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  • 1
    Online Resource
    Online Resource
    Oxford ; : Oxford University Press,
    UID:
    almafu_9960788126602883
    Format: vi, 255 p.
    Edition: 1st ed.
    ISBN: 0195347722 , 9780195347722
    Content: The 1780s and 1790s were a critical era for communities of color in the new United States of America. Even Thomas Jefferson observed that in the aftermath of the American Revolution, the spirit of the master is abating, that of the slave rising from the dust. This book explores the means bywhich the very first Black and Indian authors rose up to transform their communities and the course of American literary history. It argues that the origins of modern African-American and American Indian literatures emerged at the revolutionary crossroads of religion and racial formation as earlyBlack and Indian authors reinvented American evangelicalism and created new postslavery communities, new categories of racial identification, and new literary traditions.While shedding fresh light on the pioneering figures of African-American and Native American cultural history--including Samson Occom, Prince Hall, Richard Allen, Absalom Jones, and John Marrant--this work also explores a powerful set of little-known Black and Indian sermons, narratives, journals,and hymns. Chronicling the early American communities of color from the separatist Christian Indian settlement in upstate New York to the first African Lodge of Freemasons in Boston, it shows how eighteenth-century Black and Indian writers forever shaped the American experience of race and religion.American Lazarus offers a bold new vision of a foundational moment in American literature. It reveals the depth of early Black and Indian intellectual history and reassesses the political, literary, and cultural powers of religion in America.
    Note: Intro -- Contents -- Introduction -- 1: Race, Religion, and Regeneration -- 2: Samson Occom and the Poetics of Native Revival -- 3: John Marrant and the Lazarus Theology of the Early Black Atlantic -- 4: Prince Hall Freemasonry: Secrecy, Authority, and Culture -- 5: Black Identity and Yellow Fever in Philadelphia -- Conclusion: Lazarus Lives -- Appendix 1: Samson Occom's Collection of Divine Hymns and Spiritual Songs (1774) -- Appendix 2: Author-Unknown Hymns Original to Occom's Collection -- Appendix 3: Original Hymns by Samson Occom -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- W -- V -- Y -- Z.
    Language: English
    Subjects: American Studies
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    Keywords: Electronic books.
    URL: Full text  (Click to View (Currently Only Available on Campus))
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  • 2
    UID:
    almahu_9949281368302882
    Format: 1 online resource (464 pages) : , digital file(s).
    ISBN: 9781526152893 , 1526152894
    Series Statement: Interventions: rethinking the nineteenth century
    Content: This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the South examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the 'British world' by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.
    Content: "This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by proposing a new literary history of the region that is predicated less on metropolitan turning points and more on southern cultural networks in multiple regional centres from Cape Town to Dunedin. With a focus on south-south interactions, southern audiences and southern modes of addressivity Worlding the South foregrounds marginal, minor and neglected writers and texts across a hemispheric complex of southern oceans and terrains. Adopting an ontological tradition that tests the dominance of networked theories of globalisation, the collection asks how we can better understand the dialectical relationship between the 'real' world in which a literary text or art object exists and the symbolic or conceptual world it shows or creates. By examining the literary processes of worlding, it demonstrates how art objects make legible homogenising imperial and colonial narratives, inequalities of linguistic power, textual and material violence and literary and cultural resistance. With contributions from leading scholars in nineteenth-century literary and cultural studies, the collection revises literary histories of the 'British world' by arguing for the distinctiveness of settler colonialism in the southern hemisphere and by incorporating Indigenous, diasporic and south-south perspectives." -- Back cover.
    Note: Introduction: Southern worlds, globes, and spheres / Sarah Comyn and Porscha Fermanis World/Globe -- 1. Making, mapping, and unmaking worlds: globes, panoramas, fictions, and oceans / Peter Otto -- 2. Southern doubles: Antipodean life as a comparative exercise / Sarah Comyn -- 3. Lag fever, flash men, and late fashionable worlds / Clara Tuite -- 4. Spatial synchronicities: settler emigration, the voyage out, and shipboard literary production / Fariha Shaikh -- 5. Augustus Earle's pedestrian tour in New Zealand: or, get off the beach / Ingrid Horrocks -- 6. Australia to Paraguay: race, class, and poetry in a South American colony - Jason Rudy, Aaron Bartlett, Lindy O'Neil, and Justin Thompson II Acculturation/Transculturation -- 7. 'The renowned Crusoe in the native costume of our adopted country': reading Robinson Crusoe in colonial New Zealand / Jane Stafford -- 8. The transnational kangaroo hunt / Ken Gelder and Rachael Weaver -- 9. 'Then came the high unpromising forests, and miles of loneliness': Louisa Atkinson's recasting of the Australian landscape / Grace Moore -- 10. Mapping the way forward: Thomas Baines on expedition to the coronation of Cetshwayo kaMpande, Zululand, 1873 / Lindy Stiebel -- 11. 'Wild, desert and lawless countries': William Burchell's Travels in the Interior of Southern Africa / Matthew Shum -- 12. Short stories of the southern seas: the island as collective in the works of Louis Becke / Jennifer Fuller -- III Indigenous/Diasporic -- 13. 'That's white fellow's talk you know, missis': wordlists, songs, and knowledge production on the colonial Australian frontier / Anna Johnston -- 14. Kiro's thoughts about England: an unexpected text in an unexpected place / Michelle Elleray -- 15. Mokena and Macaulay: cultural geographies of poetry in colonial Aotearoa / Nikki Hessell -- 16. Vigilance: petitions, politics, and the African Christian converts of the nineteenth century / Hlonipha Mokoena -- 17. Reading indigeneity in nineteenth-century British Guiana / Manu Samriti Chander -- 18. 'Some Genuine Chinese Authors': literary appreciation, comparatism, and universalism in the Straits Chinese Magazine / Porscha Fermanis -- The south in the world / Elleke Boehmer. , In English.
    Additional Edition: ISBN 9781526152886
    Additional Edition: ISBN 1526152886
    Language: English
    Subjects: English Studies
    RVK:
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    Keywords: Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Cover
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  • 3
    UID:
    almafu_9959639653502883
    Format: 1 online resource (1 electronic resource (viii, 461 p.).)
    Edition: 1st ed.
    Series Statement: American made music series
    Note: Coon songs, big shows, and black stage stars of the Ragtime era -- The spirit of the smart set -- Blues for the sideshow tent -- "Under canvas" : African American tented minstrelsy and the untold story of Allen's New Orleans Minstrels, the Rabbit's Foot Company, the Florida Blossoms, and Silas Green from New Orleans.
    Language: English
    Keywords: Electronic books.
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Book
    Book
    Princeton, NJ u.a. :Princeton Univ. Press,
    UID:
    almafu_BV009627702
    Format: XVIII, 260 S. : Ill., graph. Darst.
    ISBN: 0-691-03349-8
    Content: Analyzing "totalitarianism from below" in a crucial area of Soviet culture, Hugh Hudson shows how Stalinist forces within the architectural community destroyed an avant-garde movement of urban planners and architects, who attempted to create a more humane built environment for the Soviet people. Through a study of the ideas and constructions of these visionary reformers, Hudson explores their efforts to build new forms of housing and "settlements" designed to free the residents, especially women, from drudgery, allowing them to participate in creative work and to enjoy the "songs of larks." Resolving to obliterate this movement of human liberation, Stalinists in the field of architecture unleashed a "little" terror from below, prior to Stalin's Great Terror. Using formerly secret Party archives made available by perestroika, Hudson finds in the rediscovered theoretical work of the avant-garde architects a new understanding of their aims. He shows, for instance, how they saw the necessity of bringing elite desires for a transformed world into harmony with the people's wish to preserve national culture. Such goals brought their often divided movement into conflict with the Stalinists, especially on the subject of collectivization. Hudson's provocative work offers evidence that in spite of the ultimate success of the Stalinists, the Bolshevik Revolution was not monolithic: at one time it offered real architectural and human alternatives to the Terror.
    Language: English
    Subjects: History , Slavic Studies , Art History
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    Keywords: Architektur ; Sozialistischer Realismus ; Architektur ; 1878-1953 Stalin, Josif Vissarionovič ; Kunst ; Geschichte ; Politik ; Krieg ; Architektur ; Bibliografie ; Bibliografie ; Bibliografie
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  • 5
    UID:
    almahu_9949698484702882
    Format: 1 online resource (1199 pages)
    Edition: 1st ed.
    ISBN: 9782384761708 , 2384761706
    Series Statement: Advances in Social Science, Education and Humanities Research Series ; v.806
    Content: This book is a compilation of proceedings from the 2023 5th International Conference on Literature, Art and Human Development (ICLAHD 2023), held in Chengdu, China. It explores advances and innovations in literature, art, and human development, featuring contributions from leading academics and industrial experts. Topics include Chinese literary translation, ecological literature, calligraphy, film and television management, and humanistic concerns. The book aims to foster dialogue on emerging research areas and future directions in these fields. It is intended for scholars, researchers, and practitioners interested in the intersections of literature, art, and human development.
    Note: Intro -- Preface -- Organization -- Contents -- Peer-Review Statements -- If Žižek look awry at The Sleep of Endymion The Way of Seeing Painting in S/Z -- Environmental Ethics Manifested in Stories by Roald Dahl-A Study on Environmental Writing for Children -- Functions of "Mirror" in Renaissance Artworks -- Research on the Protection and Development Path of Ethnic Minority Characteristic Villages from the Perspective of "Double Cultivation" of Settlements -Taking Shigu Ancient Town of Lijiang as an Example -- The Renaissance Artists' Understanding of Anatomy and Human Proportions and Their Application to Their Work -- A Comparative Study of Paintings of the Eucharist in the Second Half of the 15th Century -- Naturalism in Leonardo Da Vinci and Durer's Work -- More Than Its Timeless Beauty-Exploring the Legacy of Mona Lisa Through Its Possibility -- Phantom Truth and Renaissance Religious Images -- Promoting Contemporary Ming Furniture Design Through Sustainable Development -- A Study on the Usage and Language Attitudes of the National Common Language of the Yi Ethnic Group in Xichang -- A study on the new media communication path in the industrialization of non-legacy local drama taking Fujian Minju as an example -- Analysis of the Portrayal of Female Characters in Chinese Science Fiction Films from the Feminist Perspective -- A study on the changes in the depiction of women's nonkinship relationships in Chinese TV dramas from 2010 to the present -- From Peach Blossom Land to Yellow Earth: The Transformation of the "Rural" Context of Chinese Literature from a Postcolonial Perspective -- The Awakening of Women's Consciousness in the Western World: The Case of Women's Films Directed by Women in Europe and America -- Relating to how otome games affect female players' perceptions of mate choice. , The Influential Factors of Information Exposure and Trust on HPV Vaccination Intention of Female College Students -- Analysis of the "reversal" Phenomenon of Male and Female Gender Language and Stereotypes in Film and Television under the "Principle of Politeness" Take "Everything Everywhere All at Once" as an Example -- The Representation and Performance of homosexual subculture in Contemporary Chinese Film and Television -- Differences in the Shaping of " Immortal " in Chinese and Western Fables--Take Zhuang Zi and Aesop's Fables as examples -- Design and implementation of Brocade Ash Pile exhibiting platform using human-computer interaction and Web-based technologies -- The effect of Self-selected background music on spatial reasoning ability-an extension of the Mozart effect -- The Translation of Conceptual Metaphors in Government External Communication Texts - A case study on the 2022 Chinese Government Work Report -- The urban consciousness of the mainland in xixi's works -- A developmental study of children's emotional comprehension skills on music learning outcomes -- Incidental Focus on form in meaning-focused classes of Chinese as a foreign language -- A Study on Subtitle Translation of "Empresses in the Palace" from the Perspective of Medio-Translatology -- A Comparative Analysis of Pinger's Characterization as a Maid in the Dialogues of Two Hong Lou Meng Translations -- How Architecture Responds to Humans: A Study of the First Unitarian Church -- On the Artistic Expression of Traditional History Museums in the Digital Era -- Different Expositions of Chinese and Western Feminisms from the Perspective of Multiple Translations - Taking Game of Thrones as an Example -- The Hobbit: The Battle of the Five Armies -- The continuity of tradition in reshaping contemporary Chinese art forms -- Lost in the Stars: Humanity and Society in Metaphor. , A Study of Subtitle Translation from the Perspective of Functional Equivalence Theory Taking the Movie "La La Land" as an Example -- Unveiling the Ecological and Naturalistic Views in Zhuangzi's Daoism: Exploring the Concept of "The Usefulness of Uselessness" -- The Feminist contrast in the films of A Little Princess and The Secret Garden -- Analyzing Hong Kong Literature and Hong Kong People's Identity with the Example of the Novel "The Opposite -- Interpretation of the protagonist image in Jiefuyin and analysis and comparison of the similarities and differences with the protagonist image in Moshangsang and Yulinlang -- The Construction of "Cultural Imagery" in Chinese Films -- Art Criticism Perspective of Taine -- Gender Role Subversion and Self-Liberation in "The Handmaid's Tale -- Analysing the Historical Changes of The Song of Long Hatred from the Perspective of the Lane -- Intangible Cultural Heritage APP Design Based on Craftsman's spirit: The Case of Chinese Cantonese Embroidery -- Research on Dance Education Supported by Virtual Reality Technology -- Recovered Voice: Viktor Ullmann's Theresienstadt Vocal Music -- The Paradox of Romance in Tango A Close-Reading of Wong Kar Wai's Films of Happy Together, In the Mood for Love, and Fallen Angles -- Analysis of "Taste": Serves as the Aesthetic Experience of Calligraphy -- On the Phenomenon of "Embodiment" in 19th Century British Literature -- An Analysis of the Formation and Evolutionary Path of the Internet Buzzword 'Versailles' -- Exploring the Aesthetic Characteristics of Qingzhen Ci -- The New Development of Narrative Language And Aesthetics of VR Films -- On the Change of Sorrow in Li Qingzhao 's Ci -- Petrarch: The Otherization and Humanization of "Laura"-Petrarch's View of Women from Laura. , Sincerity First: The Way to Break Through for Acquaintance Variety Shows--Taking Go for Happiness and Kuai Le De Da Ren as Examples -- Ancient and Modern Changes in Yan Zhenqing's Calligraphy--Taking the Manuscript of Offering to a Nephew as an Example -- An Analysis of the Images in Angela Carter's Short Stories from the Perspective of Female Gothic -- What Path Do Luxury Brands Follow on the Eve of the Economic Crisis? -- An Analysis of the Present Situation and Future Development of NFR in the Post-pandemic Era -- A Study of Bronze Animal Motif Cultural and Creative Products in the New Media Era -- Writing on the Edge: Richard Flanagan's "Australian-ness" and the National Imagination -- Translation Strategies for the Dinghai Folk Culture in the Context of 'Culture Going Global' -- The Tactile Reconstruction of The Fall of the House of Usher -- From the Tiger's Mouth painted by Wu Yunhua -- Aesthetic Study of the Body from the Perspective of Martial Arts and Dance Integration---Based on the Dance Drama "Yong Chun -- Research on urban waterfront landscape design based on sponge city theory -- Analysis of Su Dongpo's Transformation in Separation -- Awakening Shakti: On the Hindu Aesthetics of the Bhagavad Gita from the Scene Design of Padmaavat -- Research on the Cross-Cultural External Dissemination Path of Zhoushan Folk Culture -- Analysis of Creative Tourism Development in Aba Tibetan-Qiang Autonomous Prefecture Based on the Successful Case of Yim Tin Tsai -- We All Love the White Mermaid" Chinese Disney Fans Discuss Racism Issues -- The Impact of Existentialism on Modern Society's Value Judgments: An Analysis through Camus' Absurdist Trilogy -- Research on the Village Color of Overseas Chinese Hometown in Modern Lingnan from the Perspective of Cultural Landscape -- Exploring Confucian Concepts of Ghosts and Gods. , An Analysis of the Internal Colonization Tendency in The Turn of the Screw From Power Discourse Perspective -- Depiction of Life Contradictions and the Character of Strangers in "One Word is Worth Ten Thousand Words": A Case Study -- Art Success: Necessarily Against Ethics? -- A Corpus-Based Analysis of the Language Features and Plot Representation in Jane Eyre -- Analysis on the Commercialization of Pop Art -- The Formation Logic, Existence of Chaos and Its Governance Strategy of the Culture of "Fan communities -- Lost and Found: Dual Narrative Progression in The Sun Also Rises -- Digital Fashion: Transforming Design, Technology, and Industry -- Visual Narratives of Ming Dynasty Courtesans: Aesthetic Appreciation and Cultural Practice in "Wu Ji Bai Me "Illustrations -- On the Translation Ethics Teaching for University Teachers in the Context of New Artificial Intelligence: Based on the Book Translation Ethics Research -- How to seek stability in an uncertain world-- On the love writing in Pan Xiangli's novels -- The Rise of Art Exhibitions and Their Value for Social Aesthetic Education in the Republic of China -- A Study on the Behavior of Public Viewing of Cantonese Opera from the Perspective of TPB using the SEM Model -- The Politics of Queer Emotion: Exploring Identity Politics of the LGBTQ+ Community Coming Out in Love, Simon -- An Analysis of the Application of Symbolic Graphics in the Design of Public Welfare Posters -- A Cross-Cultural Perspective on the Similarities and Differences in Chinese and American Body Language and the Reasons -- A comparative study of Chinese and American sight singing and ear training Materials -- Application of Bioinspired Surface Texture in Product Design: Exploration of Microbial Morphology -- A Study on Lam-qua's Medical Image (1836-1855) Based on the Chinese and Western Visual Interaction Mode. , Study on English Translation of Traditional ChineseMedicine Terminology from the Perspective ofChesterman's Translation Ethics.
    Additional Edition: ISBN 9782384761692
    Additional Edition: ISBN 2384761692
    Language: English
    Keywords: Electronic books.
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  • 6
    UID:
    almahu_9948144223102882
    Format: 1 online resource (vi, 244 pages) : , digital, PDF file(s).
    ISBN: 9781783089703 (ebook)
    Content: Remembering Popular Music's Past capitalizes on the growing interest, globally, in the preservation of popular music's material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music's past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music's Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.
    Note: Title from publisher's bibliographic system (viewed on 05 Jul 2019). , The precarity of memory, heritage and history in remembering popular music's past / Lauren Istvandity and Zelmarie Cantillon -- Memory. Consuming popular music heritage / Paul Long ; Back in the day : experiencing and retelling the past as a claim to belong in the current northern soul scene / Sarah Raine ; Resilience and change : popular folk songs in a cultural landscape / Ashton Sinamai and John Schofield ; Remembering the independent record shop : the ordinary affects of Leedin Records / Adele Pavlidis ; Mean streets as heritage object : music, nostalgia and the museumification of Martin Scorsese / Amanda Howell -- Heritage. Mark II : re-working the heritage b(r)and / Shane Homan ; The continually precarious state of the musical object / Charles Fairchild ; Showing off : taking popular music research into the museum / Peter Doyle ; Preserving Icelandic popular music heritage : issues of collection, access and representation / Zelmarie Cantillon, Bob Buttigieg and Sarah Baker ; Questioning the future of popular music heritage in the age of platform capitalism / Raphaël Nowak -- History. Jim Jarmusch's Mystery train (1989) : representing the Memphis music legacy on film / Adriano Tedde and David Baker -- Phenomenology of the Surf Ballroom's winter dance party : affect and community at a popular music heritage tourism event / Sheryl Davis, Sherry Davis and Zelmarie Cantillon ; Disappearing history : two cases studies on the precarity of music writing / Ian Rogers ; Great albums, greedy collectors and gritty sounds? : a view from snobbish connoisseurs on the canonization and archivalism of Korean pop-rock / Hyunjoon Shin and Keewoong Lee ; Towards a feminist history of popular music : re-examining writing on musicians and domestic violence in the wake of #metoo / Catherine Strong.
    Additional Edition: Print version: ISBN 9781783089697
    Language: English
    Subjects: Musicology
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung
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  • 7
    UID:
    almahu_9947382397802882
    Format: 1 online resource (302 p.)
    Edition: 1st ed.
    ISBN: 9781783202102 , 1783202106 , 9781783202096 , 1783202092
    Content: This is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them.
    Note: Description based upon print version of record. , ""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on the viewer""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The historical author: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address"" , ""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options"" , ""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930's""; ""iii. The classical style: Night and Day, An American in Paris, Singin' in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"" , ""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. Most melancholic of films Once Upon a Time in America""; ""e. Once Upon a Time in America Three musical themes"" , ""f. I say it here and I deny it here: Conclusions""""ii. Life's troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany's, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany's"" , ""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"" , English
    Additional Edition: ISBN 9781841506258
    Additional Edition: ISBN 1841506257
    Language: English
    Subjects: General works , Musicology
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  • 8
    UID:
    almafu_BV010150450
    Format: XVI, 256 S. : Notenbeisp.
    ISBN: 0-19-816224-3
    Series Statement: Studies in musical genesis and structure
    Content: This study provides a new view of a composer long considered to be one of this century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op. 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. Her emphasis on Webern's compositional process is of particular importance: whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources - fragments, sketches, and fair copies - of Webern's comparatively neglected middle-period lieder enables Shreffler to shed light on Webern's musical language and his working methods
    Content: A focus on the sources also helps to modify the view that his music progressed steadily in the direction of the twelve-tone technique. The works reveal instead a concern with expressing the essence of the text; this lyricism, rather than articulating a substantially different aesthetic from the later works, provides a better understanding of the consummate lyricism of all his music, however compressed or fragmented its utterance in the 'classic' twelve-tone works
    Language: English
    Subjects: Musicology
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    Keywords: 1883-1945 Webern, Anton ; Vertonung ; 1887-1914 Trakl, Georg ; Lyrik
    Author information: Shreffler, Anne C. 1957-
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  • 9
    Book
    Book
    Princeton :Princeton Univ. Press,
    UID:
    almafu_BV042984462
    Format: XIX, 711 S. : , Ill.
    ISBN: 978-0-691-15778-8
    Content: "The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters...for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources...from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed...and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history. "..
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Ethnology
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    Keywords: Tod ; Leiche ; Bestattung ; Geschichte ; Aufsatzsammlung
    Author information: Laqueur, Thomas Walter 1945-
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  • 10
    Online Resource
    Online Resource
    Cambridge :Open Book Publishers,
    UID:
    almafu_9958063812702883
    Format: 1 online resource (xliv, 570 pages): , illustrations, maps; digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 9781906924737 , 1906924732 , 9782821817173 , 2821817177 , 9781906924720 , 1906924724
    Series Statement: World oral literature series, v. 1
    Content: "Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. Oral Literature in Africa has been accessed by hundreds of readers in over 60 different countries, including Ethiopia, Kenya, Rwanda and numerous other African countries. The digital editions of this book are free to download thanks to the generous support of interested readers and organisations, who made donations using the crowd-funding website Unglue.it. Oral Literature in Africa is part of our World Oral Literature Series in conjunction with the World Oral Literature Project. This volume is complemented by original recordings of stories and songs from the Limba country (Sierra Leone), collected by Finnegan during her fieldwork in the late 1960's, which are hosted by the World Oral Literature Project and are freely accessible here [i.e., publisher's website]"--Publisher's website.
    Note: Description based upon print version of record. , Contents -- Online Resources -- Illustrations -- Forward by Mark Turin -- Prefaces -- Acknowledgements -- Abbreviations -- Note on Sources and References -- I. Introduction -- 1. The 'oral' nature of African unwritten literature -- The significance of performance in actualization, transmission, and composition -- Audience and occasion -- Implications for the study of oral literature. -- Oral art as literature. -- 2. The perception of African oral literature -- Nineteenth-century approaches and collections -- Speculations and neglect in the twentieth century -- Recent trends in African studies and the revival of interest in oral literature -- 3. The social, linguistic, and literary background -- Social and literary background -- The linguistic basis — the example of Bantu -- Some literary tools -- Presentation of the material -- The literary complexity of African cultures -- II. Poetry -- 4. Poetry and patronage-- ‡a Variations in the poet's position. Court poets. Religious patronage. Free-lance and wandering poets. Part-time poets. A note on 'epic' -- 5. Panegyric. Introductory: nature and distribution; composers and reciters; occasions. Southern Bantu praise poetry: form and style; occasions and delivery; traditional and contemporary significance -- 6. Elegiac poetry -- General and introductory. Akan funeral dirges: content and themes; structure, style, and delivery; occasions and functions; the dirge as literature -- 7. Religious poetry -- Introductory. Didactic and narrative religious poetry and the Islamic tradition; the Swahili tenzi. Hymns, prayers, and incantations: general survey; the Fante Methodist lyric. Mantic poetry: Sotho divining praises; odu Ifa (Yoruba) -- 8. Special purpose poetry — war, hunting, and work -- Military poetry: Nguni; Akan. Hunting poetry: Yoruba ijala; Ambo hunters' songs. Work songs -- 9. Lyric -- Occasions. Subject-matter. Form. Composition-- ‡a 10. Topical and political songs -- Topical and local poetry. Songs of political parties and movements: Mau Mau hymns; Guinea R.D.A. songs; Northern Rhodesian party songs -- 11. Children's songs and rhymes -- Lullabies and nursery rhymes. Children's games and verses; Southern Sudanese action songs -- III. Prose -- 12. Prose narratives I. Problems and theories -- Introductory. Evolutionist interpretations. Historical-geographical school. Classification and typologies. Structural-functional approach. Conclusion -- 13. Prose narratives II. Content and form -- What is known to date: content and plot; main characters. Types of tales: animal stories; stories about people; 'myths'; 'legends' and historical narratives. What demands further study: occasions; role of narrators; purpose and function; literary conventions; performance; originality and authorship. Conclusion -- 14. Proverbs-- ‡a The significance and concept of the proverb. Form and style. Content. Occasions and functions. Specific examples: Jabo; Zulu; Azande. Conclusion. -- 15. Riddles -- Riddles and related forms. Style and content. Occasions and uses. Conclusion -- 16. Oratory, formal speaking, and other stylized forms -- Oratory and rhetoric: Burundi; Limba. Prayers, curses, etc. Word play and verbal formulas. Names -- IV. Some special forms -- 17. Drum language and literature -- Introductory — the principle of drum language. Examples of drum literature: announcements and calls; names; proverbs; poetry. Conclusion -- 18. Drama. Introductory. Some minor examples: Bushman 'plays'; West African puppet shows. Mande comedies. West African masquerades: South-Eastern Nigeria; Kalabari. Conclusion -- Conclusion -- Maps -- Bibliography -- Index. , Also available in print form. , English
    Additional Edition: ISBN 9781906924706
    Additional Edition: ISBN 1906924708
    Additional Edition: ISBN 9781906924713
    Additional Edition: ISBN 1906924716
    Language: English
    URL: Cover
    URL: Cover
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