- 7.4.2 Utagawa Kuniyoshi als Erfinder des Comics -- 7.5 Ukiyo‐e als entleerte Beweisobjekte in »Versus‐Manga« - Ausstellungen -- 8. Weiterführende Überlegungen zum Potenzial japanischer Holzschnitte als Kunstform in Ausstellungen -- 8.1 Das Weiterbestehen der Präferenzen der Erstphase der Rezeption in den Künstlercharakteren Hokusai, Hiroshige und Utamaro -- 8.2 Selbst‐Exotismus: Ukiyo‐e als gegenseitige Projektionsfläche -- 8.3 Die nahe ferne Welt und Ruth Benedicts paradoxes Modell der japanischen Kultur -- 8.4 Neue Horizonte für das Ausstellen japanischer Holzschnitte -- Dankesworte. , Literaturverzeichnis -- Abbildungsverzeichnis.

Additional Edition: Print version: Sammeck, Marina Reise Ins Bekannte Fremde Bielefeld : transcript Verlag,c2024 ISBN 9783837671483

Language: German

Keywords: Electronic books.

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Format: XVIII, 1253 p. 12 illus. , online resource.

Edition: 1st ed. 2020.

ISBN: 9783030331368

Content: The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.

Note: Acknowledgements -- Clive Bloom: Introduction to the Volume: Welcome to Hell -- 1: Global Gothics -- Ines Ordiz & Sandra Casanova -- Vizcaino: Latin American Horror -- Joan Passey: Dark Tourism -- Antonio Alcala Gonzalez: Twentieth Century Mexican Gothic Literature -- Tijana Parezanović and Marko Lukić: Dark Urbanity -- Jessica Gildersleeve: Contemporary Australian Trauma -- Gina Wisker: Gothic Postcolonialisms -- Naomi Simone Borwein: Strains of the South -- Angela Elisa Schoch/Davidson: Indigenous Alterations -- Tosha R Taylor: Hillbilly Horror -- Gerry Del Guercio: Southern Agrarianism and Exploitation -- 2: Hostile Environments -- Lauren Stephenson: The Male Body in British 'Hoodie' Horror -- David Annwn Jones: Green Trends in Euro-horror Films of the 1960s and 1970s -- Emily Alder and Jenny Bavidge: Ecocriticism and the Gothic Genre -- Kaja Franck : The Wilderness -- Paulina Palmer: 'Queer' Representations of Rural and Urban Locations -- 3: Occult Gothic -- James Machin: Making Occult Meaning -- Timothy Jones: The Black Magic Story -- 4: Dark Romance -- Holly Hirst: Twentieth Century Gothic Romance -- Holly Hirst: Georgette Heyer -- 5: The Body in Pieces -- Xavier Aldana Reyes: Abjection and Body Horror -- Tosha R Taylor: Torture Porn -- 6: Psychological Gothic -- Laura R. Kremmel: The Gothic Asylum -- Lauren Christie: Psychopaths, Sociopaths and the Psychotic Mind -- Bob Shepherd: Beyond the Unfeeling Narcissus to Patrick Bateman -- 7: Post Human Gothic -- Naomi Borwein: Global War from Tokyo to Barcelona -- Holly-Gale Millette: The Posthuman Interstellar Gothic Genre -- Antonio Alcala Gonzalez: Degeneration in H. P. Lovecraft and William Hope Hodgson -- James Machin: Lovecraft, Decadence, and Aestheticism -- 8: Zombie Gothic -- Kelly Gardner : Zombie Folklore to Existential Protagonists -- Kelly Gardner : The Sentient Zombie -- 9: New Vampire Gothic -- Simon Bacon: Transmedia Vampires -- Simon Bacon: The Post-human Vampire -- Laura Davidel: Monstrosity, Performativity and Performance -- 10. Gothic Film -- Laura Sedgwick: Ghostly Gimmicks: Spectral Special Effects in Haunted House Films -- Brian Jarvis: Universal Horror -- Stacey Abbott: Arthouse Gothic Cinema -- Tanja Jurkovic: The Horror Genre in Balkan Cinema -- Agnieszka Kotwasinska: The Gothic in Slavic Cinema -- Joana Rita Ramalho: Gothic Gender Politics in a High-Camp, Lowbrow Musical -- Murray Leeder: Roger Corman -- Brian Jarvis: David Lynch -- 11. Gothic Television -- J S Mackley: Doctor Who: Identity, Time and Terror -- J S Mackley Nigel Kneale and Quatermass -- Stephanie Mulholland: Dark Costume in Contemporary Television -- Chelsea Eddy: Wildlings, White Walkers, and Watchers on the Wall of Northumberland's Borderland -- Tanja Jurkovic: Contemporary Grand Guignol -- 12. Gothic Music -- Joana Rita Ramalho: The Blasphemous Grotesqueries of The Tiger Lillies -- Antonio Alcalá González: The Return of the Past in Black Metal Lyrics -- 13. Interactive Gothic -- Jen Baker: Interactive and Movable Books in the Tradition -- Jon Garrad: The Evolving Genre of the Vampire Games -- Erika Kvistad: The Digital Haunted House -- David Langdon: Anxiety in the Digital Age -- Tosha R Taylor: Horror Memes and Digital Culture -- Alison Bainbridge : Virtual Desert Horrors -- Madelon Hoedt: Immersive and Pervasive Performance -- 14. Gothic Lifestyle -- Victoria Amador: Fashion Gothwear -- Alex Bevan: Walking with the Lancashire Witches -- Jennifer Richards: The Influence of the Gothic in High Fashion -- Jenevieve Van-Veda: The Geisha Ghost -- 15. Young Gothic -- Chloe Buckley: Encounters with the "hidden" world in Modern Children's Fiction -- Michelle Smith & Kristine Moruzi: Gender and Sexuality in Young Adult Fiction -- Julia Round: Horror Hosts in British Girls' Comics -- Valeria Iglesias: Lemony Snicket -- 16. Gothic Auteurs -- Simon Brown: James Herbert's Working Class Horror -- Mark Richard Adams: Clive Barker's Hellraiser -- Sian MacArthur: Re-defining the Gothic Genre with Mo Hayder -- Brian Jarvis: Stephen King -- 17. Theoretical Gothic -- Giles Whiteley: Three French Modernists -- Matt Foley: Dark Modernisms -- 18. Post Modern Gothic -- Joakim Wrethed: The Postmodern Genre -- Marko Lukić and Tijana Parezanović: Heterotopian Horrors -- Michail-Chrysovalantis Markodimitrakis: The New Batman -- List of Contributors to the Volume -- Index. .

In: Springer Nature eBook

Additional Edition: Printed edition: ISBN 9783030331351

Additional Edition: Printed edition: ISBN 9783030331375

Additional Edition: Printed edition: ISBN 9783030331382

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , English Studies

Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.1007/978-3-030-33136-8

URL: https://doi.org/10.1007/978-3-030-33136-8

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Format: 1 online resource (192p.,plate )

Note: Reproduction of original from Bodleian Library (Oxford).

Language: English

Keywords: Guidebooks. ; Songs.

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Format: 1 online resource (294 pages)

ISBN: 9783737002868 , 373700286X , 9783847002864 , 3847002864

Series Statement: Close Reading Schriften zur britischen Literatur- und Kulturwissenschaft ; Band 1.

Content: Galt Charles Dickens lange Zeit als der Verfasser umfangreicher seichter und sentimentaler Kinderliteratur, als Produzent leicht konsumierbarer Massenware, so zeigt diese Aufsatzsammlung, dass Dickens nicht nur Leser hochwertiger Literatur war, sondern dass er seine Werke im Kontext sowohl der großen Weltliteratur als auch der zeitgenössischen wissenschaftlichen und wirtschaftlichen Debatten wahrgenommen sehen wollte.Von Sidney, Shakespeare, Cervantes, über Swift, Smollett bis hin zu Bulwer-Lytton reicht die Riege der Autoren, die Dickens im Kosmos seiner Romane verarbeitete und zu einem inter

Note: Description based upon print version of record. , Title Page; Copyright; Table of Contents; 1. Introduction; Body; Norbert Lennartz (Vechta): 1.1 Introduction: Dickens as a Voracious Reader; 2. Dickens and the Literary Tradition; Matthias Bauer (Tübingen): 2.1 Dickens and Sir Philip Sidney: Desire, Ethics, and Poetics; 1. Astrophil and Pip; 2. The Sidney Myth; 3. A Poetological Point of Reference; Bibliography; Michael Hollington (Canterbury): 2.2 Dickens and the Commedia dell'arte; 1. Introductory; 2. Italy; 3. The Idea of the Mask; 4. Il Capitano; 5. Pantalone; Appendix; Bibliography , Wolfgang G. Müller (Jena): 2.3 Mr. Pickwick - a New Quixote? Charles Dickens's First Novel in the Tradition of Cervantes1. A Note on Cervantes and the Cervantes Tradition; 2. Elements in Don Quixote Contributing to Creating a Tradition; 3. The Quixotic Tradition before Dickens; 4. Quixotic and not Picaresque; 5. From Real to Metaphorical Armour; 6. Master and Servant; 7. Proverb and Exemplum; 8. Dickens's Reinvention of the Quixotic Novel as a Comic Work; Bibliography; Paul Vita (St. Louis/Madrid): 2.4 Conversation and the Comic Novel: Don Quixote and The Pickwick Papers; Bibliography , Isabel Vila Cabanes (Jena): 2.5 Reading the Grotesque in the Works of Charles Dickens and Jonathan Swift1. Conceptualising the Grotesque; 2. The Grotesque in Dickens's Works; 3. Dickens as an Avid Reader of Swift; 4. References to Swift in Dickens's Grotesque Passages; 5. Conclusion; Bibliography; Dieter Koch (Vechta): 2.6 Dickens and the Tradition of the British Picaresque: Smollett, Dickens and Chance; Bibliography; Georges Letissier (Nantes): 2.7 Reading Postmodernity into Our Mutual Friend: the World as Text and the Desecration and Redemption of Reading , 1. The Experience of Reading Demeaned2. The World as Text - the Vacuity of the Real; 3. The Redemption of Reading; Bibliography; 3. Dickens as a Reader of Contemporary Literature; Rolf Lessenich (Bonn): 3.1 Edward Bulwer-Lytton as a Reader of Charles Dickens; Bibliography; Angelika Zirker (Tübingen): 3.2 `To Be Taken with a Grain of Salt': Charles Dickens and the Ambiguous Ghost Story; 1. The Ambiguity of the Title; 2. The Ambiguity of the Story; 3. Why Ambiguity? Or: Against `Weakening the Terror'; Bibliography , 2. , German

Additional Edition: ISBN 9783847102861

Additional Edition: ISBN 3847102869

Additional Edition: ISBN 9781322224893

Additional Edition: ISBN 1322224897

Language: English

Subjects: English Studies

Keywords: Anthologies ; Anthologies ; Aufsatzsammlung

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Format: 1 online resource (xxiv, 402 pages) : , digital, PDF file(s).

ISBN: 9781316084403 (electronic book) , 1-108-15053-5 , 1-108-15060-8 , 1-107-44996-0 , 1-316-08440-X , 1-108-15067-5 , 1-108-15074-8 , 1-108-15102-7

Content: Newly commissioned essays by leading scholars offer a comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain. Essays range from studies of periodical formats in the nineteenth century - reviews, magazines and newspapers - to accounts of individual journalists, many of them eminent writers of the day. The uneasy relationship between the new 'profession' of journalism and the evolving profession of authorship is investigated, as is the impact of technological innovations, such as the telegraph, the typewriter and new processes of illustration. Contributors go on to consider the transnational and global dimensions of the British press and its impact in the rest of the world. As digitisation of historical media opens up new avenues of research, the collection reveals the centrality of the press to our understanding of the nineteenth century.

Note: Title from publisher's bibliographic system (viewed on 18 Apr 2017). , Machine generated contents note: 1. Introduction Joanne Shattock; Part I. Periodicals, Genres and the Production of Print: 2. Beyond the 'great index': digital resources and actual copies James Mussell; 3. The magazine and literary culture David Stewart; 4. Periodical formats: the changing review Laurel Brake; 5. Gendered production: annuals and gift books Barbara Onslow; 6. Graphic satire, caricature, comic illustration and the radical press, 1820-45 Brian Maidment; 7. Illustration Lorraine Janzen Kooistra; 8. Periodical poetry Linda H. Peterson; Part II. The Press and the Public: 9. The press and the law Martin Hewitt; 10. 'Doing the graphic': Victorian special correspondence Catherine Waters; 11. Reporting the Great Exhibition Geoffrey Cantor; Part III. The 'Globalisation' of the Nineteenth-Century Press: 12. Colonial networks and the periodical marketplace Mary L. Shannon; 13. Continental currents: Paris and London Juliette Atkinson; 14. The newspaper and the periodical press in Colonial India Deeptanil Ray and Abhijit Gupta; 15. British and American newspaper journalism in the nineteenth century Joel Wiener; 16. Journalism and Empire in an English-reading world: the Review of Reviews Simon J. Potter; Part IV. Journalists and Journalism: 17. Dickens and the middle-class weekly John Drew; 18. Harriet Martineau: women, work and mid-Victorian journalism Iain Crawford; 19. Wilkie Collins and the discovery of an 'unknown public' Graham Law; 20. Margaret Oliphant and the Blackwood 'Brand' Joanne Shattock; 21. Marian Evans the reviewer Fionnuala Dillane; 22. Oscar Wilde, new journalist John Stokes and Mark W. Turner.

Additional Edition: ISBN 1-107-08573-X

Additional Edition: ISBN 1-108-15095-0

Language: English

Subjects: General works , English Studies

Keywords: Aufsatzsammlung

URL: https://doi.org/10.1017/9781316084403

URL: Volltext  (URL des Erstveröffentlichers)

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Format: 1 online resource ([4],xvi,363,[1]p.,plates )

Edition: Third edition, with many valuable additions.

Note: Half-title: 'Gale's recreations'. , Reproduction of original from British Library.

Language: English

URL: Volltext  (Full text online)

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