Kooperativer Bibliotheksverbund

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ISBN: 0585049572 , 9780585049571

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Language: English

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Format: 1 online resource (350 pages) : , illustrations.

ISBN: 9789004545854

Series Statement: Amsterdamer Beiträge zur neueren Germanistik ; 95

Content: Thomas Bernhard, one of the most significant post-war European writers, continues to fascinate. The twenty essays in this bilingual volume offer new readings of the Austrian writer's works via three interconnected strands: language, history and subjectivity. In Austria, Bernhard was often viewed as an enfant terrible . Yet after his death in 1989, he has increasingly undergone what novelist Alexander Schimmelbusch calls a 'Mozartisation'. Against this background, the volume refocuses attention on Bernhard's works themselves, underlining why these continue to be subversive and compelling. The essays in this volume address Bernhard's creative linguistic interventions; his theatrical verve; his literary persona; and his response to the traumatic historical legacy which continues to shape Austrian subjectivities long after 1945. Thomas Bernhard - einer der bedeutendsten europäischen Nachkriegsautoren - wurde in Österreich oft als enfant terrible wahrgenommen. Nach seinem Tod in 1989 kam es jedoch immer mehr zu einem Prozess der "Mozartisierung" (Alexander Schimmelbusch), dem Versuch, Bernhard in das offizielle österreichische Selbstbild einzureihen. Vor diesem Hintergrund lenkt dieser Band die Aufmerksamkeit wieder auf Bernhards Werke selbst und unterstreicht, warum diese nach wie vor subversiv, spannend und nicht zuletzt irritierend sind. Unter den miteinander verbundenen Themenschwerpunkten Sprache, Geschichte und Subjektivität befassen sich die Beiträge mit Bernhards kreativen sprachlichen Interventionen, seiner theatralischen Präsenz, seiner literarischen Persona und seiner Reaktion auf das traumatische historische Erbe, das die österreichischen Subjektivitäten noch lange nach 1945 prägt. Auch, aber keineswegs nur deshalb, hat Bernhard nichts von seiner Faszination eingebüßt.

Note: Acknowledgements -- Abbreviations -- Notes on Contributors -- Introduction -- Katya Krylova and Ernest Schonfield -- 1 Zugänge zu Thomas Bernhard: Grundsätzliches und Persönliches zu seinem Werk -- Manfred Mittermayer -- Part 1: Bernhard's Poetics -- 2 Syntaxästhetik oder: die Kunst des Künstlichen, das Künstliche in der Kunst. Zu einem Phänomen bei Thomas Bernhard -- Rüdiger Görner -- 3 Thomas Bernhards Sprachfluchten: Wege aus der Unzulänglichkeit der Sprache -- Susanne Lorenz -- 4 Walking with Thomas Bernhard: a Reading of Gehen as a Redemptive Text -- Daniel Steuer -- Part 2: Bernhard's Early Fiction -- 5 Bernhard's Frost and the Philosophy of Pessimism -- Ritchie Robertson -- 6 Ungenach und "alles, was mit Ungenach zusammenhängt" - Prekäre Erbschaften bei Thomas Bernhard -- Simon Schoch -- Part 3: Bernhard's Plays -- 7 Die Unausweichlichkeit der anderen: Thomas Bernhards und Jean-Paul Sartres Dreiecksdramen -- Juliane Werner -- 8 Thomas Bernhard und die "deutsche Seele": Identität und Erinnerung in Vor dem Ruhestand -- Nikolaios Koskinas -- 9 Österreichbeschimpfung, Publikumsbeschimpfung und Selbstbeschimpfung im Theater Thomas Bernhards -- Adrien Bessire -- 10 Hass als handlungsleitende Negativemotion in Thomas Bernhards Der Theatermacher und Heldenplatz -- Patrick Siegmann -- Part 4: Bernhard's Later Fiction -- 11 Alte Meister: a Woman Reader Fights Back -- Elizabeth Boa -- 12 "ich hätte über diese meine Wortschöpfung im Augenblick auflachen können" - Thomas Bernhards subversive Mimikry diskursiver Begriffssprache in der Prosakomödie Alte Meister -- Beate Sommerfeld -- 13 Thomas Bernhards Bezugnahmen auf Nikolaj Gogol -- Victoria Boldina -- 14 Erzählen aus Verstimmung. Historische und ästhetische Subjektivität in Thomas Bernhards Auslöschung. Ein Zerfall -- Stefan Hajduk -- 14 Murau, Gambetti and the Discourse of the Analyst in Auslöschung -- Jack Davis -- 16 "Mehr nicht!": Zu Thomas Bernhards Erzählung Goethe schtirbt -- Hans-Walter Schmidt-Hannisa -- Part 5: Bernhard's Persona -- 17 The Human behind the Hyperbole: Bernhard's Self-Staging in Meine Preise, Ein Kind and Wittgensteins Neffe -- Byron Spring -- 18 Selbstverachtung bei Thomas Bernhard und Elfriede Jelinek -- Sheila Dickson -- 19 Thomas Bernhard-im Interview - eine Analyse von Drei Tage (1970) und Monologe auf Mallorca (1981) -- Anita Tuta -- 20 "Zur Kenntlichkeit entstellt": Thomas Bernhards postume, österreichische Karriere -- Martin Huber -- Bibliography -- Index. , German and English

Additional Edition: Print version: Thomas Bernhard: Language, History, Subjectivity. Leiden ; Boston : Brill, 2023. ISBN 9789004545793

Language: English

Subjects: German Studies

Keywords: Aufsatzsammlung

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Format: 1 online resource (384 pages)

Edition: 1st ed.

ISBN: 9781350450578

Series Statement: Bloomsbury Handbooks

Content: 〈b〉Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing practitioner s toolkit (including useful bibliographical resources) and a guide to avenues for future work.〈/b〉 Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and non-canonical authors and networks within the New Modernist Studies . This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism

Note: List of Illustrations A Note on Contributors Acknowledgements Introduction: Re-Presenting and Re-Imagining Modernist Archives, 〈i〉Jamie Callison (University of Agder, Norway), Matthew Feldman (University of York, UK), Anna Svendsen (Independent Researcher) and Erik Tonning (NLA University College, Norway)〈/i〉 〈b〉Part I: Authors〈/b〉 1. Materials from a "World Record": W.B. Yeats and his Archives, 〈i〉Charles I. Armstrong (University of Agder, Norway)〈/i〉 2. 'Will Future Editor Kindly Omit...': Evelyn Waugh in Conversation with his Archives, 〈i〉Barbara Cooke (Loughborough University, UK)〈/i〉 and 〈i〉Naomi Milthorpe (University of Tasmania, Australia)〈/i〉 3. 'True to Oneself! Which Self?': Katherine Mansfield in her Letters, 〈i〉Gerri Kimber (University of Northampton, UK)〈/i〉 4. Fragmentary, Elusive, Modernist: The Mina Loy Papers at the Beinecke Rare Book and Manuscript Library, 〈i〉Laura Scuriatti (Bard College Berlin, Germany)〈/i〉 5. Archiving the Intellectual Life: May Sinclair's Workbooks, 〈i〉Rebecca Bowler (Keele University, UK)〈/i〉 and 〈i〉Stanislava Dikova (University of Essex, UK)〈/i〉 6. 'Let Me Be Free of Printers': Ezra Pound's Generative Archive, 〈i〉Mark Byron (University of Sydney, Australia)〈/i〉 7. Ransom-ing D.H. Lawrence: The Archive and New Trajectories in Lawrence Studies, 〈i〉Elliott Morsia (Independent Scholar)〈/i〉 8. Archive as Personal 'Disastar': The Malcolm Lowry Collection at the University of British Columbia and Beyond, 〈i〉Chris Ackerley (University of Otago, New Zealand)〈/i〉 and 〈i〉Patrick A. McCarthy (University of Miami, USA)〈/i〉 9. Hart Crane's The Bridge: Publishing a Fragmentary Whole, 〈i〉Francesca Bratton (Maynooth University, Ireland)〈/i〉 10. Samuel Beckett's Manuscripts: A Literary Archive in the Digital Age, 〈i〉Olga Beloborodova (University of Antwerp, Belgium)〈/i〉, 〈i〉Dirk Van Hulle (University of Oxford, UK)〈/i〉 and 〈i〉Pim Verhulst (University of Oxford, UK)〈/i〉 11. Curation, Collaboration and Creativity in the Archives of Virginia Woolf, 〈i〉Jane de Gay (Leeds Trinity University, UK)〈/i〉 12. Beyond Archive Fever: The Complexities of Editing Dorothy Richardson's Oeuvre for the 21st Century, 〈i〉Jo Winning (Monash University, Australia)〈/i〉 13. The Archival In-Life of James Joyce, 〈i〉Ronan Crowley (Goethe University Frankfurt, Germany)〈/i〉 14. From the Oracular Archives': The Dylan Thomas Poetry Archive, 〈i〉John Goodby (Sheffield Hallam University, UK)〈/i〉 15. The Text and 'The Presence': Gertrude Stein's Archives, Isabelle Parkinson 〈i〉(Royal Holloway University of London, UK)〈/i〉 16. Additions and Editions: H.D. and the Archive, 〈i〉Jamie Callison (University of Agder, Norway)〈/i〉 and 〈i〉Matte Robinson (St Thomas University, Canada)〈/i〉 〈b〉Part II: Themes〈/b〉 17. Archives of the Air: The BBC Written Archives Centre and Radio Voices of the Global Anglophone, 〈i〉Ben Fried (University of London, UK)〈/i〉 18. Private Presses and Commercial Concerns: The Modernist Publisher's Archive, 〈i〉Evi Heinz (University of Munster, Germany)〈/i〉 and 〈i〉Gareth Mills (Independent Scholar)〈/i〉 19. Fashion: Expanded Histories, New Epistemologies, 〈i〉Sophie Oliver (University of Liverpool, UK)〈/i〉 20. Displacements and Juxtapositions, 〈i〉Emily Ridge (University of Galway, Ireland)〈/i〉 21. Broadcasting the Stories of Katherine Mansfield: The BBC Written Archive Centre, 〈i〉Janet M. Wilson (University of Northampton, UK)〈/i〉 22. Modernist Autobiography, Audience and the Archives, 〈i〉Rod Rosenquist (University of Northampton, UK)〈/i〉 23. Media Archives and Postcolonial/Decolonial Voice, 〈i〉Julie Cyzewski (Murray State University, USA)〈/i〉 24. Coterie Literature and the Affinities of the Archive, 〈i〉Michelle A. Taylor (Emory University, USA)〈/i〉 25. The Modernist Archive Gap: Black Writers and Canonicity in the Digital Era, 〈i〉Amardeep Singh (Lehigh University, USA)〈/i〉 26. Translation in the Global Modernist Archive, 〈i〉Alys Moody (Bard College, USA)〈/i〉 Index

Language: English

DOI: 10.5040/9781350450578

URL: https://doi.org/10.5040/9781350450578?locatt=label:secondary_bloomsburyCollections

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Format: Online Ressource

Edition: Online-Ausg.

ISBN: 0585049572 , 9780585049571

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Additional Edition: ISBN 0585049572

Additional Edition: ISBN 9780585049571

Language: English

Keywords: Italian essays ; Italian essays ; Electronic books

URL: Volltext  (Deutschlandweit zugänglich)

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Format: 132 S.

Series Statement: Publications of the English Goethe Society : New series 2

Language: English

Keywords: 1749-1832 Goethe, Johann Wolfgang von ; Baron 1788-1824 Byron, George Gordon Byron

Author information: Robertson, John George, 1867-1933.

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Format: xv, 285 Seiten : , Ill.

ISBN: 0-691-12086-2 , 0-691-12087-0

Content: For centuries, southern Europe, and Italy in particular, has offered writers far more than an evocative setting for important works of literature. The voyage south has been an integral part of the imagination of inspiration. Haunted Museum is a groundbreaking, in-depth look at fantasies of Italy from the late eighteenth to the early twentieth centuries, focusing on a literary tradition Jonah Siegel terms the "art romance"--the fantastic voyage south understood as the register of an ambivalent desire for art and a heightened experience of reality. Siegel argues that Italy's allure derives not only from its celebrated promise of unique natural beauty and prized antiquities, but from the opportunity it offers writers to place themselves in relation to a web of prior accounts of travel to the native land of genius. Beginning with Goethe as the founding figure of the tradition, Haunted Museum moves from a rich reframing of literature from the first half of the nineteenth century--including new readings of works by Byron, de Staël, Barrett Browning, and others--to an ambitious examination of Henry James's well-known engagement with Europe, newly understood as a response to this important literary legacy. Readings of works by Freud, Forster, Mann, and Proust demonstrate the longevity of the tradition of looking to Italy for the representation of desires as impossible to satisfy as they are to deny.

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Reiseliteratur ; Italienbild ; Kunst ; Sehnsucht ; Bibliografie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014587927&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Format: 1 online resource (391 p.)

Edition: 1st ed.

ISBN: 979-84-00-66082-5 , 1-280-63732-3 , 9786610637324 , 0-313-01651-8

Note: Bibliographic Level Mode of Issuance: Monograph , Cover -- A Gustave Flaubert Encyclopedia -- CONTENTS -- PREFACE -- ACKNOWLEDGMENTS -- A -- adaptations. -- References: -- adultery. -- References: -- aesthetics. -- References: -- "Agonies: Pensées sceptiques" -- Reference: -- Alas, Leopoldo Clarín -- References: -- Alexandria (TSA). -- Allen, Woody (1935- ). -- References: -- Ammonaria (TSA). -- anatomy. -- Reference: -- androgyny. -- References: -- Anthony, Saint (historical figure). -- References: -- Antoine, Saint (TSA, all versions). -- References: -- Antrobus Group. -- Reference: -- Anubis (TSA). -- Reference: -- Apollonius of Tyana (TSA, all versions). -- References: -- Arius and Arianism (TSA, 1856, 1874). -- References: -- Arnoux, Jacques (ES). -- Reference: -- Arnoux, Marie (ES). -- References: -- art. -- References: -- Art et progrès. -- References: -- Athanasius (TSA, 1874). -- References: -- attudinal dynamics. -- Reference: -- Aubain, Madame (TC). -- Reference: -- Auden, W[ystan] H[ugh] (1907-73). -- References: -- Augier, Emile (1820-89). -- References: -- autobiographical elements. -- References: -- l'Aveugle (MB). -- Reference: -- Azorín (José Martínez Ruiz, 1873-1967). -- References: -- B -- Balzac, Honoré de (1799-1850). -- References: -- Banville, Théodore de (1823-91). -- Reference: -- Barbey d'Aurevilly, Jules Amédée (1808-89). -- Reference: -- Barnes, Julian (1946- ). -- References: -- Bart, Benjamin F. (1917-91). -- References: -- Barthes, Roland (1915-80). -- References: -- Baudelaire, Charles (1821-67). -- References: -- Baudry, Frédéric (1818-85). -- Reference: -- Berlioz, Hector (1803-69). -- References: -- Bernardin de Saint-Pierre, Jacques-Henri (1737-1814). -- Reference: -- bêtise. -- References: -- the Bible (influence on Flaubert). -- References: -- "Bibliomanie" (1836). -- References: -- Binet (MB). -- Boileau-Despréaux, Nicolas (1636-1711). -- Reference:. , the book. -- References: -- Bordin, Mme veuve (BP). -- Borges, Jorge Luis (1899-1986). -- References: -- Bosquet, Amélie (1815-1904). -- Reference: -- Bouilhet, Louis Hyacinthe (1821-69). -- References: -- Bournisien (MB). -- Reference: -- Bouvard and Pécuchet (BP). -- References: -- Bouvard et Pécuchet (1881). -- References: -- Bovary, Berthe (MB). -- Bovary, Charles (MB). -- References: -- Bovary, Emma, née Rouault (MB) -- References: -- Bovary, Madame (MB -- Charles Bovary's first wife). -- Bovary, Madame (MB -- Charles Bovary's mother). -- Bovary, Monsieur (MB -- Charles Bovary's father). -- Bovarysme. -- References: -- Brainne, Léonie. -- Breughel the younger, Pieter (ca. 1564-1637/38). -- References: -- Brombert, Victor. -- References: -- Bron, Rosanette (ES). -- References: -- Bruneau, Jean (1921- ). -- References: -- Butor, Michel (1926- ). -- References: -- Byron, Lord (George Gordon Byron, sixth Baron Byron, 1788-1824). -- Reference: -- C -- Cahier intime de jeunesse: Souvenirs, notes, et pensées intimes. -- References: -- Le Candidat (1874). -- References: -- Carnets de travail. -- Reference: -- Carthage (Sal). -- References: -- Carvalho (pseud. of Léon Carvaille, 1825-97). -- References: -- Cather, Willa Sibert -- References: -- Catoblépas (TSA). -- Reference: -- Cervantes Saavedra, Miguel de (1547-1616). -- References: -- Chabrol, Claude (1930- ). -- References: -- Charpentier, Georges (1846-19?). -- References: -- Le Château des cœurs. -- References: -- Chateaubriand, François René de (1768-1848). -- References: -- Chevalier, Ernest (1820-1887). -- Reference: -- Chimera (TSA). -- Chopin, Kate (1851-1904). -- References: -- Cisy (ES, 1869). -- Reference: -- class consciousness. -- classicism. -- References: -- cliché. -- References: -- "Un cœur simple" (1875). -- References: -- Colet, Louise (1810-76). -- References:. , collective bovarysme. -- References: -- le Collège Royal. -- References: -- Collier, Gertrude. -- Collier, Harriet (1824-1909). -- References: -- colors. -- References: -- Comices agricoles (MB). -- Reference: -- Commanville, Caroline (née Hamard, 1846-1931). -- References: -- Commanville, Ernest (1834-90). -- Reference: -- la Commune. -- Reference: -- concordances. -- References: -- Conrad, Joseph (Teodor Jósef Konrad Korzeniowski, 1857-1924). -- References: -- copies, copying. -- Reference: -- Correspondance. -- References: -- coup d'état of December 2, 1851. -- critical reception. -- References: -- Croisset. -- References: -- D -- Dambreuse, Mme (ES). -- Reference: -- Dambreuse, M. (ES). -- Reference: -- Darío, Rubén (1867-1916). -- References: -- Daudet, Alphonse (1840-97). -- References: -- death and the dance of death. -- References: -- death scene of Emma Bovary (MB). -- Reference: -- decadence. -- References: -- La Découverte de la vaccine: Tragédie en cinq actes et en vers. -- References: -- Delamare, l'affaire. -- Reference: -- Delessert, Valentine. -- References: -- Delmar (ES 1869). -- Reference: -- descriptions. -- References: -- Deslauriers (ES). -- References: -- the Devil (TSA). -- References: -- Dictionnaire des idées reçues. -- References: -- Diderot, Denis (1713-84). -- Reference: -- diseases. -- References: -- Don Quixote, influence of. -- Du Camp, Maxime (1822-94). -- References: -- Dumas père, Alexandre (1802-70). -- References: -- Duplan, Jules (?-1870). -- References: -- Dupuis, Léon (MB). -- References: -- Dussardier (ES). -- References: -- E -- L'Education sentimentale (1845). -- References: -- L'Education sentimentale (1869). -- References: -- Egypt. -- References: -- electronic resources. -- References: -- Eliot, T[homas] S[tearns] (1888-1965). -- References: -- Enlightenment. -- References: -- epilepsy. -- References:. , Eugénie, l'impératrice (1826-1920). -- Reference: -- exoticism. -- References: -- F -- The Family Idiot (by Jean-Paul Sartre). -- Faulkner, William (1897-1962). -- References: -- Félicité (TC). -- References: -- feminist and gender studies. -- References: -- fetishism. -- References: -- Feydeau, Ernest (1821-73). -- Reference: -- "La Fiancée et le tombeau: Conte fantastique." -- Reference: -- film adaptations of Flaubert's works. -- References: -- Flaubert, Achille (brother of Gustave Flaubert, 1813-82). -- References: -- Flaubert, Achille-Cléophas (father of Gustave Flaubert, 1784-1846). -- References: -- Flaubert, Caroline (née Fleuriot, mother of Gustave Flaubert, 1793-1872). -- References: -- Flaubert, Caroline (sister of Gustave Flaubert). -- focalization (focus -- establishing point of view in fiction). -- References: -- Fontainebleau, Forest of (ES). -- References: -- food. -- Reference: -- Ford, Ford Madox (1873-1939). -- References: -- Foucaud, Eulalie (1805-?). -- Reference: -- France, Anatole (pseud. of Jacques-Anatole-François Thibault, 1844-1924). -- References: -- Franco-Prussian War (1870-71). -- References: -- free indirect style (FIS, style indirect libre, represented discourse, erlebteRede). -- References: -- "Les Funérailles du docteur Mathurin" (1839). -- Reference: -- funeral (1880). -- References: -- G -- Gabrielle. -- Gallant, Mavis (1922- ). -- Reference: -- le Garçon. -- References: -- Gautier, Théophile (1811-72). -- References: -- gender. -- genetic criticism. -- References: -- genetic editions. -- References: -- Genettes, Edma Roger des (1818-91). -- Reference: -- Giscon (Sal). -- References: -- gods, procession of the (TSA, all versions). -- References: -- Goethe, Johann Wolfgang von (1749-1832). -- References: -- Goncourt, Edmond and Jules de (1822-96 -- 1830-70). -- References: -- Gosselin, Henry (ES, 1845). , References: -- Gosselin, Monsieur (ES, 1845). -- References: -- "La Grande Dame et le joueur de vielle, ou, La mère et le cercueil." -- Reference: -- Greece. -- Reference: -- le gueuloir (oral composition). -- H -- Hamard, Caroline (née Flaubert, 1824-46). -- References: -- Hamard, Emile (Flaubert's brother-in-law, 1821-77). -- Reference: -- Hamilcar (Sal). -- References: -- Hannibal (Sal). -- References: -- Hannon (Sal). -- References: -- Hegel, Georg Wilhelm Friedrich (1770-1831). -- References: -- Hennique, Léon (1851-1935). -- References: -- Herbert, Juliet (1829-1909). -- References: -- Hérode (TC). -- References: -- "Hérodias" (TC). -- References: -- Hérodias (TC). -- References: -- Hilarion (TSA). -- References: -- history, Flaubert's treatment of. -- References: -- Homais (MB). -- References: -- Homer. -- References: -- homosexuality. -- References: -- l'Hôtel-Dieu (municipal hospital, Rouen). -- References: -- Hugo, Victor (1802-85). -- References: -- Hussonet (ES, 1869). -- Reference: -- I -- iconography. -- References: -- image and metaphor. -- References: -- indeterminacy. -- References: -- inédits (unpublished works). -- References: -- irony. -- References: -- Italy. -- References: -- J -- James, Henry (1843-1916). -- References: -- Jarry, Alfred. -- Jelinek, Elfriede (1946- ). -- References: -- Jenner, ou la découverte de la vaccine. -- Jerusalem. -- Reference: -- Joyce, James (1882-1941). -- References: -- Jules (ES, 1845). -- References: -- Justin (MB). -- Reference: -- K -- Kafka, Franz (1883-1924). -- References: -- Karr, Alphonse. (1808-90). -- Reference: -- "The Kugelmass Episode." -- L -- Lagier, Suzanne (Honorine-Suzanne-Marie-Louise, 1833-93). -- References: -- Lamartine, Alphonse de (1790-1869). -- Reference: -- Langlois, Eustache-Hyacinthe (1777-1837). -- Reference: -- Lapierre, Marie-Valérie. -- References:. , Laporte, Edmond (1832-1906). , English

Additional Edition: ISBN 0-313-30744-X

Language: English

DOI: 10.5040/9798400660825

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Format: 1 online resource (458 p.)

Edition: 1st ed.

ISBN: 1-282-02350-0 , 9786612023507 , 1-4426-7792-9

Series Statement: Collected Works of Northrop Frye ; Volume 17

Content: Highlighting aspects of his scholarship seldom given sufficient emphasis, this new volume of the Collected Works of Northrop Frye documents Frye's writings on the literature of the eighteenth and nineteenth centuries (apart from those on William Blake, which are featured in other volumes).The volume includes Frye's seminal 1956 essay "Towards Defining an Age of Sensibility" and the highly influential 1968 book A Study of English Romanticism. With these pieces and the other published and unpublished works contained in the volume, Frye changed the way the transition from the major Augustan figures to the Romantics was viewed. These works are a central part of Frye's long and radical rethinking of the relation of romance and Romanticism and, through them, he emerges as a meticulous textual critic, teasing out the fine brushstroke effects in writers as varied as Boswell and Beddoes, Dickens and Dickinson.Imre Salusinszky's introduction and annotation illuminates Frye's writing and guides the reader along the path of Frye's five-decade development of thought on Romanticism. This volume is an invaluable contribution to studies on Frye, as well as to Romantic and Victorian literature.

Note: Includes index. , ""Contents""; ""Preface""; ""Credits""; ""Abbreviations""; ""Introduction""; ""On the Eighteenth Century""; ""1 The Young Boswell""; ""2 Towards Defining an Age of Sensibility""; ""3 Nature Methodized""; ""4 Varieties of Eighteenth-Century Sensibility""; ""On Romanticism""; ""5 CBC Goethe Salute""; ""6 Long Sequacious Notes""; ""7 Lord Byron""; ""8 Foreword to Romanticism Reconsidered""; ""9 The Drunken Boat: The Revolutionary Element in Romanticism""; ""10 A Study of English Romanticism""; ""Preface""; ""I: The Romantic Myth""; ""II: Yorick: The Romantic Macabre"" , ""III: Prometheus: The Romantic Revolutionary""""IV: Endymion: The Romantic Epiphanic""; ""11 John Keats""; ""12 Kathleen Hazel Coburn""; ""13 How It Was""; ""14 In the Earth, or In the Air?""; ""On the Nineteenth Century""; ""15 Review of Patience and The Silver Box""; ""16 Review of H.M.S. Pinafore""; ""17 lolanthe""; ""18 Review of lolanthe""; ""19 Review of Bradbrook's Ibsen the Norwegian""; ""20 James, LeFanu, and Morris""; ""21 An Important Influence""; ""22 Review of Joan Evans's John Ruskin""; ""23 Emily Dickinson""; ""24 The Problem of Spiritual Authority in the Nineteenth Century"" , ""25 Dickens and the Comedy of Humours""""26 The Meeting of Past and Future in William Morris""; ""27 The World as Music and Idea in Wagner's Parsifal""; ""28 Some Reflections on Life and Habit""; ""Notes""; ""Emendations""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" , Issued also in print. , English

Additional Edition: ISBN 0-8020-7716-1

Additional Edition: ISBN 0-8020-3824-7

Language: English

Keywords: Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Electronic books.

DOI: 10.3138/9781442677920

URL: Click to View

UID:

Format: XIII, 229 S. : , Ill.

Edition: 1. publ.

Language: English

Subjects: English Studies

Keywords: 1749-1832 Goethe, Johann Wolfgang von ; Baron 1788-1824 Byron, George Gordon Byron ; Bibliografie

Author information: Butler, E. M. 1885-1959

UID:

Format: 1 online resource (545 p.)

Edition: 1st ed.

Content: The works of Lord Byron and his friend Sir Walter Scott had an influence on European literature which was immediate and profound. Peter Cochran's book charts that influence on France, Germany, Italy, Spain, Poland and Russia, with individual chapters on Goethe, Pushkin, and Baudelaire - and one special chapter on Ibsen, who called Peer Gynt his Manfred. Cochran shows that, although Byron's best work is his satirical writing, which is aimed in part at his earlier "romantic" material and its readership, his self-correction was not taken on board by many European writers (Pushkin being the exception), and it was the gloomy Byronic Heroes who held sway. These were often read as revolutionaries, but were in fact dead-end. It was a mythical, not a literary Byron whom people thought they had read. The book ends with chapters on three British writers who seem at last to have read Byron, in their different ways, accurately - Eliot, Joyce, and Yeats.

Note: Description based upon print version of record. , ""CONTENTS""; ""ACKNOWLEDGEMENTS""; ""ABBREVIATIONS""; ""PREFACE""; ""INTRODUCTION""; ""GOETHE""; ""PUSHKIN""; ""FRANCE""; ""BAUDELAIRE""; ""PROSPER MERIMÉE, JULES VERNE,ALEXANDRE DUMAS,AND THE COMMODIFICATIONOF THE BYRONIC HERO""; ""GEORGE SAND""; ""SPAIN""; ""FOUR STRANGE GERMANAND AUSTRIAN EVENTS""; ""RUSSIA""; ""POLAND""; ""ITALY""; ""COMPOSERS""; ""SCHOPENHAUER AND NIETZSCHE""; ""IBSEN""; ""T.S. ELIOT""; ""JAMES JOYCE""; ""YEATS""; ""APPENDIX""; ""BIBLIOGRAPHY""; ""INDEX"" , English

Additional Edition: ISBN 1-4438-7773-5

Additional Edition: ISBN 1-4438-7541-4

Language: English

Keywords: Electronic books.

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