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  • 1
    Book
    Book
    Ithaca, N.Y. :Cornell Univ. Press,
    UID:
    almahu_BV039979581
    Format: XIII, 286 S. : , Ill.
    Edition: 1. publ.
    ISBN: 978-0-8014-7742-3
    Series Statement: Signale : modern German letters, cultures, and thought
    Note: "The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture."--Publisher's Web site.. - Includes bibliographical references and index
    Language: English
    RVK:
    Keywords: 1866-1929 Mnemosyne Warburg, Aby Moritz ; Metapher ; 1874-1945 Philosophie der symbolischen Formen Cassirer, Ernst
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  • 2
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    UID:
    almahu_9949363123802882
    Format: 400 p , illustrations(colour)
    ISBN: 9780191953675
    Series Statement: Oxford scholarship online
    Content: This book is a study of how the poetry of Chaucer continued to give pleasure in the eighteenth century despite the immense linguistic, literary, and cultural shifts that had occurred between the fourteenth and eighteenth centuries. It investigates the full variety of responses to Chaucer from the late seventeenth century to the early nineteenth century. These include editions, biographies, and critical accounts and various kinds of translation, adaptation, and imitation. The book is primarily designed to appeal to students of eighteenth-century literature and of Chaucer, but should also be of interest to students of literary influence and reception in all periods.
    Note: Introduction -- 1 Chaucer and the Progress of Poetry -- 2 The Father of Poetry and the Father of Criticism1 -- 3 Palamon and Arcite -- 4 The Cock and the Fox -- 5 Chaucer's Characters, Chaucer's Character, and the Character of Chaucer's Verse -- 6 The True, Enlivened, Natural Way -- 7 Some Eighteenth-Century Wives of Bath -- 8 Samuel Johnson and Chaucer -- 9 Visions, Proclamations, and Courts of Love -- 10 Pathos, Chivalry, and Romance -- 11 Chaucer and The Temples of Fame -- 12 Poets and Antiquarians
    Additional Edition: Print version : ISBN 9780192862624
    Language: English
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  • 3
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | New York : Bloomsbury Publishing (US)
    UID:
    gbv_188085130X
    Format: 1 Online-Ressource (520 pages)
    Edition: 1st ed
    ISBN: 9781501398704
    Series Statement: Thinking Media
    Content: The Emerging Contours of the Medium explores a crucial aspect of media thinking, focusing particularly on the 'mediality' of literature, a medium that remains today on the margins of the theoretical discussion of media. The book was written by a collective of authors based in the Institute of Czech Literature, Czech Academy of Sciences, Czech Republic. Even though interest in the technological and media aspects of literature has been slowly building momentum in the past several decades, from comparative perspectives to written culture to new media, the concept of the medium has not informed this process, and its systematic integration into literary studies has never been effectively carried out. Nor has the specific mediality of literature been successfully integrated into the general concept of media/lity in media science. Contributors to this work provide both an explanation of and solution to this mutual blindness, setting out from the question: What are the conditions for elaborating a media-theoretical framework in which to situate literature as a medium? The Emerging Contours of the Medium, available for the first time in English, is divided into three parts, which correlate to the three main research areas of the principles for a media theory of literature. Part 1 develops a perspective of the (pre)history of media thinking, grounding the principles of the genealogical integration. Part 2 concentrates on and develops the related perspectives of media philosophy and media anthropology. Part 3's main focus is the way media - as dispositifs interlinking the parameters of perception and communication - provide the ground for making emergent media phenomena visible, whether it be between media (in their mutual synergy or discrepancies), between media artefacts, or between human and apparatus. Stanislava Fedrová is Head of the Department of Art Historiography and Theory at the Institute of Art History at the Czech Academy of Sciences, researcher at the Institute of Czech Literature of the Czech Academy of Sciences and Assistant Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her scholarly interests include literary theory, art theory, visual culture and intermedial research, with a focus on the relations between verbal and visual media. She is co-author, with Alice Jedlicková, of Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016). Tomáš Chudý works as an independent researcher, translator (Kittler, Luhmann, Taylor etc.) and lawyer for the Czech National Bank. His research interests include media philosophy and the interrelation of technical and humanist paradigms by means of working with signs, as well as interlinking social and economic aspects in technically mediated communication. He has published in scholarly journals, such as Social Studies, and he is the co-author, with Richard Müller et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020). Alice Jedlicková is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, and Associate Professor of Literature and Intercultural Communication at Masaryk University, Czech Republic. Her research interests include intermedial studies (socio-spatial relations of cultural representations) and its history, literary theory, diachronic poetics and the theory of narrative. She is the editor of, and principle contributor to Narrative Modes of 19th Century Czech Prose (2022), and co-author, with Stanislava Fedrová, of the interdisciplinary inquiry Visible Descriptions: Visuality, Suggestivity and Intermediality of Literary Description (2016). She has published on transmediation as a marker of cultural continuity and on the potential of intermedial approach in education recently. Richard Müller is Senior Researcher at the Institute of Czech Literature of the Czech Academy of Sciences, professor of Comparative Literature at New York Univeristy Prague, and professor of Literary Criticism and Writing at the Prague School of Creative Communication. His research interests include the contextual transformations of literary mediality, the history of semiotics, (post)structuralism and cultural materialism, the genealogies of literary and media theory, and the writings of Franz Kafka. He is the editor of the scholarly journal Czech Literature, co-author, with Tomáš Chudý et al., of the Czech edition of The Emerging Contours of the Medium: Literature and Mediality (2020), and co-author, with Pavel Šidák et al., of The Dictionary of Modern Literary Theory (2011). Martin Ritter is Senior Researcher at the Institute of Philosophy of the Czech Academy of Sciences. His research interests lie in phenomenology (especially concerning Jan Patocka), critical theory and German medial philosophy. As editor and translator, he has prepared a three-volume edition of Walter Benjamin's work, and is author of Walter Benjamin's Philosophy of Language (2009). His most recent book is Into the World: The Movement of Patocka's Phenomenology (2019, in English). Josef Šebek is Assistant Professor of Czech and Comparative Literature at the Faculty of Arts of Charles University in Prague, Czech Republic. His research concerns cultural materialism, the sociology of Pierre Bourdieu and current French sociology of literature and works also on contemporary theory of discourse and rhetoric, media theory of literature, genres of life writing and queer studies. He is the editor of the scholarly journal Word &Sense, and author of Literature and the Social: Bourdieu, Williams, and Their Successors (2019). Pavel Šidák is researcher at the Institute of Czech Literature of the Czech Academy of Sciences editor-in-chief of the scholarly journal, Czech Literature, and professor of Literary Criticism and Writing at Prague School of Creative Communication, Czech Republic. His research interests include literary theory, literary genology and the relation between literature and folklore. He is the co-author, with Richard Müller et al., of The Dictionary of Modern Literary Theory (2011) and author of Introduction into the Study of Genres (2018). Josef Vojvodík is Professor of Czech and Comparative Literature at the Faculty of Arts at Charles University in Prague, Czech Republic. His research focuses on modern literature and visual arts (specifically, symbolicist and post-symbolicist modernism and the avant-garde movements of the 1920s-1930s with 'transhistoric' links to Mannerism and Baroque), as well as German and French media, social and cultural anthropology, and phenomenology. He is the author of Surface, Latency, Ambivalence: Mannerism, Baroque and the (Czech) Avant-Garde (2008) and Pathos in Czech Art, Poetry and Artistic-Aesthetic Thinking of 1940's (2014)
    Note: List of Figures List of Tables and Diagrams Author Profiles Acknowledgments Introduction: Genealogy of the Concept of the Medium and Literary Studies Richard Müller (Czech Academy of Sciences, Czech Republic) Chapter 1. The 'Medium' - Concept and History Tomáš Chudý (independent scholar) Chapter 2. Reflections of Mediality in Prague School Thinking Richard Müller and Pavel Šidák (Czech Academy of Sciences, Czech Republic) Chapter 3. The Media Philosophy of Walter Benjamin Martin Ritter (Czech Academy of Sciences, Czech Republic) Chapter 4. 'Let the Ghosts Come Back': Modern Spectrology and its Media Josef Vojvodík (Charles University, Czech Republic) Chapter 5. Gesture and its (Proto-)Medial Thresholds Richard Müller (Czech Academy of Sciences, Czech Republic) Chapter 6. Openness: The Information (Cybernetics) Moment in Literary Theory and Experimental Poetry of the 1950-1960s Richard Müller (Czech Academy of Sciences, Czech Republic) Chapter 7. Technics and Media Tomáš Chudý (independent scholar) Chapter 8. Communication, Solution and Mediality: The Paradoxical Character of Williams's Thinking on the Medium Josef Šebek (Charles University, Czech Republic) Chapter 9. Social Systems Theory and the Medium Tomáš Chudý (independent scholar) Chapter 10. Poetics - Semiosphere - Medium: Lotman's Cultural Semiotics at the Crossroads Richard Müller (Czech Academy of Sciences, Czech Republic) Chapter 11. The Theory of Intermediality: Apparentness of Relations, Elusiveness of the Medium Stanislava Fedrová and Alice Jedlicková (Czech Academy of Sciences, Czech Republic) Polylogue: Steps to a Media Theory of Literature Richard Müller, Alice Jedlicková, Stanislava Fedrová (Czech Academy of Sciences, Czech Republic), Josef Šebek (Charles University, Czech Republic) and Tomáš Chudý (Independent Scholar) References Index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501398674
    Additional Edition: ISBN 9781501398681
    Additional Edition: ISBN 9781501398698
    Additional Edition: ISBN 9781501398711
    Language: English
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  • 4
    Book
    Book
    [Lewisburg] :Bucknell University Press,
    UID:
    almafu_BV043483044
    Format: 573 Seiten : , Illustrationen.
    Edition: (Pre-book, manuscript publication)
    Series Statement: Bucknell series in eighteenty-century literature and culture
    Language: English
    Subjects: German Studies
    RVK:
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  • 5
    Online Resource
    Online Resource
    London : Bloomsbury Academic | London : Bloomsbury Publishing (UK)
    UID:
    gbv_1888530251
    Format: 1 Online-Ressource (192 pages)
    Edition: 1st ed
    ISBN: 9781350212732
    Content: The Old English epic poem Beowulf has an established reputation as a canonical text. And yet the original poem has remained inaccessible to all but experienced scholars of Old English. This book aims to present the poem to readers who want to know what makes it such a remarkable work of art, and why it is of such cultural significance. Most readers will only have encountered Beowulf through one of its many translations or adaptations; others have had to take on this unique survivor from a past era as a challenging translation exercise, part of their academic study of the poem. This book sidesteps scholarly debates about the poem's unknowns - its date, provenance or author - and focusses instead on its poetic artistry, its interleaving of heroic pasts and Christian present, and its poet's extraordinary breadth of reference, from biblical history to Old Norse myth. But the strange intricacies of Old English metre and poetic language are explained, and the poet's evocation of the ethics and material world of an imagined pre-Viking Scandinavia is explored. Beowulf: Poem, Poet and Hero follows the story of the poem through its many interwoven voices from different times and places, and the poem emerges as a work of reflective beauty, its human characters full of touching pathos and wisdom, its notorious monsters still speaking to our own societies' abiding insecurities. The final section, on post-medieval responses to Beowulf, shows how the poem has been taken up as a European cultural icon. This book restores its status as a literary masterpiece
    Note: Introduction Part One: The Storyworld 1. The Setting 2. The Human Characters 3. The Monsters Part Two: Poet, Narrator and Scop 4. A Christian Poet 5. An Old Norse Scholar 6. The Narrator 7. The Scop Part Three: Post-Medieval Meanings 8. Earliest Audiences 9. Early Modern Audiences 10. Translations 11. Contemporary Meanings Further Reading Index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781350212718
    Additional Edition: ISBN 9781350212725
    Additional Edition: ISBN 9781788312882
    Language: English
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  • 6
    Online Resource
    Online Resource
    Cambridge, UK : Open Book Publishers
    UID:
    b3kat_BV047135011
    Format: 1 Online-Ressource (xvi, 120 Seiten)
    ISBN: 9781783749836 , 9781783749843 , 9781783749850 , 9781783749867 , 1783749830
    Series Statement: Open Book classics series vol. 12
    Content: Maria Stuart, described as Schiller's most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England's religious confession. Hope for and doubt about Mary's deliverance grow in the first two acts, given to the Scottish and the English queen respectively, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and five, as the action advances to its inevitable end. The play is at once classical tragedy of great fineness, costume drama of the highest order--a spectacle on the stage--and one of the great moments in the long tradition of classical rhetoric, as Elizabeth's ministers argue for and against execution of a royal prisoner. Flora Kimmich's new translation carefully preserves the spirit of the original: the pathos and passion of Mary in captivity, the high seriousness of Elizabeth's ministers in council, and the robust comedy of that queen's untidy private life. Notes to the text identify the many historical figures who appear in the text, describe the political setting of the action, and draw attention to the structure of the play. Roger Paulin's introduction discusses the many threads of the conflict in Maria Stuart and enriches our understanding of this much-loved, much-produced play
    Note: Translator's Note / Flora Kimmich -- Introduction / Roger Paulin -- Maria Stuart / Friedrich Schiller and Flora Kimmich. Characters ; Act One ; Act Two ; Act Three ; Act Four ; Act Five -- Short Life of Mary Stuart / Flora Kimmich -- Endnotes / Flora Kimmich
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-1-78374-982-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-1-78374-981-2
    Language: English
    Keywords: Schiller, Friedrich 1759-1805 Maria Stuart
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Paulin, Roger 1937-
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  • 7
    Online Resource
    Online Resource
    Cambridge, UK :Open Book Publishers,
    UID:
    almahu_9949507739702882
    Format: 1 online resource (xvi, 120 pages) : , color illustrations.
    Series Statement: Open Book classics ; 12
    Content: "Maria Stuart, described as Schiller's most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England's religious confession. Hope for and doubt about Mary's deliverance grow in the first two acts, given to the Scottish and the English queen respectively, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and five, as the action advances to its inevitable end. The play is at once classical tragedy of great fineness, costume drama of the highest order--a spectacle on the stage--and one of the great moments in the long tradition of classical rhetoric, as Elizabeth's ministers argue for and against execution of a royal prisoner. Flora Kimmich's new translation carefully preserves the spirit of the original: the pathos and passion of Mary in captivity, the high seriousness of Elizabeth's ministers in council, and the robust comedy of that queen's untidy private life. Notes to the text identify the many historical figures who appear in the text, describe the political setting of the action, and draw attention to the structure of the play. Roger Paulin's introduction discusses the many threads of the conflict in Maria Stuart and enriches our understanding of this much-loved, much-produced play. Maria Stuart is the last of a series of five new translations of Schiller's major plays, accompanied by notes to the text and an authoritative introduction.".
    Note: Translator's Note / Flora Kimmich -- Introduction / Roger Paulin -- Maria Stuart / Friedrich Schiller and Flora Kimmich. Characters ; Act One ; Act Two ; Act Three ; Act Four ; Act Five -- Short Life of Mary Stuart / Flora Kimmich -- Endnotes / Flora Kimmich. , In English; translated from the original German.
    Additional Edition: ISBN 1-78374-986-5
    Language: English
    URL: Cover  (Connect to cover image)
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  • 8
    Online Resource
    Online Resource
    New York :Oxford University Press,
    UID:
    almahu_9948206459802882
    Format: 1 online resource : , music
    ISBN: 9780199349692 (ebook) :
    Content: In late eighteenth-century Vienna and the Habsburg territories, over 50 minor-key symphonies were written. Their distinctive stormy character, nervous energy and intense pathos make them a unique phenomenon.
    Additional Edition: Print version : ISBN 9780199349678
    Language: English
    Subjects: Musicology
    RVK:
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  • 9
    Book
    Book
    Cambridge u.a. :Cambridge Univ. Press,
    UID:
    almafu_BV008233233
    Format: XV, 143 S. : Ill.
    Edition: 1. publ.
    ISBN: 0-521-40226-3
    Series Statement: Cambridge studies in eighteenth-century English literature and thought
    Content: "This study of sensibility in the eighteenth-century novel discusses literary representations of suffering and responses to it, in the social and scientific context of the period. The reader of novels shares with some scientific observers the activity of gazing on suffering, leading Ann Van Sant to explore in the broader social context - specifically in the display of repentant prostitutes and the children of the vagrant and criminal poor and in certain scientific experiments - the coincidence between the rhetoric of pathos and scientific presentation. Showing that when sensibility becomes central to an understanding of psychology, it becomes the basis for an experimental approach to character, she argues that Samuel Richardson's method of revealing his heroine's heart in Clarissa is analogous to the enterprise of scientists creating and observing suffering in order to study interior physiological functions." "The book goes on to explore sensibility's location of psychological response in physical structures. Van Sant invokes eighteenth-century debates about the relative status of sight and touch in epistemology and psychology, as a context for discussing the "man of feeling," a spectator who reports on "touching" experiences. Focusing principally on Laurence Stern's A Sentimental Journey, she argues that the man of feeling's experience is located in the body - by definition both feminized and physiological, and therefore inherently parodic." "In a further note on readers of sensibility, she examines the relation between focusing on a physiologically defined moment and the fragmented, intensified episodes of the sentimental narrative."--BOOK JACKET.
    Note: Literaturverz. S. 126 - 136
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Roman ; Englisch ; Roman ; Empfindsamkeit ; Englisch ; Roman ; Leid ; Englisch ; Roman ; Empfindsamkeit ; Englisch ; Roman ; Empfindsamkeit
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  • 10
    Online Resource
    Online Resource
    Toronto :University of Toronto Press,
    UID:
    almahu_9949546442302882
    Format: 1 online resource (158 p.)
    ISBN: 9781442619364 , 9783110993899
    Content: The Discerning Narrator sheds new light on Joseph Conrad's controversial critique of modernity and modernization by reading his work through an Aristotelian lens. The book proposes that we need Aristotle - a key figure in Conrad's education - to recognize the profound significance of Conrad's artistic vision. Offering Aristotelian analyses of Conrad's letters, essays, and four works of fiction, Alexia Hannis illuminates the philosophical roots and literary implications of Conrad's critique of modernity. Hannis turns to Aristotle's ethical formulations to trace what she calls "the discerning narrator" in Conrad's oeuvre: a compassionate yet sceptical guide to appraising character and conduct. The book engages with past and current Conrad scholarship while drawing from Aristotle's Poetics, Politics, and Nicomachean Ethics to offer original philosophical analyses of Conrad's works. Drawing on Aristotle, Hannis provides a fresh context for making sense of Conrad's self-differentiation from modernity. As a result, The Discerning Narrator provides an affirmation of literature's invitation to wonder about the possibilities inherent in human nature, including the potential for painful depravity, heroic excellence, and ordinary human happiness.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: The Deeper Signifcance of Sailing Ships -- , 1 Conrad's Vision of Things -- , 2 An Outcast of the Islands: Tragedy, Pathos, and Conrad's Narrative Appeal -- , 3 Seeing Jim's Virtues in Lord Jim: A Tale -- , 4 The Discerning Narrator in Falk: A Reminiscence -- , 5 Marlow's Practical Wisdom: Chance: A Tale in Two Parts -- , Conclusion: "Speakings" -- , Notes -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
    In: University of Toronto Press Complete eBook-Package 2023, De Gruyter, 9783110797367
    Additional Edition: ISBN 9781442649071
    Language: English
    URL: Cover
    URL: Cover
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