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  • 1
    UID:
    almahu_BV005102095
    Format: XXI S., 200 Bl. : , zahlr. Ill.
    ISBN: 0-486-22748-0
    Series Statement: Dover pictorial archive series
    Uniform Title: Iconologia
    Language: English
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    Keywords: 1560-1645 Iconologia Ripa, Cesare ; Ikonographie ; Allegorie ; Personifikation ; Ikonologie ; Quelle ; Ikonologie ; 1560-1645 Ripa, Cesare ; Emblemliteratur ; Quelle ; Quelle
    Author information: Ripa, Cesare, 1560-1645.
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  • 2
    Book
    Book
    Utrecht :Haentjens Dekker & Gumbert,
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    UID:
    almafu_BV003584437
    Format: 199 S. : , zahlr. Ill.
    Series Statement: Bibliotheca emblematica 7
    Note: Zugl.: München, Univ., Diss., 1978
    Language: German
    Subjects: Comparative Studies. Non-European Languages/Literatures
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    Keywords: 1560-1645 Iconologia Ripa, Cesare ; 1560-1645 Ripa, Cesare ; Hochschulschrift ; Hochschulschrift
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  • 3
    UID:
    almafu_BV000879241
    Format: XII, 494 S.
    ISBN: 90-70288-23-0
    Language: Dutch
    Keywords: 1560-1645 Iconologia Ripa, Cesare ; Konkordanz ; Konkordanz
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  • 4
    Book
    Book
    New York :AMS Press,
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    UID:
    almafu_BV008024250
    Format: IX, 165 S. : Ill.
    ISBN: 0-404-63709-4
    Series Statement: AMS studies in the emblem 9
    Language: English
    RVK:
    Keywords: 1560-1645 Iconologia Ripa, Cesare ; Konkordanz ; Konkordanz
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  • 5
    UID:
    gbv_732915457
    Format: Online-Ressource (2v.,plates) , 2°
    Edition: Online-Ausg. Farmington Hills, Mich Cengage Gale 2010 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web
    Uniform Title: Iconologia
    Note: A loose translation and adaptation of Ripa's Iconologia , Divided into four books, two to each vol , English Short Title Catalog, T101707 , Horizontal chain lines , Reproduction of original from University of Texas , The separate volume titlepages bear the date 1779 and the mention 'printed by G. Scott' in imprint , With a two page list of subscribers , Electronic reproduction; Available via the World Wide Web
    Language: English
    URL: Volltext  (Full text online)
    Author information: Ripa, Cesare 1560-1645
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  • 6
    UID:
    gbv_732811643
    Format: Online-Ressource (v.1 ([14],vii,[1],113,[1]p.,plates)) , 2°
    Edition: Online-Ausg. Farmington Hills, Mich Cengage Gale 2010 Eighteenth Century Collections Online Electronic reproduction; Available via the World Wide Web
    Uniform Title: Iconology
    Note: A loose translation and adaptation of Ripa's 'Iconologia' , Another issue of vol. 1 of 'Iconology' , English Short Title Catalog, N54635 , Horizontal chain lines , Reproduction of original from University of Texas , With an additional titlepage: 'Iconology; .. Volume first. London: printed for the author, MDCCLXXVIII' , Electronic reproduction; Available via the World Wide Web
    Language: English
    URL: Volltext  (Full text online)
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  • 7
    UID:
    gbv_430652666
    Format: XXI S., 200 Bl. 8"
    Series Statement: (Dover pictorial archive series)
    Uniform Title: (Iconologia, Ausz., engl.)
    Note: [Faks.-T.:] Hertel, Joh(ann) Georg: (Historiae et allegoriae) Des berühmten italiänische Ritters, Caesaris Ripae, allerley Künsten und Wissenschafften dienlicher Sinnbildern und Gedancken
    Language: Undetermined
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  • 8
    UID:
    gbv_619429402
    Format: 286 S , Ill , 29 cm
    ISBN: 9781611490084
    Series Statement: Studies in seventeenth- and eighteenth-century art and culture
    Content: "This book features an extraordinary album of ornament designs by the French architect Gilles-Marie Oppenord (1672-1742). In charge of the buildings and grounds of Philippe, duke of Orléans, regent of France during the minority of Louis XV, Oppenord was at the center of the architectural practice of his time. As made evident by this album, his consummate draftsmanship, praised by his contemporaries and coveted by collectors, exceeded by far the practical demands usually required of architects. On a copy of the first French edition of Cesare Ripa's Iconologia, published by Jean Baudoin in 1636 with engravings by Jacques de Bié, Oppenord drew vignettes, head and tail pieces, borders and other ornamental motifs. For the first time, this publication reproduces Oppenord's album in its initial state. Today's reassembled and rebound album of sixty sheets bears little resemblance to Oppenord's original copy. A bibliographic analysis of the Ripa-Baudoin book, based on a copy kept at the Bibliothèque nationale de France, and confirmed by a previously unnoticed numbering by Oppenord, guided this first reconstitution. In lieu of a haphazard succession of sketches, it reveals Oppenord's fascinating interplay between text, engraved and drawn images."--P. [4] of cover
    Note: Includes bibliographical references and index , Outgrowth of the author's thesis (doctoral--Columbia University, 2003) under the title: The architect as honnête homme: the domestic architecture and decoration of Gilles-Marie Oppenord (1672-1742) , Teilw. zugl.: New York, Univ., Diss., 2003 u.d.T.: The architect as honnête homme
    Additional Edition: Erscheint auch als Online-Ausgabe Bédard, Jean-François Decorative games Newark, Del. : University of Delaware Press, 2011 ISBN 9781611490084
    Language: English
    Keywords: Oppenord, Gilles-Marie 1672-1742 ; Illustration ; Ripa, Cesare 1560-1645 Iconologia ; Bildband ; Hochschulschrift
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  • 9
    UID:
    gbv_173817736X
    Format: 1 Online-Ressource
    ISBN: 9789004310438
    Series Statement: Intersections v. 41
    Content: Preliminary Material -- Personification: An Introduction /Walter S. Melion and Bart Ramakers -- 1 Personification Allegory and Embodied Cognition /Jean Bocharova -- 2 Dante and St. Francis: Shaping Lives, Reshaping Allegory /Jeremy Tambling -- 3 Personification, Power, and the Body in Late Medieval and Early Modern English Poetry /William Rhodes -- 4 The Personification of the Human Subject in Spenser’s The Faerie Queene /Brenda Machosky -- 5 Framework, Personification, and Pisanello’s Poetics /C. Jean Campbell -- 6 The Triumph of Truth in an Age of Confessional Conflict /James Clifton -- 7 The Mystical Experience—Between Personification and Incarnation: The Idea vitae Teresianae iconibus symbolicis expressa (Antwerp, Jacob Mesens: 1680s) /Ralph Dekoninck -- 8 From the Parade to the Stage: Evolution and Significance of Personifications in Lyon’s Sotties (1566–1610) /Katell Lavéant -- 9 Personification in Sir David Lyndsay’s A Satire of the Three Estates /Greg Walker -- 10 Both One and the Other: The Educational Value of Personification in the Female Humanist Theatre of Peeter Heyns (1537–1598) /Alisa van de Haar -- 11 Dirty from Behind, Pearly in Front: Lady World in Rhetoricians’ Drama /Bart Ramakers -- 12 Mute Poem, Speaking Picture: The Personification of the Paragone in Shakespeare’s Timon of Athens /Jennifer A. Royston -- 13 The Politics of Personification in the Jacobean Lord Mayors’ Shows /Susan L. Anderson -- 14 Figured Personification and Parabolic Embodiment in Jan David’s Occasio arrepta, neglecta /Walter S. Melion -- 15 Double Meaning of Personification in Early Modern Thesis Prints of the Southern Low Countries: Between Noetic and Encomiastic Representation /Gwendoline de Mûelenaere -- 16 Vermeer, the Art of Meditation, and the Allegory of Faith /Aneta Georgievska-Shine -- 17 Personifications of Caritas as Reflexive Figures /Caecilie Weissert -- 18 Maarten van Heemskerck’s Caritas: Personifying Virtue, Animating Stone with Paint, Imaging the Image Debate /Arthur J. DiFuria -- 19 Abraham Bloemaert and Caritas: A Lesson in Perception /Caroline O. Fowler -- 20 The Duchess and the Cadaver: Doubling and Microarchitecture in Late Medieval Art (with Alice Chaucer and John Lydgate) /Elizabeth Fowler -- 21 ‘But You are Blind, and Know Not What is in You’: ‘A.L.’, The Fraudulent Judge, and the Coerced Conscience /June Waudby -- 22 Precarious Personification: Fortuna in the Artist’s Cabinet /Lisa Rosenthal -- 23 Producing the Legible Body: Personification, the Beholder, and Tiepolo’s Würzburg Frescos /Max Weintraub -- 24 The Personification of Africa with an Elephant-head Crest in Cesare Ripa’s Iconologia (1603) /Joaneath Spicer -- 25 The Four Continents in Seventeenth-Century Embroidery and the Making of English Femininity /Heather A. Hughes -- Index Nominum.
    Content: Personification, or prosopopeia , the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004310421
    Additional Edition: Erscheint auch als Druck-Ausgabe Personification Leiden : Brill, 2016 ISBN 9789004310421
    Additional Edition: ISBN 9004310428
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Personifikation ; Kunst ; Literatur ; Personifikation ; Kunst ; Literatur ; Aufsatzsammlung
    URL: DOI
    Author information: Ramakers, Bart 1961-
    Author information: Melion, Walter S. 1952-
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  • 10
    Book
    Book
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almahu_BV049631782
    Format: xvii, 285 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-1-032-02594-0 , 978-1-032-10665-6
    Series Statement: Routledge research in music
    Content: "This volume explores the possibilities of cognate music theory, a concept introduced by the musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework, and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the 17th to 19th centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music"--
    Note: Musicology beyond historicism : Epistemological implications and scope of John Walter Hill's cognate music theory / Ignacio Prats Arolas -- PART I. Framing concepts. Cognate music theory / John Walter Hill ; Insiders and outsiders : Revisiting Indigenous musical thought / Bruno Nettl -- PART II. Syntax, form, and genre. Heinrich Christoph Koch's description of the Andantino e cantabile in Joseph Haydn's Symphony No. 42 as a response to recent sonata theories / Gregory Hellenbrand ; Artisanal knowledge as a cognate music theory : Reading a partimento / Robert Gjerdingen ; Intersections of biography, analysis, and performance : Beethoven at Heiligenstadt in 1802 / William Kinderman ; A cognate theory of generic classification in the Airs sérieux et à boire of Sébastien de Brossard / Kenneth Smith -- PART III. Rhetoric and emotions. Ripa's Iconologia as a source for musical rhetoric of the seventeenth century / Barbara Russano Hanning ; The language of emotions from Descartes to Metastasio / Álvaro Torrente and José María Domíngues -- PART IV. Timbre, color, and temperament. "Quegli strumenti, che erano più atti a far proporzionata accompagnatura al balletto a cavallo": Envisioning a cognate theory of instrumental timbre in early modern Florence / Kelley Harness ; "Énergie des modes" : Tuning and temperament in seventeenth-century France / Charlotte Mattax Moersch ; "Il cembalo de' colori, e la musica degli occhi" : Francesco Algarotti and a cognate concept of music in the age of the Enlightenment / Bella Brover-Lubovsky -- PART V. Historical sources and cultural hermeneutics. Insider and outsider views in early modern correspondence involving patrons and musicians / Dinko Fabris ; Anthropology, music, and theater in a seventeenth-century year / Robert Kendrick ; Song about song, music about life : Herder on music's transcendent moment / Philip Bohlman
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-003-31169-0
    Language: English
    Subjects: Musicology
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    Keywords: Musiktheorie ; Musik ; Kultur ; Zeithintergrund
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