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  • 1
    Online Resource
    Online Resource
    Rochester, NY :Camden House,
    UID:
    almafu_9960117069402883
    Format: 1 online resource (xiv, 400 pages) : , digital, PDF file(s).
    ISBN: 1-57113-603-7
    Series Statement: Studies in German literature, linguistics, and culture
    Content: Hans Jacob Christoffel von Grimmelshausen (ca. 1621-1676) is the most significant (and still readable) author of seventeenth-century German novels. His 〈I〉Abenteuerlicher Simplicius Simplicissimus〈/I〉remains the one German novel of its time that has attained the stature of "world literature": its unique mix of violent action and solitary reflection, its superlative humor, its realistic portrayalof a peasant turned soldier turned hermit has made it the longest-running bestseller in German literature. Read by students and scholars in comparative literature, history, and German, and by those interested in the development of the picaresque novel in Europe, the work and its "Continuations" have increasingly occupied scholars around the world, who have in recent years shown it to be a work ofsubtle structure and characterization, bearing the imprint of the most advanced political thinking of the time, and showing the influences of some of the most significant works of world literature, including Cervantes' 〈I〉Don Quixote〈/I〉 and Barclay's 〈I〉Argenis〈/I〉. This volume of essays by leading Grimmelshausen scholars from Germany, the United States, and England provides analyses of significant topics in his life and works, including questions of genre, structure, satire, allegory, narratology, political thought, religion, morality, humor, realism, and mortality.〈BR〉 Contributors: Christoph E. Schweitzer, Italo Michele Battafarano, Klaus Haberkamm, Rosmarie Zeller, Andreas Solbach, Dieter Breuer, Lynne Tatlock, Peter Hess, Shannon Keenan Greene, and Alan Menhennet.〈BR〉〈BR〉 KarlF. Otto is Professor of German at the University of Pennsylvania and has written extensively on German Baroque literature.
    Note: Title from publisher's bibliographic system (viewed on 10 May 2017). , ""CONTENTS ""; ""ILLUSTRATIONS ""; ""ACKNOWLEDGEMENTS ""; ""CHRONOLOGICAL LIST OF GRIMMELSHAUSEN'S WORKS AND THEIR FIRST ENGLISH TRANSLATION ""; ""INTRODUCTION ""; ""I. Basics""; ""Problems in the Editions of Grimmelshausen's Works""; ""Grimmelshausen's "Autobiographies" and the Art of the Novel""; ""Allegorical and Astrological Forms in the Works of Grimmelshausen with Special Emphasis on the Prophecy Motif""; ""Grimmelshausen and the Picaresque Novel""; ""Grimmelshausen's Ewig-währender Calender: A Labyrinth of Knowledge and Reading""; ""Grimmelshausen's Non-Simplician Novels"" , ""In Grimmelshausen's Tracks: The Literary and Cultural Legacy""; ""II. Critical Approaches""; ""Engendering Social Order: From Costume Autobiography to Conversation Games in Grimmelshausen's Simpliciana""; ""The Poetics of Masquerade: Clothin gand the Construction of Social, Religious, and Gender Identity in Grimmelshausen's Simplicissimus""; """To see from these black lines": The Mise en Livre of the Phoenix Copperplate and Other Grimmelshausen Illustrations""; ""The Search for Freedom: Grimmelshausen's Simplician Weltanschauung""; ""CONTRIBUTORS ""; ""INDEX "" , English
    Additional Edition: ISBN 1-57113-184-1
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Book
    Book
    New York : Twayne
    UID:
    gbv_1074124774
    Format: 183 S.
    Series Statement: Twayne's world authors series 229
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Deutsch ; Roman ; Geschichte 1600-1720 ; Deutsch ; Roman ; Geschichte 1600-1700
    Author information: Wagener, Hans 1940-2013
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  • 3
    UID:
    almafu_BV012653333
    Format: 164 S.
    ISBN: 0-8204-4260-7
    Series Statement: Renaissance and baroque 27
    Content: "This book is a new interpretation of Johann Fischart's Geschichtklitterung (1590), one of the most outstanding and puzzling works of German literature in the second half of the sixteenth century. As a greatly expanded adaptation of Francois Rabelais's Gargantua (1534), Fischart's novel has often been misjudged as a translation. Josef K
    Content: Glowa challenges this assumption and explores new ways of reading the Geschichtklitterung by focusing on the relationships between the author, narrator, readers, and fictional world in Fischart's novel. A careful study of the narrator and the narrative strategies uncovers a quantity of hitherto unexamined allusions, connotations, and intertextual references that allow the reader to gain a fresh look at an exciting literary masterpiece most worthy of being examined in its own terms."--BOOK JACKET
    Language: English
    Subjects: History , German Studies
    RVK:
    RVK:
    Keywords: 1546-1590 Affentheuerlich naupengeheurliche Geschichtklitterung Fischart, Johann ; Erzähltechnik
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  • 4
    Online Resource
    Online Resource
    Durham, NC :Duke University Press,
    UID:
    almafu_9959677758302883
    Format: 1 online resource (690 p.)
    ISBN: 1-283-03660-6 , 9786613036605 , 0-8223-9252-6 , 9780822392521
    Series Statement: e-Duke books scholarly collection.
    Content: Traces the changing nature of Baroque representation across European and Latin American cultures, from an imperial aesthetic encoding Catholic ideologies, into a means of resistance to colonialism, into a mode of postcolonial self-definition.
    Note: Description based on print version record , Contents; Illustrations; Acknowledgments; Lois Parkinson Zamora and Monika Kaup, ""Baroque, New World Baroque, Neobaroque: Categories and Concepts""; Part One: Representation: Foundational Essays on Baroque Aethetics and Ideology; The European Baroque; Editors' Note to Chapter One; 1. Friedrich Nietzsche, ""On the Baroque"" (1878); Editors' Note to Chapter Two; 2. Heinrich Wölfflin, Excerpt from the Introduction to ""Principles of Art History: The Problem of the Development of Style in Later Art"" (1915); Editors' Note to Chapter Three , 3. Walter Benjamin, Excerpts from ""The Origin of German Tragic Drama"" (1928)Editors' Note to Chapter Four; 4. Eugenio d'Ors, Excerpts from ""The Debate on the Baroque in Pontigny"" (1935); Editors' Note to Chapter Five; 5. René Wellek, Excerpts from ""The Concept of Baroque in Literary Scholarship"" (1945, rev. 1962); Editors' Note to Chapter Six; 6. Mario Praz, ""Baroque in England"" (1960); Editors' Note to Chapter Seven; 7. Christine Buci-Glucksmann, Chapter 2 from ""La folie du voir"", ""The Work of the Gaze"" (1986); The New World Baroque and the NeoBaroque , Editors' Note to Chapter Eight8. Alfonso Reyes, Excerpt from ""Savoring Góngora"" (1928); Editors' Note to Chapter Nine; 9. Ángel Guido, Chapter 1 from ""Redescubrimienta de América en el arte, 'America's Relation to Europe in the Arts'"" (1936); Editors' Note to Chapter Ten; 10. Pedro Henríquez Ureña, ""The Baroque in America"" (1940); Editors' Note to Chapter Eleven; 11. José Lezama Lima, Chapter 2 from ""La expresión americana"", 'Baroque Curiosity' (1957); Editors' Note to Chapter Twelve and Thirteen; 12. Alejo Carpentier, ""The City of Columns"" (1964) , 13. Alejo Carpentier, Excerpt from ""Questions Concerning the Contemporary Latin American Novel"" (1964)Editors' Note to Chapter Fourteen and Fifteen; 14. Severo Sarduy, ""The Baroque and the Neobaroque"" (1972); 15. Severo Sarduy, Chapter 3 from ""Barroco"", ""Baroque Cosmology: Kepler"" (1974); Editors' Note to Chapter Sixteen; 16. Haroldo de Campos, ""The Rule of Anthropophagy: Europe under the Sign of Devoration"" (1981); Part Two: Transculturation: Colonial Practice; 17. Jorge Ruedas de la Serna, ""Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels"" , 18. José Pascual Buxó, ""Sor Juana and Luis de Góngora: The Poetics of 'Imitatio'"" (2006)19. Timothy J. Reiss, ""American Baroque Histories and Geographies from Sigüenza y Góngora and Balbuena to Balboa, Carpentier, and Lezama""; 20. William Childers, ""Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal""; 21. Dorothy Z. Baker, ""Baroque Self-Fashioning in Seventeenth-Century New France""; 22. Leo Cabranes-Grant, ""The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities""; Part Three: Counterconquest: Postcolonial Positions , 23. Gonzalo Celorio, Chapter 2 from ""Ensayo de contraconquista"", ""From the Baroque to the Neobaroque"" (2001) , English
    Additional Edition: ISBN 0-8223-4642-7
    Additional Edition: ISBN 0-8223-4630-3
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Electronic books ; Aufsatzsammlung
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  • 5
    UID:
    almahu_9949384046702882
    Format: 1 online resource (xii, 283 pages)
    ISBN: 9781351142021 , 135114202X , 9781351142045 , 1351142046 , 9781351142038 , 1351142038 , 9781351142014 , 1351142011
    Series Statement: Empires and the making of the modern world, 1650-2000
    Content: "Archiving Settler Colonialism: Culture, Race, and Space brings together 15 essays from across the globe, to capture a moment in settler colonial studies that turns increasingly towards new cultural archives for settler colonial research. Essays on hitherto under-examined materials--including postage stamps, musical scores, urban parks, and psychiatric records--reflect on how cultural texts archive moments of settler self-fashioning. Archiving Settler Colonialism also expands settler colonial studies' reach as an international academic discipline, bringing together scholarly research about the British breakaway settler colonies with underanalyzed non-white, non-Anglophone settler societies. The essays together illustrate settler colonial cultures as--for all their similarities--ultimately divergent constructions, locally situated and produced of specific power relations within the messy operations of imperial domination"--
    Note: Introduction: settler colonialism and its cultural archives : ways of reading / Yu-ting Huang and Rebecca Weaver-Hightower -- More than just symbols : resurfacing indigenous place in the far north of Aotearoa New Zealand / Avril Bell -- Arthur H. Adams and Australasian narratives of the colonial world / Helen Bones -- The settler urban landscape of a British concession : Victoria Park in Tianjin, China / Yichi Zhang -- Colony at the crossroads : the "translated" settlement of Texas under Stephen F. Austin / Adam Nemmers -- German settler colonialism in southern Brazil in German documentary films of the 1930s / Frederik Schulze -- "They become some thing like the natives" : Liberia, colonization, and the rhetoric of belonging / Jeffrey A. Mullins -- William Henry Bell : composing and the art music frontier in Cape Town / Claudia Jansen van Rensburg -- Landscape and settler nationalism in the "white dominions" / Damian Skinner and Lize van Robbroeck -- The visual rhetoric of settler stamps : Rhodesia's rebellion and the projection of sovereignty / Josiah Brownell -- Murder for white consumption? Jimmy Governor and the bush ballad / Meg Foster -- Queering settler romance : the reparative eugenic landscape in Nora Strangeʹs Kenyan novels / Elizabeth W. Williams -- Settler colonial thought and psychiatric practice in early 20th-century British Columbia, Canada / Kathryn McKay -- Reprinting the past : persisting German settler narratives in Namibia today / Martin Kalb -- The settler baroque : decay and creolization in Chang Kuei-hsing's Borneo rainforest novels / Yu-ting Huang -- "Being Hawaiian" in pidgin : the literature of John Dominis Holt and Brandy Nalani McDougall / Kara Hisatake -- Afterword: the global archive of liminal settlement.
    Additional Edition: ISBN 0-8153-5096-1
    Language: English
    Keywords: Electronic books. ; Electronic books. ; History. ; Sources. ; Electronic books ; Aufsatzsammlung ; History. ; Sources.
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  • 6
    Book
    Book
    New York :Twayne,
    UID:
    almafu_BV003043895
    Format: 183 S.
    Series Statement: Twayne's world authors series 229 : Germany
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Deutsch ; Roman
    Author information: Wagener, Hans 1940-2013
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  • 7
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    UID:
    gbv_1778832776
    Format: 1 Online-Ressource (116 p.)
    ISBN: 9781469658636
    Series Statement: UNC Studies in the Germanic Languages and Literatures
    Content: Rendered into English for the first time by Wayne Wonderley and provided with a critical introduction, this rollicking tale of baroque satire by Christian Reuter not only illuminates the mores and mentality of the time but forms a noteworthy link in the development of the European novel
    Note: English
    Language: English
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  • 8
    Online Resource
    Online Resource
    University of North Carolina Press,
    UID:
    almahu_9948373152902882
    Format: 1 online resource (xi, 106 pages)
    ISBN: 1-4696-5863-1
    Series Statement: UNC Studies in the Germanic Languages and Literatures, 33
    Uniform Title: Schelmuffsky
    Content: Rendered into English for the first time by Wayne Wonderley and provided with a critical introduction, this rollicking tale of baroque satire by Christian Reuter not only illuminates the mores and mentality of the time but forms a noteworthy link in the development of the European novel.
    Additional Edition: ISBN 0-8078-8033-7
    Language: English
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  • 9
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books | Baltimore, Maryland :Project Muse,
    UID:
    almahu_9947381630602882
    Format: 1 online resource (60 pages) : , illustrations ; digital, PDF file(s).
    Content: Could there have been television without California? California without television? The one shows the other: the ostentatiously novel singularity of the place and the seemingly self-effacing transparency of the medium. Yet if television and California both promise again and again to offer us something new, young, immaculate in its transience -- a pure surface that will never get caught in the ditch of time -- they are also both haunted through and through: by the itinerant contents of the past that they cannot banish, by memories of the infantile-perverse utopian fantasies that taunt us in constant replay ("If you're going to San Francisco...," "two girls for every guy"), by the contradiction played out in the very gesture of dismissing history and leaving the dead to bury the dead. California and television, as it were, conspire in a vampirologic: the forever-young is what has been there the longest, what really "takes us back." And so we also will take ourselves back: to Buffy the Vampire Slayer, already almost charmingly quaint, and Walter Benjamin's magnum opus The Origin of the German Mourning-Play. What can come of this improbable conjunction? It will not seem too strange that Benjamin, posthumous wanderer across the textures of Americana, should again take up lodging at the Hotel California. But more is at stake than just another hapless visitation from the on high of high theory: reading Buffy as the remediated afterlife of the dead-on-arrival genre of the baroque German mourning play, Adler's book records the first broken, awkward steps toward a project that, with the recent rise of "quality television," seems more urgent than ever before: a political-theological characteristic of the television series.
    Note: Bibliographic Level Mode of Issuance: Monograph , The question of genre -- A mourning play without mourning -- Violence and mourning -- The theology of television -- Paradise regained -- The nth degree of afterlife. , English
    Additional Edition: ISBN 0-615-95574-6
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 10
    UID:
    almafu_9959233744602883
    Format: 1 online resource (300 p.)
    Edition: 2nd ed.
    ISBN: 1-282-00850-1 , 9786612008504 , 1-4426-7673-6
    Content: The symbolic mode of thought and expression that produced the mixed art form of the emblem also informs and shapes much of the literature of the sixteenth and seventeenth centuries. This study explores the relationship between the emblem proper and the literature of England and Germany during the period.The book proceeds from a definition of the emblem, based on a critical theory which has received little attention among English and Romance scholars, to a detailed analysis of the form and function of emblematic imagery in a variety of literary forms. The chapters following move into specific discussions of the structural affinities between emblems and poetry, drama, and fiction.The emblem-books are important as a cross-reference for the meaning of motifs in literature. They indicate what educated men knew about nature, history, and mythology and, furthermore, how they interpreted this knowledge. It is not only as a mode of thought but also as an art form that the emblem offers a valuable perspective on the purely verbal art of literature. Emblematic structure and imagery function as a formal, shaping principle in literature in all its genres and forms. Imaginatively conceived, carefully researched, and clearly presented, this book makes connections which will enrich the field of comparative studies.
    Note: Description based upon print version of record. , ""CONTENTS""; ""PREFACE TO THE SECOND EDITION""; ""PREFACE TO THE FIRST EDITION""; ""ABBREVIATIONS""; ""1 The Emblem ""; ""Definitions and Descriptions of Emblem-Books""; ""Forerunners of the Emblem""; ""Emblem Theory in German Studies during the 1970s""; ""The Relation of the Emblem to Fact and Truth""; ""Recent Developments in Emblem Studies""; ""2 The Word-Emblem""; ""The Emblem-Book as a Source of Poetic Imagery""; ""The Emblem-Book as a Parallel for the Word-Emblem""; ""Towards a Phenomenology and Typology of the Word-Emblem""; ""The Forms of the Word-Emblem""; ""3 Emblematic Poetry"" , ""Copies or Imitations of Emblems in Poetry""""The Word-Emblem as the Foundation of a Poem""; ""The Word-Emblem as a Controlling or Unifying Element in Poetry""; ""The Emblematic Poem""; ""The Pattern Poem""; ""4 Emblematic Drama""; ""The Emblematic Word in Drama""; ""The Emblematic Character""; ""The Emblematic Stage""; ""Drama as Extended Emblem""; ""5 Emblematic Narrative Prose""; ""The Emblematic World-View of the Novel""; ""Emblematic Imagery""; ""The Emblematic Episode""; ""Emblematic Narrative Structure""; ""The Emblematic Frontispiece""; ""6 Conclusion""; ""NOTES"" , ""SELECTED BIBLIOGRAPHY""""Bibliographies, Lists, and Catalogues of Emblem-books""; ""Critical Studies""; ""Selection of Works in English on German Baroque Literature""; ""Recent Comparative Studies of European Literature of the Sixteenth and Seventeenth Centuries""; ""Translations of European Poetry of the Sixteenth and Seventeenth Centuries""; ""INDEX OF NAMES""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Y""; ""Z""; ""INDEX OF EMBLEM MOTIFS""; ""A""; ""B""; ""C""; ""D""; ""E"" , ""F""""g""; ""h""; ""i""; ""j""; ""k""; ""l""; ""m""; ""n""; ""o""; ""p""; ""r""; ""s""; ""t""; ""u""; ""v""; ""w""; ""y"" , English
    Additional Edition: ISBN 0-8020-7891-5
    Additional Edition: ISBN 0-8020-0910-7
    Language: English
    Keywords: Livres numeriques. ; Criticism, interpretation, etc. ; e-books. ; Electronic books. ; Livres numeriques. ; Criticism, interpretation, etc. ; e-books. ; Electronic books.
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