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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9958236145702883
    Format: 1 online resource (xviii, 237 pages) : , digital, PDF file(s).
    ISBN: 1-107-48541-X , 1-280-15899-9 , 0-511-15545-X , 0-511-30389-0 , 0-511-11828-7 , 0-511-04074-1 , 0-511-99857-0 , 0-511-04933-1 , 0-511-03409-1
    Series Statement: Cambridge companions to literature
    Content: First published in 2001, this is an accessible, wide-ranging and informed introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's practice and the creative use he made of the conventions he inherited. The first section puts Shakespeare in the context of classical and Renaissance comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number of themes through Shakespeare's early and middle comedies, dark comedies and late romances, establishing the key features of his comedy as a whole and illuminating particular plays by close analysis. Individual chapters draw on contemporary politics, rhetoric, and the history of Shakespeare production. Written by experts in the relevant fields, the chapters frequently challenge long-standing critical assumptions.
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015). , Machine generated contents note: Part 1: Shakespeare and comic tradition -- 1 Theories of comedy -- DAVID GALBRAITH -- 2 Roman comedy -- ROBERT S. MIOLA -- 3 Italian stories on the stage -- LOUISE GEORGE CLUBB -- 4 Elizabethan comedy -- JANETTE DILLON -- 5 Popular festivity -- FRANCOIS LAROQUE --Part 2: Shakespearean comedy -- 6 Forms of confusion -- JOHN CREASER -- 7 Love and courtship -- CATHERINE BATES -- 8 Laughing at "others" -- EDWARD BERRY -- 9 Comedy and sex -- ALEXANDER LEGGATT -- 10 Language and comedy -- LYNNE MAGNUSSON -- 11 Sexual disguise and the theatre of gender -- BARBARA HODGDON -- 12 Matters of state -- ANTHONY MILLER -- 13 The experiment of romance -- MICHAEL O'CONNELL.
    Additional Edition: ISBN 0-521-77044-0
    Additional Edition: ISBN 0-521-77942-1
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Aufsatzsammlung
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  • 2
    Online Resource
    Online Resource
    Cham :Springer International Publishing, | Cham :Palgrave Macmillan.
    UID:
    almafu_BV046705927
    Format: 1 Online-Ressource (IX, 320 p. 1 illus).
    Edition: 1st ed. 2020
    ISBN: 978-3-030-37214-9
    Series Statement: Palgrave Studies in Comedy
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-37213-2
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-37215-6
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-37216-3
    Language: English
    Subjects: General works
    RVK:
    Keywords: Stand-Up Comedy ; Schwarzer Humor ; Katharsis ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    UID:
    almahu_9949863072202882
    Format: 1 online resource (303 pages)
    Edition: 1st ed.
    ISBN: 1-04-015715-7 , 1-003-49923-6
    Series Statement: Routledge Interdisciplinary Perspectives on Literature Series
    Content: After a 6-million-year journey through hominin mating regimes--with varying promiscuity, polygyny, and monogamy--this book investigates the past millennium's radical evolution of Western mating beliefs. Soon, the Fourth Sexual Revolution will transform our mating through A.I. and other technologies.
    Note: Exiting heroic love: Monogamous indoctrination in the Icelandic Sagas (1200s) -- Promoting courtly love: Female consent and modern morality in Tristrams saga (1226) -- Companionate love & the nuptial valve: Urban Incels in the unfaithful wife (c. 1500) -- Promoting romantic love: Individual choice in holberg's comedies (1722-1754) -- The libertine love experiment: Sex as intoxication in Bellman's epistles (1770-1790) -- Perils of romantic love: Dark triad seducers in the magic goblet (1841) -- Exploring confluent love: Darwinian mating in the modern breakthrough (1871-1888) -- Consequences of confluent love: Self-realization in the serious game (1912-2016) -- Lesbian heroic love: A queer dissolution of confluent love in Baby Jane (2005) -- Incels & insings: Marginalized men and women in Sigurd and half of Malmö (2020s).
    Additional Edition: ISBN 1-03-281319-9
    Language: English
    Keywords: Electronic books.
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  • 4
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960119525902883
    Format: 1 online resource (viii, 311 pages) : , digital, PDF file(s).
    Edition: Second edition.
    ISBN: 0-511-55425-7
    Content: Much of twentieth-century drama defies the traditional pigeon-holes of tragedy and comedy: the heroes are not straightforwardly heroic; the subject-matter seems at some times grimly realistic and at others nearer to pure fantasy. Professor Styan explains and illuminates the nature of this dark, paradoxical comedy. He reminds us, first, that this is not a purely modern phenomenon: many great plays of the past have similarly defied classification and have called for an equally vacillating response from their audience. But nonetheless this dramatic genre has had its clearest expression in the last sixty years: we are shown in detail how its techniques have developed from Ibsen and Chekhov to Pirandello, Brecht and contemporary playwrights such as Ionesco, Beckett, Tennessee Williams and Pinter. The author brings us to realize that the playwright, by creating complex tensions in the action of the play between the actor and the audience and within the individual spectator, is able to explore new areas of human feeling and response. In this second edition of The Dark Comedy Professor Styan has brought the book up to date in relation to recent plays and theatrical developments. He has modified some earlier judgements and added detailed analyses of scenes from Brecht's Mother Courage and from Beckett's Waiting for Godot. Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book. It covers a wide range of subject-matter; but its underlying theme is clear, forceful and unified.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , On tears and laughter -- Naturalistic shading -- Towards tragic inversion -- Counterpoint and hysteria -- The dark comedy. , English
    Additional Edition: ISBN 0-521-09529-8
    Additional Edition: ISBN 0-521-06572-0
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 5
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  • 6
    UID:
    almafu_9958354367702883
    Format: 1 online resource (vi,311pages) : , illustrations.
    Edition: Electronic reproduction. Berlin/Boston : De Gruyter, 2015. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9783110406719
    Series Statement: The Dynamics of Wordplay; 1
    Content: This volume is the first of two bringing together selected contributions from linguistics and literary studies focusing on the variegated manifestations of wordplay in different communicative settings. By investigating basic techniques and ludic traditions, the volumes offer a fresh look on the metalinguistic/metadiscursive dimension of wordplay as well as on its various kinds of interplays.
    Note: Frontmatter -- , Contents -- , Wordplay and Its Interfaces in Speaker- Hearer Interaction: An Introduction / , "Equivocation will undo us"? Wordplay and Ambiguity in Hamlet’s First and Second Line / , Wordplay as Courtly Pastime and Social Practice: Shakespeare and Lewis Carroll / , Double Entendre in Restoration and Early Eighteenth-Century Comedy / , The Serious Work of Play: Wordplay in the "Dark Sonnets" of Gerard Manley Hopkins / , Lexical Blending as Wordplay / , Non-Canonical Proverbial Occurrences and Wordplay: A Corpus Investigation and an Enquiry Into Readers’ Perception of Humour and Cleverness / , A Cognitive Model for Bilingual Puns / , Interview: A Perspective from Practical and Professional Experience – Wordplay in Poetry / , Wordplay and Discourse Traditions / , Wordplay in Subtitled Films – An Audience Study / , Plays around Surfaces and Depths: Transitions between Two- and Three- Dimensionality Reflected by Wordplays and Puns / , Secret Wordplay and What It May Tell Us / , List of Contributions and Abstracts -- , List of Contributors -- , Index. , Also available in print edition. , In English.
    Additional Edition: ISBN 9783110406566
    Additional Edition: ISBN 9783110406726
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
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    Keywords: Aufsatzsammlung
    URL: Cover
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  • 7
    AV-Medium
    AV-Medium
    [S.l.] :Universal Studios,
    UID:
    almafu_BV036126632
    Format: 1 DVD, Ländercode 2 und 4, 101 Min.., farb., Dolby Digital ; , 12 cm.
    Content: One ordinary man's quest to become a serious man. Physics professor Larry Gopnik (Stuhlbarg) can't believe his life. His wife is leaving him for his best friend, his unemployed brother won't move off the couch, someone is threatening his career, his kids are a mystery and his neighbor is tormenting him by sunbathing nude. Struggling to make sense of it all, Larry consults three different rabbis and their answers lead him on a twisted journey of faith, family, delinquent behavior, and mortality.
    Note: Orig.: USA 2009
    Language: English
    Subjects: General works
    RVK:
    Keywords: Zweierbeziehung ; Juden ; Mann ; Mittleres Lebensalter ; Midlife-Crisis ; Sterblichkeit ; Filmkomödie ; Schwarzer Humor ; Fiktionale Darstellung ; DVD-Video ; Comedy films ; Dark comedy films ; Feature films ; Fiction films ; Video recordings for the hearing impaired ; Fiktionale Darstellung ; DVD-Video
    Author information: Coen, Joel 1954-
    Author information: Coen, Ethan 1957-
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  • 8
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414272502882
    Format: 1 online resource (xi, 171 pages) : , digital, PDF file(s).
    ISBN: 9780511527135 (ebook)
    Series Statement: Cambridge studies in film
    Content: Inside Soviet Film Satire is a lively collection of sixteen original essays by Soviet, American and Canadian scholars and film commentators. It is the first indepth examination of an important genre within the Soviet film tradition. From its origins, humour and satire have been closely linked in Soviet cinema. Nowhere in this tradition is there the pure comic genre typified in the West in films by Charlie Chaplin or Buster Keaton; by contrast, Soviet comedy can best be described as 'laughter with a lash'. Films made during the early years of the communist regime depicted characters and situations at a moment when the promise of socialism had yet to be realised. By the final years of totalitarian rule, filmmakers had found ways to create satirical films that powerfully indicted communism itself.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Soviet film satire yesterday and today / Valentin Tolstykh -- A Russian Munchausen : Aesopian translation / Kevin Moss -- "We don't know what to laugh at" : comedy and satire in Soviet cinema (from The miracle worker to St. Jorgen's feast day / Denise J. Youngblood -- An ambivalent NEP satire of bourgeois aspirations : The kiss of Mary Pickford / Peter Christensen -- Closely watched drains : notes by a dilettante on the Soviet absurdist film / Michael Brashinsky -- A subtextual reading of Kuleshov's satire The extraordinary adventures of Mr. West in the land of the Bolsheviks (1924) / Vlada Petric -- The strange case of the making of Volga, Volga / Maya Turovskaya -- Circus of 1936 : ideology and entertainment under the big top / Moira Ratchford -- Black humor in Soviet cinema / Olga Reizen -- Laughter beyond the mirror : huor and satire in the cinema of Andrei Tarkovsky / Vida T. Johnson. , (cont.) The films of Eldar Shengelaya : from subtle humor to biting satire / Julie Christensen -- A forgotten flute and remembered popular tradition / Greta N. Slobin --Perestroika of kitch : Sergei Soloviev's Black rose, red rose / Svetlana Boym -- Carnivals bright, dark and grotesque in the Glasnost satires of Mamin, Mustafayev, and Shakhnazarov / Andrew Horton -- Quick takes on Yuri Mamin's Fountain from the perspective of a Romanian / Andrei Codrescu -- "One should begin withzero" : a discussion with satiric filmaker Yuri Mamin / Andrew Horton.
    Additional Edition: Print version: ISBN 9780521430166
    Language: English
    Subjects: Slavic Studies , General works
    RVK:
    RVK:
    Keywords: Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online Resource
    Online Resource
    New York, USA :Cambridge University Press,
    UID:
    almahu_BV043695499
    Format: 1 Online-Ressource (xi, 301 Seiten).
    ISBN: 978-1-107-33702-2
    Content: Postmodernism Literature and Race explores the question of how dramatic shifts in conceptions of race in the late twentieth and early twenty-first centuries have been addressed by writers at the cutting edge of equally dramatic transformations of literary form. An opening section engages with the broad question of how the geographical and political positioning of experimental writing informs its contribution to racial discourses, while later segments focus on central critical domains within this field: race and performativity, race and the contemporary nation, and postracial futures. With essays on a wide range of contemporary writers, including Bernadine Evaristo, Alasdair Gray, Jhumpa Lahiri, Andrea Levy, and Don DeLillo, this volume makes an important contribution to our understanding of the politics and aesthetics of contemporary writing
    Note: Machine generated contents note: 1. Critical histories: postcolonialism, postmodernism and race Bill Ashcroft; 2. Race and the crisis of the postmodern social novel Madhu Dubey; 3. Worlded localisms: cosmopolitics writ small David James; 4. Yellows, blacks, blues: the seductions of (black) postmodern detective fiction Bran Nicol; 5. Performing identity: intertextuality, race and difference in the South Asian novel in English Peter Morey; 6. Performing race in Caryl Phillips's Dancing in the Dark Abigail Ward; 7. Appropriate appropriation?: Ishmael Reed's hoodoo and Flannery O'Connor's artificial negroes John N. Duvall; 8. 'How Scottish I am': Alasdair Gray, race and neo-nationalism Len Platt; 9. 'Justabit fascist': Dubravka Ugrešić, cosmopolitanism and the post-Yugoslav condition Vedrana Velickovic; 10. Postmodern prose and the discourse of the 'cultural Jew': the cases of Mailer and Foer David Witzling; 11. Race, comedy and tourism: the hideous embarrassments of Will Self's The Butt David Punter; 12. White male nostalgia in Don DeLillo's Underworld Tim Engles; 13. Postmodern revisions of Englishness: Rushdie, Barnes, Ballard Nick Bentley; 14. The whiteness of David Foster Wallace Samuel Cohen; 15. After the first decade: revisiting the work of Zadie Smith Philip Tew; 16. Racial neoliberalism and whiteness in Pynchon's Gravity's Rainbow Sue J. Kim; 17. 'Some kind of black': black British historiographic metafictions and the postmodern politics of race Sara Upstone
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-04248-3
    Language: English
    Subjects: American Studies , English Studies
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Englisch ; Literatur ; Roman ; Postkolonialismus ; Rassismus ; Postmoderne ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Author information: Platt, Len, 1954-
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  • 10
    Online Resource
    Online Resource
    University Park, PA :Penn State University Press,
    UID:
    almafu_9960947740302883
    Format: 1 online resource (262 p.) : , 35 illustrations
    ISBN: 0-271-08992-X , 0-271-08990-3
    Series Statement: Humor in America ; 1
    Content: According to the popular maxim, a nation at war reveals its true character. In this incisive work, Chris Gilbert examines the long history of US war politics through the lens of political cartoons to provide new, unique insights into American cultural identity.Tracing the comic representation of American values from the First World War to the War on Terror, Gilbert explores the power of humor in caricature to expose both the folly in jingoistic virtues and the sometimes-strange fortune in nationalistic vices. He examines the artwork of four exemplary American cartoonists--James Montgomery Flagg, Dr. Seuss, Ollie Harrington, and Ann Telnaes--to craft a trenchant image of Americanism. These examinations animate the rhetorical, and indeed comic, force of icons like Uncle Sam, national symbols like the American Eagle, political stooges like President Donald J. Trump, and more, as well as the power of political cartoons to comment on issues of race, class, and gender on the home front. Throughout, Gilbert portrays a US culture rooted in and riven by ideas of manifest destiny, patriotism, and democracy for all, yet plagued by ugly forms of nationalism, misogyny, racism, and violence.Rich with examples of hilarious and masterfully drawn caricatures from a diverse range of creators, this unflinching look at the evolution of our conflicted national character illustrates how American cartoonists use farce, mockery, and wit to put national character in the comic looking glass.
    Note: Intro -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 / Pledges of Allegiance, Sexualized Politics, and Comic Pillories in James Montgomery Flagg's America -- 2 / Dr. Seuss and His Wacky War on American Culture -- 3 / Children of War in Ollie Harrington's Dark Comedy -- 4 / The Battle Rages on in Ann Telnaes's Comic Travesties of the War on Terror -- Conclusion: Warring Caricatures -- Coda: Caricature in End Times, or the Future of Caricature -- Notes -- Bibliography -- Index , In English.
    Additional Edition: ISBN 0-271-08976-8
    Language: English
    URL: Cover
    URL: Cover
    URL: Cover
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