Kooperativer Bibliotheksverbund

UID:

Umfang: 343 S. : , Ill.

Serie: University of Southern California 〈LosAngeles, Calif.〉: Studies in comparative literature 4

Sprache: Englisch

Fachgebiete: Germanistik

Schlagwort(e): 1898-1956 Brecht, Bertolt ; 1898-1956 Brecht, Bertolt ; Drama

URL: Inhaltsverzeichnis

Mehr zum Autor: Fuegi, John 1936-

UID:

Umfang: 1 online resource (197 p.)

Ausgabe: 1st ed.

ISBN: 1-84964-722-4

Serie: How to read theory

Inhalt: Roland Barthes remains one of the most influential cultural theorists of the postwar period and 'Image-Music-Text' collects his most influential essays. Ed White provides students with a clear guide to this essential but difficult text.

Anmerkung: Cover -- Contents -- Introduction -- 1. The Photographic Message -- 2. Rhetoric of the Image -- 3. The Third Meaning -- 4. Diderot, Brecht, Eisenstein -- 5. Introduction to the Structural Analysis of Narrative -- 6. The Struggle with the Angel -- 7. The Death of the Author -- 8. Musica Practica -- 9. From Work to Text -- 10. Change the Object Itself -- 11. Lesson in Writing -- 12. The Grain of the Voice -- 13. Writers, Intellectuals, Teachers -- Reading Across Barthes' Work -- Index.

Weitere Ausg.: ISBN 0-7453-2958-6

Sprache: Englisch

Schlagwort(e): Biografie

URL: Volltext

URL: Volltext

URL: Volltext

UID:

Umfang: 1 online resource (232 pages)

Ausgabe: 1st ed.

ISBN: 9781350278714

Inhalt: Eugene V. Gallagher and Patricia O'Connell have influenced a generation of religious studies professors through their leadership in Wabash Center teaching workshops. In this book, contributors pay tribute to their influence and build on their insights in short essays focused on three perennial themes: Place, Plan, and Persona. Firstly, the book considers how negotiating your institutional context is essential to effective teaching. Reflections include essays on places of learning, the interaction between person and place, and the online teaching environment. Secondly, the contributors explore how effective teaching requires intentional self-critical design of students' intellectual experience, from the arc of the course, to the scope and purpose of the curriculum. Topics include planning for playfulness, teaching 'strangeness', and strengthening student engagement. In the final section on persona, topics include humour in the classroom, authenticity in the teaching profession, team teaching, and ungrading. This book contributes to the scholarship of teaching and learning in religious studies and higher education by engaging Gallagher and Killen's insights, and by exploring a range of perspectives on core and enduring pedagogical concepts and questions.

Anmerkung: Introduction: A Teaching Festchrift for Gene and Patricia, Thomas Pearson (Eckerd College, USA) Part 1: Plan 1. Midrange Reflection for the Climate Rebellion: How the Scholarship of Teaching and Learning Can Inform Activism, Kevin J. O'Brien(Pacific Lutheran University, USA) 2. Paschal Pedagogy, Mara Brecht (Loyola University Chicago, USA) 3. Art and the Unexpected, Alicia J. Batten (Conrad Grebel University College, Canada) 4. Laughter in the Temple: Hermeneutics and Humor in Teaching Religion, Anita Houck (Saint Mary's College - Notre Dame, USA) 5. Planning for Playfulness, Richard S. Ascough (Queens University, Canada) 6. The Tao of the Post-It: Empowering Student Engagement in Gene Gallagher's Classroom, Lydia Willsky-Ciollo (Fairfield University, USA) 7. Taking the General Education Student Seriously, Bruce David Forbes (Morningside College, USA, emeritus) 8. The Challenges of Teaching as Racial and Ethnic Minority Scholars, Kwok Pui-lan (Candler School of Theology, USA) 9. The Magic or Midrange Reflection Molly H. Bassett (Georgia State University, USA) Part 2: Persona 10. Overcoming Fears of a Normative Valence, Susan Marks (New College of Florida, USA) 11. A Vulnerable Persona: Wrestling with the Legacy of Jean Vanier, Reid B. Locklin (University of Toronto, Canada) and Andrea Nicole Carandang (University of Toronto, Canada) 12. "Ungrading" and the Unmaking of Professorial Persona, Kathryn D. Blanchard (Alma College, USA) 13. Tennis, Anyone? Joanne Maguire (University of North Carolina, Charlotte, USA) Part 3: Place 14. Who Is in the Chair? The Professor Faces the Classroom, Arthur M. Sutherland (Loyola University Maryland, USA) 15. Finding Your Place on the Map, Rebekka King (Middle Tennessee State University, USA) 16. Mise en Place: Efficiency and Ethics in the Practice of Teaching, Tina Pippin (Agnes Scott College, USA) 17. Teaching About Religion and/at/as the Edge: From What to How to Why, Davina C. Lopez (Eckerd College, USA) List of Contributors Index

Sprache: Englisch

DOI: 10.5040/9781350278714

URL: https://doi.org/10.5040/9781350278714?locatt=label:secondary_bloomsburyCollections

URL: lizenzpflichtig

UID:

Umfang: 1 online resource (237 pages) : , digital, PDF file(s).

Ausgabe: 1st ed.

ISBN: 1-78308-161-9

Serie: Anthem Studies in Theatre and Performance

Inhalt: The idea of the tragic has permeated Western culture for millennia, being closely bound with the concept of the limit of inescapable necessity that has been embodied in and expressed through theatre since the time of the ancient Greeks. This book addresses the question of how the twentieth century - one of the most violent periods of human history - dealt with the fundamental structure that is the tragic. Examining the consciousness of the era through an in-depth analysis of some of the twentieth century's most outstanding texts - including works by Ibsen, Claudel, O'Neill, Brecht, Camus, Beckett, Pasolini, Grotowski, Delcuvellerie and Josse De Pauw - 'Modern European Tragedy' draws a vivid picture of the development that tragedy experienced during this time.

Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Modern European Tragedy; Title; Copyright; CONTENTS; ACKNOWLEDGEMENTS; Introduction; Relevance of the Tragic, Irrelevance of Tragedy; The Tragic Scene in the Twentieth Century: A Selection of Dramatic and Performance Texts and a Hypothesis of Interpretation; Greek Tragedy: An Essential Frame of Reference; The Scenario of the Twentieth Century: Generations in Violence; Chapter 1 HUBRIS AND GUILT: 'GENGANGERE' (GHOSTS) BY HENRIK IBSEN; Janus bifrons; From Ancient to Modern Tragedy: Ibsen's Sources; The Tragic Nuclei; The Form of Modern Tragedy; A Perfect Theatrical Machine , Chapter 2 EVE BECOMES MARY: 'L'ANNONCE FAITE À MARIE' ('THE TIDINGS BROUGHT TO MARY') BY PAUL CLAUDELThe History of the Text; The Idea of the Tragic; Sources; The Tragic in the Form of a Mystery: Tradition and Modernity; Chapter 3 THE SCHOOL OF HATRED: 'MOURNING BECOMES ELECTRA' BY EUGENE O'NEILL; In Europe, Thinking of the New Broadway; Structure and Plot; From Electra to Lavinia; Hatred: The Driving Force of the Tragedy; Tragic Pessimism: From the Autobiographical Plane to the Historical and the Philosophical-Anthropological , Chapter 4 THE DESTINY OF MAN IS MAN: 'MUTTER COURAGE UND IHRE KINDER' ('MOTHER COURAGE AND HER CHILDREN') BY BERTOLT BRECHTThe Genesis of the Work; The Context: Europe in Catastrophe; A Mother without Tears and a Mute Who Beats the Drum of Vengeance. The Stone Begins to Speak.; Sources and Contexts: The Mentality of War; The Limit and Destiny of Humanity Lies in Others.Tragedy Is Not Inevitable. But Courage Learns Nothing.; Tragedy and the Epic Style; Chapter 5 THE TRAGIC AND THE ABSURD: 'CALIGULA' BY ALBERT CAMUS; History of the Text and Contexts , The First Version of Caligula in 'les trois Absurdes'The Faces of the Absurd: From the First Caligula to the Last; From the Historical Character to the Tragic-Absurd Character: 'Poetry is More Philosophical and More Important than History'; The Absurd and Caligula's Way: Nihilism; Grotesque Tragedy; Another Way: From Cherea to Rieux; Chapter 6 DIANOETIC LAUGHTER IN TRAGEDY: ACCEPTING FINITUDE: 'ENDGAME' BY SAMUEL BECKETT; 'He's crying. [...] Then he's living': Weeping and Life; The Limit and the Evil of the World Disguised as a Minimalist Universe; Laughing at Tragedy; Form without Drama , Chapter 7 THE ARROGANCE OF REASON AND THE 'DISAPPEARANCE OF THE FIREFLIES': 'PILADE' ('PYLADES') BY PIER PAOLO PASOLINIThe Idea of the Tragic: Between Structure of the Human and Historical Transformation; The Theatre as 'Cultural Ritual'; Theatre as the Awareness and Pilot of Change; An Anthropological Key to 'Pylades'; The Return of the Same, or Destiny and the March of History; Chapter 8 THE APOCALYPSE OF A CIVILIZATION: FROM 'AKROPOLIS' TO 'APOCALYPSIS CUM FIGURIS' BY JERZY GROTOWSKI; An Introductory Summary; The Language of Nightmare; Our Acropolis: A Colossal Tragic Farce , Towards the Tragedy of Apotheosis and Derision: A Laboratory for 'Poor Theatre' , English

Weitere Ausg.: ISBN 1-78308-153-8

Sprache: Englisch

URL: Volltext  (lizenzpflichtig)

URL: http://www.cambridge.org/core/product/identifier/9781783081615/type/BOOK

UID:

Umfang: 1 online resource (701 p.)

Ausgabe: 1st ed.

ISBN: 0-520-96243-5

Serie: Weimar and now: German cultural criticism ; 49

Inhalt: "Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Bela Balazs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history"--Provided by publisher.

Anmerkung: Description based upon print version of record. , The Kientopp (1907) / Hanns Heinz Ewers -- Cinematographic theater (1909) / Max Brod -- On living photography and the film drama (1909) / Gustav Melcher -- A new task for the cinema (1909) / Kurt Weisse -- New terrain for cinematographic theaters (1909) / Anon. -- The career of the cinematograph (1910) / Anon. -- The cinematograph (1911) / Karl Hans Strobl -- On the psychology of the cinematograph (1911) / Ph. Sommer -- Theater and cinematograph (1911) / Hermann Kienzl -- The secret of the cinema (1912) / Adolf Sellmann -- Sports on film (1912) / Arno Arndt -- Thrills in film drama and elsewhere (1912-1913) / Carl Forch -- Cinema (1912-1913) / Lou Andreas-Salome -- The Kintopp as educator: an apology (1913) / Walter Hasenclever -- Cinema and visual pleasure (1913) / Walter Serner -- Illusions and hallucinations during cinematographic projections (1914) / Albert Hellwig -- The cinematograph in the service of ethnology (1907) / Anon. -- The cinematograph as modern newspaper (1913-1914) / O.Th. Stein -- Cinema and geography: introduction (1914) / Hermann Ha〈U+00cb〉〈U+0086〉fker -- The film drama (1920) / Yvan Goll -- Africa and film (1922) / Hans Schomburgk -- The value of the adventure film (1923) / Franc Cornel -- Reel consciousness (1925) / Bela Balazs -- Exotic journeys with a camera (1928) / Colin Ross -- Lunar flight in film (1929) / Anon. -- A new India film: a throw of dice (1929) / Lotte H. Eisner -- Pictures-pictures (1929) / Erich Burger -- The panic of reality (1930) / Alfred Polgar - The case of Dr. Franck (1931) / Bela Balazs -- The weekly newsreel (1931) / Siegfried Kracauer -- Cinematographic archives (1908) / Ludwig Brauner -- In the cinematographic theater (1910) / Berthold Viertel -- Cinematograph and epistemology (1911) / Eduard B?umer -- Proposal for the establishment of an archive for cinema-films (1912) / Franz Goerke -- Mechanized immortality (1912) / J. Landau -- Why?-This is why! (1913) / Heinrich Lautensack -- The film archive of the great general staff (1915) / E.W. -- Slow motion (1917) / Hans Lehmann -- The transcendence of the film image (1920) / Friedrich Sieburg -- Film as historian (1921) / August Wolf -- Will to style in film (1924) / Fritz Lang -- Mountains, clouds, people (1925) / Siegfried Kracauer -- The uncovered grave (1925) / Joseph Roth -- On the question of a national film archive (1926) / Fritz Schimmer -- Documentary and artistic film (1929) / Albrecht Viktor Blum -- Where is the German sound film archive? (1931) / Bela Balazs -- Film dramas and film mimes (1910) / Walter Turszinsky -- Theater, pantomime, and cinema (1916) / Friedrich Freksa -- Film and theater (1919) / Carl Hauptmann -- Mimic expression in film (1922) / Oskar Diehl -- The eroticism of Asta Neilsen (1923) / Bela Balazs -- The magic of the body (1923) / Friedrich Sieburg -- The nude body on film (1925) / Max Osborn -- The educational values of film art (1925) / Bela Balazs -- How I came to film...(1926) / Leni Riefenstahl -- The Charleston in one thousand steps (1927) / Anon. -- On the psychomechanics of the spectator (1927) / Leo Witlin -- Film and dance belong together (1928) / Lotte H. Eisner and Rudolf von Laban -- The art of mimic expression in film (1929) / Fritz Lang -- Miming and speaking (1930) / Emil Jannings -- Greta Garbo: a study (1933) / Siegfried Kracauer -- Illusion in the cinematographic theater (1907) / Fred Hood -- Theater of the little people (1909) / Alfred Do〈U+00cb〉〈U+0086〉blin -- The education of moviegoers into a theater public (1910) / Arthur Mellini -- The movie girl (1911) / Anon. -- Various thoughts on the movie theater interior (1912) / Anon. -- The cinema (1913) / Victor Noack -- On the sociology of cinema (1914) / Emilie Altenloh -- From Berlin North and thereabouts-In the movie houses of Berlin West (1919) / Resi Langer -- Cinema (1920) / Milena Jesenska -- Erotic films (1920) / Kurt Tucholsky -- Film advertising and the advertising film (1920) / Herbert Tannenbaum -- The spectator in cinema (1921) / August Wolf -- Ufa Palace (1925) / Kurt Pinthus -- The sociological foundations of the cinema industry (1926) / Karl Demeter -- The movie theater as gathering place (1926) / Rudolf Harms -- The cinema on M?nzstrasse (1932) / Siegfried Kracauer -- Prologue before the film (1912-13) / Egon Friedell -- The autorenfilm and its assessment (1913) / Anon. , The cinema ballad (1913) / Ulrich Rauscher -- Quo vadis, cinema? (1913) / Kurt Pinthus -- The student of Prague (1913) / Anon. -- The call for art (1913) / Hermann Ha〈U+00cb〉〈U+0086〉fker -- Problems of the film drama (1913-14) / Herbert Tannenbaum -- The new illusion (11913-14) / Will Scheller -- The photoplay (1914) / Kurt Pinthus -- The onlookers of life in the cinema (1914-15) / Malwine Rennert -- On the artistic possibilities of the motion picture (1917) / Paul Wegener -- We lack film poetry (1920) / Ernst Lubitsch -- Kitsch-Sensation-Culture and film (1924) / Friz Lang -- Cinematograph and schoolchildren (1909) / Georg Kleib?mer -- Cinema as educator (1909) / Franz Pfemfert -- Trash films (1911) / Albert Hellwig -- The dangers of the cinema (1911-12) / Robert Gaupp -- The cinematograph from an ethical and aesthetic viewpoint (1912) / Konrad Lange -- The sexual danger in the cinema (1912) / Ike Spier -- Against a cinema that makes women stupid (1912-13) / P. Max Grempe -- Against a cinema that makes women stupid: a response (1912-13) / Roland -- The cinema's damaging effects on health (1913) / Naldo Felke -- Today's cinematograph: a public menace (1913) / Karl Brunner -- Cinematic mankind (1916) / Richard Gutmann -- Homosexuality and Jewishness (1919) / Walther Friedmann -- Homo cinematicus (1919) / Wilhelm Stapel -- Cinema censorship (1920) / Kurt Tucholsky -- The motion picture and the state (1924) / Albert Hellwig -- Cinema (1931) / Aurel Wolfram -- Film Bolshevism (1932) / Fritz Olimsky -- The German Kaiser in film (1912) / Paul Klebinder -- Cinematograph and crowd psychology (1912) / Hermann Duenschmann -- War and cinema (1914) / Der Kinematograph -- The cinematograph as shooting gallery (1914) / Anon. -- Cinema and the educated class: a foreword (1914) / Hermann Ha〈U+00cb〉〈U+0086〉fker -- The tasks of cinematography in this war (1914) / Hermann Ha〈U+00cb〉〈U+0086〉fker -- The benefits of war for the cinema (1914) / Edgar K?ltsch -- Made in Germany (1916) / Karl Kraus -- State and cinema (1916) / Anon. -- Art and cinema in war (1916) / Johannes Gaulke -- Film propaganda for German affairs abroad (1917) / Gustav Stresemann -- The Ludendorff letter (1917) / Erich Ludendorff -- The triumph of film (1917) / Joseph Max Jacobi -- Film as a means of agistation (1919) / Rudolf Genenncher -- War films (1927) / Kurt Tucholsky -- Film in the new Germany (1928) / Film-Kurier -- All quiet on the western front (1930) / Seigfried Kracauer -- Against the ban on the Remarque film (1931) / Kurt Tucholsky -- American cinema (1920) / Claire Goll -- The significance of conglomerates in the film industry (1920) / Erich Pommer -- The significance of film for international understanding (1921) / Valentin -- The style of the export film (1922) / Joe May -- German cinema (1922) / Hans Siemsen -- Film-America and us (1922) / Georg Jacoby -- Film internationality (1924) / Ernst Lubitsch -- Is film national or international? (1924) / Georg Otto Stindt -- The twilight of film? (1926) / Axel Eggebrecht -- The restructuring of Ufa (1927) / Anon. -- Film German and Film America (1928) / Carl Laemmle -- The first one back from Hollywood (1929) / Billie Wilder -- Film statistics (1930) / Alexander Jason -- Done with Hollywood (1931) / A.K. -- Film-Europe, a fact! (1931) / Anon. -- Internationality through the version systems (1931) / Anon. -- The international talking film (1932) / Erich Pommer -- The diva (1919) / Henny Porten -- Henny Porten for president (1921) / Kurt Pinthus -- Impression of a nai〈U+00cb〉〈U+0086〉f (1923) / Robert Musil -- Only stars! (1926) / Bela Balazs -- The automobile in film (1926) / Vicky Baum -- Vienna is filming! (1926) / Anon. -- Why we love film (1926) / Willy Haas -- Film education (1928) / Hugo -- What is film illusion? (1928) / K.W. -- The representative of a generation (1928) / Hans Feld, Anita Berber -- To an unknown woman (1930) / Marlene Dietrich -- Love on film (1930) / Max Brod and Rudolf Thomas -- All about film stars (1931) / Siegfried Kracauer -- Destitution and distraction (1931) / Siegfried Kracauer -- In the empire of film (1931) / Anon. -- The revolutionary film (1922) / Bela Balazs -- The Klieg lights stay on (1926) / Siegfried Kracauer -- Potemkin and tendentious art (1927) / Oscar A.H. Schmitz -- Reply to Oscar A.H. Scmitz (1927) / Walter Benjamin -- The new youth and film (1928) / Lotte H. Eisner -- Film und Volk: foreword (1928) / Franz Ho〈U+00cb〉〈U+0086〉llering -- Film works for us! (1928) / Bela Balazs -- Film and the people (1928) / Heinrich Mann -- Who will create the German revolutionary film? (1928) / Ernst Toller -- Mass-man in the cinema (1929) / Karl Ritter -- Film and propaganda (1929) / Willi M?nzenberg -- World film report (1929) / A.A. -- Individual and montage (1930) / Lupu Pick. , The threepenny lawsuit (1931) / Bertolt Brecht -- The banned Kuhle Wampe (1932) / Herbert Jhering -- Film and conviction (1933) / Georg Wilhelm Pabst -- Thoughts toward an aesthetic of the cinema (1911) / Georg Lukacs -- The effects of the film theater (1912) / Alfred A. Baeumler -- A substitute for dreams (1921) / Hugo von Hofmannsthal -- The ethical potential of film (1923) / Kurt Pinthus -- A film (1924) / Siegfried Kracauer -- Film image and prophetic speech (1925) / Siegfried Kracauer -- The public's attitude toward modern German literature (1926) / Adolf Behne -- Revue and film (1928) / Fritz Giese -- Chaplin in retrospect (1928) / Walter Benjamin -- Chaplin in old films (1930) / Siegfried Kracauer -- Kierkegaard prophesies Chaplin (1930) / Theodor W. Adorno -- Mickey Mouse (1931) / Walter Benjamin -- Painting and film (1931) / Ernst Kallai -- Fantasy by the meter (1931) / Rene Fu〈U+00cb〉〈U+0086〉lo〈U+00cb〉〈U+0086〉p-Miller -- The worker (1932) / Ernst Ju〈U+00cb〉〈U+0086〉nger -- Expressionism and cinema (1916) / Bernhard Diebold -- The expressionist film (1919) / Gertrud David -- Expressionism in film (1920) / J.B. -- An "Expressionist" film (1920) / Ernst Angel -- If I only had the cinema! (1920) / Carlo Mierendorff -- The future of film (1921) / Robert Mu〈U+00cb〉〈U+0086〉ller -- Expressionism in film (1922) / Robert Wiene -- An afterword to Caligari (1925) / Walter Reimann -- Limitations of the Expressionist film (1926) / Rudolf Kurtz -- The interpretation of dreams in film (1926) / Hanns Sachs -- The film of factuality (1927) / Robert Breuer -- Fantastic film (1929) / Henrik Galeen -- Painting with time (ca.1919) / Walter Ruttmann -- A new art: film's music for the eyes (1921) / Bernhard Diebold -- Basic principles of the art of movement (1921) / Hans Richter -- Film as a work of art (1921) / Adolf Behne -- The absolute film (1925) / Rudolf Arnheim -- Film at the Bauhaus: a rejoinder (1926) / Laszlo Moholy-Nagy -- How I made my Berlin film (1927) / Walter Ruttmann -- The "absolute" fashion (1928) / Walter Ruttmann -- Abstract film (1928) / Seigfried Kracauer -- The artist belongs to the industry! (1928) / Laszlo Moholy-Nagy -- Living shadows (1929) / Lotte Reiniger -- New means of filmmaking (1929) / Hans Richter -- The isolated artist (1929) / Walter Ruttmann -- Avant-garde in the realm of the possible (1929) / Hans Richter -- "Candid" cinematography (1929) / Anon. -- Avant-garde for the masses (1929) / Lotte H. Eisner -- The end of the avant-garde? (1930) / Alex Strasser -- Melody in the cinema, or immanent and transcendental music (1914) / Ernst Bloch -- The muteness of the film image (1920) / Oskar Kalbus -- Lighting design in film (1922) / Albin Grau -- Intertitles (1923) / Hans Pander -- The close-up (1924) / Bela Balazs -- My ideal screenplay (1924) / Fritz Lang and F.W. Murnau -- Architecture in film (1924) / Paul Leni -- Film and fashion (1924) / Julie Elias -- The delirious camera (1925) / Guido Seeber -- Productive and reproductive film art (1926) / Bela Balazs -- Looking toward the future (1926) / Fritz Lang -- Behind my camera (1927) / Karl Freund -- Subjective movement (1927) / Lotar Holland -- Film and music (1928) / Giuseppe Becce -- Farewell to silent film (1930) / Bela Balazs. , Cinematography in the service of neurology and psychiatry (1910) / Hans Hennes - The cinematograph in biological and medical science (1911) / Osvaldo Polimanti -- The cultural mission of the cinematograph (1912) / Leonhard Birnbaum -- Cinema in the light of medicine (1913) / Der Kinematograph -- Film advertising (1913) / Julius Pinschewer -- Artistic film program (1920) / Bruno Taut -- Cinematography in the service of the police (1921) / Wilhelm von Ledebur -- Film advertising and advertising films (1921) / Arthur Lassally -- School and film (1924) / Edgar Beyfuss -- Industrial films (1924) / Ulrich Kayser -- Kulturfilm and cinema (1924) / Eugen R. Schlesinger -- The trick film (1927) / Dietrich W. Dreyer -- Film is promotion (1929) / Hans Cu〈U+00cb〉〈U+0086〉rlis -- Advertising film and its psychological effects (1932) / Karl Nikolaus -- How singing pictures (sound pictures) are made (1908) / Anon. -- The acoustic film (1922) / Herbert Jhering -- Film and music (1928) / Heinrich Strobel -- Principles of the sound film (1928) / Walter Ruttmann -- Sound-image film (1928) / Seigfried Kracauer -- A conviction (1929) / Bela Balazs --The nature and value of sound film (1929) / Ernst Hugo Correll -- Reality of sound film (1929) / Georg Wilhelm Pabst -- Problems of the camera (1929) / Carl Hoffmann -- Possibilities for the use of music in sound film (1929) / Walter Gronostay -- Sound film friend and foe (1929-30) / Erwin Piscator -- A commentary on the crisis facing montage (1930) / Rudolf Arnheim -- Experiences in composing music for sound films (1930) / Edmund Meisel -- Only the transformed author can transform film (1930) / Alfred Do〈U+00cb〉〈U+0086〉blin -- Problems in sound film design (1931) / Film-Kurier, Fritz Lang -- The conquest of the third dimension (1914) / Max Mack -- The prehistory of the bioskop (1916) / Max Skladanowsky -- Art and technology in film (1923) / Heinz Michaelis -- The color film (1923) / Bela Balazs -- The telefilm (1925) / S.E. Bastian -- Film and radio (1925) / Herbert Jhering -- Possibilities for absolute radio art (1925) / Kurt Weill -- My process (1926) / Eugen Schu〈U+00cb〉〈U+0086〉fftan -- Why we still do not have television (1929) / Arthur Korn -- The elements once again (1929) / Laszlo Moholy-Nagy -- The third dimension (1929) / Erich Grave -- Telecinema in the home (1929) / Ernst Steffen -- A glance into the future (1930) / Frank Warschauer -- The color film (1930) / H. Baer -- Radio-film (1932) / Rudolf Arnheim -- The future of Mickey Mouse (1932) / Bernhard Diebold -- On the border of yesterday (1932) / Siegfried Kracauer. , In English.

Weitere Ausg.: ISBN 0-520-21908-2

Weitere Ausg.: ISBN 0-520-21907-4

Sprache: Englisch

Fachgebiete: Allgemeines

Schlagwort(e): Electronic books.

DOI: 10.1525/9780520962439

URL: Click to View

UID:

Umfang: 1 online resource (xxii, 591 pages)

ISBN: 9781119021551 , 1119021553 , 9781119021544 , 1119021545 , 1119021529 , 9781119021520

Serie: Wiley series in acoustics, noise and vibration

Inhalt: Ultrasound Elastography for Biomedical Applications and Medicine Ivan Z. Nenadic, Matthew W. Urban, James F. Greenleaf, Mayo Clinic Ultrasound Research Laboratory, Mayo Clinic College of Medicine, USA Jean-Luc Gennisson, Miguel Bernal, Mickael Tanter, Institut Langevin - Ondes et Images, ESPCI ParisTech CNRS, France Covers all major developments and techniques of Ultrasound Elastography and biomedical applications The field of ultrasound elastography has developed various techniques with the potential to diagnose and track the progression of diseases such as breast and thyroid cancer, liver and kidney fibrosis, congestive heart failure, and atherosclerosis. Having emerged in the last decade, ultrasound elastography is a medical imaging modality that can noninvasively measure and map the elastic and viscous properties of soft tissues. Ultrasound Elastography for Biomedical Applications and Medicine covers the basic physics of ultrasound wave propagation and the interaction of ultrasound with various media. The book introduces tissue elastography, covers the history of the field, details the various methods that have been developed by research groups across the world, and describes its novel applications, particularly in shear wave elastography. Key features: Covers all major developments and techniques of ultrasound elastography and biomedical applications. Contributions from the pioneers of the field secure the most complete coverage of ultrasound elastography available. The book is essential reading for researchers and engineers working in ultrasound and elastography, as well as biomedical engineering students and those working in the field of biomechanics.

Anmerkung: Introduction. Editors' Introduction / Ivan Nenadic, Matthew Urban, James Greenleaf, Jean-Luc Gennisson, Miguel Bernal, Mickael Tanter -- Fundamentals of Ultrasound Elastography. Theory of Ultrasound Physics and Imaging / Roberto Lavarello, Michael L Oelze -- Elastography and the Continuum of Tissue Response / Kevin J Parker -- Ultrasonic Methods for Assessment of Tissue Motion in Elastography / Jingfeng Jiang, Bo Peng -- Theory of Mechanical Properties of Tissue. Continuum Mechanics Tensor Calculus and Solutions to Wave Equations / Luiz Vasconcelos, Jean-Luc Gennisson, Ivan Nenadic -- Transverse Wave Propagation in Anisotropic Media / Jean-Luc Gennisson -- Transverse Wave Propagation in Bounded Media / Javier Brum -- Rheological Model-based Methods for Estimating Tissue Viscoelasticity / Jean-Luc Gennisson -- Wave Propagation in Viscoelastic Materials / Yue Wang, Michael F Insana -- Static and Low Frequency Elastography. Validation of Quantitative Linear and Nonlinear Compression Elastography / Jean Francois Dord, Sevan Goenezen, Assad A Oberai, Paul E Barbone, Jingfeng Jiang, Timothy J Hall, Theo Pavan -- Cardiac Strain and Strain Rate Imaging / Brecht Heyde, Oana Mirea, Jan D'hooge -- Vascular and Intravascular Elastography / Marvin M Doyley -- Viscoelastic Creep Imaging / Carolina Amador Carrascal -- Intrinsic Cardiovascular Wave and Strain Imaging / Elisa Konofagou -- Harmonic Elastography Methods. Dynamic Elasticity Imaging / Kevin J Parker -- Harmonic Shear Wave Elastography / Heng Zhao -- Vibro-acoustography and its Medical Applications / Azra Alizad, Mostafa Fatemi -- Harmonic Motion Imaging / Elisa Konofagou -- Shear Wave Dispersion Ultrasound Vibrometry / Pengfei Song, Shigao Chen -- Transient Elastography Methods. Transient Elastography: From Research to Noninvasive Assessment of Liver Fibrosis Using Fibroscan® / Laurent Sandrin, Magali Sasso, Stéphane Audière, Cécile Bastard, Céline Fournier, Jennifer Oudry, Véronique Miette, Stefan Catheline -- From Time Reversal to Natural Shear Wave Imaging / Stefan Catheline -- Acoustic Radiation Force Impulse Ultrasound / Tomasz J Czernuszewicz, Caterina M Gallippi -- Supersonic Shear Imaging / Jean-Luc Gennisson, Mickael Tanter -- Single Tracking Location Shear Wave Elastography / Stephen A McAleavey -- Comb-push Ultrasound Shear Elastography / Pengfei Song, Shigao Chen -- Emerging Research Areas in Ultrasound Elastography. Anisotropic Shear Wave Elastography / Sara Aristizabal -- Application of Guided Waves for Quantifying Elasticity and Viscoelasticity of Boundary Sensitive Organs / Sara Aristizabal, Matthew Urban, Luiz Vasconcelos, Benjamin Wood, Miguel Bernal, Javier Brum, Ivan Nenadic -- Model-free Techniques for Estimating Tissue Viscoelasticity / Daniel Escobar, Luiz Vasconcelos, Carolina Amador Carrascal, Ivan Nenadic -- Nonlinear Shear Elasticity / Jean-Luc Gennisson, Sara Aristizabal -- Clinical Elastography Applications. Current and Future Clinical Applications of Elasticity Imaging Techniques / Matthew Urban -- Abdominal Applications of Shear Wave Ultrasound Vibrometry and Supersonic Shear Imaging / Pengfei Song, Shigao Chen -- Acoustic Radiation Force-based Ultrasound Elastography for Cardiac Imaging Applications / Stephanie A Eyerly-Webb, Maryam Vejdani-Jahromi, Vaibhav Kakkad, Peter Hollender, David Bradway, Gregg Trahey -- Cardiovascular Application of Shear Wave Elastography / Pengfei Song, Shigao Chen -- Musculoskeletal Applications of Supersonic Shear Imaging / Jean-Luc Gennisson -- Breast Shear Wave Elastography / Azra Alizad -- Thyroid Shear Wave Elastography / Azra Alizad -- Perspective on Ultrasound Elastography. Historical Growth of Ultrasound Elastography and Directions for the Future / Armen Sarvazyan, Matthew W Urban.

Weitere Ausg.: Print version: Handbook of ultrasound elastography. Hoboken, NJ : Wiley, 2018 ISBN 9781119021513

Sprache: Englisch

Schlagwort(e): Electronic books. ; Electronic books. ; Electronic books.

DOI: 10.1002/9781119021520

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119021520

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119021520

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119021520

UID:

Umfang: 1 online resource (270 pages) : , illustrations.

ISBN: 9789004456679

Serie: German Monitor ; 41

Inhalt: The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht's role and reception in the GDR; and contemporary appropriations of Brecht's work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht's Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.

Anmerkung: Preliminary Material / , English

Weitere Ausg.: Print version: Bertolt Brecht : Centenary Essays. Leiden ; Boston : Brill, 1998. ISBN 9789042003194

Sprache: Englisch

URL: DOI:

URL: lizenzpflichtig

UID:

Umfang: ix, 302 Seiten.

ISBN: 978-1-350-01753-5 , 978-1-350-01752-8

Inhalt: Cover -- Contents -- Acknowledgments -- Introduction -- The Exercises -- Hubris and Hamartia based on Aristotle's Poetics -- Agamemnon by Aeschylus -- The Eumenides by Aeschylus -- Antigone by Sophocles -- Oedipus the King by Sophocles -- Medea by Euripides -- Lysistrata by Aristophanes -- The Twin Menaechmi by Plautus -- The Second Shepherd's Play by The Wakefield Master -- Atsumori by Zeami Motokiyo -- Everyman by Anonymous -- A Midsummer Night's Dream by William Shakespeare -- A Midsummer Night's Dream by William Shakespeare -- Romeo and Juliet by William Shakespeare -- The Merchant of Venice by William Shakespeare -- The Tragedy of Hamlet by William Shakespeare -- The Tragedy of Hamlet by William Shakespeare -- The Tragedy of Othello by William Shakespeare -- Measure for Measure by William Shakespeare -- The Tragedy of King Lear by William Shakespeare -- The Tempest by William Shakespeare -- Life Is a Dream by Pedro Calderón de la Barca -- Tartuffe by Molière -- The Misanthrope by Molière -- Restoration Theater Audiences -- The Country Wife by William Wycherley -- The Rover by Aphra Behn -- The Way of the World by William Congreve -- The School for Scandal by Richard Brinsley Sheridan -- Woyzeck by Georg Büchner -- A Doll's House by Henrik Ibsen -- Miss Julie by August Strindberg -- Hedda Gabler by Henrik Ibsen -- The Importance of Being Earnest by Oscar Wilde -- Three Sisters by Anton Chekhov -- The Cherry Orchard by Anton Chekhov -- Pygmalion by George Bernard Shaw -- Trifles by Susan Glaspell -- Six Characters in Search of an Author by Luigi Pirandello -- Juno and the Paycock by Sean O'Casey -- Machinal by Sophie Treadwell -- The House of Bernarda Alba by Federico García Lorca -- Our Town by Thorton Wilder -- Mother Courage and Her Children by Bertolt Brecht -- Long Day's Journey into Night by Eugene O'Neill

Inhalt: The Glass Menagerie by Tennessee Williams -- Death of a Salesman by Arthur Miller -- Waiting for Godot by Samuel Beckett -- Waiting for Godot by Samuel Beckett -- The Crucible by Arthur Miller -- Cat on a Hot Tin Roof by Tennessee Williams -- Endgame by Samuel Beckett -- The Birthday Party by Harold Pinter -- Rhinoceros by Eugene Ionesco -- A Raisin in the Sun by Lorraine Hansberry -- The Zoo Story by Edward Albee -- Who's Afraid of Virginia Woolf? by Edward Albee -- Dutchman by Amiri Baraka -- The Homecoming by Harold Pinter -- The House of Blue Leaves by John Guare -- Death and the King's Horseman by Wole Soyinka -- Fefu and Her Friends by María Irene Fornés -- And the Soul Shall Dance by Wakako Yamauchi -- Zoot Suit by Luis Valdez -- True West by Sam Shepard -- Top Girls by Caryl Churchill -- Cloud Nine by Caryl Churchill -- "Master Harold" … and the Boys by Athol Fugard -- Glengarry Glen Ross by David Mamet -- Fences by August Wilson -- The Other Shore by Gao Xingjian -- The Piano Lesson by August Wilson -- M. Butterfly by David Henry Hwang -- Fires in the Mirror by Anna Deavere Smith -- Angels in America, Part One by Tony Kushner -- Information for Foreigners by Griselda Gambaro -- Oleanna by David Mamet -- Rosencrantz and Guildenstern Are Dead by Tom Stoppard -- Blasted by Sarah Kane -- "Art" by Yasmina Reza -- How I Learned to Drive by Paula Vogel -- Topdog/Underdog by Suzan-Lori Parks -- Doubt: A Parable by John Patrick Shanley -- Dead Man's Cell Phone by Sarah Ruhl -- Water by the Spoonful by Quiara Alegría Hudes -- Sweat by Lynn Nottage -- Vietgone by Qui Nguyen -- Exercise Template

Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-350-01755-9

Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-350-01754-2

Sprache: Englisch

Fachgebiete: Allgemeines , Anglistik

Schlagwort(e): Drama ; Vermittlung ; Beispielsammlung ; Beispielsammlung

URL: Click Here Please

URL: Click Here Please

UID:

Umfang: 343 S. , Ill.

Serie: University of Southern California 〈LosAngeles, Calif.〉: Studies in comparative literature 4

Sprache: Englisch

Fachgebiete: Germanistik

Schlagwort(e): Brecht, Bertolt 1898-1956 ; Brecht, Bertolt 1898-1956 ; Drama

Mehr zum Autor: Fuegi, John 1936-

UID:

ISSN: 0734-8665

In: Brecht-Jahrbuch / hrsg. von ... u. der Internationalen Brecht-Gesellschaft, Frankfurt, M., (1975), S. 154 - 157, 0734-8665

Sprache: Englisch

Mehr zum Autor: Esslin, Martin 1918-2002