Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (229 p.)

Edition: 1st ed.

ISBN: 0-8135-6740-8 , 0-8135-3525-5

Note: Bibliographic Level Mode of Issuance: Monograph , Philip Freneau -- James Fenimore Cooper -- Mary Griffith -- Walt Whitman -- Mary Mapes Dodge -- Thomas Nast -- Mary Wilkins Freeman -- Stephen Crane -- Albert Payson Terhune -- William Carlos Williams -- Joyce Kilmer -- Allen Ginsberg -- Mary Higgins Clark -- Toni Morrison -- Amiri Baraka -- Joyce Carol Oates -- Peter Benchley -- Anna Quindlen -- Cheaper by the dozen -- Goodbye, Columbus -- The Pine Barrens -- Eddie and the Cruisers -- Jersey luck -- Rosamund's vision -- Laying down the law -- One for the money -- Our guys -- Lost legends of New Jersey -- Searching for Captain Kidd's treasure -- Burr, Hamilton, and the duel of history in Weehawken -- The Lindbergh baby kidnapping -- The Hindenburg disaster -- The trials of Rubin "Hurricane" Carter -- Mobbed in New Jersey -- On the (paper) trail of the New Jersey Devil -- Dodge Poetry Festival -- The New Jersey Literary Hall of Fame -- Stages of greatness: a survey of the history of theater in New Jersey -- Reaching critical mass in the Garden State -- Stoned in New Jersey. , English

Additional Edition: ISBN 0-8135-3290-6

Language: English

Subjects: American Studies

Keywords: Führer

URL: Volltext

UID:

Format: 1 Online-Ressource (xix, 303 p.)

ISBN: 9781429458429 , 1429458429

Note: "September 2006." , Includes bibliographical references (p. 283-290) and index , A rich heritage: the saga of Bengal 505 Alpha -- The interim years -- Desert Shield -- Desert Storm week one -- Desert Storm weeks two/three/four -- Desert Storm week five -- Desert Sabre week six , Budgetary, political, and organizational changes left the USAF unprepared for the combat search and rescue (CSAR) mission going into Desert Storm. Colonel Whitcomb relates his and others₂ experiences from CSAR in Southeast Asia and examines the organization that was established to provide CSAR services in the Iraq-Kuwait theater of operations. He traces each incident from beginning to end along with the tactical and sometimes strategic implications. Scores of interviews, e-mails, and published works provide a compendium of lessons learned and recommendations gleaned from those who flew the missions and made the decisions in Iraq

Language: English

Keywords: USA ; Militär ; Rettung ; Golfkrieg

URL: Volltext

URL: Full text  (Click to View (Currently Only Available on Campus))

UID:

Format: 1 online resource (275 pages)

Edition: 1st ed.

ISBN: 3-8394-6965-1

Series Statement: Theater Series

Content: In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.

Note: Cover -- Table of Contents -- Acknowledgements -- Digital Dataset -- Note on Translations -- Chapter 1. Introduction -- I. Setting the Scene: A Manuscript Culture in an "Age of Print" -- II. The Hamburg Theater-Bibliothek Collection and Its Context -- III. Framework and Outline -- Chapter 2. Prompting and Its Written Artefacts: Anecdotal Evidence -- I. Prompting as a "Necessary Evil" in Eighteenth- and Nineteenth-Century German Theatre -- II. A Question of Honour: Taking Care of the Written Artefacts of Prompting and More -- III. Prompt Books in Reading: At the Prompter's Whim -- Chapter 3. Writing and Paper Practices in the Prompt Books of the Hamburg Theater-Bibliothek -- I. The Format and Use of Prompt Books -- II. Adding and Retracting Dialogue and Stage Directions -- III. Types and Functions of Other Additions and Retractions -- IV. The Material Performance of Prompt Books -- Chapter 4. Creating a Prompt Book, Two at a Time: Scribes and Multi-Layered Revisions for the Hamburg Production of Kotzebue's Die Sonnen-Jungfrau (1790-1826) -- I. Doubling Down: Two Prompt Books for Die Sonnen-Jungfrau at the Theater-Bibliothek -- II. Theater-Bibliothek: 728 as a Not-So-Fair Fair Copy -- III. The Error-Prone Dynamics of Copying: Unintentional Gender Trouble -- IV. Reshaping Theater-Bibliothek: 728 - Tweaking a Play for the Stage -- V. Going It Alone: Fair Copy Theater-Bibliothek: 1460, Assisted Reading, Technical Instructions -- VI. Reworking the Play, Reshaping Theater-Bibliothek: 1460 I: Political Pressure in 1813 -- VII. Reworking the Play, Reshaping Theater-Bibliothek: 1460 II: Discovering the Heroic Dreamer in 1823 -- Chapter 5. Prompt Book Practices in Context: The "Hamburg Shakespeare" between Handwriting and Print, the Audience and Censorship Demands (1770s-1810s and beyond). , I. The German Shakespeare in Print and Its Relationship to Theatre -- II. The 1776 Hamlet and Its Relationship to Print -- III. The 1776 Othello: Adapting Theater-Bibliothek: 571 from Various Printed Sources -- IV. In Search of an Audience: Hasty Prompt Book Revisions in Theater-Bibliothek: 571 -- V. Prompt Books on the Censor's Desk: Handwriting, Print, and Shakespeare -- VI. A 1778 König Lear Print Copy and Its 1812 Context -- VII. Appeasing the Censor: The Handwritten Revision of Theater-Bibliothek: 2029 in 1812 -- Chapter 6. Doing Literature in Theatre: Schiller's Adaptation of Lessing's Nathan der Weise between Prompting and Stage Managing (1800s-1840s) -- I. A Closet Drama, an Adapter's Work in Progress, and Two Related Written Artefacts -- II. The Author as Adapter: Schiller's Template in Theater-Bibliothek: 1988a and Theater-Bibliothek: 1988b -- III. The Work of the Inspector in Theater-Bibliothek: 1988a -- IV. Transforming a Print Copy into a Prompt Book: Technical Requirements for Creation and Use in Theater-Bibliothek: 1988b -- V. The Evolution of an Adaptation I: Simultaneous or Non-Simultaneous Use -- VI. The Evolution of an Adaptation II: Negotiating Christianity in Public -- VII. Entangled Purposes, Complementary Materialities -- Chapter 7. Outlook -- List of Figures -- Bibliography -- I. List of Written Artefacts from the Theater-Bibliothek -- II. List of Databases and Datasets -- III. List of Other Sources.

Additional Edition: ISBN 3-8376-6965-3

Language: English

DOI: 10.1515/9783839469651

URL: eBooks on EBSCOhost

URL: Click here to view book

UID:

Format: 1 online resource (296 pages) : , digital file(s).

Edition: 1st ed.

ISBN: 3-0343-3702-7 , 3-0343-3701-9

Series Statement: MIMOS - Schweizer Jahrbuch Darstellende Kuenste Series ; v.80

Content: "Founded in 1982, Theater Sgaramuch creates challenging plays in terms of content and aesthetics, staged for children and adults alike. The present volume showcases various facets of the company's oeuvre - which aims to be poetic and never didactic - and seeks to assess the current standing of theatre for young audiences in Switzerland"--

Note: Cover -- Content -- Isabelle Chassot -- «Junge Menschenbrauchen Theater»: Direktorin Bundesamt für Kultur -- «Les jeunes ont besoindu théâtre»: Directrice de l'Office fédéral de la culture -- «I giovani hannobisogno del teatro»: direttrice dell'Ufficio federale della cultura -- "Young PeopleNeed Theatre": Director of the Federal Office of Culture -- Gianfranco Helbling -- Laudatio der Jury zur: Verleihung des Schweizer Grand Prix Theater / Hans-Reinhart-Ring 2018 an das Theater Sgaramusch -- Laudatio du jury: à l'occasion de la remise du Grand Prix suisse de théâtre / Anneau Hans Reinhart 2018 au Théâtre Sgaramusch -- Laudatio della giuria: per il conferimento del Gran Premio svizzero di teatro / Anello Hans Reinhart 2018 al Theater Sgaramusch -- The Jury's Statement: on the Presentation of the Swiss Grand Award for Theatre / Hans Reinhart Ring 2018 to Theater Sgaramusch -- Paola Gilardi -- Keine Randsparte: Co-Präsidentin der SGTK und verantwortliche Herausgeberin von MIMOS -- Un art marginal? : Co-présidente de la SST et responsable de la collection MIMOS -- Un'arte marginale?: Co-presidente della SSST e responsabile della collana MIMOS -- Forever on the Fringe?: Co-President of SATS and Lead Editor of MIMOS -- Alexandra Kedves -- « Wir tauchen indie Kinderwelten vonheute ein»: Gespräch mit den Sgaramusch-Leitern Nora Vonder Mühll und Stefan Colombo -- «Nous nous immergeonsdans les mondesde l'enfance»: Rencontre avec Nora Vonder Mühll et Stefan Colombo, directeurs du Théâtre Sgaramusch -- «Ci immergiamonell'universo dei bambini di oggi»: Incontro con Nora Vonder Mühll e Stefan Colombo, direttori del Theater Sgaramusch -- "We Immerse Ourselves in the Worlds of Today's Children": A Conversation with Sgaramusch Artistic Directors, Nora Vonder Mühll and Stefan Colombo -- Maren Butte -- Suchbewegungen der Liebe. , Mouvements à la recherche de l'amour -- Movimenti alla ricerca dell'amore -- Love's Moving Search -- Annina Giordano-Roth -- Die schwarze Spinne: Kollektives Gruselerlebnis vom Feinsten -- L'Araignée noire ou le plaisir de frissonner de peur ensemble -- Il ragno nero: un'esaltante esperienza collettiv a da brividi -- The Black Spider: A Collective Thrill of Horror and D elight -- Carol Blanc -- Résumé /Riassunto /Abstract -- Ungewöhnlich beweglich: Inszenieren mit dem Theater Sgaramusch -- Alex Byrne -- Zusammenfassung/Résumé/Riassunto -- Watching - Working - Making - Thinking with Sgaramusch -- Lena Arends -- Résumé/ Riassunto/Abstract -- Eine Theaterbegegnung auf Augenhöhe: Dingdonggrüezi am Festspielhaus St. Pölten -- Oliver Maurmann -- Résumé/Riassunto/Abstract -- Hinter meiner gemütlichen Gitarre: Erfahrungen eines Musikers mit dem Theater Sgaramusch -- Alain Croubalian -- Zusammenfassung/Riassunto/Abstract -- Les enfants savent mieux: Réflexions sur l'esthétique du Théâtre Sgaramusch -- Andreas Klaeui -- Résumé/Riassunto/Abstract -- «Man kann Kindern alle s zumuten»: Gespräch mit Sgaramusch-Gründer Urs Beeler -- Andri Beyeler -- Résumé/Riassunto/Abstract -- Geschichte mit dem Theater Sgaramusch -- Dossier -- Yvonne Schmidt -- Résumé/Riassunto/Abstract -- «Eine gute Produktion für ein junges Publikum ist einfach eine gute Produktion»: Gespräch mit Laura Graser vom Kulturzentrum Les Rotondes in Luxemburg -- Sandra Suter -- Résumé/Riassunto/Abstract -- «Kinder lebenin derselben Realität wie wir»: Gespräch mit Petra Fischer, Leiterin des Jungen Schauspielhauses Zürich -- Anne Fournier -- Zusammenfassung/Riassunto/Abstract -- «Le théâtre doit être un lieu habitable pourtrois générations»: Entretien avec Fabrice Melquiot, directeur du Théâtre Am Stram Gram de Genève -- Paola Gilardi -- Zusammenfassung/Résumé/Abstract. , Il coraggio di osare: Intervista a Vania Luraschi, direttrice del Teatro Pan di Lugano -- Vier Gespräche zum Theater für ein junges Publikum -- Quatre entretiens sur le théâtre jeun e public -- Quattro interviste sul teatro per un pubblico giovane -- Four Conversations on Theatre for Young Audiences -- Werkverzeichnis Théâtrographie Teatrografia List of Works -- Anhang Annexes Appendice Appendix -- Autoren / Auteurs /Autori / Authors. , Also available in print form. , In German, with essays translated into French and Italian.

Additional Edition: Print version: ISBN 9783034337007

Language: Multiple languages

Keywords: Electronic books.

DOI: 10.3726/b14833

URL: lizenzpflichtig

URL: Click to View

UID:

Format: XXI, 387 S. ; , 24 cm.

ISBN: 978-0-8093-2187-2 , 0-8093-2186-6 , 0-8093-2187-4

Note: Literaturangaben , Hollywood and world history / George MacDonald Fraser -- Clio in Hollywood / George F. Custen -- British TV dramadocumentary: origins and developments / John Corner -- Tales of cultural tourism / Derek Paget -- Docudrama on American television / Tom W. Hoffer and Richard Alan Nelson -- Brian's song: television, Hollywood, and the evolution of the movie made for TV / Douglas Gomery -- The guardian lectures: dramatized documentary / Leslie Woodhead -- Where are we going and how and why? / Ian McBride -- Lies about real people / Jerry Kuehl -- Hollywood and the research department / George F. Custen -- Making bitter harvest / Todd Gitlin -- And the band played on: searching for truth / Betsy Sharkey -- Murder and mayhem stalk TV / Jeff Silverman -- Theater of fact: a dramatist's viewpoint / David Edgar -- Death of a princess: the politics of passion, and interview with Anthony Thomas / Alan Rosenthal -- Writers in action: Ernest Kinoy, Michael Eaton, Michael Baker / Alan Rosenthal -- Tony Parker and the documentary play / Irene Shubik -- Battleship Potemkin: film and reality / D. J. Wenden -- Rule Britannia! / George MacDonald Fraser -- Roots: docudrama and the interpretation of history / Leslie Fishbein -- Reds as history / Robert A. Rosenstone -- Patriot games / Conor Cruise O'Brien -- In the name of the IRA / Richard Grenier -- The making of hostages / Sita Williams -- JFK: historical fact/historical film / Robert A. Rosenstone -- Walker and Mississippi Burning: postmodernism versus illusionist narrative / Sumiko Higashi -- Fantastic realism: Schindler's list as docudrama / Yosefa Loshitsky -- Defining docudrama: In the name of the Father, Schindler's list, and JFK / Steve Lipkin

Language: English

Subjects: General works

Keywords: Historischer Film ; Dokumentarfilm ; Historischer Film ; Dokumentarfilm ; Fernsehfilm ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008543742&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

URL: http://www.loc.gov/catdir/enhancements/fy0732/97052387-b.html

URL: http://www.loc.gov/catdir/enhancements/fy0732/97052387-d.html

UID:

Format: XXII, 411, VIII S. , Ill.

Edition: 1. ed.

Language: English

Subjects: American Studies , Comparative Studies. Non-European Languages/Literatures

Keywords: Theater ; Geschichte 1945-1952 ; Drama ; Geschichte 1945-1952 ; Aufsatzsammlung

Author information: Bentley, Eric 1916-2020

UID:

Format: xxv, 263 Seiten.

ISBN: 978-1-60938-677-1

Series Statement: Studies in theatre history and culture

Content: Preface : restoring theatre activism in Eastern and Central Europe / Diana Manole -- Introduction : the "other: theatre in the postcolonies of communism / Vessela S. Warner -- Contemporary Hungarian independent theatre / Andrea Tompa -- The center and the fringe : post-Soviet alternative theatre in Estonia / Jaak Rahesoo -- Theatre NO99 : an alternative state theatre / Luule Epner -- The search for alternatives in Latvian theatre 1991/2004 : a creator's notebook / Baṇuta Rubess -- The assault of alternative theatre against the limited universe / Angelina Rocca -- Teatr.doc and the Russian alternative stage today / John Freedman -- Anti-nationalism and the culture of performance : the mission of Dah Theatre / Dennis Barnett -- Fusing performative boundaries: the relation text-actor-space in the experimental style of Theatre Laboratory Sfumato / Violeta Decheva and Vessela S. Warner -- Theatre Laboratory Alma Alter : Grotowski's legacy and the heterogeneous origin of Bulgarian alternative theatre / Vessela S. Warner -- Redefining kitsch and camp in Russian opera : Moscow's Helikon Opera in transition / Christopher Silsby -- Prague's Studio Ypsilon in the tradition of the Czech liberated theatre / Barry Freeman -- After the avalanche : Czech theatre's search for the meaning of alternative / Dennis C. Beck -- Playing with citizenship : NSK and Janez Jans̆a / S.E. Wilmer -- The perfect other : performing artistic freedom in solidarity with the Belarus Free Theater / Margarita Kompelmakher

Content: "After the fall of the Berlin Wall in 1989, East Central European theatre was never the same. In the transition to a post-communist world, 'alternative theatre' found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in twenty former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the former Eastern European bloc. Essayists view alternative theatre as a cultural, social, and political practice that seized newfound freedom and power after the toppling of censorious totalitarian governments. Emerging from cultural isolation, alternative theatre used experimental, avant-garde performance styles to bring about social and political changes. Ultimately, this collection investigates the ways in which post-communist alternative theatre negotiated and embodied change not only locally but globally as well. The result is a long overdue examination that will be a valuable resource for theatre history, post-Cold War, and Eastern European scholars alike"--

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-60938-678-8

Language: English

Subjects: Slavic Studies , General works

Keywords: Postkommunismus ; Alternatives Theater ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032362154&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032362154&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Literaturverzeichnis

URL: Register // Gemischte Register

URL: Inhaltsverzeichnis

UID:

Format: XX, 656 Seiten : , Illustrationen.

ISBN: 978-0-19-931420-1

Series Statement: Oxford handbooks

Content: The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media. - Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoming at Routledge.

Note: The power of recall in a post-ephemeral era , Phenomenology of the archive , Tracing sense/reading sensation : an essay on imprints and other matters , Giving sense to the past : historical d(ist)ance and the chiasmatic interlacing of affect and knowledge , Martha@ ... the 1963 interview : sonic bodies, seizures, and spells , Historical fiction and historical fact , Reenactment, dance identity, and historical fictions , Bound and unbound : reconstructing Merce Cunningham's Crises , The motion of memory, the question of history : recreating Rudolf Laban's choreographic legacy , Proleptic iteration , To the letter : Lettrism, dance, reenactment , Letters to Lila and dramaturg's notes on Future memory : inheriting dance's alternative histories , Investigative reenactment : transmission as heuristic device , (Re)enacting thinking in movement , Not made by hand, or arm, or leg : the acheiropoietics of performance , Pedagogic in(ter)ventions : on the potential of (re)enacting Yvonne Rainer's Continuous project/Altered daily in a dance education context , Enacting testimony/performing cultural memory/spectatorship as practice , What remains of the witness? Testimony as epistemological category : schlepping the trace , Baroque relations : performing silver and gold in Daniel Rabel's Ballets of the Americas , Reenacting Kaisika natakam : ritual dance-theater of India / Ketu H. Katrak with Anita Ratnam , Gloriously inept and satisfyingly true : reenactment and the practice of spectating , The politics of reenactment , Blasting out of the past : the politics of history and memory in Janez Janša's reconstructions , Reenactment as racialized scandal , Reenacting modernist time : William Kentridge's The refusal of time , Redistributions of time in geography, architecture, and modernist narrative , Quito-Brussels : a dancer's cultural geography , Dance and the distributed body : Odissi and Mahari performance , Choreographic re-embodiment between text and dance , Epistemologies of inter-temporality , Affect, technique, and discourse : being actively passive in the face of history : reconstruction of reconstruction , Epilogue to an epilogue : historicizing the re- in danced reenactment , The time of reenactment in basse danse and bassadanza , Time layers, time leaps, time loss : methodologies of dance historiography , Reenactment in/as global knowledge circulation , (In)distinct positions : the politics of theorizing choreography , Scenes of reenactment/logics of derivation in dance , A proposition for reenactment : Disco Angola by Stan Douglas , Dance in search of its own history : on the contemporary circulation of past knowledge , Notes after the fact

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-933862-7

Language: English

Subjects: General works

Keywords: Tanz ; Choreografie ; Reenactment ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (330 pages) : , illustrations, photographs

ISBN: 3-0343-3083-9 , 3-0343-3082-0

Series Statement: MIMOS - Schweizer Theater-Jahrbuch

Content: Theater HORA, 1993 in Zürich als Kulturwerkstatt für Menschen mit einer geistigen Behinderung entstanden, erobert heute als «freie Republik» die Bühnen weltweit. Dem breiten Spektrum der künstlerischen Arbeit und den aktuellsten Entwicklungen dieses einzigartigen Projekts gilt das vorliegende Buch. Le Théâtre HORA, créé à Zurich en 1993 comme atelier culturel pour personnes en situation de handicap mental, conquiert aujourd'hui les scènes du monde en tant que « République libre ». Le présent ouvrage se penche sur le large spectre du travail artistique de ce projet unique et sur ses audaces les plus actuelles. Il Theater HORA, fondato nel 1993 come laboratorio artistico per persone con una disabilità mentale, è divenuto oggi una «Libera Repubblica» alla conquista della scena internazionale. Il presente volume analizza l'ampio ventaglio dell'espressione artistica e l'evoluzione più recente di questo progetto unico nel suo genere. Theater HORA, which began in Zurich in 1993 as a cultural workshop for people with a mental disability, is today conquering stages around the world as a «free republic». The present book is devoted to the broad spectrum of artistic work and most recent developments of this unique project.

Note: Cover; Isabelle Chassot; Heldinnen und Helden des Möglichkeitssinns: Vorwort; Der Schweizer Grand Prix Theater / Hans-Reinhart-Ring 2016 geht an das Theater HORA. Herzliche Gratulation!; Le sens du possible a aussi ses héros: Préface; Le Grand Prix suisse de théâtre / Anneau Hans Reinhart 2016 va au Théâtre HORA. Nos cordiales félicitations!; Eroi ed eroine del senso della possibilità: Prefazione; Il Gran Premio svizzero di teatro / Anello Hans Reinhart 2016 è assegnato al Theater HORA. Complimenti vivissimi!; Heroes and Heroines of the Possible: Preface. The Swiss Grand Award for Theatre / Hans Reinhart Ring 2016 goes to Theater HORA. Congratulations!Kaa Linder; Laudatio der Jury; Laudatio du jury; Laudatio della giuria; The Jury's Statement; Anne Fournier; D'abord pour jouer; Vor allem: um zu spielen; Soprattutto: per fare teatro; The Play's the Thing; Daniele Muscionico; Auf der Suche nach der Zeit; En quête du temps; Alla ricerca del tempo; In Search of Time; Milo Rau; Anarchie und Ordnung; Anarchie et ordre; Anarchia e ordine; Anarchy and Order; Marcel Bugiel and Isabelle Ginot; Présupposer la poésie; Poétiques singulières. Théâtre, normes et regardsPoesie voraussetzen; Einzigartige Poetiken; Theater, Normen und Blicke; Presupporre la poesia; Poetiche singolari; Teatro, norme e sguardi; Presupposing Poetry; Singular Poetics; Theatre, Norms and Visions; Benjamin Wihstutz; Lust am Scheitern; Behinderung als künstlerisches Potential; Scheitern als Chance; Ketty Ghnassia; Präsenz in Jérôme Bels Inszenierung Disabled Theater und die Figur des 9 eistig Behinderten: Körperlichkeit in Aufführungen; Geistig behinderte Laien; Unüberwindbare Machtstruktur; Kati Kroß; Matthias Brücker: Augen auf ich komme! Wahrnehmungsmodi von Schauspielenden mit BehinderungBlossstellung?; Surplus einer ästhetischen Wahrnehmung; Pascale Caemerbeke; Venir voir Disabled Theater de latroupe HORA; Un cadre juridique et un élan; Un statut; Une essentialisation du handicap?; Une pensée dualiste?; Venir voir et le voyeurismeDans l'émission La Dispute23 de France Culture; Processus de transformation; Giulia Innocenti Malini; Attorialità performative sul confine tra vita e teatro; Sulla presenza dell'attore; Oltre la narrazione, il corpo costretto; La necessità di questa non-necessità; Yvonne Schmidt. Ordnungen des Inszenierens: Theater als freie RepublikFrankie Thomas: Der Regisseur als Gott, DJund Zombie-Macher; Tiziana Pagliaro: Inszenieren als offene Suche; Sarah Marinucci; Freie Republik HORA: Vom "Sprechen über" zum "Sprechen mit" Darstellenden mit geistiger Behinderung; Neue Formen des Austauschs zwischen Darstellenden und Publikum; Paola Gilardi; "Wir sind alle wie wildes Schilf gewachsene Performerinnen und Performer"; Andreas Klaeui; Kann man sich mit Boxhandschuhen streicheln?; Bühnenpräsenz und klare Weltsicht; Spontaneität und Druck; Die Authentizität in der Form. , German.

Additional Edition: ISBN 3-0343-2715-3

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (xi, 245 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 1-009-08037-7 , 1-009-08057-1 , 1-009-06794-X

Content: In this book, Paul Jacobs traces the history of a neighborhood situated in the heart of Rome over twenty-five centuries. Here, he considers how topography and location influenced its long urban development. During antiquity, the forty-plus acre, flood-prone site on the Tiber's edge was transformed from a meadow near a crossroads into the imperial Circus Flaminius, with its temples, colonnades, and a massive theater. Later, it evolved into a bustling medieval and early modern residential and commercial district known as the Sant'Angelo rione. Subsequently, the neighborhood enclosed Rome's Ghetto. Today, it features an archaeological park and tourist venues, and it is still the heart of Rome's Jewish community. Jacobs' study explores the impact of physical alterations on the memory of lost topographical features. He also posits how earlier development may be imprinted upon the landscape, or preserved to influence future changes.

Note: Title from publisher's bibliographic system (viewed on 22 Nov 2022). , Cover -- Half-title -- Title page -- Copyright information -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- One Remembering the Meadowlands: The prata Flaminia and the Circus of Gaius Flaminius, ca. 500-217 bce -- The Meadowlands: Location and Etymology -- Early Development in the prata Flaminia -- Bellona and Other Gods Join Apollo -- Gaius Flaminius' Circus -- Two Setting Out Lines: The Republican Circus, 217-44 bce -- Gathering Crowds -- A Second-Century Rivalry -- Defining the Northern Line with Colonnades -- Edging the West and South Sides -- Formal and Informal Uses -- Three Fit for an Emperor: Creating the Augustan Circus, 44 bce-14 ce -- The Circus and Octavian's Family and Supporters -- Taking the Circus to New Levels -- Augustus' Theater and the Reshaped Landscape -- Traffic Impacts -- Reasons for Site Selection for Augustus' Theater -- The Augustan Circus Completed -- Four The Long Show Ends: The Imperial Circus through the Gothic War, 14-554 ce -- Julio-Claudian Monuments -- The Circus and Imperial Triumphs -- The Fire of 80 ce and Flavian Restoration -- Another Great Fire and Severan Alterations -- An Imperial Shopping Space and Passageway -- Fifth-Century Invasions, Natural Disasters, and Depopulation -- The Gothic War and Its Aftermath -- Five Repurposing Space in the Early Medieval Era, 554-ca. 1000 -- Feeding the City: The Growth of Diaconiae -- A Church by the Circus -- A Pilgrim's Walk in 800: The Einsiedeln Itinerary -- A Medieval Development by a Crossroads -- Six Filling in the Blanks: Developing Sant'Angelo Rione, ca. 1000-1347 -- The Pierleoni Family -- Rising Towers -- Row Houses and Plateae -- The Fish Market and Other Commercial Interests -- A Growing Jewish Community -- Rioni and Contradae -- A Christmas Processional Route. , Responding to a Changing Topographical and Political Landscape -- Cola di Rienzo and the Memory of the prata Flaminia -- Seven Growth and Decline along a Commercial Corridor, ca. 1347-1555 -- Natural Disasters and Political Turmoil: The Second Half of the Fourteenth Century -- Defying the Odds: Commercial Growth in the Rione -- Contending with Problems in an ''Industrial Zone'' -- A Shift in Look and a Forgotten Circus -- Shifting Commercial Movement -- And a Shifting Circus -- Eight Two Rioni in One: Sant'Angelo and Its Ghetto, 1555-1800 -- Serraglio and Ghet -- Ghetto Expansion and the Tiber's Waters -- A Broken Bridge and the Decline of a Crossroads -- One Rione within Another -- Contending with Plague in a Divided Rione -- Changes in the Aftermath of the Plague -- Misleading Impressions: The Rione in the Age of Printed Maps and Vedute -- Expanding beyond the Tiber's Edge -- Nine Old Walls Razed, New Walls Built: Urban Renewal on the Tiber's Edge, 1800-1908 -- False Starts -- Liberation and High Water -- Nostalgia for the Previously Ignored -- Lanciani and the Search for the Antique -- Razed and Erased -- Ten Travertine and Stolpersteine: Remembering the Past at Different Levels, 1908-Present -- The Fascist Sventramento -- October 1943 -- The Circus Returns -- Clues to the Past Millennium -- Epilogue -- References -- Index.

Additional Edition: ISBN 9781316512630

Language: English

URL: lizenzpflichtig

URL: https://doi.org/10.1017/9781009067942