Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (x, 148 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 1-107-16641-1 , 1-280-81558-2 , 0-511-61102-1 , 0-511-27468-8 , 0-511-27538-2 , 0-511-27312-6 , 0-511-56865-7 , 0-511-27391-6

Series Statement: Cambridge introductions to literature

Content: Emily Dickinson is best known as an intensely private, even reclusive writer. Yet the way she has been mythologised has meant her work is often misunderstood. This 2007 introduction delves behind the myth to present a poet who was deeply engaged with the issues of her day. In a lucid and elegant style, the book places her life and work in the historical context of the Civil War, the suffrage movement, and the rapid industrialisation of the United States. Wendy Martin explores the ways in which Dickinson's personal struggles with romantic love, religious faith, friendship and community shape her poetry. The complex publication history of her works, as well as their reception, is teased out, and a guide to further reading is included. Dickinson emerges not only as one of America's finest poets, but also as a fiercely independent intellect and an original talent writing poetry far ahead of her time.

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Preface -- Chapter 1. Life. The Dickinson family ; A portrait of the poet as a young girl ; Early ambitions, difficult changes ; Preceptors ; "Sister Sue" ; A "Woman -- white -- to be" -- Chapter 2. Context. Religious culture : Puritanism, the Great Awakenings, and revivals ; Industrialization and the individual ; Political culture : expansion and the antebellum period ; Social movements : Abolition and women's rights ; Philosophical reactions : Transcendentalism ; The Civil War -- Chapter 3. Works. Sweeping with many-colored brooms : the influence of the domestic ; Blasphemous devotion : biblical allusion in the poems and letters ; "Easy, quite, to love" : friendship and love in Dickinson's life and works ; "The Heaven -- below" : nature poems ; "A Riddle, at the last" : death and immortality -- Chapter 4. Reception. "The Auction Of the Mind" : publication history ; Editing the poems and letters ; Early reception ; New Criticism ; Dickinson's legacy. , English

Additional Edition: ISBN 0-521-67270-8

Additional Edition: ISBN 0-521-85670-1

Language: English

Subjects: American Studies

Keywords: Einführung ; Einführung

URL: https://doi.org/10.1017/CBO9780511611025

URL: Volltext  (lizenzpflichtig)

URL: Volltext

URL: Volltext  (lizenzpflichtig)

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Format: 1 online resource (125 pages some folded) : , color illustrations ;

ISBN: 9781943208197 , 1943208190

Content: For more than half a century, the story of Emily Dickinson's "Master" documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different story--the story of the documents themselves. Rather than presenting the "Master" documents as quarantined from Dickinson's larger scene of textual production, Marta Werner's innovative new edition proposes reading them next to Dickinson's other major textual experiment in the years between ca. 1858-1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of "mastery" itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinson's Master Hours proposes new constellations of Dickinson's work as well as exciting new methodologies for textual scholarship as an act of "intimate editorial investigation."

Note: Prologue: To the reader -- Historical introduction: The discovery, transmission, and printing histories of the "master letters" -- Early printings -- In the hour of the new bibliography -- Homage to Ralph W. Franklin -- Textual introduction: From letters to documents: Imagining a new edition of the "master" documents -- Re-drawing the boundaries -- Dating the "master" documents -- Editing in space and time -- Principles of transcription -- Manuscript witnesses & transcriptions in time -- Dear master / I am ill - (A 827) -- The writing line, ca. spring 1858-ca. summer 1860 -- Mute - thy Coronation - (A 825) -- The writing line, ca. autumn 1860-ca. winter 1861 -- Oh ' did I offend it - (A 829) -- The writing line, ca. spring 1861 -- Master ./ If you saw a bullet (A 828) -- Reading hours -- Commentaries on the "master" documents -- The hour of flowers: A 827 -- The hour of ermine: A 825 -- The hour of lead: A 829 -- The midnight hour: A 826 -- The queen's hour: A 828. , English

Additional Edition: ISBN 9781943208180

Additional Edition: ISBN 1943208182

Language: English

Keywords: Criticism, interpretation, etc. ; Personal correspondence. ; Criticism, interpretation, etc. ; Personal correspondence.

DOI: 10.3998/mpub.12023683

URL: kostenfrei

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Format: 1 online resource (viii, 162 pages) : , PDF, digital file(s).

ISBN: 9780472121267 , 047212126X , 9780472900091 , 0472900099

Series Statement: Editorial theory and literary criticism

Content: "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--

Note: America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated. , Also available in print form. , English

Additional Edition: ISBN 9780472072750

Additional Edition: ISBN 0472072757

Additional Edition: ISBN 9780472052752

Additional Edition: ISBN 0472052756

Language: English

Keywords: History.

DOI: 10.3998/etlc.13607061.0001.001

URL: EBSCOhost

URL: JSTOR

URL: MyiLibrary

URL: OAPEN

URL: OverDrive

URL: Project MUSE

URL: ProQuest Ebook Central

URL: https://doi.org/10.3998/etlc.13607061.0001.001

URL: View this content on BiblioBoard.

URL: Connect to e-book (temporary access enabled until 31st August 2020)

URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2020707328

URL: Biblioboard

URL: Image  (Thumbnail cover image)

URL: OAPEN  (Creative Commons License)

URL: Reading advice (software, printing, accessibility, privacy)

URL: Excerpts

URL: Image

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Format: XVII, 187 S. : , Ill.

Language: English

Subjects: American Studies

Keywords: 1830-1886 Dickinson, Emily ; Edition ; 1830-1886 Dickinson, Emily ; Textgeschichte ; Edition ; 1830-1886 Dickinson, Emily ; Edition ; Geschichte ; Hochschulschrift

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Format: viii, 162 Seiten , Illustrationen

ISBN: 9780472052752 , 9780472072750

Series Statement: Editorial theory and literary criticism

Content: "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"...

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-472-12126-7

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-472-90009-1

Language: English

Subjects: American Studies

Keywords: USA ; Sammelwerk ; Literaturgattung ; Schriftsteller ; Nationalcharakter ; Geschichte

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

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Format: 267 Seiten : , Illustrationen ; , 24 cm.

Edition: Revised edition

ISBN: 978-1-60469822-0

Note: Originally published by McGraw-Hill in 2005 as Emily Dickinson's Gardens : A Celebration of a Poet and Gardener , Preface to the revised edition -- Introduction -- The turning of the year -- Early spring : A gardener's home and family -- Late spring : The education of a gardener -- Early summer : A gardener's travels -- Midsummer : A gardener's ground -- Late summer : A hedge away -- Autumn : A gardener's town -- Winter : Requiem for a gardener -- A poet's gardens -- Planting a poet's garden -- visiting a poet's garden -- An annotated list of Emily Dickinson's plants -- Afterword -- Sources and citations -- A note on the botanical artists -- Acknowledgements -- Photo and illustration credits -- Index

Language: English

Keywords: 1830-1886 Dickinson, Emily ; Garten ; Biografie ; Biographies ; History ; Biografie

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Format: 1 online resource.

ISBN: 9789004483866 , 9789042018211

Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 2-3

Content: Reading notes constitute a vast resource for an understanding of literary history and culture. They indicate what writers read as well as how they read and what they used in their own work. As such, they play an important role in both the reception and the production of texts. The essays in this volume, representing the newest trends in European and international textual scholarship, examine literary creation and the relationship between reading and writing. To study how readers respond to writing and how reading engenders new writing, the contributing scholars no longer take for granted that authors write in splendid isolation, but turn to a more broadly sociological investigation of authorship, assigning new roles to the writer as reader, notetaker, annotator, book collector and so on. Notes and annotations may be fragmentary, private, undigested and embryonic, but as witnesses to the reading process, they tell unique stories about writers and readers, ranging from great marginalists like Coleridge to women annotators of cookbooks. This subject of research is a junction of several fields of research and tries to bridge gaps between separate disciplines with a common ground, such as the history of the book, the history of reading, and the history of writing, scholarly editing, and textual genetics (the analysis, commentary and critical interpretation of the way in which works of art come into being), bridging the gap between literary and textual criticism.

Note: Preface -- Dirk VAN HULLE and Wim VAN MIERLO: Reading Notes: Introduction -- Daniel FERRER: Towards a Marginalist Economy of Textual Genesis -- "MARGINALISTS" -- M.J. DRISCOLL: Postcards from the edge: an overview of marginalia in Icelandic manuscripts -- Carmen PERAITA: Marginalizing Quevedo: Reading Notes and the Humanistic Persona -- Stephen COLCLOUGH: "R R, A Remarkable Thing or Action": John Dawson (1692-1765) as Reader and Annotator -- J.C.C. MAYS: Coleridge's Marginalia within the Category Reading Notes -- Greta GOLICK: "one quart milk, five eggs I should say": Marginalia in Anglo-Canadian Cookbooks -- H.T.M. van VLIET: Whispering Voices in the Literary World of J.H. Leopold (1865-1925) -- Wim VAN MIERLO: Reading W.B. Yeats: The Marginalia of T. Sturge Moore -- Bodo PLACHTA: Franz Kafka Reads the Letters of Vincent van Gogh -- Davide GIURIATO: Folded Manuscripts: Walter Benjamin's Marginal Writing -- Axel GELLHAUS: Marginalia: Paul Celan as Reader -- "EXTRACTORS" -- Herbert WÄCKERLIN: A Manuscript Collector's 'Commonplace Books': Árni Magnússon (1663-1730) and the Transmission of Conscious Fragmentation -- Maximiliaan van WOUDENBERG: Coleridge's Göttingen Reading Notes: The Intertextual Research of the Projected Life of Lessing in 1799 -- Peter SHILLINGSBURG: Private Reading, Public Writing: W.M. Thackeray, Mrs. Grundy, and the Market -- Martha Nell SMITH: Emily Scissorhands: Reading Dickinson Reading -- Rüdiger NUTT-KOFOTH: Author's Reading - Author's Literary Production: Some Reflections on the Editing of Reading Notes in German Critical Editions -- Geert LERNOUT: James Joyce: the odious and still today insufficiently malestimated notesnatcher (FW 125.21-2) -- Dirk VAN HULLE: Note on Next to Nothing: Ellipses in Samuel Beckett's Reading Notes -- REVIEWS -- BOOK NOTICES.

Additional Edition: Print version: Reading Notes. Leiden ; Boston : BRILL, 2004 ISBN 9789042018211

Language: English

URL: DOI:

UID:

Format: 1 Online-Ressource

ISBN: 9789004483866 , 9789042018211

Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 2-3

Content: Reading notes constitute a vast resource for an understanding of literary history and culture. They indicate what writers read as well as how they read and what they used in their own work. As such, they play an important role in both the reception and the production of texts. The essays in this volume, representing the newest trends in European and international textual scholarship, examine literary creation and the relationship between reading and writing. To study how readers respond to writing and how reading engenders new writing, the contributing scholars no longer take for granted that authors write in splendid isolation, but turn to a more broadly sociological investigation of authorship, assigning new roles to the writer as reader, notetaker, annotator, book collector and so on. Notes and annotations may be fragmentary, private, undigested and embryonic, but as witnesses to the reading process, they tell unique stories about writers and readers, ranging from great marginalists like Coleridge to women annotators of cookbooks. This subject of research is a junction of several fields of research and tries to bridge gaps between separate disciplines with a common ground, such as the history of the book, the history of reading, and the history of writing, scholarly editing, and textual genetics (the analysis, commentary and critical interpretation of the way in which works of art come into being), bridging the gap between literary and textual criticism

Note: Includes bibliographical references and index , Preface -- Dirk VAN HULLE and Wim VAN MIERLO: Reading Notes: Introduction -- Daniel FERRER: Towards a Marginalist Economy of Textual Genesis -- "MARGINALISTS" -- M.J. DRISCOLL: Postcards from the edge: an overview of marginalia in Icelandic manuscripts -- Carmen PERAITA: Marginalizing Quevedo: Reading Notes and the Humanistic Persona -- Stephen COLCLOUGH: "R R, A Remarkable Thing or Action": John Dawson (1692-1765) as Reader and Annotator -- J.C.C. MAYS: Coleridge's Marginalia within the Category Reading Notes -- Greta GOLICK: "one quart milk, five eggs I should say": Marginalia in Anglo-Canadian Cookbooks -- H.T.M. van VLIET: Whispering Voices in the Literary World of J.H. Leopold (1865-1925) -- Wim VAN MIERLO: Reading W.B. Yeats: The Marginalia of T. Sturge Moore -- Bodo PLACHTA: Franz Kafka Reads the Letters of Vincent van Gogh -- Davide GIURIATO: Folded Manuscripts: Walter Benjamin's Marginal Writing -- Axel GELLHAUS: Marginalia: Paul Celan as Reader -- "EXTRACTORS" -- Herbert WÄCKERLIN: A Manuscript Collector's 'Commonplace Books': Árni Magnússon (1663-1730) and the Transmission of Conscious Fragmentation -- Maximiliaan van WOUDENBERG: Coleridge's Göttingen Reading Notes: The Intertextual Research of the Projected Life of Lessing in 1799 -- Peter SHILLINGSBURG: Private Reading, Public Writing: W.M. Thackeray, Mrs. Grundy, and the Market -- Martha Nell SMITH: Emily Scissorhands: Reading Dickinson Reading -- Rüdiger NUTT-KOFOTH: Author's Reading - Author's Literary Production: Some Reflections on the Editing of Reading Notes in German Critical Editions -- Geert LERNOUT: James Joyce: the odious and still today insufficiently malestimated notesnatcher (FW 125.21-2) -- Dirk VAN HULLE: Note on Next to Nothing: Ellipses in Samuel Beckett's Reading Notes -- REVIEWS -- BOOK NOTICES.

Additional Edition: Erscheint auch als Druck-Ausgabe Reading Notes Leiden : BRILL, 2004 ISBN 9789042018211

Language: English

DOI: 10.1163/9789004483866

URL: DOI

Author information: Van Hulle, Dirk 1966-

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Format: 1 online resource.

ISBN: 9780191872273 (ebook) :

Series Statement: Oxford handbooks online

Content: 'The Oxford Handbook of Emily Dickinson' is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of 19th-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. The volume strives to balance Dickinson's own centre of gravity in the material culture and historical context of 19th-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest 'Latitude of Home' - as she puts it in her poem 'Forever - is composed of Nows'. Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume.

Note: Also issued in print: 2022. , Learning to Write with Emily Dickinson: Poetry, Pedagogy, and Nineteenth-Century Girlhood / , Writing for Posterity: Editing, Evidence, and Seqence in Dickinson's Composition and Circulation of Poems / , "On the Wall of Her Own Room Hung Framed Portraits of Mrs. Browning, George Eliot, and Carlyle": Dickinson's Heros and Hero-worship / , "Yellow Noise": Information and Form in Dickinson's Intermedial Writing / , Looking Back on the Reception History of Emily Dickinson in Japan / , Dickinson in the Context of Spanish and Portuguese / , Emily Dickinson's Black Contexts / , Dickinson's Garden Ecologies / , "My business is to love": Address and Affect in Emily Dickinson's Circulated Poems / , Dickinson Emergent: Natural Philosophy and the Postdisciplinary Manifold / , Dickinson Uncut: Reading and Not Reading in Print Culture / , The Letter Not Sent: Dickinson's Fascicles and the Poet's Place in the World / , Butterfly Tropics: Dickinson and Archival Poetics / , Glory, Honor, Might, Majesty, Dominion, and Power: Reading Dickinson through Wilfred Owen / , Living and Dying with Emily Dickinson / , A short Biography of the Homestead and The Evergreens / , Dickinson Composed / , Whose Native Place?: The Dickinsons and the Colonization of the Connecticut River Valley / , "How Ruthless are the Gentle": The Art of Emily Dickinson and Lesley Dill / , The Death of Little Gib / , "The Wanderers came Last Night": Dickinson and the Material Culture of Indigenous Basket Sellers / , Dickinson's Spinster Poetics / , Dickinson's Influence on Recent American Poetry / , "Discretion in the Interval": Musical Improvisation and Dickinson's Manuscript Variations / , The Material and Editorial Condition of Dickinson's "Master" Documents / , Linguistic Turns: Emersonian Figuralism and Dickinson's Biblical Contests / , "You Felt Your Second": Dickinson and Nineteenth-Century Timekeeping / , "Except the Smaller Size": Aunt Emily's Poetry / , "Where congregations ne'er break up": Dickinsons and Amherst's First Church / , "The Finite - Furnished/With the Infinite - ": Dickinson's Biblical Imaginations / , "Dragons - in the Crease -":  Dickinson's Dangerous Lyricism / , "The pedigree of Honey": Class, Colony, and Politics in Amherst's 'Bee Hive' and Dickinson's Bee Poems /

Additional Edition: Print version : ISBN 9780198833932

Language: English

URL: Oxford handbooks online

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Format: XVIII, 464 S., 18 S. Abb , 8"

Series Statement: [Dover books 1773]

Language: Undetermined