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  • 1
    UID:
    b3kat_BV047274052
    Format: 1 Online-Ressource (IX, 308 Seiten)
    ISBN: 9783110716559 , 9783110716641 , 311071664X
    Series Statement: MythosEikonPoiesis Band 11
    Note: Erscheint als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-063741-0
    Language: English
    Subjects: Ancient Studies
    RVK:
    Keywords: Griechenland ; Drama ; Tragödie ; Selbstreflexion ; Tragödientheorie ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK ; : Tamesis,
    UID:
    almahu_9949525667302882
    Format: 1 online resource (153 pages) : , digital, PDF file(s).
    ISBN: 9781846152726 (ebook)
    Series Statement: Colección Támesis. Serie A: Monografías ; 204
    Content: A study of Lope's religious plays and their reflection of the theocentric world of seventeenth-century Spain. Lope de Vega's religious plays are a distinctive part of his output, but little scholarly work is available on them. This study focuses on five plays, La hermosa Ester, the Isidro plays, Lo fingido verdadero and La buena guarda. Within the context of the seventeenth-century stage, Canning examines Lope's manipulation of religious material, and his treatment of socio-literary themes - love, the role of women - and the way in which theyare employed to generate audience reception. She considers the relationship between religious drama and metatheatre, focusing on Lope's techniques for highlighting the illusory nature of life and the relationship between lo verdadero and lo divino, concepts which lie at the heart of the theocentric world view of seventeenth-century Spain. The conflicting imperatives of human and divine love and the issue of identity are features of all of theplays. And she shows that the interplay between illusion and reality and the relationship between playwright and audience are crucial to Lope's dramatic output. ELAINE CANNING lectures in Spanish at the University of Wales, Bangor.
    Note: Title from publisher's bibliographic system (viewed on 04 May 2023). , La hermosa Ester and the re-creation of the biblical Esther -- The re-presentation of Madrid's patrón in La niñez de San Isidro and La juventud de San Isidro -- Metatheatre and the Spanish comedia religioso -- Lo fingido verdadero as metaplay -- Doña Clara, saint or sinner? : role-playing within the role in La buena guarda.
    Additional Edition: Print version: ISBN 9781855660304
    Language: English
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  • 3
    Online Resource
    Online Resource
    Cambridge ; New York, NY :Cambridge University Press,
    UID:
    almahu_9949744112202882
    Format: 1 online resource (xxxviii, 312 pages) : , digital, PDF file(s).
    ISBN: 9781108339391 (ebook)
    Series Statement: Literature in context
    Content: For students of Luigi Pirandello's life and works, this volume provides a multi-faceted view spanning the many genres in which he wrote, from poetry and essays to fiction and drama. It gives a true sense of Pirandello's remarkable sensitivity to place - from his native Sicily to Germany and Latin America - and of how his perspective was shaped by a wide range of interlocutors with varying professional backgrounds, from contemporary philosophers to fellow playwrights like Bernard Shaw, directors like Max Reinhardt and the actress Marta Abba. Diverse contributors explore the sheer genre-bending originality of Pirandello's humor, metatheatre, and fantastic tales, and reveal how profound shifts in society, culture, and politics in his time - Freud, Futurism, Fascism - conditioned not just his thought but also his meteoric rise to fame. A final section is dedicated to Pirandello's legacy in literature and drama throughout the twentieth century and into the twenty-first.
    Note: Title from publisher's bibliographic system (viewed on 14 Mar 2024). , Sicily / Beatrice Alfonzetti -- Rome / Simona Costa -- Germany / Michael Subialka -- France / Anna Frabetti -- The United States / Marella Feltrin- Marella Feltrin-Morris -- Latin America / Stefano Boselli -- Publishing / Francesca Billiani -- Little theatres / Mirella Schino -- National theatres / S.E. Wilmer -- The Royal Italian Academy / Guido Bonsaver -- Marta Abba / Pietro Frassica -- Massimo Bontempelli / Patricia Gaborik -- Gian Francesco Malipiero / Anna Harwell Celenza -- Georges Pitoëff / Anna Frabetti -- Max Reinhardt / Michael Rössner -- George Bernard Shaw / John A. Bertolini -- Benedetto Croce / Pierpaolo Antonello -- Humor / Walter Pedullà -- Dialect theatre / Antonella Ottai -- Metatheatre / Mary Ann Frese Witt -- The fourth wall / W. B. Worthen -- The anti-character / Stefano Jossa -- Myth / Michael Bell -- The fantastic / Gabriele Pedullà -- History / Daniela Bini -- Celebrity / Lisa Sarti -- Cinema / Michael Syrimis -- Modernity / Michael Subialka -- Fascism / Patricia Gaborik -- Women / Daniela Bini -- Religion / Robert Pogue Harrison and Laura Wittman -- Madness / Valeria Paola Babini -- Suicide / Thomas Harrison -- Critical foundations / Giulio Ferroni -- Avant-garde theatre after Pirandello / Cindy Rosenthal -- Cinema after Pirandello / Robert S.C. Gordon.
    Additional Edition: Print version: ISBN 9781108424547
    Language: English
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  • 4
    Online Resource
    Online Resource
    London [England] :Bloomsbury Academic, | [London, England] :Bloomsbury Publishing,
    UID:
    almahu_9949361303302882
    Format: 1 online resource (416 pages)
    Edition: First edition.
    ISBN: 9781350227262 , 9781350227255
    Series Statement: Bloomsbury Handbooks
    Content: "Essential reference text on the life, thought and writings of Plato, using over 160 short, accessible articles to cover a complete range of topics for both the first-time student and seasoned scholar of Plato and ancient philosophy. Organised into five parts illuminating Plato's life, the whole of the Dialogues attributed to him, the Dialogues' literary features, the concepts and themes explored within them and Plato's reception via his influence on subsequent philosophers and the various interpretations of his work. This fully updated second edition includes 19 newly commissioned entries on topics ranging across comedy, tragedy, Xenophon, metatheatre, gender, musical theory, animals, Orphism, political theory, religion, time, Hellenistic philosophy, and post-Platonic ancient commentaries. Revisions to the majority of articles as well as 12 articles with substantially revised references, and 8 re-written articles cement this comprehensive new edition as the go-to reference text. Reflecting the growing diversity of Plato scholarship across the world, this edition includes contributions from a wide range of scholars who enrich the field and provide students and scholars with a vital resource for study and reference."--
    Note: Includes index. , Part I: Plato's Life, Historical, Literary and Philosophic Context Life of Plato Aristophanes and intellectuals Education Eleatics Isocrates and Logography Orality and Literacy Poetry (epic and lyric) Presocratics Pythagoreans Rhetoric and speech-making Aocrates (historical) Socratics other than Plato) Sophists Comedy (in Plato's formation) Tragedy (in Plato's formation) Xenophon -- Part II: The Dialogues. The Platonic Corpus and Manuscript Tradition Alcibiades Apology Charmides Clitophon Cratylus Crito Dubious and spurious dialogues (Alcibiades II, Hipparchus, Minos, Rival Lovers, Axiochus, Definitions, On Justice, On Virtue, Demodocus, Eryxias, Sisyphus) Euthydemus Euthyphro Gorgias Hippias Major Hippias Minor Ion Laches Laws Letters Lysis Menexenus Meno Parmenides Phaedo Phaedrus Philebus Politicus (Statesman) Protagoras Republic Sophist Symposium Theaetetus Theages Timaeus-Critias -- Part III: Special Features of the Dialogues Anonymity Characters Drama History Humor Irony Language Literary composition Musical structure Myths and stories Pedagogical structure Pedimental structure Play and seriousness Proleptic composition Socrates (the character) Comedy Metatheatre Tragedy -- Part IV: Concepts, Themes and Topics treated in the Dialogues Aesthetics Akrasia Antilogy and eristic Appearance and reality Art Beauty Being and becoming Causality Cave City Cosmos Daimon Death Desire Dialectic Divided Line Education Elenchus Epistemology Ethics Excellence Forms Friendship Goodness Happiness Image Imitation Inspiration Intellectualism Justice Language Law Logic logos Account Love Madness and possession Mathematics Medicine Method Music Myth Nature Non-propositional knowledge One, the Ontology Paederasteia Participation Perception and sensation Philosophy and the philosopher Piety Pleasure Poetry Reason Recollection Rhetoric Self-knowledge Sophists Soul Sun simile Theology Vision Women Writing Animals Aporia Eschatology (afterlife, rewards, and punishments) Gender Musical Theory Mysteries Orphism Political theory Religion Time and Eternity -- Part V: Later Reception, Interpretation and Influence Early Ancient Commentary Later Ancient Commentary The Ancient World Ancient Hermeneutics Aristotle and Plato Academy of Athens, Ancient History of Ancient Jewish Platonism Neoplatonism and its diaspora The Middle Ages and Renaissance Medieval Islamic Platonism Medieval Jewish Platonism Medieval Christian Platonism Renaissance Platonism Cambridge Platonism Modern and Contemporary Philosophy Early modern philosophy: from Descartes to Berkeley Nineteenth-century idealisms Nineteenth Century Plato scholarship Developmentalism Compositional chronology Analytic approaches Vlastosian approaches Continental approaches Straussian approaches Plato's 'Unwritten doctrines''Esoterism The Tübingen Approach Anti-Platonism, ancient to modern Hellenisitic Philosophy -- Bibliography -- -- Index of Names (other than Plato and Socrates) -- Index of Topics. , Mode of access: World Wide Web.
    Additional Edition: Print version: ISBN 9781350227231
    Language: English
    Keywords: Handbooks and manuals. ; Electronic books. ; Handbooks and manuals
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  • 5
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414520202882
    Format: 1 online resource (xxi, 331 pages) : , digital, PDF file(s).
    ISBN: 9780511978081 (ebook)
    Series Statement: Cambridge classical studies
    Content: As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , 1. Setting the stage -- 2. The metatheatre of dialogue -- 3. Performing Plato -- 4. Plato's theatre: the fragments --5. Finale -- Appendix: an Academy inscription.
    Additional Edition: Print version: ISBN 9780521871747
    Language: English
    Subjects: Ancient Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947413867902882
    Format: 1 online resource (xvii, 317 pages) : , digital, PDF file(s).
    ISBN: 9781139342759 (ebook)
    Content: Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare.
    Additional Edition: Print version: ISBN 9781107029958
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947413995602882
    Format: 1 online resource (xiii, 278 pages) : , digital, PDF file(s).
    ISBN: 9781107360570 (ebook)
    Content: Pollution is ubiquitous in Greek tragedy: matricidal Orestes seeks purification at Apollo's shrine in Delphi; carrion from Polyneices' unburied corpse fills the altars of Thebes; delirious Phaedra suffers from a 'pollution of the mind'. This book undertakes the first detailed analysis of the important role which pollution and its counterparts - purity and purification - play in tragedy. It argues that pollution is central in the negotiation of tragic crises, fulfilling a diverse array of functions by virtue of its qualities and associations, from making sense of adversity to configuring civic identity in the encounter of self and other. While primarily a literary study providing close readings of several key plays, the book also provides important new perspectives on pollution. It will appeal to a broad range of scholars and students not only in classics and literary studies, but also in the study of religions and anthropology.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Preface and acknowledgements -- Note on the text -- Abbreviations -- Introduction -- Plays with pollution -- Backdrops -- Tragedy and crisis -- Pollution, crisis, tragedy -- Texts and contexts -- The plot -- 1. Pollution, interpretation and understanding -- Euripides' Hippolytus -- Inherited evil and pollution -- Ritual pollution as subtext of causation -- The spread of pollution and excessive characters -- Medicine and miasma -- The question of causation -- A journey inwards: Sophocles' Oedipus Tyrannus -- Overture and minor key: the story of the plague -- Crescendo and major keys: the story of Oedipus -- The limits of ritual: miasma -- The limits of ritual: purification -- 2. Pollution and the stability of civic space -- Law and stability and ancient Greece -- Pollution and civic stability -- Sophocles' Antigone -- The crisis of civic space -- Pollution and civic space -- Transgressing corpses: nameless pollution and Creon's failure -- Transgressive corpses: Polyneices' dissolving body and civil war -- 3. Evaluation and stability in Aeschylus' Oresteia -- Part I: Evaluation, justice, pollution -- Part II: Stability and justice -- Appendix: pollution, purification, release -- Excursus: re-reading the Oresteia. Euripides' Iphigenia among the Taurians -- Release and purification in Iphigenia among the Taurians and the Oresteia -- Pollution, purification and release -- Metatheatre, rewriting and the question of release -- 4. Pollution, purity and civic identity -- Purity, space and civic identity -- Ethnic purity and identity -- Aeschylus' Suppliants -- Suppliants' spaces -- Purity, territory, identity -- Purity, sanctity, virginity -- Sacred space, virginity and civic space -- Sophoclean variations: excursus to Colonus -- Euripides' Ion -- Identity, boundaries, purity: Athens -- Identity, boundaries, purity: Apollo and Ion -- Intermezzo: purity at play -- Problematic purities: Apollo and Ion -- First conclusions: dissonances -- Pure identity as clarified identity -- Second conclusions: relocating Athenian purity -- Envoi -- Bibliography -- Index locorum -- General index.
    Additional Edition: Print version: ISBN 9781107044463
    Language: English
    Subjects: Ancient Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 8
    UID:
    almafu_BV000195171
    Format: 107 S.
    ISBN: 2-256-90396-6
    Series Statement: Archives des lettres modernes 204
    Language: French
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    RVK:
    Keywords: Spiel im Spiel
    Author information: Schmeling, Manfred 1943-
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  • 9
    UID:
    almahu_9949385618202882
    Format: 1 online resource
    ISBN: 1000600653 , 9781000600650 , 9781003242284 , 1003242286 , 9781000600667 , 1000600661
    Series Statement: Routledge advances in theatre & performance studies
    Content: This book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre's capacity to illuminate the wider social, cultural, and artistic contexts in which plays have been produced. Drawing from existing scholarly arguments about the value of considering metatheatre holistically, this book deploys a range of critical approaches, combining textual and production analysis, archival research, interviews, and reflections gained from observing rehearsals. Focusing on four plays and their Australian productions, the book uses these examples to showcase how metatheatre has been utilised to generate powerful elements of critique, particularly of Indigenous/non-Indigenous relations. It highlights metatheatre's vital place in Australian dramatic and theatrical history and connects this Australian tradition to wider concepts in the development of contemporary theatre. This illuminating text will be of interest to students and scholars of Australian theatre (historic and contemporary) as well as those researching and studying drama and theatre studies more broadly.
    Note: The metatheatre of Dorothy Hewett's The man from Mukinupin -- The metatheatre of The man from Mukinupin on stage -- Louis Nowra's Royal show -- Sideshow Alley as metatheatre in Louis Nowra's Royal show -- Timberlake Wertenbaker's Our country's good -- Our country's good : the metatheatre of rehearsal, backstage and the 'Aboriginal Australian' -- Peta Murray's Things that fall over -- an (anti-)musical of a novel, inside a reading of a play, with footnotes, and oratorio-as-coda -- Peta Murray's Things that fall over : (con)texts, paratexts, metatheatre -- Conclusion: Sideshows and other swansongs.
    Language: English
    Keywords: Electronic books. ; Criticism, interpretation, etc.
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  • 10
    UID:
    gbv_1752045858
    ISBN: 9780521173889
    In: The Cambridge companion to Roman comedy, Cambridge : Cambridge University Press, 2019, (2019), Seite 136-150, 9780521173889
    In: 9781107002104
    In: year:2019
    In: pages:136-150
    Language: English
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