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Format: 1 online resource (784 pages)

Edition: 1st ed.

ISBN: 9783031498114

Series Statement: Springer Series in Design and Innovation Series ; v.37

Note: Intro -- Introduction -- Contents -- OBJECTS -- Beyond the Beauty-Utility Diatribe -- 1 Introduction -- 2 Sustainable Design Between Ethics and Aesthetics -- 3 Frugality as an Aesthetic Category for Ecodesign -- 4 Conclusion -- References -- "The Useful-Beautiful Couplet": On the Aesthetic Appraisal of Designed Objects -- References -- Imaginative Object and Mimetic Object -- 1 Introduction -- 2 Aesthetics of Toys -- 3 Mimesis, Imagination, Pleasure -- References -- OBJECTS. Objects Between Anthropology and Material Culture -- Seaweed Fabrics for Fashion Design. A Field Research Experience -- 1 Introduction -- 2 New Materialism Within the Water -- 3 A Workshop with Fashion Design Students -- 4 From Seaweed to Bodies -- 5 Conclusions -- References -- Material Objects as Dispositive of Memory -- 1 Research Methodology -- 2 Deductive Method: Designing Material Objects -- 2.1 Design Methodology -- 2.2 Design Tools -- 2.3 Design Outcome: Manufactured Artifacts -- 3 Abduction -- 3.1 Phenomenological Inquiry: Dubai World Expo as Object of Interest -- 3.2 Place-Making as Object of Memory -- 4 Conclusion -- References -- Objects Between Material Culture and Visual Culture -- 1 Visual culture and objects -- 2 Empirical Attempts of Analysis: Kitchen Objects in the American Filmography of the Last Twenty years -- 3 Conclusion -- References -- Puppets' Tales. New Design Perspectives for a Multimedia Archive of a Humanity's Intangible Heritage -- 1 Puppets in the UNESCO's Intangible Heritages List -- 2 New Approaches for Preserving Puppets' Heritage -- 2.1 Puppets' Museums: An Overview -- 2.2 Puppets' Multimedia Archive -- 2.3 Docudramas on Puppets Traditions -- 3 A Didactic Experiment -- 3.1 Objectives -- 3.2 Context and Methodology -- 3.3 Final Outputs: Description and Analysis -- 4 Measuring Impacts: A Democratized Knowledge -- References. , Anonima Castelli. Objects, Design and Cultural Heritage -- 1 Design as a Cultural Heritage Asset -- 2 The Anonima Castelli Company -- 3 From the Archive to the Market: Current Production, Educational Experiences and the Research Project -- References -- OBJECTS. Political and Social Value of Objects -- Through the Mirror. Concept Maps to not Lose (One's Way Between) Objects -- 1 "Psychological Reaction" Objects -- 2 Functions and Meanings -- 2.1 Recognise and Discover Oneself -- 2.2 Double - Splitting -- 2.3 Door to Fantasy -- 2.4 Vanitas -- 2.5 Mirror and Soul -- 2.6 Mirror and Sexuality -- 3 Techniques -- 3.1 Double Mirror - Multiplication or "Mise en Abyme" -- 3.2 In photography and Cinema -- 3.3 Deforming Mirrors -- 3.4 "Functional" Mirrors -- 4 Conclusions -- References -- For F☆ck's Sake. The Political Narrative of Sex Toys in the Communication of MySecretCase -- 1 Introduction -- 2 Research Background -- 3 Methodology -- 4 Analysis -- 5 Discussion and Conclusions -- References -- Telephones in Italy, the Italtel Study-Case -- 1 Methodology and Sources -- 2 From Sit-Siemens to Italtel -- 3 The Eighties -- 4 Conclusion -- References -- Design and Self-reproduction: A Theoretical-Political Perspective -- References -- OBJECTS. Philosophy and Representation -- Everyday Design: The Aesthetic Dimension of Alternative Use -- 1 Introduction -- 2 Functional Accounts of Design Aesthetic Appreciation -- 2.1 An Alternative Paradigm -- 2.2 The Role that the Notion of "Function" Plays within FADAA -- 2.3 From Acknowledged to Prescribed Function -- 3 Appreciating Everyday Design -- 3.1 Possible Objections -- 3.2 A New Framework for the Aesthetics of Design -- 4 Conclusion -- References -- Digital Objects' Aesthetic Features. Virtuality and Fluid Materiality in the Aesthetic Education -- 1 Digital Objects and Virtual Bodies. , 1.1 A Wide Variety of Materiality -- 2 The Issue of Immateriality and New Forms of Aesthetic Education -- 2.1 From the "Systems Esthetic" to the Aesthetics of Communication -- 2.2 Material Engagement Theory and "Digital Materiality" -- 2.3 From Virtual to Physical Object: Towards New Forms of Aesthetic Education -- 2.4 Conclusions -- References -- The Value System of Objects Through the Interpretation of Photographic Language -- 1 Functional Values (But Not Only) -- 2 The Photographer's Creativity as Added Value -- 3 Narrative, Symbolic and Experiential-Relational Values -- 4 The Designer Photographer -- 5 Conclusion -- References -- Objects, Things, Hyperobjects. A Philosophical Gaze on Contemporary Design -- 1 Transition 1: From Object to Thing -- 2 Transition 2 - From Thing to Organism -- 3 Transition 3 - From Organism to Hyperobject -- 4 Hyperobjects: A Philosophical-Based Design Research -- 5 Conclusions -- References -- OBJECTS. Symbolic Value and Use Value -- The Evolution of Yacht: From Status-Symbol to Values' Source -- 1 Research Context -- 1.1 Yacht Design Discipline -- 1.2 Raising Market Trends -- 2 Problem Framing -- 2.1 Status-Symbol Object Objects: The Yachts -- 2.2 Luxury and Sustainability: Conflict or Synergy? -- 2.3 Research Questions -- 3 Applied Methodology -- 4 Findings and Research Evidence: The Yachting Evolution -- 4.1 Formal Evolution -- 4.2 New Values for Sustainable Luxury in Yachting -- 5 Conclusion -- 6 Further Research -- References -- Liberating the Imprisoned Soul of Dorian Gray: Cultural Affordance as Design Tool to Rediscover Cultural Values -- 1 Introduction -- 1.1 The Picture of Dorian Gray as Reflection of Semantic Crisis -- 1.2 Problem Statement and its Interpretation -- 1.3 Research Hypothesis and Structure of the Paper -- 2 Review on Concepts and Their Intrinsic Problematic. , 2.1 A Review About Affordance Theory and Cultural Contribution to Such Concept -- 2.2 Universality or Context Oriented -- 3 Review on Examples from Egypt and Iran -- 3.1 Critical Design Approach in Egypt to Explore People's Awareness of Cultural Content -- 3.2 Example from Iran -- 4 References for Detecting Cultural Affordances: Reflective Translation -- 5 Design as a Manifestation and Further Considerations -- References -- The Extraordinary Everyday. The Post-Crafts in the Historical City -- 1 Where is the Craftsman? -- 2 Ordinary vs. Extraordinary -- 3 Anna Maria Fundarò: Design as Material Culture -- 4 New Craft in the Historic Centre -- 5 New Domestic and Autobiographical Dimensions: Projects -- 6 Conclusion -- References -- PROCESSES -- Archives and Processes -- 1 Processes and Archives -- 2 Through the 1970s -- 2.1 Bruno Munari. The Rule and Chance -- 2.2 Enzo Mari Design and Archive -- 2.3 Alessandro Mendini. The Vertigo of the List and the Theory of Fragment -- 3 Conclusions -- References -- 25 Ways to Hammer a Nail. "Postcrocian" Aesthetics and Everyday Life's Poetics in Enzo Mari -- 1 Beyond Croce. Towards a Revaluation of the Operating and Fruitive Processes -- 1.1 Design, Process, Form -- 1.2 Design and The Poetics Of Everyday Life -- References -- PROCESSES. Contemporary Strategies and Perspectives -- Design Through Body Memory for the Regeneration of Urban Areas -- 1 Introduction -- 2 Memory and Reinvention -- 3 Place and Memory: The Lazzaretto Nuovo in Venice -- 3.1 Research Objectives -- 3.2 Methodology -- 3.3 Results -- 4 Role of Design -- References -- Environmental Re-design of the Top San No Touch 2.0 Portable Toilet: The Contribution of the Bio-inspired Approach -- 1 Introduction -- 2 Research, Selection, Analysis of Case Study for Biomimetic Design Experimentation. , 3 Bio-inspired Product Re-design and Comparative Environmental Analysis -- 4 Conclusions -- References -- How to Use Strategic Design Process to Address Complex Challenges -- 1 Introduction -- 2 Theoretical Background -- 3 Research Methodology -- 4 Results -- 4.1 Mapping the Company and Assessing the Market -- 4.2 Analyzing the Most Important Stakeholders -- 4.3 Building Scenarios -- 4.4 Developing Both a New Services Set and a New Identity -- 5 Discussion -- References -- Design for Emergencies -- 1 Emergency and Its Dichotomy Within the Project Culture -- 2 Cycles and Waves: A Considered Overview on Strategies Applied by Design for Emergency -- 2.1 Strategies and Products in Response to Cyclical Emergencies -- 2.2 Strategies and Products in Response to Wave Emergencies -- 3 Conclusions -- References -- PROCESSES. Histories of Processes and Processes for History -- Exhibiting Design as a Process -- 1 Exhibiting Design as a Process -- 2 The Digital Models -- 3 Case Study 1: The Ettore Sottsass Archive -- 4 Case Study 2: The Typeline Project -- References -- Toward Paris! 45 Years of Domus for a Design à la Français -- References -- Archival Projects. Tools and Methods for Promoting the Corporate Culture Starting from Historical Brand -- 1 Introduction -- 2 The project -- 2.1 MaToSto.it - Marchi Torinesi nella Storia -- 2.2 The Developed and Adopted Methodology -- 2.3 Research and Quantitative Analysis -- 2.4 Qualitative Analysis -- 2.5 Exploratory Analysis and Definition of Project Outputs -- 3 Conclusions -- References -- Working in Regress and Beyond, with Rural Material Culture [1] -- 1 Introduction -- 1.1 Claudio Costa's Indagine su una cultura -- 1.2 Superstudio's Cultura Materiale Extraurbana -- 1.3 Mario Cresci's Misurazioni -- 2 To Conclude -- References -- PROCESSES. Design Methodological Processes. , Air as a Design Tool: Raw Material, Infra-material Space, and Transformative Matter.

Additional Edition: Print version: Zanella, Francesca Multidisciplinary Aspects of Design Cham : Springer International Publishing AG,c2023 ISBN 9783031498107

Language: English

Keywords: Electronic books.

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Format: 1 online resource (370)

Edition: 1st ed.

ISBN: 9783839408810 , 3839408814

Series Statement: Kultur- und Medientheorie

Content: Der Blick in fremde Küchen und Töpfe ermöglicht es, sich einer Kultur zu nähern - Essen und Kochen sind für die interkulturelle Verständigung zentral. Vor allem literarische Texte geben Einblick in facettenreiche Dimensionen der Gastrosophie, etwa in Tischsitten, Riten, Nahrungstabus, gedächtnis- und erinnerungsfördernde Prozesse sowie Akkulturationserfahrungen. Umfangreich und repräsentativ bietet dieser Band erstmals eine gattungs- und epochenübergreifende Speisenfolge: vom Genießen Gottes in Texten mittelalterlicher Mystik bis hin zur Versprachlichung multikultureller Lebensformen in der deutsch- und englischsprachigen Gegenwartsliteratur.

Content: Besprochen in: Monatshefte, 103/3 (2011)

Note: Frontmatter 1 INHALT 7 Interkulturelle Dimensionen von Mahlzeiten 11 Leibesspeise. Das ›Genießen Gottes‹ in Texten der mittelalterlichen Mystik 25 Der steinerne Gast. Essen mit Toten 45 Verbotene Früchte. ›Jenseitige‹ Verlockungen in Christina Rossettis »Goblin Market« 61 »sichtfleisch« in »großaufnahme«. Zum Zusammenhang von Essen, ästhetischer Theorie und literarischer Praxis am Beispiel von Thomas Klings Goya-Gedichten 85 Bei Robert Schindel in Wien zu Tisch. Rindfleisch und Knödel, Rotwein und Mokka 105 »Angebissene Bockwurst mit gefrorenem Ketchup«. Zur Poetik der Essensreste in Emine Sevgi Özdamars Seltsame Sterne starren zur Erde 125 »For to the hungry soul every bitter thing is sweet«. Essen und Transkulturation in Mary Rowlandsons »A Narrative of the Captivity and Restoration of Mary Rowlandson« 143 »where potato diggers are/ you still smell the running sore«. Politische Funktionalisierungen und Literarisierungen der Great Irish Famine 157 »Am liebsten habe ich Geschichten mit Menschen, die essen oder gekocht werden«. Zur vermeintlich einigenden Kraft des Essens bei Natascha Wodin und Aglaja Veteranyi 171 ›Illyrische‹ Mahlzeiten - gastronomische Diskurse. Deutschsprachige Kroatienreisende des 18. und 19. Jahrhunderts 185 Les ›fruits‹ du mal. Wer ›Heimat‹ kennt, verschwindet anders oder ›Das Jüngste Gericht‹ nach alten Rezepten 203 Den Raum zum Sprechen bringen. Symbolisierungen des Eigenen und Fremden in Emine Sevgi Özdamars Erzählung »Der Hof im Spiegel« 217 Natur zu Kunst. Künstlermahlzeiten bei Tieck, Zola, Joyce, Kafka 237 ›Picknick‹ Papers. Essen und Sprache im Freien 263 Einsame Mahlzeiten. Alleinessende in Marlen Haushofers Die Wand und Thomas Glavinic' Die Arbeit der Nacht 277 »All the world's a ›kitchen‹«. Arnold Weskers Mahlzeiten oder Kochen im Akkord 297 (Post-)koloniale Inkorporierung. Ökologie und Esskultur in Australien 315 Kulturelle Bedeutungen und Kontexte der indischen Küche in Großbritannien 337 Zu Tisch bei Kant 357 Über die Autorinnen und Autoren 361 Backmatter 365 , German.

Additional Edition: ISBN 9783899428810

Additional Edition: ISBN 3899428811

Language: German

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Aufsatzsammlung ; Online-Ressource. ; Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.14361/9783839408810

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Format: 1 online resource (294 p.)

ISBN: 9780585321172 , 0585321175 , 9780814788752 , 0814788750

Content: Science fiction films, from the original Frankenstein and The Fly to Blade Runner and The Terminator, traditionally have been filled with aliens, spaceships, androids, cyborgs, and all sorts of robotic creatures along with their various creators. The popular appeal of these characters is undeniable, but what is the meaning of this generation of creatures? What is the relationship of mad scientist to subject, of human to android, of creature to creator? Androids, Humanoids, and Other Folklore Monsters is a profound investigation of this popular cultural form. Starting his discussion with the possible source of these creatures, anthropologist and writer Per Schelde identifies the origin of these critters in the folklore of past generations. Continuing in the tradition of ancient folklore, contends Schelde, science fiction film is a fictional account of the ongoing battle between nature and culture. With the advance of science, the trolls, dwarves, pixies, nixies, and huldres that represented the unknown natural forces of the world were virtually killed off by ever-increasing knowledge and technology. The natural forces of the past that provided a threat to humans were replaced by the danger of unknown scientific experiments and disasters, as represented by their offspring: science fiction monsters. As the development of genetics, biomedical engineering, and artificial intelligence blur the lines between human and machine in the real world, thus invading the natural landscape with the products of man's techno-culture, the representation of this development poses interesting questions. As Per Schelde shows, it becomes increasingly difficult in science fiction film to define the humans from their creations, and thus increasingly difficult to identify the monster. Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. Androids, Humanoids, and Other Folklore Monsters explores science fiction (sf) film as the modern incarnation of folklore, emblematic of the struggle between nature and culture-but with a new twist. Schelde explains how, as science conquered the forests and mountains of the wild, the mythic creatures of these realms-trolls, elves, and ogres-were relegated to cartoons and children's stories. Technology and outer space came to represent the modern wild, and this new unknown came alive in the popular imagination with the embodiments of our fears of that unknown: androids, cyborgs, genetics, and artificial intelligence gone awry. Implicit in all of these is a fear, and an indictment, of the power of science to invade our minds and bodies, replacing the individual soul with a mechanical, machine-made one. Focusing his analysis on sixty-five popular films, from Frankenstein and Metropolis to Invasion of the Body Snatchers, The Terminator, and Blade Runner, Per Schelde brings his command of traditional folklore to this serious but eminently readable look at SF movies, decoding their curious and often terrifying images as expressions of modern man's angst in the face of a rapidly advancing culture he cannot control. Anyone with an interest in popular culture, folklore, film studies, or science fiction will enjoy this original and comprehensive study.

Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface -- , 1. Introduction -- , 2. Dangerous Science -- , 3. Meanwhile Back in the Kitchen; or, Women and Science -- , 4. Humanoids in the Toolshed -- , 5. In the Belly of the Beast -- , 6. Disembodied Brains -- , 7. Docile Bodies -- , 8. Intrusive Media -- , 9. The Dystopia -- , 10. The Human Form Submerged, Beleaguered, and Triumphant -- , 11. Have Mind, Seek Soul: The Android's Quest -- , 12. Conclusion -- , Bibliography -- , Filmography -- , Index , English

Additional Edition: ISBN 0-8147-7930-1

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DOI: 10.18574/9780814788752

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Format: 1 online resource

ISBN: 9789004534926 , 9789004534933

Series Statement: Value Inquiry Book Series ; 382

Content: When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists - who offer aesthetic as well as culinary experiences - actually try to communicate, while also pondering whether a cook can be an artist.

Note: List of Figures -- Introduction -- 1 The Antinomies of Taste -- 1 The Judgments of Taste: David Hume -- 2 Beauty: between the Subjective and the Universally Accepted -- 3 Eat/Know: Kant and Brillat-Savarin -- 4 Aesthetic Taste and Physiological Taste -- 5 The Nature of Physiological Taste -- 6 Eating as a Social Activity -- 7 Appetite, Reason, and Health -- 8 Sociability -- 2 Taste and Its Value: Cultural Hierarchies -- 1 Foods and Cooking Techniques -- 2 Popular and Erudite Cuisines -- 3 The Senses -- 4 The Senses and Gender -- 5 Towards Integration -- 6 Art and Life -- 3 Culinary Experience: a Pragmatist Perspective -- 1 Teaching by Cooking -- 2 The Rhythms of Life and Art -- 3 The Experience of Art -- 4 Educating Taste -- 5 An Experience -- 6 A Culinary Experience -- 7 Characteristics of Experience -- 8 Food as Art -- 4 Somaesthetics and the Art of Eating -- 1 Ambitions and Temptations -- 2 Somaesthetics as an Art of Living -- 3 The Art of Eating -- 4 Body Memory -- 5 The Kitchen: a World Next Door -- 1 The Female Cook -- 2 Martha Rosler: the Kitchen as the Prison of the Soul -- 3 Elżbieta Jabłońska: the Impossible Kitchen -- 4 Mierle Laderman Ukeles: the Art of Everyday Maintenance -- 5 Marina Abramović: the Holy Cook -- 6 The Women's Place -- 7 The Laboratory -- 8 From Oppression to Terror: the Gastronomical Mother -- 9 Coda -- 6 Community around the Table -- 1 Conversations at the Table -- 2 Taste and Difference -- 3 Community in the Making -- 4 Impossible Community -- 5 Designing Community -- 6 Bridging the Gaps -- 7 The Taste of Authenticity -- 1 Out of the Comfort Zone -- 2 Food Tourism -- 3 Authenticity as a Commodity -- 4 Immersion -- 5 Returning Home -- 6 Appropriation -- 7 Avoiding Authenticity -- 8 Leftovers -- 1 Débris of the Meal -- 2 Tensions -- 3 Zoe en Stasei -- 4 Commentary on Life -- 5 The Restaurant -- 6 Consummation -- 9 Conclusion -- 1 The Diffusion of Beauty -- 2 The New Sensorium -- Bibliography -- Index. , English

Additional Edition: Print version: The Aesthetics of Taste: Eating within the Realm of Art. Leiden ; Boston : Brill, 2023. ISBN 9789004534926

Language: English

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Format: 1 online resource (783 pages)

Edition: 1st ed. 2024.

ISBN: 3-031-49811-9

Series Statement: Springer Series in Design and Innovation, 37

Content: This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists.

Note: Intro -- Introduction -- Contents -- OBJECTS -- Beyond the Beauty-Utility Diatribe -- 1 Introduction -- 2 Sustainable Design Between Ethics and Aesthetics -- 3 Frugality as an Aesthetic Category for Ecodesign -- 4 Conclusion -- References -- "The Useful-Beautiful Couplet": On the Aesthetic Appraisal of Designed Objects -- References -- Imaginative Object and Mimetic Object -- 1 Introduction -- 2 Aesthetics of Toys -- 3 Mimesis, Imagination, Pleasure -- References -- OBJECTS. Objects Between Anthropology and Material Culture -- Seaweed Fabrics for Fashion Design. A Field Research Experience -- 1 Introduction -- 2 New Materialism Within the Water -- 3 A Workshop with Fashion Design Students -- 4 From Seaweed to Bodies -- 5 Conclusions -- References -- Material Objects as Dispositive of Memory -- 1 Research Methodology -- 2 Deductive Method: Designing Material Objects -- 2.1 Design Methodology -- 2.2 Design Tools -- 2.3 Design Outcome: Manufactured Artifacts -- 3 Abduction -- 3.1 Phenomenological Inquiry: Dubai World Expo as Object of Interest -- 3.2 Place-Making as Object of Memory -- 4 Conclusion -- References -- Objects Between Material Culture and Visual Culture -- 1 Visual culture and objects -- 2 Empirical Attempts of Analysis: Kitchen Objects in the American Filmography of the Last Twenty years -- 3 Conclusion -- References -- Puppets' Tales. New Design Perspectives for a Multimedia Archive of a Humanity's Intangible Heritage -- 1 Puppets in the UNESCO's Intangible Heritages List -- 2 New Approaches for Preserving Puppets' Heritage -- 2.1 Puppets' Museums: An Overview -- 2.2 Puppets' Multimedia Archive -- 2.3 Docudramas on Puppets Traditions -- 3 A Didactic Experiment -- 3.1 Objectives -- 3.2 Context and Methodology -- 3.3 Final Outputs: Description and Analysis -- 4 Measuring Impacts: A Democratized Knowledge -- References. , Anonima Castelli. Objects, Design and Cultural Heritage -- 1 Design as a Cultural Heritage Asset -- 2 The Anonima Castelli Company -- 3 From the Archive to the Market: Current Production, Educational Experiences and the Research Project -- References -- OBJECTS. Political and Social Value of Objects -- Through the Mirror. Concept Maps to not Lose (One's Way Between) Objects -- 1 "Psychological Reaction" Objects -- 2 Functions and Meanings -- 2.1 Recognise and Discover Oneself -- 2.2 Double - Splitting -- 2.3 Door to Fantasy -- 2.4 Vanitas -- 2.5 Mirror and Soul -- 2.6 Mirror and Sexuality -- 3 Techniques -- 3.1 Double Mirror - Multiplication or "Mise en Abyme" -- 3.2 In photography and Cinema -- 3.3 Deforming Mirrors -- 3.4 "Functional" Mirrors -- 4 Conclusions -- References -- For F☆ck's Sake. The Political Narrative of Sex Toys in the Communication of MySecretCase -- 1 Introduction -- 2 Research Background -- 3 Methodology -- 4 Analysis -- 5 Discussion and Conclusions -- References -- Telephones in Italy, the Italtel Study-Case -- 1 Methodology and Sources -- 2 From Sit-Siemens to Italtel -- 3 The Eighties -- 4 Conclusion -- References -- Design and Self-reproduction: A Theoretical-Political Perspective -- References -- OBJECTS. Philosophy and Representation -- Everyday Design: The Aesthetic Dimension of Alternative Use -- 1 Introduction -- 2 Functional Accounts of Design Aesthetic Appreciation -- 2.1 An Alternative Paradigm -- 2.2 The Role that the Notion of "Function" Plays within FADAA -- 2.3 From Acknowledged to Prescribed Function -- 3 Appreciating Everyday Design -- 3.1 Possible Objections -- 3.2 A New Framework for the Aesthetics of Design -- 4 Conclusion -- References -- Digital Objects' Aesthetic Features. Virtuality and Fluid Materiality in the Aesthetic Education -- 1 Digital Objects and Virtual Bodies. , 1.1 A Wide Variety of Materiality -- 2 The Issue of Immateriality and New Forms of Aesthetic Education -- 2.1 From the "Systems Esthetic" to the Aesthetics of Communication -- 2.2 Material Engagement Theory and "Digital Materiality" -- 2.3 From Virtual to Physical Object: Towards New Forms of Aesthetic Education -- 2.4 Conclusions -- References -- The Value System of Objects Through the Interpretation of Photographic Language -- 1 Functional Values (But Not Only) -- 2 The Photographer's Creativity as Added Value -- 3 Narrative, Symbolic and Experiential-Relational Values -- 4 The Designer Photographer -- 5 Conclusion -- References -- Objects, Things, Hyperobjects. A Philosophical Gaze on Contemporary Design -- 1 Transition 1: From Object to Thing -- 2 Transition 2 - From Thing to Organism -- 3 Transition 3 - From Organism to Hyperobject -- 4 Hyperobjects: A Philosophical-Based Design Research -- 5 Conclusions -- References -- OBJECTS. Symbolic Value and Use Value -- The Evolution of Yacht: From Status-Symbol to Values' Source -- 1 Research Context -- 1.1 Yacht Design Discipline -- 1.2 Raising Market Trends -- 2 Problem Framing -- 2.1 Status-Symbol Object Objects: The Yachts -- 2.2 Luxury and Sustainability: Conflict or Synergy? -- 2.3 Research Questions -- 3 Applied Methodology -- 4 Findings and Research Evidence: The Yachting Evolution -- 4.1 Formal Evolution -- 4.2 New Values for Sustainable Luxury in Yachting -- 5 Conclusion -- 6 Further Research -- References -- Liberating the Imprisoned Soul of Dorian Gray: Cultural Affordance as Design Tool to Rediscover Cultural Values -- 1 Introduction -- 1.1 The Picture of Dorian Gray as Reflection of Semantic Crisis -- 1.2 Problem Statement and its Interpretation -- 1.3 Research Hypothesis and Structure of the Paper -- 2 Review on Concepts and Their Intrinsic Problematic. , 2.1 A Review About Affordance Theory and Cultural Contribution to Such Concept -- 2.2 Universality or Context Oriented -- 3 Review on Examples from Egypt and Iran -- 3.1 Critical Design Approach in Egypt to Explore People's Awareness of Cultural Content -- 3.2 Example from Iran -- 4 References for Detecting Cultural Affordances: Reflective Translation -- 5 Design as a Manifestation and Further Considerations -- References -- The Extraordinary Everyday. The Post-Crafts in the Historical City -- 1 Where is the Craftsman? -- 2 Ordinary vs. Extraordinary -- 3 Anna Maria Fundarò: Design as Material Culture -- 4 New Craft in the Historic Centre -- 5 New Domestic and Autobiographical Dimensions: Projects -- 6 Conclusion -- References -- PROCESSES -- Archives and Processes -- 1 Processes and Archives -- 2 Through the 1970s -- 2.1 Bruno Munari. The Rule and Chance -- 2.2 Enzo Mari Design and Archive -- 2.3 Alessandro Mendini. The Vertigo of the List and the Theory of Fragment -- 3 Conclusions -- References -- 25 Ways to Hammer a Nail. "Postcrocian" Aesthetics and Everyday Life's Poetics in Enzo Mari -- 1 Beyond Croce. Towards a Revaluation of the Operating and Fruitive Processes -- 1.1 Design, Process, Form -- 1.2 Design and The Poetics Of Everyday Life -- References -- PROCESSES. Contemporary Strategies and Perspectives -- Design Through Body Memory for the Regeneration of Urban Areas -- 1 Introduction -- 2 Memory and Reinvention -- 3 Place and Memory: The Lazzaretto Nuovo in Venice -- 3.1 Research Objectives -- 3.2 Methodology -- 3.3 Results -- 4 Role of Design -- References -- Environmental Re-design of the Top San No Touch 2.0 Portable Toilet: The Contribution of the Bio-inspired Approach -- 1 Introduction -- 2 Research, Selection, Analysis of Case Study for Biomimetic Design Experimentation. , 3 Bio-inspired Product Re-design and Comparative Environmental Analysis -- 4 Conclusions -- References -- How to Use Strategic Design Process to Address Complex Challenges -- 1 Introduction -- 2 Theoretical Background -- 3 Research Methodology -- 4 Results -- 4.1 Mapping the Company and Assessing the Market -- 4.2 Analyzing the Most Important Stakeholders -- 4.3 Building Scenarios -- 4.4 Developing Both a New Services Set and a New Identity -- 5 Discussion -- References -- Design for Emergencies -- 1 Emergency and Its Dichotomy Within the Project Culture -- 2 Cycles and Waves: A Considered Overview on Strategies Applied by Design for Emergency -- 2.1 Strategies and Products in Response to Cyclical Emergencies -- 2.2 Strategies and Products in Response to Wave Emergencies -- 3 Conclusions -- References -- PROCESSES. Histories of Processes and Processes for History -- Exhibiting Design as a Process -- 1 Exhibiting Design as a Process -- 2 The Digital Models -- 3 Case Study 1: The Ettore Sottsass Archive -- 4 Case Study 2: The Typeline Project -- References -- Toward Paris! 45 Years of Domus for a Design à la Français -- References -- Archival Projects. Tools and Methods for Promoting the Corporate Culture Starting from Historical Brand -- 1 Introduction -- 2 The project -- 2.1 MaToSto.it - Marchi Torinesi nella Storia -- 2.2 The Developed and Adopted Methodology -- 2.3 Research and Quantitative Analysis -- 2.4 Qualitative Analysis -- 2.5 Exploratory Analysis and Definition of Project Outputs -- 3 Conclusions -- References -- Working in Regress and Beyond, with Rural Material Culture [1] -- 1 Introduction -- 1.1 Claudio Costa's Indagine su una cultura -- 1.2 Superstudio's Cultura Materiale Extraurbana -- 1.3 Mario Cresci's Misurazioni -- 2 To Conclude -- References -- PROCESSES. Design Methodological Processes. , Air as a Design Tool: Raw Material, Infra-material Space, and Transformative Matter.

Additional Edition: ISBN 3-031-49810-0

Language: English

DOI: 10.1007/978-3-031-49811-4

UID:

Format: 1 CD

Content: Die schwedische Jazzsängerin mit einem weiteren Coveralbum. Bereit auf 'The gospel truth' (IN-G 36/11) überzeugte sich durch gekonnte Interpretationen bekannter Gospelstücke. Auf 'My soul kitchen' widmet sie sich bekannten und weniger bekannten Soul- und Südstaatensongs, die sie erwartungsgemäß souverän und mit großer Liebe zum Sujet darbietet. Begleitet wird sie von der Formation Stockholm Underground, die ein sattes Souljazz-Fundament liefert. Darüberhinaus ist auch ihr Freund und Förderer Nils Landgren an Trompete und Mikrofon sowie als Produzent mit dabei. Ida Sand zählt zur ersten Garde skandinavischer Jazzsängerinnen.

Language: English

UID:

Format: 1 Blu-ray Disc (circa 99 Min. + Bonus)

Content: Kneipenbesitzer Zinos ist vom Pech verfolgt: erst zieht seine Freundin Nadine für einen neuen Job nach Shanghai, dann erleidet er einen Bandscheibenvorfall. Als er in seiner Not den exzentrischen Spitzenkoch Shayn engagiert, bleiben auf einmal auch noch die ohnehin schon wenigen Stammgäste aus. Und als wäre das nicht schon genug, taucht auch noch sein leicht krimineller Bruder Illias auf und bittet ihn um Hilfe. Während Zinos noch überlegt, wie er den Laden los wird, um Nadine nach China folgen zu können, locken Musik und die ausgefallene Speisekarte immer mehr Szenepublikum an. Das "Soul Kitchen" rockt und boomt wie nie zuvor. Doch dann überschlagen sich die Ereignisse.

Note: Deutschland

Language: German

Keywords: Kommentar ; DVD-Video ; Kommentar

UID:

Format: 1 DVD (99 Min. + 60 Min. Bonus)

Language: German

UID:

Format: 1 DVD, Ländercode 2, 99 Min., ca. 60 Min. Bonus, farb., Dolby digital 5.1./2.0 , 12 cm

Series Statement: Pandora Film DVD

Note: Orig.: D 2009 , Bildformat 16:9 (anamorph) , Enth. außerdem: Making of ; Audiokommentar von Fatih Akin & Adam Bousdoukos ; Identity?-Kurzfilm von Anna Bederke ; "Disko"-Musikvideo von Jan Delay (Special Edit) ; Party breaks ; Pandora Trailershow , Sprachen: Dt.

Language: German

Subjects: German Studies , General works

Author information: Bleibtreu, Moritz 1971-

Author information: Akin, Fatih 1973-

UID:

Format: 1 online resource (32 p.)

ISBN: 9789286142628

Content: Massimo Bottura is more than a Michelin star-winning chef. Together with Lara Gilmore, he also founded Food for Soul, a non-profit organisation seeking to reduce food waste through social inclusion and mitigate the carbon impact on our planet. On the occasion of Expo 2015 in Milan and working in concert with Caritas Ambrosiana, Massimo Bottura opened Refettorio Ambrosiano, a new kind of community kitchen where chefs from around the world cooked nutritious meals for socially vulnerable guests using surplus ingredients recovered from the Expo's pavilions. The project's success led Bottura to found Food for Soul in 2016 aimed at replicating the model in other communities. Since then, Refettorio Gastromotiva in Rio de Janeiro, Refettorio Felix in London, Social Tables in Modena, Bologna and Naples, and Refettorio Paris in the French capital have all opened their doors. Further community kitchens are planned across the globe. This is the ninth essay in the Big Ideas series created by the European Investment Bank. The EIB has invited international thought leaders to write about the most important issues of the day. These essays are a reminder that we need new thinking to protect the environment, promote equality and improve people's lives around the globe.

Language: English

Keywords: Electronic books.

URL: View this content on BiblioBoard.