Kooperativer Bibliotheksverbund

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Edition: Online-Ausgabe Boulder, Colo NetLibrary Online-Ressource E-Books von NetLibrary Sonstige Standardnummer des Gesamttitels: 22382847

Edition: Boulder, Colo NetLibrary

ISBN: 0585049947

Uniform Title: Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen

Note: Access may be limited to NetLibrary affiliated libraries

Additional Edition: Reproduktion von Schiller, Friedrich, 1759-1805 On the aesthetic education of man [199-?]

Language: English

Subjects: German Studies

Keywords: Schiller, Friedrich 1759-1805 ; Ästhetische Erziehung ; Ästhetik ; Schiller, Friedrich 1759-1805 Über die ästhetische Erziehung des Menschen ; Philosophische Anthropologie ; Patentschrift

URL: Volltext

Author information: Schiller, Friedrich 1759-1805

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Format: 1 online resource (134 p.)

ISBN: 979-1-03-620603-0

Content: Selon une thèse largement répandue, Schiller serait l’héritier et le continuateur de Kant, et les Lettres sur l’éducation esthétique de l’homme représenteraient le témoignage de son adhésion créative au kantisme par la conception d’une relation nouvelle entre la théorie et la pratique. L’ouvrage prend le contrepied de ce lieu commun. Il s’efforce de renouveler l’interprétation du texte de Schiller et montre en particulier l’influence de la philosophie populaire précritique, et notamment de sa composante anthropologique. La conjonction de ce registre avec une lecture singulière de l’esthétique kantienne se révèle caractéristique d’une forme de pensée qu’on peut qualifier de réformisme conservateur et dans laquelle on doit voir la matrice du libéralisme politique qui naît au début du XIXe siècle. Par sa lecture philologique serrée, ce livre s’adresse tout autant aux spécialistes de la pensée kantienne et post-kantienne qu’aux étudiants recherchant une introduction aux Lettres de Schiller. According to a widely held view, Schiller is Kant’s heir and successor, and the Letters on the Aesthetic Education of Man are a testimony to his creative adherence to Kantianism through the conception of a new relationship between theory and practice. The book goes against this commonly held idea. It attempts to renew the interpretation of Schiller’s text and, in particular, it shows the influence of pre-critical popular philosophy, especially its anthropological component. The conjunction of this register with a singular reading of Kantian aesthetics appears as characteristic of a form of thought that can be described as conservative reformism and which should be seen as the matrix of the political liberalism that emerged at the beginning of the 19th century. The book’s thorough philological interpretation will appeal both to specialists of Kantian and post-Kantian thought and to students seeking an introduction to Schiller’s Letters.

Additional Edition: ISBN 979-1-03-620601-6

Language: French

DOI: 10.4000/books.enseditions.43357

URL: kostenfrei

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

UID:

ISBN: 0585049947 , 9780585049946

Series Statement: EBSCOhost eBook Collection

Uniform Title: Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen 〈engl.〉

Note: Access may be limited to NetLibrary affiliated libraries , Mode of access: World Wide Web.

Additional Edition: ISBN 0585049947

Additional Edition: ISBN 9780585049946

Language: English

Keywords: Electronic books. ; Electronic books

URL: Volltext  (Deutschlandweit zugänglich)

URL: Volltext  (Deutschlandweit zugänglich)

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Format: xii, 932 Seiten : , Illustrationen, Portraits.

ISBN: 978-0-19-508957-8

Content: "A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro...the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro : The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became...in the process...a New Negro himself"...

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe, PDF Stewart, Jeffrey C., 1950- author New Negro New York, NY : Oxford University Press, 2018 ISBN 9780199723317

Language: English

Subjects: American Studies , Philosophy

Keywords: 1886-1954 Locke, Alain LeRoy ; Biografie ; Biografie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030157280&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030157280&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Format: 1 online resource (295 pages) : , digital, PDF file(s).

ISBN: 9789048554508 (ebook)

Content: Leading international scholars present analysis and case studies from different cultural settings, East and West, exploring aesthetic interest and experience in our daily lives at home, in workplaces, using everyday things, in our built and natural environments, and in our relationships and communities. A wide range of views and examples of everyday aesthetics are presented from western philosophical paradigms, from Confucian and Daoist aesthetics, and from the Japanese tradition. All indicate universal features of human aesthetic lives together with their cultural variations. 〈i〉Comparative Everyday Aesthetics〈/i〉 is a significant contribution to a key trend in international aesthetics for thinking beyond narrow art-centered conceptions of the aesthetic. It generates global discussions about good, aesthetic, everyday living in all its various aspects. It also promotes aesthetic education for personal, social, and environmental development and presents opportunities for global collaborative projects in philosophical aesthetics.

Note: Title from publisher's bibliographic system (viewed on 18 Oct 2023). , Cover -- Table of Contents -- Living with Everyday Objects -- Aesthetic and Ethical Practice -- Yuriko Saito -- Comparative Everyday Aesthetics: An Introduction -- Jeffrey Petts and Eva Kit Wah Man -- Part 1. Living Aesthetically -- 1. Dao Aesthetics -- Ways of Opening to Sublime Experiences and Transforming Beautifully -- Robin R Wang -- 2. Everyday Aesthetics of Taking a Walk: With Zhuangzi -- Thomas Leddy -- 3. Investigation of Things -- Reflecting on Chinese-Western Comparative Everyday Aesthetics -- Ouyang Xiao -- Part 2. Nature and Environment -- 4. The Aesthetics of Nature and the Environment -- From the Perspective of Comparison between China and the West -- Gao Jianping -- 5. Cryosphere Aesthetics -- Emily Brady -- Part 3. Eating and Drinking -- 6. Memory's Kitchen -- In Search of a Taste -- Carolyn Korsmeyer -- 7. Chopsticks and the Haptic Aesthetics of Eating -- Richard Shusterman -- 8. Taking Tea, but Differently -- The Chinese Tea Tradition and its European Transformations -- Yanping Gao -- Part 4. Creative Life -- 9. Dô (Dao) in the Practice of Art -- Everyday Aesthetic Life in Japan Through the Japanese Tea Ceremony -- Tanehisa Otabe -- 10. Skill Stories from the Zhuangzi and Arts and Crafts -- Aesthetic Fit, Harmony, and Transformation: Toward a Developmental, Comparative Everyday Aesthetics -- Jeffrey Petts -- Part 5. Technology and Images -- 11. Why We Love Our Phones -- A Case Study in the Aesthetics of Gadgets -- Janet McCracken -- 12. Filming the Everyday -- Between Aesthetics and Politics -- Peng Feng -- 13. Images and Reality -- John Carvalho -- Part 6. Relationships and Communities -- 14. Aesthetics in Friendship and Intimacy -- Kathleen Higgins -- 15. Morality and Aesthetical Lives -- Real Stories of Two Hong Kong Women -- Eva Kit Wah Man -- Index.

Additional Edition: Print version: ISBN 9789463723367

Language: English

URL: https://www.cambridge.org/core/product/identifier/9789048554508/type/BOOK

URL: lizenzpflichtig

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Format: 1 online resource (xiv, 656 pages) : , illustrations

ISBN: 9781118424735 , 1118424735 , 9781118424704 , 1118424700

Series Statement: Wiley Blackwell companions to national cinemas

Note: Introduction -- Structures of production, formation and exhibition. The film palaces of Nevsky prospect: a history of St. Petersburg's cinemas, 1900-1910 / Anna Kovalova -- (V)gik and the history of film education in the Soviet Union, 1920s-1930s / Masha Salazkina -- Lenfilm: the birth and death of an institutional aesthetic / Robert Bird -- The adventures of the kulturfilm in Soviet Russia / Oksana Sarkisova -- Soiuzdetfilm: the birth of Soviet children's film and the child actor / Jeremy Hicks -- For the state or for the audience? auteurism, genre and global markets. The Stalinist musical: socialist realism and revolutionary romanticism / Richard Taylor -- Soviet film comedy of the 1950s and 1960s: innovation and restoration / Seth Graham -- Auteur cinema during the thaw and stagnation / Eugenie Zvonkine -- The "blokbaster": how Russian cinema learned to love Hollywood / Dawn Seckler (with Stephen M. Norris) -- The global and the national in post-Soviet Russian cinema (2004-2012) / Maria Bezenkova, Xenia Leontyeva -- Sound, image, text. The literary scenario and the Soviet screenwriting tradition / Maria Belodubrovskaya -- Ideology, technology, aesthetics: early experiments in Soviet color film, 1931-45 / Phil Cavendish -- Learning to speak Soviet: Soviet cinema and the coming of sound / Lilya Kaganovsky -- Cinema and the art of being: towards a history of early Soviet set design / Emma Widdis -- Stars on screen and red carpet / Djurdja Bartlett -- Revenge of the cameramen: Soviet cinematographers in the director's chair / Peter Rollberg -- Time and space, history and place. Soldiers, sailors, and commissars: the revolutionary hero in Soviet cinema of the 1930s / Denise J. Youngblood -- Defending the motherland: the Soviet and Russian war film / Stephen M. Norris -- Shooting location: Riga / Kevin M. Platt -- Capital images: Moscow on screen / Birgit Beumers -- Director's portraits. Boris Barnet: this doubly accursed cinema / Julian Graffy -- Lulii Raizman: private lives and intimacy under communism / Jamie Miller -- The man who made them laugh: Leonid Gaidai, the king of Soviet comedy / Elena Prokhorova -- Aleksei Gherman: reimagining Soviet history, recreating Soviet cinema -- Knowledge (imperfective): Andrei Zviagintsev and contemporary cinema / Nancy Condee.

Additional Edition: Print version: Companion to Russian cinema. Chichester, West Sussex, UK ; Malden, MA, USA : John Wiley & Sons, Inc., 2016 ISBN 9781118412763

Language: English

Subjects: Slavic Studies , General works

Keywords: Electronic books. ; Criticism, interpretation, etc. ; Aufsatzsammlung ; Electronic books. ; Criticism, interpretation, etc. ; Electronic books. ; Criticism, interpretation, etc.

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118424773

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118424773

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781118424773

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Format: VII, 162 S.

ISBN: 0-8204-0547-7

Series Statement: New York University Ottendorfer series N.F., 25

Language: English

Subjects: German Studies

Keywords: 1759-1805 Über die ästhetische Erziehung des Menschen Schiller, Friedrich ; Rhetorik ; 1759-1805 Über die ästhetische Erziehung des Menschen Schiller, Friedrich ; Hochschulschrift

Author information: Kontje, Todd Curtis 1954-

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Format: 312 S.

ISBN: 3-406-06139-7

Series Statement: Ed. Beck

Uniform Title: On the aesthetic education of man

Language: German

Subjects: German Studies

Keywords: 1759-1805 Über die ästhetische Erziehung des Menschen Schiller, Friedrich ; Ästhetik ; 1759-1805 Schiller, Friedrich

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=002056036&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

Author information: Willoughby, Leonard A. 1885-1977

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Format: 1 Online-Ressource (XV, 554 Seiten) , Illustrationen

ISBN: 9789004508453 , 9789004504660

Series Statement: Early Modern History and Modern History E-Books Online, Collection 2022

Content: "This book depicts the long rich life and wide ranging work of Count Athanasius Raczyński (1788-1874). By exploring his complex personality, his processes of thought and his accomplishments, it reveals a man at once a wealthy aristocrat, a Pole in the Prussian diplomatic service, an active participant in and perceptive observer and critical commentator on political life, a connoisseur and art collector of European renown, and the author of ground breaking studies on German and Portuguese art - in short a distinguished and fascinating nineteenth century figure"--

Note: Includes bibliographical references and index , Contents -- Abbreviations -- List of Figures -- Introduction -- 1 Polyoptric Portrait -- 2 Sources -- 3 State of Research -- 4 Acknowledgements -- part 1: Formation -- 1 Grandfather Kazimierz Raczyński -- 1 His Guardian's Long Shadow -- 2 Traitor? -- 3 Family and Fatherland -- 4 Three Principles -- 2 Brothers -- 1 No One Else -- 2 Mirror -- 3 Herr Bruder, Write to Me -- 4 My Poor, Poor Brother! -- 3 Apprenticeship and Journeyman Years -- 1 The Fist, Rod, and Cane, or Education -- 2 'A Model Young Pole' -- 3 In Warsaw Circles -- 4 Smelling of the Antechamber -- 4 Rapture -- 1 Wasteful Times -- 2 Melancholy Self-Portrait -- 3 Wertherism -- 4 A Keen Eye -- part 2: Politics -- 5 The Aristocrat -- 1 Decorum -- 2 Estate -- 3 A Scandalous Picture: The Fiasco of Family Politics -- 4 Manifesto: The Portrait Gallery in Gaj -- 6 Political Creed -- 1 The Flight from Warsaw in 1794: The Spectre of Revolution -- 2 The Last Absolutist -- 3 Attitude towards the November Uprising in the Kingdom of Poland -- 4 Cara Patria: Being Polish as a Burden and a Challenge -- 7 A Pole in Berlin -- 1 Decision -- 2 'A Nobleman of the First Class' -- 3 A Good Catholic and a Pole -- 4 The Old Count -- 8 Diplomat -- 1 Early Endeavours -- 2 The Power of Circumstances or 'a Place Apart'? -- 3 Iberia -- 4 Friendships: Juan Donoso Cortés and Alphonse de Brotty d'Antioche -- part 3: Art -- 9 Raczyński as an Artist -- 1 Picturesque and Sublime Nature -- 2 The Romantic Landscape -- 3 Travel Notes -- 4 Views of Architecture -- 10 Aesthetic Views, Writings on Art, Patronage -- 1 Basic Concepts: Beauty and Taste -- 2 Modern German Painting -- 3 Writings on Art -- 4 Raczyński's Friend Wilhelm Kaulbach -- 11 Collector -- 1 The Queen of the Elves -- 2 Italian Journey -- 3 A Single Goal -- 4 Contemporary Painting -- 12 The Gallery -- 1 A Temple to Art -- 2 A Joint Undertaking: The Gallery in Poznań -- 3 A Small but Tasteful Picture Gallery -- 4 The Museum: 2 Exercierplatz -- Conclusion -- Athanasius Raczyński: Timetable -- Bibliography -- Index.

Additional Edition: Erscheint auch als Druck-Ausgabe Mencfel, Michał, 1978 - Athanasius Raczyński (1788-1874) Leiden : Brill, 2022 ISBN 9789004504660

Language: English

Keywords: Raczyński, Atanazy 1788-1874 ; Kunstkennerschaft ; Mäzenatentum ; Diplomatie ; Politik ; Raczyński, Atanazy 1788-1874 ; Sammlung ; Kunst ; Geschichte 1500-1870 ; Biografie

DOI: 10.1163/9789004508453

URL: kostenfrei

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Format: 1 online resource (701 pages)

ISBN: 9780520962439 (e-book)

Series Statement: Weimar and now: German cultural criticism ; 49

Content: "Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Bela Balazs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history"--Provided by publisher.

Note: The Kientopp (1907) / Hanns Heinz Ewers -- Cinematographic theater (1909) / Max Brod -- On living photography and the film drama (1909) / Gustav Melcher -- A new task for the cinema (1909) / Kurt Weisse -- New terrain for cinematographic theaters (1909) / Anon. -- The career of the cinematograph (1910) / Anon. -- The cinematograph (1911) / Karl Hans Strobl -- On the psychology of the cinematograph (1911) / Ph. Sommer -- Theater and cinematograph (1911) / Hermann Kienzl -- The secret of the cinema (1912) / Adolf Sellmann -- Sports on film (1912) / Arno Arndt -- Thrills in film drama and elsewhere (1912-1913) / Carl Forch -- Cinema (1912-1913) / Lou Andreas-Salome -- The Kintopp as educator: an apology (1913) / Walter Hasenclever -- Cinema and visual pleasure (1913) / Walter Serner -- Illusions and hallucinations during cinematographic projections (1914) / Albert Hellwig -- The cinematograph in the service of ethnology (1907) / Anon. -- The cinematograph as modern newspaper (1913-1914) / O.Th. Stein -- Cinema and geography: introduction (1914) / Hermann Haˆfker -- The film drama (1920) / Yvan Goll -- Africa and film (1922) / Hans Schomburgk -- The value of the adventure film (1923) / Franc Cornel -- Reel consciousness (1925) / Bela Balazs -- Exotic journeys with a camera (1928) / Colin Ross -- Lunar flight in film (1929) / Anon. -- A new India film: a throw of dice (1929) / Lotte H. Eisner -- Pictures-pictures (1929) / Erich Burger -- The panic of reality (1930) / Alfred Polgar - The case of Dr. Franck (1931) / Bela Balazs -- The weekly newsreel (1931) / Siegfried Kracauer -- Cinematographic archives (1908) / Ludwig Brauner -- In the cinematographic theater (1910) / Berthold Viertel -- Cinematograph and epistemology (1911) / Eduard B?umer -- Proposal for the establishment of an archive for cinema-films (1912) / Franz Goerke -- Mechanized immortality (1912) / J. Landau -- Why?-This is why! (1913) / Heinrich Lautensack -- The film archive of the great general staff (1915) / E.W. -- Slow motion (1917) / Hans Lehmann -- The transcendence of the film image (1920) / Friedrich Sieburg -- Film as historian (1921) / August Wolf -- Will to style in film (1924) / Fritz Lang -- Mountains, clouds, people (1925) / Siegfried Kracauer -- The uncovered grave (1925) / Joseph Roth -- On the question of a national film archive (1926) / Fritz Schimmer -- Documentary and artistic film (1929) / Albrecht Viktor Blum -- Where is the German sound film archive? (1931) / Bela Balazs -- Film dramas and film mimes (1910) / Walter Turszinsky -- Theater, pantomime, and cinema (1916) / Friedrich Freksa -- Film and theater (1919) / Carl Hauptmann -- Mimic expression in film (1922) / Oskar Diehl -- The eroticism of Asta Neilsen (1923) / Bela Balazs -- The magic of the body (1923) / Friedrich Sieburg -- The nude body on film (1925) / Max Osborn -- The educational values of film art (1925) / Bela Balazs -- How I came to film...(1926) / Leni Riefenstahl -- The Charleston in one thousand steps (1927) / Anon. -- On the psychomechanics of the spectator (1927) / Leo Witlin -- Film and dance belong together (1928) / Lotte H. Eisner and Rudolf von Laban -- The art of mimic expression in film (1929) / Fritz Lang -- Miming and speaking (1930) / Emil Jannings -- Greta Garbo: a study (1933) / Siegfried Kracauer -- Illusion in the cinematographic theater (1907) / Fred Hood -- Theater of the little people (1909) / Alfred Doˆblin -- The education of moviegoers into a theater public (1910) / Arthur Mellini -- The movie girl (1911) / Anon. -- Various thoughts on the movie theater interior (1912) / Anon. -- The cinema (1913) / Victor Noack -- On the sociology of cinema (1914) / Emilie Altenloh -- From Berlin North and thereabouts-In the movie houses of Berlin West (1919) / Resi Langer -- Cinema (1920) / Milena Jesenska -- Erotic films (1920) / Kurt Tucholsky -- Film advertising and the advertising film (1920) / Herbert Tannenbaum -- The spectator in cinema (1921) / August Wolf -- Ufa Palace (1925) / Kurt Pinthus -- The sociological foundations of the cinema industry (1926) / Karl Demeter -- The movie theater as gathering place (1926) / Rudolf Harms -- The cinema on M?nzstrasse (1932) / Siegfried Kracauer -- Prologue before the film (1912-13) / Egon Friedell -- The autorenfilm and its assessment (1913) / Anon. , The cinema ballad (1913) / Ulrich Rauscher -- Quo vadis, cinema? (1913) / Kurt Pinthus -- The student of Prague (1913) / Anon. -- The call for art (1913) / Hermann Haˆfker -- Problems of the film drama (1913-14) / Herbert Tannenbaum -- The new illusion (11913-14) / Will Scheller -- The photoplay (1914) / Kurt Pinthus -- The onlookers of life in the cinema (1914-15) / Malwine Rennert -- On the artistic possibilities of the motion picture (1917) / Paul Wegener -- We lack film poetry (1920) / Ernst Lubitsch -- Kitsch-Sensation-Culture and film (1924) / Friz Lang -- Cinematograph and schoolchildren (1909) / Georg Kleib?mer -- Cinema as educator (1909) / Franz Pfemfert -- Trash films (1911) / Albert Hellwig -- The dangers of the cinema (1911-12) / Robert Gaupp -- The cinematograph from an ethical and aesthetic viewpoint (1912) / Konrad Lange -- The sexual danger in the cinema (1912) / Ike Spier -- Against a cinema that makes women stupid (1912-13) / P. Max Grempe -- Against a cinema that makes women stupid: a response (1912-13) / Roland -- The cinema's damaging effects on health (1913) / Naldo Felke -- Today's cinematograph: a public menace (1913) / Karl Brunner -- Cinematic mankind (1916) / Richard Gutmann -- Homosexuality and Jewishness (1919) / Walther Friedmann -- Homo cinematicus (1919) / Wilhelm Stapel -- Cinema censorship (1920) / Kurt Tucholsky -- The motion picture and the state (1924) / Albert Hellwig -- Cinema (1931) / Aurel Wolfram -- Film Bolshevism (1932) / Fritz Olimsky -- The German Kaiser in film (1912) / Paul Klebinder -- Cinematograph and crowd psychology (1912) / Hermann Duenschmann -- War and cinema (1914) / Der Kinematograph -- The cinematograph as shooting gallery (1914) / Anon. -- Cinema and the educated class: a foreword (1914) / Hermann Haˆfker -- The tasks of cinematography in this war (1914) / Hermann Haˆfker -- The benefits of war for the cinema (1914) / Edgar K?ltsch -- Made in Germany (1916) / Karl Kraus -- State and cinema (1916) / Anon. -- Art and cinema in war (1916) / Johannes Gaulke -- Film propaganda for German affairs abroad (1917) / Gustav Stresemann -- The Ludendorff letter (1917) / Erich Ludendorff -- The triumph of film (1917) / Joseph Max Jacobi -- Film as a means of agistation (1919) / Rudolf Genenncher -- War films (1927) / Kurt Tucholsky -- Film in the new Germany (1928) / Film-Kurier -- All quiet on the western front (1930) / Seigfried Kracauer -- Against the ban on the Remarque film (1931) / Kurt Tucholsky -- American cinema (1920) / Claire Goll -- The significance of conglomerates in the film industry (1920) / Erich Pommer -- The significance of film for international understanding (1921) / Valentin -- The style of the export film (1922) / Joe May -- German cinema (1922) / Hans Siemsen -- Film-America and us (1922) / Georg Jacoby -- Film internationality (1924) / Ernst Lubitsch -- Is film national or international? (1924) / Georg Otto Stindt -- The twilight of film? (1926) / Axel Eggebrecht -- The restructuring of Ufa (1927) / Anon. -- Film German and Film America (1928) / Carl Laemmle -- The first one back from Hollywood (1929) / Billie Wilder -- Film statistics (1930) / Alexander Jason -- Done with Hollywood (1931) / A.K. -- Film-Europe, a fact! (1931) / Anon. -- Internationality through the version systems (1931) / Anon. -- The international talking film (1932) / Erich Pommer -- The diva (1919) / Henny Porten -- Henny Porten for president (1921) / Kurt Pinthus -- Impression of a naiˆf (1923) / Robert Musil -- Only stars! (1926) / Bela Balazs -- The automobile in film (1926) / Vicky Baum -- Vienna is filming! (1926) / Anon. -- Why we love film (1926) / Willy Haas -- Film education (1928) / Hugo -- What is film illusion? (1928) / K.W. -- The representative of a generation (1928) / Hans Feld, Anita Berber -- To an unknown woman (1930) / Marlene Dietrich -- Love on film (1930) / Max Brod and Rudolf Thomas -- All about film stars (1931) / Siegfried Kracauer -- Destitution and distraction (1931) / Siegfried Kracauer -- In the empire of film (1931) / Anon. -- The revolutionary film (1922) / Bela Balazs -- The Klieg lights stay on (1926) / Siegfried Kracauer -- Potemkin and tendentious art (1927) / Oscar A.H. Schmitz -- Reply to Oscar A.H. Scmitz (1927) / Walter Benjamin -- The new youth and film (1928) / Lotte H. Eisner -- Film und Volk: foreword (1928) / Franz Hoˆllering -- Film works for us! (1928) / Bela Balazs -- Film and the people (1928) / Heinrich Mann -- Who will create the German revolutionary film? (1928) / Ernst Toller -- Mass-man in the cinema (1929) / Karl Ritter -- Film and propaganda (1929) / Willi M?nzenberg -- World film report (1929) / A.A. -- Individual and montage (1930) / Lupu Pick. , The threepenny lawsuit (1931) / Bertolt Brecht -- The banned Kuhle Wampe (1932) / Herbert Jhering -- Film and conviction (1933) / Georg Wilhelm Pabst -- Thoughts toward an aesthetic of the cinema (1911) / Georg Lukacs -- The effects of the film theater (1912) / Alfred A. Baeumler -- A substitute for dreams (1921) / Hugo von Hofmannsthal -- The ethical potential of film (1923) / Kurt Pinthus -- A film (1924) / Siegfried Kracauer -- Film image and prophetic speech (1925) / Siegfried Kracauer -- The public's attitude toward modern German literature (1926) / Adolf Behne -- Revue and film (1928) / Fritz Giese -- Chaplin in retrospect (1928) / Walter Benjamin -- Chaplin in old films (1930) / Siegfried Kracauer -- Kierkegaard prophesies Chaplin (1930) / Theodor W. Adorno -- Mickey Mouse (1931) / Walter Benjamin -- Painting and film (1931) / Ernst Kallai -- Fantasy by the meter (1931) / Rene Fuˆloˆp-Miller -- The worker (1932) / Ernst Juˆnger -- Expressionism and cinema (1916) / Bernhard Diebold -- The expressionist film (1919) / Gertrud David -- Expressionism in film (1920) / J.B. -- An "Expressionist" film (1920) / Ernst Angel -- If I only had the cinema! (1920) / Carlo Mierendorff -- The future of film (1921) / Robert Muˆller -- Expressionism in film (1922) / Robert Wiene -- An afterword to Caligari (1925) / Walter Reimann -- Limitations of the Expressionist film (1926) / Rudolf Kurtz -- The interpretation of dreams in film (1926) / Hanns Sachs -- The film of factuality (1927) / Robert Breuer -- Fantastic film (1929) / Henrik Galeen -- Painting with time (ca.1919) / Walter Ruttmann -- A new art: film's music for the eyes (1921) / Bernhard Diebold -- Basic principles of the art of movement (1921) / Hans Richter -- Film as a work of art (1921) / Adolf Behne -- The absolute film (1925) / Rudolf Arnheim -- Film at the Bauhaus: a rejoinder (1926) / Laszlo Moholy-Nagy -- How I made my Berlin film (1927) / Walter Ruttmann -- The "absolute" fashion (1928) / Walter Ruttmann -- Abstract film (1928) / Seigfried Kracauer -- The artist belongs to the industry! (1928) / Laszlo Moholy-Nagy -- Living shadows (1929) / Lotte Reiniger -- New means of filmmaking (1929) / Hans Richter -- The isolated artist (1929) / Walter Ruttmann -- Avant-garde in the realm of the possible (1929) / Hans Richter -- "Candid" cinematography (1929) / Anon. -- Avant-garde for the masses (1929) / Lotte H. Eisner -- The end of the avant-garde? (1930) / Alex Strasser -- Melody in the cinema, or immanent and transcendental music (1914) / Ernst Bloch -- The muteness of the film image (1920) / Oskar Kalbus -- Lighting design in film (1922) / Albin Grau -- Intertitles (1923) / Hans Pander -- The close-up (1924) / Bela Balazs -- My ideal screenplay (1924) / Fritz Lang and F.W. Murnau -- Architecture in film (1924) / Paul Leni -- Film and fashion (1924) / Julie Elias -- The delirious camera (1925) / Guido Seeber -- Productive and reproductive film art (1926) / Bela Balazs -- Looking toward the future (1926) / Fritz Lang -- Behind my camera (1927) / Karl Freund -- Subjective movement (1927) / Lotar Holland -- Film and music (1928) / Giuseppe Becce -- Farewell to silent film (1930) / Bela Balazs. , Cinematography in the service of neurology and psychiatry (1910) / Hans Hennes - The cinematograph in biological and medical science (1911) / Osvaldo Polimanti -- The cultural mission of the cinematograph (1912) / Leonhard Birnbaum -- Cinema in the light of medicine (1913) / Der Kinematograph -- Film advertising (1913) / Julius Pinschewer -- Artistic film porgram (1920) / Bruno Taut -- Cinematography in the service of the police (1921) / Wilhelm von Ledebur -- Film advertising and advertising films (1921) / Arthur Lassally -- School and film (1924) / Edgar Beyfuss -- Industrial films (1924) / Ulrich Kayser -- Kulturfilm and cinema (1924) / Eugen R. Schlesinger -- The trick film (1927) / Dietrich W. Dreyer -- Film is promotion (1929) / Hans Cuˆrlis -- Advertising film and its psychological effects (1932) / Karl Nikolaus -- How singing pictures (sound pictures) are made (1908) / Anon. -- The acoustic film (1922) / Herbert Jhering -- Film and music (1928) / Heinrich Strobel -- Principles of the sound film (1928) / Walter Ruttmann -- Sound-image film (1928) / Seigfried Kracauer -- A conviction (1929) / Bela Balazs --The nature and value of sound film (1929) / Ernst Hugo Correll -- Reality of sound film (1929) / Georg Wilhelm Pabst -- Problems of the camera (1929) / Carl Hoffmann -- Possibilities for the use of music in sound film (1929) / Walter Gronostay -- Sound film friend and foe (1929-30) / Erwin Piscator -- A commentary on the crisis facing montage (1930) / Rudolf Arnheim -- Experiences in composing music for sound films (1930) / Edmund Meisel -- Only the transformed author can transform film (1930) / Alfred Doˆblin -- Problems in sound film design (1931) / Film-Kurier, Fritz Lang -- The conquest of the third dimension (1914) / Max Mack -- The prehistory of the bioskop (1916) / Max Skladanowsky -- Art and technology in film (1923) / Heinz Michaelis -- The color film (1923) / Bela Balazs -- The telefilm (1925) / S.E. Bastian -- Film and radio (1925) / Herbert Jhering -- Possibilities for absolute radio art (1925) / Kurt Weill -- My process (1926) / Eugen Schuˆfftan -- Why we still do not have television (1929) / Arthur Korn -- The elements once again (1929) / Laszlo Moholy-Nagy -- The third dimension (1929) / Erich Grave -- Telecinema in the home (1929) / Ernst Steffen -- A glance into the future (1930) / Frank Warschauer -- The color film (1930) / H. Baer -- Radio-film (1932) / Rudolf Arnheim -- The future of Mickey Mouse (1932) / Bernhard Diebold -- On the border of yesterday (1932) / Siegfried Kracauer.

Additional Edition: Print version: Promise of cinema : German film theory, 1907-1933. Oakland, California : University of California Press, [2016] ISBN 9780520219076

Language: English

Subjects: General works

Keywords: Electronic books.

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