Format:
1 Online-Ressource (320 pages)
Edition:
1st ed
ISBN:
9798765111079
Content:
Why does Stanley Cavell's philosophical thought matter for music? And how did Cavell's musical practice and appreciation of music give shape to his indelible philosophical claims about cinema, human speech, opera, the expression of skepticism, and ordinary language philosophy? Music with Stanley Cavell in Mind provides a first-of-its-kind intervention by leading philosophers and scholars of music into an intellectual landscape in need of such charting. As a performer who then trained as a philosopher, the arc of Cavell's wide-ranging investigation of music maps consistently with a proximate concern for the features of human experience that involve music and sound, including the sound of prose, authorial voice (its possession, its divestment, its arrogation), the presence/problem/potentiality of silence in communication, and related features of sonic phenomena central to life lived at the scale of the everyday. Despite widespread scholarly fascination with the intersection of "Cavell" and "music"--that music is famously a core theme for him--no book like this has yet appeared. Moreover, our efforts here are addressed to the serious student (at all levels) and the general reader alike arriving from many precincts of thought and practice: musical performance, literary theory, cultural studies, musicology, and philosophy
Note:
Overture: In Walked Stanley Charles Bernstein, University of Pennsylvania, USA Prelude: Sounds of Philosophy David LaRocca, Cornell University, USA Movement I / Measures 1. Critical Listening: An Understanding of Cavell's "An Understanding with Music" Jean-Philippe Antoine, Université Paris 8 Vincennes-Saint Denis, France 2 Impressions of Meaning in Cavell's Life Out of Music William Day, Le Moyne College, USA 3. Cavell on Music: As Performer, as Writer John Harbison, Massachusetts Institute of Technology, USA Movement II / Registers 4. "A Voice Deep Inside": Cavell, Streisand, and the Reach of Song's Inner Speech Garrett Stewart, University of Iowa, USA 5. Cavell as Halted Traveler: The Experience of Music Richard Eldridge, Swarthmore College, USA 6. The Sound of Reality Jocelyn Benoist, Université of Paris 1 Panthéon-Sorbonne, France Movement III / Recitatives 7. Something Called Perfect Pitch: Cavell and the Calling of Ordinary Language to Mind Paul Standish, University College London Institute of Education , UK 8. Understanding Music, Understanding Persons: Cavell and the Necessity of Intentional Content Garry L. Hagberg, Bard College, USA 9. Punk Discomposed: Staging Sincerity and Fraudulence David LaRocca, Cornell University, USA Movement IV / Intervals 10. Listening In: Cavell, Krenek, Cage, Reich at the Limits of Musical Meaning Kevin C. Karnes, Emory University, USA, and John T. Lysaker, Emory University, USA 11. Cavell's Odd Couple: Schoenberg and Wittgenstein Eran Guter, Max Stern Jezreel Valley College, Israel 12. Words Sing: Wittgenstein, Cage, and Cavell on the Poetics of Language and Music Gordon C. F. Bearn, Lehigh University, USA Coda: Out Waltzed Stanley Charles Bernstein, University of Pennsylvania, USA Acknowledgments Contributors Index
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Additional Edition:
ISBN 9798765111048
Additional Edition:
ISBN 9798765111055
Additional Edition:
ISBN 9798765111062
Additional Edition:
ISBN 9798765111086
Language:
English
DOI:
10.5040/9798765111079
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