Kooperativer Bibliotheksverbund

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Umfang: 1 online resource (V, 305 p.) : , 3 Matrixen im Beitrag Jost

Ausgabe: 1st ed.

ISBN: 9783110674194 , 311067419X

Inhalt: Welches Verhältnis besteht zwischen "Bild" und menschlichem Denken? Welche Rolle spielt das Konzept der "Form" im menschlichen Wissen? Forscher aus Philosophie, Kulturwissenschaften, Wissenschaftsgeschichte, Ästhetik, Literatur, Anthropologie, Mathematik und Biologie untersuchen aus historischer und theoretischer Perspektive den Zusammenhang zwischen der Aktivität des Denkens und den Konzepten von Bild und Form.

Inhalt: What is the relationship between "image" and human thinking? What is the role of the concept of "form" in human knowledge? Scholars from the fields of philosophy, cultural studies, the history of science, aesthetics, literature, anthropology, mathematics, and biology take historical and theoretical approaches to investigate the connection between the activity of thinking and concepts of image and form.

Anmerkung: Description based upon print version of record. , Frontmatter -- , Inhalt -- , Bilddenken und Morphologie: Eine Einleitung -- , Vorstellungskraft und Bewusstsein: Die italienische Traumdebatte zwischen dem 18. und 19. Jahrhundert -- , The Image of the Universe and Its Purpose: Kant on Hypotyposis and Functional Cosmology -- , Analogical Thought, Natural Forms, and Human Type in Johann Gottfried Herder's Work -- , Ein lebendiges Bild: Die Porträts von historischen Persönlichkeiten bei Herder -- , Naturgeschichte und Rassenklassifikation: Zu Blumenbachs Anthropologie und ihrer Rezeption -- , Morphologie in der metaphysischen Naturphilosophie und romantischen Naturforschung und Medizin um 1800 -- , Morphology and Literature -- , Goethe and Gestalt Psychology: A Commonplace Revisited -- , Oswald Spengler und die ,Formensprache' der Geschichte -- , ,Geschichtskörper' und ,Kulturbewegung': Morphologie und Metaphorik bei Alfred Weber -- , "Das Wissen von fremden Ichen": Mindreading und Einfühlung unter Berücksichtigung von Theodor Lipps -- , Verkörperung: Bild und Experiment bei Edgar Wind und die aktuelle Lage der morphologischen Forschung -- , The Form of the Audiovisual Relationship -- , Die illegitime Zeit: Ästhetik und politische Theologie -- , Carl Schmitt's Morphology: From Political Theology to Aesthetics -- , The Evolutionary Roots of Sociality -- , Visualizing Ontogenetic and Phylogenetic Transitions among Closely Related Morphotypes as a Tool to Investigate Evolvability -- , Was ist ein Merkmal? -- , Autorenverzeichnis -- , Sachregister -- , Namenregister , In German.

Weitere Ausg.: ISBN 9783110674125

Weitere Ausg.: ISBN 3110674122

Sprache: Deutsch

Schlagwort(e): Aufsatzsammlung ; Aufsatzsammlung

DOI: 10.1515/9783110674194

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Umfang: 1 online resource (X, 466 p.)

Ausgabe: 1st ed.

ISBN: 9783111341682 , 3111341682

Serie: Millennium-Studien / Millennium Studies : Studien zu Kultur und Geschichte des ersten Jahrtausends n. Chr. / Studies in the Culture and History of the First Millennium C.E. , 105

Inhalt: Auch wenn im Zuge des Iconic-Turns Historiker vermehrt auf Bildquellen zurückgriffen, so blieben die verbreitetsten Bildmedien der poströmischen Zeit, nämlich Münzen und Siegel, in Handbüchern und Studien unterrepräsentiert. Zu europäischen Herrschersiegeln dieser Zeit existiert bis heute nicht einmal ein Corpus. Dieser Band greift ebendiese Lücke auf, um die politische Kommunikation mittels Herrscherbildern auf Massenmedien der Franken im ständigen Vergleich mit denen anderer poströmischen Kulturen (Oströmer, Angelsachsen, Langobarden, Westgoten etc.) zu untersuchen und die teils höchst unterschiedlichen Entwicklungen zu erklären. Dabei wird auch vor heißdiskutierten Themen wie dem "Monetarierwesen" oder der "arabo-byzantinischen" Münzprägung nicht haltgemacht. Die so entstandene Makrohistorie bietet zukünftigen Forschenden einen guten Ausgangspunkt für weitere Studien.

Inhalt: This study on post-Roman Europe is the first to systematically examine and compare the media of seals and coins for diverse cultures, such as the Franks, Lombards, Anglo-Saxons, and Visigoths, over a period of 500 years. It focuses on political communication by means of the ruler's image and the question of how it developed in specific media, which took place in very different ways despite a common heritage.

Anmerkung: Diss Goethe Uni Frankfurt 2022. , Frontmatter -- , Vorwort -- , Inhaltsverzeichnis -- , 1 Einleitung -- , 2 Frühe fränkisch-poströmische Medien (6. Jh. - 3. V. 7. Jh.) -- , 3 Schwächung des Königtums? (4. V. 7. Jh. - M. 8. Jh.) -- , 4 Beginn der neurömischen Kultur (M. 8. Jh. - 1. H. d. 9. Jhs.) -- , 5 Regionalisierung des fränkischen Imperiums (9. Jh. - 1. H. 10. Jh.) -- , 6 Die spätfränkische Zeit (10. Jh.) -- , 7 Überblick über epigraphische und ikonographische Elemente -- , 8 Fazit -- , Abbildungen -- , Chartae geographicae -- , Abkürzungsverzeichnis -- , Schriftquellenverzeichnis -- , Literaturverzeichnis -- , Glossar -- , Register , Issued also in print. , In German.

Weitere Ausg.: ISBN 9783111341576

Sprache: Deutsch

Fachgebiete: Geschichte , Allgemeines , Theologie/Religionswissenschaften

Schlagwort(e): Hochschulschrift ; Hochschulschrift

DOI: 10.1515/9783111341682

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Umfang: 1 online resource (328 p.)

Ausgabe: 1st ed.

ISBN: 9780801476969 , 0801476968 , 9780801460050 , 0801460050

Serie: Signale : modern German letters, cultures, and thought

Inhalt: The eighteenth century struggled to define architecture as either an art or a science-the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual.In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum.Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.

Anmerkung: Bibliographic Level Mode of Issuance: Monograph , The decline of the classical orders -- Science or art? : architecture's place within the disciplines -- Architecture in Kant's thought : the metaphor's genealogy -- How much architecture is in Kant's architectonic of pure reason? -- The house of memory : architectural technologies of the self -- Goethe's architectural epiphanies -- The building in Bildung : Goethe, Palladio, and the architectural media -- Goethe and the disappointing site : buildings that do not live up to their images -- Gothic deconstruction : Hegel, Libeskind, and the avant-garde -- Benjamin's mythic architecture. , English

Weitere Ausg.: ISBN 9780801476761

Weitere Ausg.: ISBN 0801476763

Sprache: Englisch

DOI: 10.7591/9780801460050

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UID:

Umfang: 1 online resource (566 pages)

Ausgabe: 1st ed.

ISBN: 9789027246585

Serie: Comparative History of Literatures in European Languages Series ; v.XXXV

Inhalt: In 38 chapters written by leading experts in many different fields, this book charts a comparative history of the literary draft in Europe and beyond. It is organised according to eight categories of comparison distributed over the volume's two parts, devoted respectively to 'Text' and 'Beyond Text'.

Anmerkung: Intro -- Table of contents -- Acknowledgements -- List of figures -- Introduction -- 1. Text -- 1.1 Temporal comparison -- 1.2 Spatial comparison -- 1.3 Processual comparison -- 1.4 Generic comparison -- 1.5 Editorial comparison -- 2. Beyond text -- 2.1 Material comparison -- 2.2 Conceptual comparison -- 2.3 Intermedial comparison -- References -- Part 1 TEXT -- 1.1 TEMPORAL COMPARISON -- 1.1.1 Medieval holograph manuscripts -- Lost first drafts -- Surviving second drafts -- Scribal copies as drafts -- References -- 1.1.2 Early modern holograph manuscripts -- References -- 1.1.3 The eighteenth century* -- Introduction -- Against an idée reçue -- The impulse behind genetic criticism -- A new landscape of "working manuscripts" -- Acknowledgements -- References -- 1.1.4 The nineteenth century -- References -- 1.1.5 The twentieth century -- References -- 1.1.6 The twenty-first century -- Introduction -- The paper draft -- The self-archived digital draft -- The hybrid draft -- The keystroke logging draft -- Conclusion -- References -- 1.2 SPATIAL COMPARISON -- 1.2.1 Nordic traditions -- Introduction -- Manuscripts within the scope of scholarly editing -- New interests in writers' archives and literary drafts -- Conclusion -- References -- Editions -- Other sources -- 1.2.2 Russian traditions -- "Textology" -- Pushkinistics and Pushkin editions -- Printed and digital facsimiles -- References -- 1.2.3 Eastern European traditions -- Introduction -- Eastern European histories of the rough draft - in a nutshell -- Genetic approach in Eastern European textual scholarship -- External inspirations and their internalisation -- Today and tomorrow -- References -- 1.2.4 Anglophone traditions -- The 1950s-1960s, and barbed-wire editions -- Letters editions -- Editions of literary works in MS, and of writers' journals -- Genesis on the table. , The Cornell Wordsworth and the Cornell Yeats -- Conclusion -- References -- 1.2.5 German traditions -- Introduction -- Poetological preconditions of the revaluation of literary drafts -- The unfinished as the true image of the world -- Organic growth of texts -- The materialisation of the holograph by its institutionalisation -- The Romantic march through the institutions -- Literary archives in service of the author and nation building -- (Almost) Everything is about Goethe -- Conclusion -- References -- 1.2.6 French traditions -- Philological practices -- The manuscripts' heritage -- Genetic criticism -- Editing manuscripts -- Horizons and challenges -- References -- 1.2.7 Italian traditions -- Humanistic genetic criticism -- From Humanism to the Renaissance -- The novel and the new nineteenth-century poetry -- Twentieth-century philology and criticism of variants -- References10 -- 1.2.8 Drafts on the Iberian Peninsula -- Introduction -- A future history -- Hand matters -- Blank spaces -- Conclusion: In mentis -- Acknowledgements -- References -- 1.2.9 Postcolonial traditions -- Introduction -- Sycorax video style -- Graphic novels and rasanblaj -- References -- 1.3 PROCESSUAL COMPARISON -- 1.3.1 Writer's block -- The idea of flow -- The muse -- John Milton -- Ernest Hemingway -- J. R. R. Tolkien -- Conclusion -- References -- 1.3.2 Revision -- Problems of definition -- Types of revision -- Evidence -- Analysis -- References -- 1.3.3 Translation archives -- The ontology of an early-modern draft -- The author-translator in the Romantic period -- The translation archive as the hub (not a spoke) in the literary network -- Conclusion -- References -- 1.4 GENERIC COMPARISON -- 1.4.1 Poetry -- Objects -- Creativity -- Creative traces -- Conclusion -- Abbreviations -- References -- 1.4.2 Drama -- Defining and studying drama drafts. , Differences between dramatic and literary drafts, and challenges for theatre genetic criticism -- The directing book as thinking model -- Conclusion -- References -- 1.4.3 Prose -- Introduction -- Authorship and writing studies -- Extended mind thesis -- Distributed cognition -- Overt distributed cognition -- Covert distributed cognition -- Conclusion -- References -- 1.4.4 Kleine Prosa -- Conceptualising Kleine Prosa -- The poetics of the draft in small prose forms - a tour d'horizon -- References -- 1.5 EDITORIAL COMPARISON -- 1.5.1 Textual fluidity -- Versions of the version -- Replaying sources I -- Interlude -- Replaying sources II -- Editing Adaptive Revision -- References -- 1.5.2 Pruning -- Editing -- "Starting all over again" -- Editing, textual variance, and interpretation -- Cutting as theme and echo -- References -- 1.5.3 Orthography. < -- hie> -- rogueglyphics1 -- References -- 1.5.4 Punctuation -- References -- Part 2 BEYOND TEXT -- 2.1 MATERIAL COMPARISON -- 2.1.1 Paper -- List of archival/manuscript sources -- References -- 2.1.2 Born-digital documents -- References -- 2.1.3 Archiving practices -- Introduction -- Antiquity and the Middle Ages -- Early modern manuscripts and the rise of antiquarianism -- The eighteenth century -- The nineteenth century -- The twentieth century -- Acknowledgements -- References -- 2.2 CONCEPTUAL COMPARISON -- 2.2.1 Metaphors for the writing process -- Authorship -- Pregnancy and childbirth -- "Inspiration" -- Chaos and cosmos -- Germs, germination, and growth -- Sudden vs gradual -- Discovery and invention -- Re-vision and dictation -- "Perspiration" -- References -- 2.2.2 Models for genetic criticism -- A model and its limitations -- Importing models and adjusting them -- Combining models -- The gradualist model -- Inescapable models -- References -- 2.3 INTERMEDIAL COMPARISON -- 2.3.1 Film. , References -- Films -- Other sources -- 2.3.2 Television -- Introduction -- The genesis of a television drama -- Genre, format, audience and budget -- The script that saved the series -- Beyond the script -- Conclusion -- References -- 2.3.3 Architecture -- Introduction -- Engaging with new realities -- Symbolising a changing profession -- Balancing ideals and reality -- Visual and material archives -- References -- Archives -- 2.3.4 Music -- References -- 2.3.5 Radio -- Genetic criticism and radio drama -- Dylan Thomas - Under Milk Wood (1954) -- Harold Pinter - A Slight Ache (1959) -- Caryl Churchill - Identical Twins (1968) -- Andrew Sachs - The Revenge (1978) -- Conclusion -- References -- Epilogue -- Notes on contributors -- Index.

Weitere Ausg.: Print version: Beloborodova, Olga A Comparative History of the Literary Draft in Europe Amsterdam/Philadelphia : John Benjamins Publishing Company,c2024 ISBN 9789027215260

Sprache: Englisch

Schlagwort(e): Electronic books. ; Literary criticism. ; Essays. ; Literary criticism. ; Essays.

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Umfang: 1 online resource (482 pages)

Ausgabe: First edition.

ISBN: 90-04-54301-5

Serie: Library of the Written Word Series ; Volume 113

Inhalt: "In a new approach to Goethe's "Faust I", Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This study was facilitated by the Institut Universitaire de France / IUF. "--

Anmerkung: front cover -- 9789004543010_webready_content_text -- Contents -- Acknowledgments -- Figures -- Abbreviations -- Introduction: Air View and Ant Perspective: Moritz Retzsch's Etchings after Goethe's Faust I -- 1 Retzsch in the German States, a Borderline Celebrity -- 1.1 Profile in Contrast -- 1.2 Romantic Pranks and Rituals -- 1.3 Portraits and Sociability -- 1.4 A Poetic Mind -- 1.5 The Toils of Fancy and Melancholy -- 1.6 Fluctuating Fate in Nineteenth-Century German States -- 1.7 Plights and Plusses of Comparison (Retzsch, Cornelius & -- Naeke) -- 1.8 German Amendments in the Twentieth Century -- 1.9 Conclusion -- 2 Faust I Outlined and the Original Retzsch Effect -- 2.1 A Modern Fourfold Device -- 2.2 Goethe's Gifts -- 2.3 In Goethe's Orb -- 2.4 Retzsch at Work: Early Correspondence -- 2.5 A Speculation on Relics -- 2.6 "Full of Spirit" -- 2.7 Outline Reformation -- 2.8 Retzsch in Colour -- 2.9 To conclude -- 3 German Editions and Copies: The Bait of Rich Morsels -- 3.1 Avowable (and Uncertain) Cotta Portfolios -- 3.2 From Portfolios to Albums -- 3.3 Pirated Goods -- 3.4 Styled for the Ladies -- 3.5 Valuing Copies in Visual Circulation -- 4 First Steps in Britain -- 4.1 A Momentous Gift from Perthes to Crabb Robinson -- 4.2 Imported Wares and Motley Exemplars -- 4.3 Media Coverage and Publicity (A Mediated Launch) -- 4.4 A First English Point of View (George Soane's Letterpress) -- 4.5 Books as Cultural Objects: Readers and Cultural Representation -- 4.6 Dibdin in Action -- 5 Retzsch Copied in Britain and Beyond -- 5.1 Attractive and Collectable -- 5.2 Cultural Adaptability -- 5.3 Boosey's 1820 Edition Re-issued? -- 5.4 "A More Careful Abstract" -- 5.5 Faustus as Template -- 5.6 Retzsch Gains Ground in Other Garb and Guises -- 5.7 Retzsch Wielded by Illustration -- 5.8 Competing Formats -- 5.9 "Bound to Please". , 5.10 First Conclusions on Foreign Circulation -- 6 Retzsch in France and Belgium -- 6.1 Retzsch by Muret for Artists, Readers, and Print Collectors -- 6.2 Three Little Audot -- 6.3 A Francized Original Retzsch -- 6.4 Copies vs. Originals? The Brussels Case -- 6.5 Retzsch in French Nineteenth-Century Print Culture -- 6.6 Retzsch's Diffuse Influence -- 6.7 Conclusion -- 7 Extensive and Intensive Iconography -- 7.1 Loose Leaves -- 7.2 Copies, Copies, Copies … -- 7.3 Bowdlerizing -- 7.4 A Kiss's Exceptional Fortune -- 7.5 Spread and Sway on Style, Form and Set -- 7.6 Extensive vs. Intensive Iconography -- 7.7 Extensive Rations -- 7.8 Intensive Inspiration -- 7.9 Recycling and Authorship in Image Circulation -- 8 The Power of Parody: A Crow amongst Nations -- 8.1 A Crow's Quill -- 8.2 Travesties -- 8.3 Mischief in Images -- 8.4 Homecoming and "Who Loves a Laugh" -- 8.5 A Mocking Deity with a Meerschaum Pipe -- 9 Outlines in the Limelight -- 9.1 Aptitudes and Assets -- 9.2 Weimar Trials -- 9.3 Staging: German Décors -- 9.4 British and French Décors -- 9.5 Time, Stage and the Arts -- 9.6 Performance: Fixed, Inviolable Instants? -- 9.7 Outfits: Models and Embodiment -- 9.8 Creating Types -- 9.9 In the Limelight over Time -- 10 Ink Worlds -- 10.1 Devilish Relish of Converted Israelites -- 10.2 Théophile Gautier from Travelogue to Aesthetics -- 10.3 Visual Traps in Prose -- 10.4 Pictures within the Picture in Illustrated Books -- 10.5 Games of Fiction, Tricks and Screens -- 11 Two Gifted Women -- 11.1 Goethe's and Byron's Gifts -- 11.2 The Book as a Rose -- 11.3 Twelve Apostles and a Faust -- 12 Artefacts: Poetics of Everyday Life -- 12.1 Treasures of Gold and China -- 12.2 Porcelain for the Many -- 12.3 Moulded and Backlit -- 12.4 In Tin and Frail Paper -- 12.5 Conclusion -- Conclusion: Grains of Sand as Cities. , Appendix 1: Moritz Retzsch's 26 Umrisse in Original and Copied Editions -- Appendix 2: Moritz Retzsch's Prints Remediated -- Bibliography -- Index on Moritz Retzsch -- General Index -- back cover.

Weitere Ausg.: ISBN 90-04-51855-X

Sprache: Englisch

UID:

Umfang: 296 S.

Ausgabe: Vom Verf. übers. und erg. Ausg.

Serie: Sprache und Literatur 3

Originaltitel: The German image of Goethe

Sprache: Deutsch

Fachgebiete: Germanistik

Schlagwort(e): 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; Geschichte ; 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; Biografie ; Biografie

Mehr zum Autor: Leppmann, Wolfgang 1922-2002

UID:

Umfang: 304 S.

Ausgabe: Aktualisierte Ausg.

ISBN: 3-548-26539-1

Serie: Ullstein-Buch 26539 : Propyläen-Taschenbuch bei Ullstein

Originaltitel: The German image of Goethe

Anmerkung: Lizenz des Scherz-Verl., Bern, München

Sprache: Deutsch

Fachgebiete: Germanistik

Schlagwort(e): 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; Geschichte ; 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; Biografie ; Biografie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008235737&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008235737&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

Mehr zum Autor: Leppmann, Wolfgang 1922-2002

UID:

Umfang: 1 online resource (x, 230 pages) : , digital, PDF file(s).

ISBN: 9781571138330 (ebook)

Inhalt: Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.

Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism.

Weitere Ausg.: Print version: ISBN 9781571135346

Sprache: Englisch

Fachgebiete: Germanistik

URL: http://www.cambridge.org/core/product/identifier/9781571138330/type/BOOK

URL: Volltext  (lizenzpflichtig)

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Umfang: XV, 220 S.

Sprache: Englisch

Fachgebiete: Germanistik

Schlagwort(e): 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; 1749-1832 Goethe, Johann Wolfgang von ; Rezeption ; Geschichte ; Biografie

Mehr zum Autor: Leppmann, Wolfgang 1922-2002

UID:

Umfang: 1 online resource (426 pages)

Ausgabe: First edition.

ISBN: 3-7489-3401-7

Serie: Bild und Recht - Studien zur Regulierung des Visuellen ; Volume 11

Anmerkung: Cover -- Part 1 From Drawings to Deep Fakes - Some Introductory Remarks -- Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship -- I. Digital Ethics - The Issue of Images: An Introduction -- 1. Defining the issue -- a) What is to be understood by digital image ethics? -- b) Changes brought about by digital and networking technologies -- 2. Issues of digital image ethics -- a) Practical level -- b) Semantical level -- 3. Method and aim of the book -- a) Questions to be asked -- b) Consequential ethics -- 4. Law and ethics -- II. The Contributions of This Book -- 1. Transalpine considerations -- 2. The parts of this book -- 3. The contributions in detail -- a) The ethical framework -- b) Images, art and society -- c) Binary encoding and artificial intelligence: The dissolution of the visual object -- d) Technology, ethics and legal norms -- e) Ethics and fundamental rights -- References -- Chapter 2 From Goethe's Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes -- I. Preface -- II. "Travelling" as a Medium of Communication and Discovery -- III. Letters, Circulars, and Broadcast Chains -- IV. How We Participate in Foreign Life -- V. The Power of the "Image" -- VI. Conclusion -- References -- Part 2 Ethical Foundations -- Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say -- I. Introduction -- II. Digital Ethics Today: A Snapshot -- III. Ethics: Challenged by Both a Problem of Justification and a Problem of Application -- 1. The problem of justification -- 2. The problem of application -- IV. The Possibility of Applied Ethics -- 1. The need for applied ethics -- 2. Applied ethics is different from everyday moral judging -- 3. The "seat in life" of applied ethics -- V. The Task of Digital Image Ethics. , VI. What Digital Image Ethics Might Have to Say: Three Examples -- 1. The Principle of Unconditionally Permissible Use of all Vocabulary of a Visual Language -- 2. The Principle of the Legitimacy of Taking Photographs in Museums -- 3. The Principle of Prohibiting Deception by Manipulated Photographs -- References -- Chapter 4 Form and Norm in Pictures -- References -- Part 3 Images, Art and Society -- Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value -- I. Prologue: The Virus and the Web -- II. Privacy, Post-Truth, and Documedia Surplus Value -- III. From the Superstructure to the Structure -- 1. Quantity: big data -- 2. Quality: rich data -- 3. Relation: secret data -- 4. Modality: real data -- 5. The unfair exchange -- IV. Epilogue: Objections and Answers -- References -- Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them -- I. Introduction -- II. Technology -- 1. Knowledge -- a) Planning -- b) Processing -- 2. Practices -- a) Dispositions -- b) Reality -- III. Metaphysics -- 1. Structures -- a) Forms -- b) Hybridizations -- 2. Immersivity -- a) Interaction -- b) Identification Criteria -- IV. Conclusion -- References -- Chapter 7 From Works to Living Means of Communication - The Digital Image and the 'Iconic Turn' -- I. The Democratization of the Image Tools -- II. From Analogue Images to Forms of Orality -- III. Aby Warburg's "Pathosformeln" -- IV. Selfies and Emojis -- V. The Vivification of the Images: Memes -- VI. The Application of Social Media Tools to Classical Artworks -- VII. ...and The Future? - Consequences for Authorship and Copyright -- References -- Chapter 8 Fairness Aspects of Techniques of Referencing Cultures -- I. Referencing as a Cultural Phenomenon -- II. The Importance of Referencing Cultures -- 1. Historical use of referencing and appropriation -- 2. Appropriation art. , 3. Referencing as a medium of communication -- III. Under German Copyright Law -- 1. Consent pursuant to 23 (1) sentence 2 UrhG -- 2. Citation according to 51 UrhG -- 3. Caricature or parody according to 51a UrhG -- 4. Pastiche according to 51a UrhG -- a) A broad understanding of pastiche in the Explanatory Memorandum to the German Act implementing the DSM-Directive -- b) A narrow understanding of pastiche -- c) Pastiche does not achieve a systemic change -- V. Concluding Remarks -- References -- Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future -- I. Digital Images -- II. The Transgenerational Bond -- III. Transgenerational Actions -- IV. Transgenerational Images -- References -- Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image -- I. Iconoclasm as a Means of Innovation and Reappraisal -- II. Iconoclasm and Iconoclash -- III. Digital Preservation and Restoration -- IV. Provisional Conclusion -- References -- Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object -- Chapter 11 Semioethics of the Visual Fake -- I. The Intimate Nature of the Visual Fake -- II. The Visual Fake, Technology, and Evolution -- III. Conventionality and Motivation in the Technology of the Visual Fake -- IV. The Third Way of Semiotics -- V. Semiotics as Discipline of the Fake -- VI. The Background of Reflection: Advances and Lacunae -- VII. The Tasks Ahead for a Semioethics of the Visual Fake -- VIII. Conclusions: On Fakes and Viruses -- References -- Chapter 12 From Copy & -- Paste to Deep Fakes - Digital Collaging and Image Manipulation -- I. Introduction -- II. From Copy & -- Paste to Deep Fakes - The Origins of Image Manipulation -- 1. A brief history of image manipulation -- a) Starting point: art forgery. , b) Making history with fake photographs -- c) "Face swap" as preliminary stage -- 2. The Technology behind: deep fake algorithms -- a) Deep learning -- b) Autoencoder -- c) Generative adversarial network -- 3. The power of images: why images are more than simple information media -- III. Deceptions Through Image Manipulation in the Information Age -- 1. State of the art: what AI is already capable of -- 2. Deep learning technology and its consequences -- a) Consequences for the individual as a social being -- b) Potentially affected rights -- c) Indirect consequences: disinformation -- 3. Regulating the consequences: possible solutions for this problem -- a) Legal mechanisms -- b) Technical solutions -- c) Social measures -- d) Combination -- IV. Conclusion -- References -- Chapter 13 The Multi-Layered Information in a Digital Image -- I. Semantic Information -- II. Syntactic Information -- III. Structural Information -- IV. Context of Creation -- V. Conclusion -- References: -- Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation -- I. Introduction -- II. The Collision of Regulatory Regimes in German Law -- 1. The codification of the right to one's own image in the KUG: an overview -- 2. Images in the scope of European data protection law -- III. The Relationship Between the GDPR and the KUG -- 1. Opening clauses in the GDPR -- 2. The KUG and the opening clauses of the GDPR -- a) Journalistic and artistic purposes -- b) Other purposes -- c) Opening clauses and already existing laws -- 3. The (legal) discrepancy between capturing images and their publication -- IV. Concluding Remarks: The Future of Image Protection Law -- References -- Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand? -- I. Introductory Note -- II. A New Agenda for Copyright Laws. , III. AI-Generated Art and Creativity -- IV. AI-Made Art and the Law -- V. AI-Made Art and the Art World -- VI. Concluding Remarks -- References -- Part 5 Technology, Ethics and Legal Norms -- Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage -- I. Digitization in Economic Transactions -- II. 'Servitization' and Cloud-Based Image Storage -- III. Seeking Moral and Practical Continuity -- IV. Moral Constraints on Cloud-Based Image Storage -- 1. Accumulating -- 2. Accessing -- 3. Curating -- 4. Deleting -- V. Conclusions -- References -- Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms -- I. What It's All About and what Consequences Does it Entail? -- II. Voluntary Application of Technical Measures Restricting Legal Freedoms Supported by Anti-Circumvention Legislation -- 1. From public goods to technical protection measures -- 2. Technical protection measures and copyright exceptions and limitations -- a) Legislative solutions -- b) Reactions of the courts -- c) Additional issues described in legal literature -- 3. Some thoughts for discussion -- a) Is there really a problem? -- b) Advantages of technological restrictions -- III. Mandatory Decision-Making Power by Private Parties -- 1. Case scenarios -- 2. Structural issues -- 3. Ethical considerations -- IV. Concluding Remarks -- References -- Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales -- I. Introduction -- II. Censorship -- III. Reasons for Censorship -- IV. Algorithmic Judgment and the Pragmatics of Pictorial Speech Acts -- References -- Chapter 19 The Issue of the Image of Algorithms -- I. The Need for Regulating Algorithms -- 1. Fear of algorithms and technology -- 2. Improvements through regulation -- 3. Present impact of algorithms. , II. Some Remarks Concerning Terminology.

Weitere Ausg.: Print version: Dreier, Thomas Digital Ethics Baden-Baden : Nomos Verlagsgesellschaft,c2022 ISBN 9783848788415

Sprache: Englisch