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  • 1
    Book
    Book
    Bielefeld :Transcript-Verl.,
    UID:
    almahu_BV022755277
    Format: 194 S. : , Ill.
    ISBN: 978-3-89942-681-6 , 3-89942-681-9 , 978-3-8394-0681-6
    Series Statement: Cultural and media studies
    Note: Part 1: Walter Benjamin -- Benjamin, Proust and the rejuvenating powers of memory -- Benjamin's childhood reminiscences -- Children's play and proletarian children's theatre -- Creative writing and play -- Chapter 2: The politics of Aura and imagination in Benjamin's writings on Hashish -- Auratic experience and involuntary memory -- Imagination and mimesis -- Chapter 3: "Reproducibility - Distraction - Politicization" -- The Aura, contemplation, and distraction -- Changing film's technical standards -- Autonomy and Unity in Film -- Film and epic theatre -- Part 2: Siegfried Kracauer -- "Film as the discoverer of the Marvels of everyday life": Kracauer and the promise of realist cinema -- Photography, Proust, and the task of a realist cinema -- The child's capacity for perception and imagination -- On the task of a realist historiography in Kracauer's history: the last things before the last -- Photography, history, and memory -- The task of a realist historiography -- Part 3: Alexander Kluge -- From History's rubble: Kluge on film, history, and politics -- Autorenkino and counter-histories -- The construction site of history -- Raw materials for the imagination: Kluge's work for television -- Information, storytelling, and experience -- Raw materials for the imagination , Dissertation University of New South Wales
    Additional Edition: Erscheint auch als Online-Ausgabe 10.14361/9783839406816
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , German Studies , General works , Philosophy , Sociology
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    Keywords: 1892-1940 Benjamin, Walter ; Künste ; Imagination ; Erinnerung ; 1889-1966 Kracauer, Siegfried ; Künste ; Imagination ; Erinnerung ; 1932- Kluge, Alexander ; Film ; Imagination ; Erinnerung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Forrest, Tara
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  • 2
    Online Resource
    Online Resource
    Bielefeld :transcript,
    UID:
    almahu_9949465230802882
    Format: 1 online resource (195 pages)
    Edition: 1st ed.
    ISBN: 9783839406816
    Series Statement: Kultur- und Medientheorie
    Note: Cover The Politics of Imagination -- Contents -- Introduction -- Part 1: Walter Benjamin -- Chapter 1: Benjamin, Proust and the Rejuvenating Powers of Memory -- 1.1 Benjamin's Childhood Reminiscences -- 1.2 Children's Play and Proletarian Children's Theatre -- 1.3 Creative Writing and Play -- Chapter 2: The Politics of Aura and Imagination in Benjamin's Writings on Hashish -- 2.1 Auratic Experience and Involuntary Memory -- 2.2 Imagination and Mimesis -- Chapter 3: "Reproducibility - Distraction - Politicization" -- 3.1 The Aura, Contemplation, and Distraction -- 3.2 Changing Film's Technical Standards -- 3.3 Autonomy and Unity in Film -- 3.4 Film and Epic Theatre -- Part 2: Siegfried Kracauer -- Chapter 4: "Film as the Discoverer of the Marvels of Everyday Life": Kracauer and the Promise of Realist Cinema -- 4.1 Photography, Proust, and the Task of a Realist Cinema -- 4.2 The Child's Capacity for Perception and Imagination -- Chapter 5: On the Task of a Realist Historiography in Kracauer's History: The Last Things Before the Last -- 5.1 Photography, History, and Memory -- 5.2 The Task of a Realist Historiography -- Part 3: Alexander Kluge -- Chapter 6: From History's Rubble: Kluge on Film, History, and Politics -- 6.1 Autorenkino and Counter-histories -- 6.2 The Construction Site of History -- Chapter 7: Raw Materials for the Imagination: Kluge's Work for Television -- 7.1 Information, Storytelling, and Experience -- 7.2 Raw Materials for the Imagination -- Conclusion -- Bibliography -- Other Works Cited -- Acknowledgements.
    Additional Edition: Print version: Forrest, Tara The Politics of Imagination Bielefeld : transcript,c2015 ISBN 9783899426816
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Electronic books. ; Hochschulschrift ; Hochschulschrift
    URL: Image
    URL: Image
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almafu_9958121864502883
    Format: 1 online resource (440 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 9786613522504 , 1-280-11821-0 , 90-485-1339-1
    Series Statement: Film culture in transition
    Content: Alexander Kluge is best known as a founding member of the New German Cinema movement, but his work has spanned a number of genres and media. This wide-ranging book assembles a diverse selection of texts, from nonfiction writings and short stories by Kluge, to critical essays by renowned international scholars on Kluge's work, to transcripts of interviews with the artist himself. A valuable collection for students and scholars in the fields of film, television, and media studies, 'Alexander Kluge: Raw Materials for the Imagination' is a perfect introduction to Kluge's key themes and ideas.
    Note: Title from publisher's bibliographic system (viewed on 08 Feb 2021). , Contents -- Editors Introduction -- The Stubborn Persistence of Alexander Kluge -- Film Politics and the Public Sphere -- Rethinking History -- Realism as Protest -- Opera as a Power Plant of Emotion -- Storytelling and Politics -- Television and Counter Public Spheres -- Television Interviews -- Early Cinema Recent Work -- Selected Bibliography of English Language Texts -- Acknowledgments -- Notes on Contributors -- Index of Names -- Index of Works. , Also available in print form. , English
    Additional Edition: ISBN 90-8964-272-2
    Additional Edition: ISBN 90-8964-273-0
    Language: English
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Bielefeld, Germany :Transcript Verlag,
    UID:
    almahu_9947910788402882
    Format: 1 online resource (198)
    Edition: 1st ed.
    ISBN: 3-8394-0681-1
    Series Statement: Kultur- und Medientheorie
    Content: This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and the future outside of the parameters of the status quo. The concept of imagination to which the title of the book refers is not a strictly defined, stable concept, but rather a term which is employed to refer to a capacity that facilitates both an active, creative relationship to one's environment, and a process of mediation between the outside world and one's own experiences and memories. Through a detailed analysis of their engagements with subjects that span a broad range of historical and thematic contexts (including topics as diverse as literature, children's play, film, photography, history, and television) the book charts the extent to which the concept of imagination plays a central role in Benjamin, Kracauer, and Kluge's explorations of a mode of perception and experience which could serve as a catalyst for the creation and sustenance of a desire for a different kind of future.
    Content: Reviewed in: cultural studies review, 14/2, 9 (2008), Lisa McDonald fsk Hamburg, 09.08.2009, Olaf Berg
    Note: Frontmatter 1 Contents 5 Introduction 9 Chapter 1: Benjamin, Proust and the Rejuvenating Powers of Memory 21 Chapter 2: The Politics of Aura and Imagination in Benjamin's Writings on Hashish 43 Chapter 3: "Reproducibility - Distraction - Politicization" 65 Chapter 4: "Film as the Discoverer of the Marvels of Everyday Life": Kracauer and the Promise of Realist Cinema 89 Chapter 5: On the Task of a Realist Historiography in Kracauer's History: The Last Things Before the Last 107 Chapter 6: From History's Rubble: Kluge on Film, History, and Politics 127 Chapter 7: Raw Materials for the Imagination: Kluge's Work for Television 149 Conclusion 169 Bibliography 175 Other Works Cited 191 Acknowledgements 193 , English.
    Additional Edition: ISBN 3-89942-681-9
    Language: English
    Subjects: Philosophy
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    b3kat_BV044304181
    ISBN: 978-90-8964-272-1
    In: pages:305-317
    In: Alexander Kluge / Tara Forrest, [Amsterdam], 2012, Seite 305-317, 978-90-8964-272-1
    Language: English
    Subjects: German Studies
    RVK:
    Author information: Forrest, Tara
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  • 6
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Bielefeld, Germany :Transcript Verlag,
    UID:
    edoccha_9958057084202883
    Format: 1 online resource (198)
    Edition: 1st ed.
    ISBN: 3-8394-0681-1
    Series Statement: Kultur- und Medientheorie
    Content: This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and the future outside of the parameters of the status quo. The concept of imagination to which the title of the book refers is not a strictly defined, stable concept, but rather a term which is employed to refer to a capacity that facilitates both an active, creative relationship to one's environment, and a process of mediation between the outside world and one's own experiences and memories. Through a detailed analysis of their engagements with subjects that span a broad range of historical and thematic contexts (including topics as diverse as literature, children's play, film, photography, history, and television) the book charts the extent to which the concept of imagination plays a central role in Benjamin, Kracauer, and Kluge's explorations of a mode of perception and experience which could serve as a catalyst for the creation and sustenance of a desire for a different kind of future.
    Content: Reviewed in: cultural studies review, 14/2, 9 (2008), Lisa McDonald fsk Hamburg, 09.08.2009, Olaf Berg
    Note: Frontmatter 1 Contents 5 Introduction 9 Chapter 1: Benjamin, Proust and the Rejuvenating Powers of Memory 21 Chapter 2: The Politics of Aura and Imagination in Benjamin's Writings on Hashish 43 Chapter 3: "Reproducibility - Distraction - Politicization" 65 Chapter 4: "Film as the Discoverer of the Marvels of Everyday Life": Kracauer and the Promise of Realist Cinema 89 Chapter 5: On the Task of a Realist Historiography in Kracauer's History: The Last Things Before the Last 107 Chapter 6: From History's Rubble: Kluge on Film, History, and Politics 127 Chapter 7: Raw Materials for the Imagination: Kluge's Work for Television 149 Conclusion 169 Bibliography 175 Other Works Cited 191 Acknowledgements 193 , English.
    Additional Edition: ISBN 3-89942-681-9
    Language: English
    Subjects: Philosophy
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Bielefeld, Germany :Transcript Verlag,
    UID:
    edocfu_9958057084202883
    Format: 1 online resource (198)
    Edition: 1st ed.
    ISBN: 3-8394-0681-1
    Series Statement: Kultur- und Medientheorie
    Content: This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and the future outside of the parameters of the status quo. The concept of imagination to which the title of the book refers is not a strictly defined, stable concept, but rather a term which is employed to refer to a capacity that facilitates both an active, creative relationship to one's environment, and a process of mediation between the outside world and one's own experiences and memories. Through a detailed analysis of their engagements with subjects that span a broad range of historical and thematic contexts (including topics as diverse as literature, children's play, film, photography, history, and television) the book charts the extent to which the concept of imagination plays a central role in Benjamin, Kracauer, and Kluge's explorations of a mode of perception and experience which could serve as a catalyst for the creation and sustenance of a desire for a different kind of future.
    Content: Reviewed in: cultural studies review, 14/2, 9 (2008), Lisa McDonald fsk Hamburg, 09.08.2009, Olaf Berg
    Note: Frontmatter 1 Contents 5 Introduction 9 Chapter 1: Benjamin, Proust and the Rejuvenating Powers of Memory 21 Chapter 2: The Politics of Aura and Imagination in Benjamin's Writings on Hashish 43 Chapter 3: "Reproducibility - Distraction - Politicization" 65 Chapter 4: "Film as the Discoverer of the Marvels of Everyday Life": Kracauer and the Promise of Realist Cinema 89 Chapter 5: On the Task of a Realist Historiography in Kracauer's History: The Last Things Before the Last 107 Chapter 6: From History's Rubble: Kluge on Film, History, and Politics 127 Chapter 7: Raw Materials for the Imagination: Kluge's Work for Television 149 Conclusion 169 Bibliography 175 Other Works Cited 191 Acknowledgements 193 , English.
    Additional Edition: ISBN 3-89942-681-9
    Language: English
    Subjects: Philosophy
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    edoccha_9958121864502883
    Format: 1 online resource (440 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 9786613522504 , 1-280-11821-0 , 90-485-1339-1
    Series Statement: Film culture in transition
    Content: Alexander Kluge is best known as a founding member of the New German Cinema movement, but his work has spanned a number of genres and media. This wide-ranging book assembles a diverse selection of texts, from nonfiction writings and short stories by Kluge, to critical essays by renowned international scholars on Kluge's work, to transcripts of interviews with the artist himself. A valuable collection for students and scholars in the fields of film, television, and media studies, 'Alexander Kluge: Raw Materials for the Imagination' is a perfect introduction to Kluge's key themes and ideas.
    Note: Title from publisher's bibliographic system (viewed on 08 Feb 2021). , Contents -- Editors Introduction -- The Stubborn Persistence of Alexander Kluge -- Film Politics and the Public Sphere -- Rethinking History -- Realism as Protest -- Opera as a Power Plant of Emotion -- Storytelling and Politics -- Television and Counter Public Spheres -- Television Interviews -- Early Cinema Recent Work -- Selected Bibliography of English Language Texts -- Acknowledgments -- Notes on Contributors -- Index of Names -- Index of Works. , Also available in print form. , English
    Additional Edition: ISBN 90-8964-272-2
    Additional Edition: ISBN 90-8964-273-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    almahu_9947381626502882
    Format: 1 online resource (440 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 9786613522504 , 1-280-11821-0 , 90-485-1339-1
    Series Statement: Film culture in transition
    Content: Alexander Kluge is best known as a founding member of the New German Cinema movement, but his work has spanned a number of genres and media. This wide-ranging book assembles a diverse selection of texts, from nonfiction writings and short stories by Kluge, to critical essays by renowned international scholars on Kluge's work, to transcripts of interviews with the artist himself. A valuable collection for students and scholars in the fields of film, television, and media studies, 'Alexander Kluge: Raw Materials for the Imagination' is a perfect introduction to Kluge's key themes and ideas.
    Note: Title from publisher's bibliographic system (viewed on 08 Feb 2021). , Contents -- Editors Introduction -- The Stubborn Persistence of Alexander Kluge -- Film Politics and the Public Sphere -- Rethinking History -- Realism as Protest -- Opera as a Power Plant of Emotion -- Storytelling and Politics -- Television and Counter Public Spheres -- Television Interviews -- Early Cinema Recent Work -- Selected Bibliography of English Language Texts -- Acknowledgments -- Notes on Contributors -- Index of Names -- Index of Works. , Also available in print form. , English
    Additional Edition: ISBN 90-8964-272-2
    Additional Edition: ISBN 90-8964-273-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 10
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    UID:
    edocfu_9958121864502883
    Format: 1 online resource (440 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 9786613522504 , 1-280-11821-0 , 90-485-1339-1
    Series Statement: Film culture in transition
    Content: Alexander Kluge is best known as a founding member of the New German Cinema movement, but his work has spanned a number of genres and media. This wide-ranging book assembles a diverse selection of texts, from nonfiction writings and short stories by Kluge, to critical essays by renowned international scholars on Kluge's work, to transcripts of interviews with the artist himself. A valuable collection for students and scholars in the fields of film, television, and media studies, 'Alexander Kluge: Raw Materials for the Imagination' is a perfect introduction to Kluge's key themes and ideas.
    Note: Title from publisher's bibliographic system (viewed on 08 Feb 2021). , Contents -- Editors Introduction -- The Stubborn Persistence of Alexander Kluge -- Film Politics and the Public Sphere -- Rethinking History -- Realism as Protest -- Opera as a Power Plant of Emotion -- Storytelling and Politics -- Television and Counter Public Spheres -- Television Interviews -- Early Cinema Recent Work -- Selected Bibliography of English Language Texts -- Acknowledgments -- Notes on Contributors -- Index of Names -- Index of Works. , Also available in print form. , English
    Additional Edition: ISBN 90-8964-272-2
    Additional Edition: ISBN 90-8964-273-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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