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  • 1
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    almahu_9949863550302882
    Format: 1 online resource (232 pages)
    Edition: 1st ed.
    ISBN: 9780520967755
    Series Statement: South Asia Across the Disciplines Series
    Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.   The study of South Asian music falls under the purview of ethnomusicology, whereas that of South Asian literature falls under South Asian studies. As a consequence of this academic separation, scholars rarely take notice of connections between South Asian song and poetry. Modernizing Composition overcomes this disciplinary fragmentation by examining the history of Sinhala-language song and poetry in twentieth-century Sri Lanka. Garrett Field describes how songwriters and poets modernized song and poetry in response to colonial and postcolonial formations. The story of this modernization is significant in that it shifts focus from India's relationship to the West to little-studied connections between Sri Lanka and North India.
    Note: Cover -- Half Title -- Title -- Copyright -- Contents -- Illustrations -- Acknowledgments -- Note on Translation and -Transliteration -- Introduction -- Part One The Colonial Era -- 1 Nationalist Thought and the Sri Lankan World -- 2 Brothers of the Pure Sinhala Fraternity -- 3 Wartime Romance -- Part Two The Postcolonial Era -- 4 Divergent Standards of Excellence -- 5 For the People -- 6 Illusions to Disillusions -- Conclusion -- Notes -- Bibliography -- Index.
    Additional Edition: Print version: Field, Garrett Modernizing Composition Berkeley : University of California Press,c2017 ISBN 9780520294714
    Language: English
    Keywords: Electronic books.
    URL: Cover
    URL: Cover
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  • 2
    UID:
    almafu_BV026274904
    Format: IV, 286 Bl.
    Note: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Yale Univ., Diss., 1976
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: 1747-1794 Bürger, Gottfried August ; 1747-1794 Bürger, Gottfried August ; Ballade ; Rezeption ; Hochschulschrift
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  • 3
    Online Resource
    Online Resource
    Hershey, Pennsylvania (701 E. Chocolate Ave., Hershey, PA, 17033) :IGI Global,
    UID:
    almahu_9947420824802882
    Format: PDFs (378 pages) : , illustrations.
    ISBN: 9781466643468 (ebook)
    Content: "This book investigates the use of digital technologies to create multimedia documents that utilize video, audio, and web-based elements to further written communication beyond what can be accomplished by words alone"--Provided by publisher.
    Note: Beyond words: a review of research on adolescents and multimodal composition / Blaine E. Smith -- Creating multimodal texts in the classroom: shifting teaching practices, influencing student outcomes / Katina Zammit -- Multimodality in action: new literacies as more than activity in middle and high school classrooms / Lynn E. Shanahan, Mary B. McVee, Nancy M. Bailey -- "Memeration": exploring academic authorship in online spaces / Rob Simon, Alisa Acosta, Eveline Houtman -- The writing process and multimodal composition: conversations with four artists / William Kist -- Networked compositional ecologies: infrastructure as a model for multimodal writing / Reuben J. Ellis -- Digital writing and the role of critical pedagogy in preservice teacher education / Peggy Albers -- Teachers' lesson design as remix: composing with internet resources and a smart authoring tool / Bridget Dalton, Blaine E. Smith -- Considering design: the challenges of assessing multimodal texts / Nicholas E. Husbye, Julie Rust -- Teaching writing in the "techno-zone": exploring new literacies in a first-grade classroom / Leslie Foley, Barbara Guzzetti, Mary Frances Agnello, Mellinee Lesley -- Writing from and with community knowledge: first grade emergent bilinguals' engagements with technology-integrated curricula / María Paula Ghiso, Patricia Martínez-Álvarez, Bessie P. Dernikos -- Examining 7th graders' tablet-created screencasts to promote safe driving: reflections from a service-learning project / Jill Castek, Heather Cotanch -- Multimodal response and writing as poetry experience / Sue Ringler Pet, J. Gregory McVerry, W. Ian O'Byrne -- Multimodal composition for teacher candidates: models for K-12 classroom writing instruction / Dana L. Grisham, Linda Smetana -- Re-imagine writing: multimodal literary analysis in English education / Melanie Hundley, Blaine E. Smith, Teri Holbrook -- Writing remixed: mapping the multimodal composition of one preservice English education teacher / Lindy L. Johnson, Peter Smagorinsky -- Writing for social action in our digital age / Ted Kesler -- Transnational preservice teachers' literate lives and writing pedagogy in a digital era / Minda Morren López, Carol Brochin -- The multimedia memoir: leveraging multimodality to facilitate the teaching of narrative writing for preservice teachers / Donna E. Werderich, Michael Manderino -- Picturing English language learning youths' and pre-service teachers' perspectives on school: how "photovoice" projects might inform writing curricula and pedagogies for diverse youth / Kristien Zenkov, Marriam Ewaida, Athene Bell, Megan Lynch -- Learning the disciplinary language and literacies of multimedia composition / Deborah Kozdras, James R. King, Jenifer Schneider -- "I want them to feel the fear ...": critical computational literacy as the new multimodal composition / Clifford H. Lee, Antero D. Garcia. , Also available in print. , Mode of access: World Wide Web.
    Additional Edition: Print version: ISBN 1466643455
    Additional Edition: ISBN 9781466643451
    Language: English
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  • 4
    UID:
    almafu_9959695800502883
    Format: 1 online resource (xviii, 933 pages) : , digital, PDF file(s).
    ISBN: 9781139055352 , 1139055356
    Content: This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
    Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015). , Introduction : criticism and tradition -- , The institution of criticism in the eighteenth century / , Ancients and moderns / , Genres -- , Poetry, 1660-1740 / , Poetry, after 1740 / , Drama, 1660-1740 / , Drama, after 1740 / , Prose fiction : France / , Prose fiction : Great Britain / , Prose fiction : Germany and the Netherlands / , Historiography / , Biography and autobiography / , Criticism and the rise of periodical literature / , Language and style -- , Theories of language / , The contributions of rhetoric to literary criticism / , Theories of style / , Generality and particularity / , The sublime / , Themes and movements -- , Sensibility and literary criticism / , Women and literary criticism / , Primitivism / , Medieval revival and the Gothic / , Voltaire, Diderot, Rousseau and the Encyclopédie / , German literary theory from Gottsched to Goethe / , The Scottish enlightenment / , Canons and canon formation / , Literature and other disciplines -- , Literature and philosophy / , The psychology of literary creation and literary response / , Taste and aesthetics (i) Shaftesbury and Addison : criticism and the public taste / , (ii) The rise of aesthetics from Baumgarten to Humboldt / , Literature and the other arts (i) Ut pictura poesis / , (ii) The picturesque / , (iii) Literature and music / , (iv) Parallels between the arts / , Classical scholarship and literary criticism / , Biblical scholarship and literary criticism / , Science and literary criticism / , English
    Additional Edition: ISBN 9780521317207
    Additional Edition: ISBN 0521317207
    Additional Edition: ISBN 9780521300094
    Additional Edition: ISBN 0521300096
    Language: English
    Keywords: Llibres electrònics
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  • 5
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | New York : Bloomsbury Publishing (US)
    UID:
    gbv_1895313333
    Format: 1 Online-Ressource (232 pages)
    Edition: 1st ed
    ISBN: 9798765103616
    Content: An analysis of the aesthetic, cultural and political aspects of alternative poetic movements and individual poets in three periods: the Constitutional Revolution (1900-1920), the post-constitutional era (1920-1940), and the ascendency of modernism (1940-1960). Farshad Sonboldel shines new light on the history of modern Persian poetry by re-imagining the roles that the aesthetic experimentations of alternative poets played in different phases of the literary revolution in modern Persian poetry. Dominant narratives portray modern Persian poetry as a gradual, rational, and moderate change in the classical regime of aesthetics as well as a response to - and reflection of - cultural and socio-political changes within Iranian society. They also disregard the significance of radical experiments by alternative poets and undervalue the part they played in the initiation and progress of the so-called "literary revolution." These mainstream narratives minimize the socio-political engagement of literary works with the direct reflection of the social reality, and thus neglect the way many alternative poems struggle with socio-political issues through deconstructing the old and constructing new aesthetic systems. Each chapter of The Rebellion of Forms in Modern Persian Poetry is centred around poems chosen for their potential to showcase notable experiments of pioneer movements and individuals in each given period. Examining the formal and thematic aspects of these poems, this book reformulates the story of modern Persian poetry and unravels the relationship between radical aesthetic changes in the practice of poetry and resistance against political and cultural domination in society
    Note: Includes bibliographical references and index , Acknowledgements A Note on Transliteration Introduction - Methodology and Key Theories - Study Framework - Research Contribution - A Note on Originality and Authenticity of the Alternative Movements 1. The Politics of Literature and the Forms of Literary Deviation in Constitutional Poetry - Resistance and Transformation in Pre-Constitutional Poetry - Residual Forces of the Bazgasht-e Adabi Movement - Mohammad Taqi Malek al-Sho'ara Bahar: Cohabitation of the Old and the New 2. Constitutional Poetry and the Performative Arts - The Politics of Singing - Theatrocracy in Mirzadeh Eshqi's Dramatic Poetry 3. The Left Wing of the Poetic Revolution and Constructive Misreading of the Literary Tradition - The Ra'fat Era: From Deconstruction to Construction - Major Lahuti: Persian Socialist Realism and the Aesthetic Revolution - Remodelling the Poetic Forms: Prosodic Metres and Rhyme Schemes - Charpareh: A Collective Drive to Poetic Modernity 4. Modernism and High Modernism - Modernism, Experimentalism and Avant-garde - Nima Yushij: Self-Revision and Conscious Misreading of Oneself 5. Experimentalism in Persian Poetry between the 1930s and 1950s - Mohammad Moqaddam, a Prose Poet: Introducing Free Verse into Persian Poetry - Zabih Behruz: A Wanderer Poet in the City of Drama - Shin Partow: A Bridge between Nimaic and Experimental Poetry 6. Avant-garde Poetry between the 1940s and 1950s - Tondar Kia: Poet of Cabarets - Moods and Moments - Kia: Ragpicker in Modern Tehran - Non-Organicity - A Dialogue with Dadaism - Hushang Irani: Slaughterer of the Nightingale - Irani's Violet Scream - A Different Way of Socio-political Engagement Conclusion - Prospects for Further Research Bibliography Index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9798765103579
    Additional Edition: ISBN 9798765103586
    Additional Edition: ISBN 9798765103593
    Additional Edition: ISBN 9798765103609
    Language: English
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  • 6
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    almafu_9961991708202883
    Format: 1 online resource (1 volume) : , illustrations (black and white)
    ISBN: 9781501761188 , 1501761188
    Series Statement: Cornell East Asia series
    Content: Mehl analyses the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognised that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import.
    Note: Also issued in print: Ithaca: Cornell University East Asia Program, 2022. , THE ENDS OF METER IN MODERN JAPANESE POETRY -- Contents -- List of Illustrations -- Acknowledgments -- Note on Transliteration and Personal Names -- Introduction: Making Forms New, Making New Forms -- 1. New Styles of Criticism for a New Style of Poetry -- 2. "This Dead Form, Begone": The Shi of Kitamura Tōkoku and the Debate over Meter -- 3. A Disaster Averted: Masaoka Shiki and the Value of Brevity -- 4. Difficulty in Poetry: Kanbara Ariake and the Experimenters in Prosody -- 5. Kawaji Ryūkō and the New Poetry -- Epilogue: A Form to Express Anything Whatsoever -- Appendix A. Ariake's Meters -- Appendix B. Ariake's Stanza Forms -- Appendix C. A Word about Terminology: syllable vs. mora vs. moji -- Glossary -- Notes -- References -- Index.
    Additional Edition: ISBN 9781501761171
    Additional Edition: ISBN 150176117X
    Additional Edition: ISBN 9781501761195
    Additional Edition: ISBN 1501761196
    Language: English
    Keywords: Criticism, interpretation, etc. ; History.
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  • 7
    UID:
    gbv_1900968444
    Format: 1 Online-Ressource (XVII, 221 p.)
    Edition: Reproduktion Issued also in print
    ISBN: 9783111448053
    Series Statement: Sufism Studies 1
    Content: This book examines and contextualizes Abū Ḥāmid Muḥammad Ghazzālī’s (d. 505/1111) fierce response to antinomian and freethinking currents in twelfth-century Persia. Seyed-Gohrab offers a translation of Ghazzālī’s treatise on antinomians, and one of his religious rulings (fatwa) on the topic. Both were written after Ghazzālī’s intellectual crisis in 488/1095, when he voluntarily withdrew from his position as a Professor at the prestigious Niẓāmiyya College in Baghdad. He determined to live an ascetic life, devoting all his attention to God. In this period, Ghazzālī wrote his masterpieces in Arabic and Persian. Seyed-Gohrab shows that these two less-known works shed new light on the motivation for Ghazzālī's major works. The book depicts Ghazzālī’s Persian intellectual context, and the tumultuous political period in which a strong literary and Sufi antinomian trend emerged from the social periphery to become central to literary activities at the Saljuq court. The book also treats Ghazzālī’s Persian poetry, offering original insights into Ghazzālī’s contemporary, the celebrated polymath ʿUmar Khayyām (d. about 525/1131), whose transgressive quatrains are interpreted as a response to a suffocating religious context
    Note: Frontmatter -- Acknowledgements -- Preface -- Contents -- Notes on Translation, Transliteration and Dates -- Chronology -- Chapter One Ghazzālī’s Life and Times -- Chapter Two ‘The Bitter Certainty’ -- Chapter Three Ghazzālī and Antinomianism -- Chapter Four Ghazzālī’s Religious Rulings -- Chapter Five An Appraisal of Muḥammad Ghazzālī’s Treatise on Freethinkers -- Chapter Six The Idiocy of the Antinomians -- Appendix: Persian Texts -- Bibliography -- Index , Issued also in print , In English
    Additional Edition: ISBN 9783111448695
    Additional Edition: ISBN 9783111446929
    Additional Edition: Erscheint auch als print ISBN 9783111446929
    Language: English
    URL: Cover
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