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  • 1
    Online Resource
    Online Resource
    New York, NY :Routledge,
    UID:
    almahu_9949385321902882
    Format: 1 online resource (xx, 729 pages) : , illustrations (black and white).
    ISBN: 9780429328411 , 0429328419 , 1000539644 , 9781000539578 , 1000539571 , 9781000539646
    Series Statement: Routledge literature companions
    Content: "The Routledge Companion to Korean Literature consists of thirty-five chapters written by leaders in the field who explore significant topics and who have pioneered innovative approaches. The collection highlights the most dynamic current scholarship on Korean literature, presenting rigorous literary analysis, interdisciplinary methodologies, and transregional thinking so as to provide a valuable and inspiring resource for researchers and students alike. This Companion has particular significance as the most extensive collection to date of English-language articles on Korean literature; it both offers a thorough intellectual engagement with current scholarship and addresses a broad range of topics and time periods, from premodern to contemporary. It will contribute to an understanding of literature as part of a broad sociocultural process that aims to put the field into conversation with other fields of study in the humanities and social sciences. While presenting rigorous and innovative academic research that will be useful to graduate students and postgraduate researchers, the chapters in the collection are written to be accessible to the average upper-level undergraduate student and include only minimal use of academic jargon. In an effort to provide substantially helpful material for researching, teaching, and learning Korean literature, this Companion includes as an appendix an extensive list of English translations of Korean literature"--
    Note: Introduction-"Redefined and Challenged: Anthologizing Korean Literary Studies" / , Part I. Premodern and Early Modern Korean Literature -- , Section I. Manuscript Culture, Materiality, Performativity -- , Manuscript, Not Print, in the Book World of Chosŏn Korea (1392-1910) / , Performing Vernacular: Textual Practices as Bodily Events in Premodern Korea / , Section II. Print, Medium, Transregional Interactions -- , Books for the Illiterate: the Haengsil-to (Illustrated Guide for Moral Deeds) of Chosŏn Korea / , Print and Transnational Referentiality: Nam Kong-ch'ŏl's Printing of Kŭmnŭng chip / , The Elite Vernacular Korean Culture of Chosŏn (1392-1910): Indeterminacy, Hybridity, Strangeness / , Lovesickness and Death in Seventeenth-Century Korean Literature / , Idu in and as Korean Literature / , Hybrid Orthographies and the Emergence of Modern Literature in Early Twentieth Century Korea / , Part II. Modernity and the Colonial Period -- , Section I. Gender and Sexuality -- , Capital, Gender and Modernity in Colonial Korean Literature / , Sexual Violence and Its Ideological Labor: Imagining Masculinist Equality and Androcentric Ethnos in Colonial Korean Literature / , Section II. Translation and Crossing -- , Incongruent Reflections: Translation and Bilingual Writings in Colonial Korea / , The Japanese "Café France": Chŏng Chi-yong and Self-Translation / , Nonsense As Sensibility: The Importance of Not Being Earnest in Colonial Korea and Taiwan / , Section III. Modernity and Coloniality -- , Language, Science, and the Status of Truth in Late Colonial Korea / , A Minor Modernist's Conundrum of Representation: Kim Saryang and the Colonized I-Novel / , Rewriting the City: Yi Sang, Architecture, and the Figure of the Department Store / , Section IV. Art and Politics -- , A Forgotten Aesthetic: Reportage in Colonial Korea 1920s-1930s / , Conversion Literature (chŏnhyang sosŏl) and the Inward Gaze in the Late Colonial Period / , Part III. Liberation and Contemporary Korean Literature -- , Section I. Decolonization, Cold War, and Humanism -- , Decolonizing Literature: Bridging Political Divides in the Post-Liberation Period / , Vitalism and Existentialism in Early South Korean Literature / , Humanism as a Problem of Empire in Modern Korean Literature / , Section II. Politics, Memory, Orality -- Gender and Class Dynamics in the Utilitarian Discourse of the Developmental State and Literature in 1970s and 1980s South Korea / , (Dis-) embodiment of Memory: Gender, Memory, and Ethics in Human Acts by Han Kang / , Continuing Orality in Korean Poetry: Opening a P'an for the Page / , Section III. Race, Diaspora, Intersectionality -- , Ŏmma's Baby, Appa's Maybe: Black Amerasian Children and the Layers of Diaspora / , Intersecting Korean Diasporas / , Whose Korea is it? Reading Zainichi Literature Intersectionally / , Section IV. Division and North Korean Literature -- , Closed Borders and Open Letters in the Cold War Koreas / , A Good Wife is Hard to Find: North Korean Women in Fiction / , Children's Literature in South and North Korea / , Part IV. Queer Studies, World Literature, and the Digital Humanities -- , Section I. Queer Reading and Affect -- , Forms of Attachment: Ardent Female Intimacies in 1920s Korea / , The Poet and the Theater: Perverse Reading and Queer Poetry / , Section II. World Literature, Global Connections, and the Digital Humanities -- , World Literature, Korean Literature, and the Medical and Health Humanities / , Global Korea and World Literature / , The Text-Mining of Culture: The Case of a Popular Magazine in 1930s Korea / , Appendix: A Comprehensive List of English Translations of Korean Literature /
    Additional Edition: Print version: Routledge companion to Korean literature New York, NY : Routledge, 2022 ISBN 9780367348496
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Electronic books. ; Criticism, interpretation, etc. ; Literary criticism. ; Literary criticism. ; Critiques littéraires.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947928304502882
    Format: 1 online resource (xxii, 499 pages) : , digital, PDF file(s).
    ISBN: 9781787440982 (ebook)
    Content: A.E. Housman (1859-1936) was both a celebrated poet and the foremost classicist of his day. His poetry was set to music by numerous composers including Arthur Somervell, Ralph Vaughan Williams, George Butterworth, Ivor Gurney, John Ireland and Samuel Barber. Housman's painstaking vocation, to restore classical manuscripts by correcting textual errors, took up virtually the whole of his working life. A seemingly inaccessible, aloof man, he never set out to be a professional poet, yet poetry poured out of him and became his monument. His renowned A Shropshire Lad and Last Poems were born of an inner crisis, sparked by a profound but unreciprocated attachment for a fellow undergraduate. To be sexually different in the time of Oscar Wilde was to invite ostracism and disgust. This fact, allied with his secretiveness and penchant for irony, reinforced his reticence on personal matters. Until now, he has remained a hidden personality, held in the public mind as prim and grim. This biography reveals by contrast a man of many facets, one companionable in small groups, generous to a fault, and always on the lookout for humour and fun; a master of English prose; a witty and compelling after-dinner speaker; an occasional writer of nonsense verse; a frequenter of the music hall; an intrepid early traveller by air; and a connoisseur of food and wine. Drawing on Housman's published letters and on 81 significant new finds, Edgar Vincent conjures up a new Housman, created out of his reactions to the events of his life as he experienced them. It weaves together his scholarly life and the biographical elements in his poetry to examine his emotional and sexual needs with dispassion and empathy and uncover his hidden sensibilities and creative world. EDGAR VINCENT read English at St Catherine's Oxford. Following Oxford he was commissioned in the Navy, spending most of his time with the Royal Marines. Subsequently he worked for Imperial Chemical Industries for thirty years. He then fulfilled a life-long ambition to write his book Nelson: Love & Fame, published by Yale University Press in 2003. The book was shortlisted for the BBC 4 Samuel Johnson Prize for non-fiction, was a New York Times Notable Book and was named one of Atlantic Monthly's Books of the Year.
    Note: Title from publisher's bibliographic system (viewed on 08 Jun 2018).
    Additional Edition: Print version: ISBN 9781783272419
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Biografie
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    b3kat_BV006233169
    Format: 46 S.
    Language: English
    Subjects: German Studies
    RVK:
    Author information: Forster, Leonard 1913-1997
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  • 4
    Book
    Book
    Cambridge Univ. Press
    UID:
    gbv_413337162
    Language: Undetermined
    Author information: Forster, Leonard 1913-1997
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  • 5
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949384546002882
    Format: 1 online resource
    ISBN: 9781351696258 , 1351696254 , 9781315171906 , 1315171902 , 9781351696265 , 1351696262 , 9781351696241 , 1351696246
    Series Statement: Analysing architecture notebooks
    Content: Each of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy. Metaphor is the most powerful component of the poetry of architecture. It has been a significant factor in architecture since the earliest periods of human history, when people were finding ways to give order and meaning to the world in which we live. It is arguable that architecture began with the realisation of metaphor in physical form, and that subsequent movements - from Greek to Gothic, Renaissance to Modern, Victorian to Vernacular - have all been driven by the emergence or rediscovery of different metaphors by which architecture might be generated.
    Note: Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Introduction; Simile, Cliché, Metaphor?; Body Metaphors; Gender Metaphors; Tree Metaphors; Doorway Metaphors; Metaphors of Personality; Temple Metaphors; Cottage Metaphors; Architecture-Related Word Metaphors; The Genetic Metaphor; Metaphors of Sense and Nonsense; Mind Metaphors; Landscape Metaphors; Machine Metaphors; The Music Metaphor; Narrative Metaphors; Endnote; Acknowledgements; Bibliography; Index
    Additional Edition: Print version: Metaphor Abingdon, Oxon ; New York, NY : Routledge, 2019. ISBN 9781138045439
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Electronic books
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  • 6
    Online Resource
    Online Resource
    Honolulu :University of Hawaii Press,
    UID:
    edocfu_9959899311502883
    Format: 1 online resource (240 p.) : , 12 b&w images, 5 maps
    ISBN: 9780824853891
    Content: The Chaos and Cosmos of Kurosawa Tokiko is the story of a self-described "base-born nobody" who tried to change the course of Japanese history. Kurosawa Tokiko (1806–1890), a commoner from rural Mito domain, was a poet, teacher, oracle, and political activist. In 1859 she embraced the xenophobic loyalist faction (known for the motto "revere the emperor, expel the barbarians") and traveled to Kyoto to denounce the shogun's policies before the emperor. She was arrested, taken to Edo's infamous Tenmachō prison, and sentenced to banishment. In her later years, having crossed the Tokugawa-Meiji divide, Tokiko became an elementary school teacher and experienced firsthand the modernizing policies of the new government. After her death she was honored with court rank for her devotion to the loyalist cause.Tokiko's story reflects not only some of the key moments in Japan's transition to the modern era, but also some of its lesser-known aspects, thereby providing us with a fresh narrative of the late-Tokugawa crisis, the collapse of the shogunate, and the rise of the Meiji state. The peculiar combination of no-nonsense single-mindedness and visionary flights of imagination evinced in her numerous diaries and poetry collections nuances our understanding of activism and political consciousness among rural nonelites by blurring the lines between the rational and the irrational, focus and folly. Tokiko's use of prognostication and her appeals to cosmic forces point to the creative paths some women constructed to take part in political debates and epitomize the resourcefulness required to preserve one's identity in the face of changing times. In the early twentieth century, Tokiko was reimagined in the popular press and her story was rewritten to offset fears about female autonomy and to boost local and national agendas. These distorted and romanticized renditions offer compelling examples of the politicization of the past and of the extent to which present anxieties shape historical memory. That Tokiko was unimportant and her loyalist mission a failure is irrelevant. What is significant is that through her life story we are able to discern the ordinary individual in the midst of history. By putting an extra in the spotlight, The Chaos and Cosmos of Kurosawa Tokiko offers a new script for the drama that unfolded on the stage of late-Tokugawa and early Meiji history.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: The Flight of a Sparrow -- , Part I Tokiko’s World -- , 1. A Nest and a Nexus -- , 2. Circles and Circumstances -- , Part II The Chaos and Cosmos of Kurosawa Tokiko -- , 3. Glimpses of History (The Script) -- , 4. From Script to Stage -- , 5. Caged Bird -- , 6. The Chaos and Cosmos of Kurosawa Tokiko -- , 7. Transitions -- , Part III Memory, Manipulation, and Amnesia -- , 8. Rescuing The Past from the Present -- , 9. The Many Reincarnations of Kurosawa Tokiko -- , 10. Circles Redrawn: The View from 1930s Mito -- , 11. Encores: New Scripts -- , Conclusion The Doing That Matters -- , Appendix -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.
    Language: English
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  • 7
    Online Resource
    Online Resource
    Melville House
    UID:
    kobvindex_ZLB35124195
    ISBN: 9781685890254
    Content: " sorrowful, tender...beautiful. &ndash,The New York Times Book Review &ldquo,..arresting and memorable&hellip,Masud both finds a way to comprehend her own story and establishes a strong voice that confirms her as a significant chronicler of personal and national experience.&rdquo,&ndash, Financial Times Sharply, subtly, and very movingly, Masud thinks with places, seeking as she does to find a way back into, and then out of, the traumas of her early life. - Robert Macfarlane, author of Underland: A Deep Time Journey A surprising and lyrical journey&mdash,art memoir, part nature book&mdash,editating on the meaning of flatness and its literary tradition to find ways to understand ourselves and our trauma in one of nature&rsquo, most undervalued wonders. For readers of Dr. Gabor Maté,s The Myth of Normal, Robert Macfarlane, G. Sebald's Rings of Saturn , Amy Liptrot's The Outrun , and Richard Mabey's Nature Cure Does the concept of flat have an undeservedly bad rap? There are centuries&rsquo,worth of adoration for rolling hills and dramatic, mountainous landscapes. In contrast, flat landscapes are forgettable and seemingly unworthy of poetic or artistic attention.160 Noreen Masud suffers from complex post-traumatic stress disorder: the product of a profoundly disrupted and unstable childhood. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain's flatlands, seeking solace and belonging, she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life. Masud's British-Pakistani heritage makes her a partial outsider in these landscapes: both coloniser and colonised, inheritor and dispossessed. Here violence lies beneath the fantasy of pastoral innocence, and histories of harm are interwoven with nature's power to heal. Here, as in her own family history, are many stories that resist the telling. She pursues these paradoxes fearlessly across the flat, haunted spaces she loves, offering a startlingly strange, vivid and intimate account of the land beneath her feet. Masud combines memoir, nature writing, and literary reflection to explore what can be drawn from these powerful places, and to understand her own experience of complex trauma and post-traumatic stress, as well as grief and loss. A Flat Place is a book that drives to the heart of what it means to experience place &mdash,bodily and psychologically &mdash,and the healing properties of literature and landscape."
    Content: Biographisches: " Noreen Masud is a Lecturer in Twentieth Century Literature at the University of Bristol, and an AHRC/BBC New Generation Thinker 2020. Her work focuses on the twentieth century, writing about things which, in one way or another, present variously as absurd, unrevealing, embarrassing or useless. These include aphorisms, flatness, puppets, nonsense, leftovers, earworms, footnotes, rhymes, hymns, surprises, folk songs, colors and superstition."
    Language: English
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