Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (xxvii, 470 pages) : , illustrations.

ISBN: 9781315168968 , 1315168960 , 9781351687539 , 1351687530 , 9781351687522 , 1351687522 , 9781351687515 , 1351687514

Series Statement: Routledge literature handbooks

Content: "Shakespeare has been adapted and appropriated onto stage, screen, page, and now a variety of new digital formats. Globalisation has led to a new wave of cultural appropriations and this volume brings together a variety of different perspectives and voices, addressing topics such as trans-and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; Shakespeare and Global justice as well as a section on how to approach the teaching of these topics. Offering an overview and history of Shakespearean appropriations as well as discussing contemporary issues and debates in the field, this book is the ultimate guide to this vibrant topic"--

Note: "Routledge handbooks" -- taken from front cover image. , "The great globe itself . . . shall dissolve" : art after the apocalypse in Station Eleven / Sharon O'Dair -- Others within : ethics in the age of global Shakespeare / Alexa Alice Joubin -- "You say you want a revolution?" : Shakespeare in Mexican [dis]guise / Alfredo Michel Modenessi -- "Don't it make my brown eyes blue" : uneasy assimilation and the Shakespeare-Latinx divide / Ruben Espinosa -- "To appropriate these white centuries" : James Baldwin's race conscious Shakespeare / Jason Demeter -- Bishonen Hamlet : stealth-queering Shakespeare in manga Shakespeare : Hamlet / Brandon Christopher -- Edmund hosts William : appropriation, polytemporality, and postcoloniality in Frank McGuinness's Mutabilitie / Barbara Sebek -- Shakespeare appropriation and queer Latinx empowerment in Josh Inocéncio's Ofélio / Katherine Gillen -- Calibán rex? cultural syncretism in Teatro Buendía's Otra tempestad / Jennifer Flaherty -- Fooling around with Shakespeare : the curious case of "Indian" Twelfth nights / Poonam Trivedi -- "Flipping the turtle on its back" : Shakespeare, decolonization, and the first peoples in Canada / Daniel Fischlin -- Nomadic Shylock : nationhood and its subversion in The merchant of Venice / Avraham Oz -- "What country, friend, is this?" : Carlos Díaz's Cuban Illyria / Donna Woodford-Gormley -- Inheriting the past, surviving the future / Adele Seeff -- The politics of African Shakespeare / Jane Plastow -- Da kine Shakespeare : James Grant Benton's Twelf nite o wateva! / Theresa M. DiPasquale -- Make new nations : Shakespearean communities in the twenty-first century / Sheila T. Cavanagh -- Appropriating Shakespeare for marginalized students / Jessica Walker -- Beyond appropriation : teaching Shakespeare with accidental echoes in film / Matthew Kozusko -- Teaching global Shakespeare : visual culture projects in action / Laurie Osborne -- Othello in a prevailingly homogenous ethnic society / Krystyna Kujawinska Courtney -- Shakespeare in Ireland : 1916 to 2016 / Nicholas Grene -- Shakespeare"s presence in the land of ancient drama : Karolos Koun's attempts to acculturate Shakespeare in Greece / Tina Krontiris -- "To be/not to be" : Hamlet and the threshold of potentiality in post-communist Bulgaria / Kirilka Stavreva and Boika Sokolova -- What's in a name? Shakespeare and Japanese pop culture / Ryuta Minami -- Subjugating Arab forms to European meters / David Moberly -- Shakespeare's Anashid (translation) / David Moberly -- Paul Robeson, Margaret Webster and their transnational Othello / Robert Sawyer -- Ecologies of the Shakespearean artists' book / Sujata Iyengar -- Falstaff and the constructions of musical nostalgia / Stephen Buhler -- The Moor makes a cameo : serial, Shakespeare and white racial frame / Vanessa Corredera -- De-emphasizing race in young adult novel adaptations of Othello / Keith Botelho -- Resisting history and atoning for racial privilege : Shakespeare's Henriad in HBO's The wire / L. Monique Pittman -- Indigenizing Shakespeare : Haider and the politics of appropriation / Amrita Sen -- Ovidian appropriations, metamorphic illusion, and theatrical practice on the Shakespearean stage / Lisa Starks -- Determined to prove a villain? appropriating Richard III's disability in recent graphic novels and comics / Marina Gerzic -- Some tweeting Cleopatra : crossing borders on and off the Shakespearean stage / Louise Geddes -- The sandman as Shakespearean appropriation / Miriam Jacobson -- Shakespeare's scattered leaves : mutilated books, unbound pages, and the circulation of the First Folio / Christy Desmet

Additional Edition: Print version: Routledge handbook of Shakespeare and global appropriation. Abingdon, Oxon ; New York, NY : Routledge, 2020 ISBN 9781138050198

Language: English

Keywords: Electronic books. ; Literary criticism. ; Criticism, interpretation, etc. ; Literary criticism. ; Critiques littéraires.

DOI: 10.4324/9781315168968

URL: https://www.taylorfrancis.com/books/9781315168968

URL: lizenzpflichtig

URL: lizenzpflichtig

UID:

Format: VII, 229 S.

Edition: 1. publ.

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , General works

Keywords: Drama ; Narr

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024475509&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024475509&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

URL: Cover

UID:

Format: VII, 229 p. , online resource.

ISBN: 9780230357501

Content: Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, Büchner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to power and surviving long enough to have a laugh.

In: Springer eBooks

Additional Edition: Printed edition: ISBN 9781349332076

Language: English

DOI: 10.1057/9780230357501

URL: http://dx.doi.org/10.1057/9780230357501

UID:

Format: 287 Seiten

Original writing title: השטאה בדרמה האירופית : עיונים בדרמה האוונגרדית באירופה: ז'ארי, ודקינד, גלדרודה, ברכט, בקט, וייס

Original writing person/organisation: ברוך, רינה

Original writing publisher: תל אביב : ספרא

Series Statement: Assaph. Studies in the theatre

Note: In hebräischer Schrift, Hebräisch

Language: Hebrew

Keywords: Jarry, Alfred 1873-1907 ; Wedekind, Frank 1864-1918 ; De Ghelderode, Michel 1898-1962 ; Brecht, Bertolt 1898-1956 ; Beckett, Samuel 1906-1989 ; Weiss, Peter 1916-1982 ; Europa ; Drama ; Narr

UID:

Format: 1 Online-Ressource , 24 b&w illustrations

Edition: Online-Ausg.

ISBN: 9780231850841

Series Statement: Directors' Cuts

Content: Over the course of nearly thirty years, Hal Hartley has cultivated a reputation as one of America's most steadfastly independent film directors. From his breakthrough films – The Unbelievable Truth (1989), Trust (1990), and Simple Men (1992) – to his recently completed 'Henry Fool' trilogy, Hartley has honed a rigorous, deadpan, and instantly recognizable film style informed by both European modernism and playful revisions of Classical Hollywood genres. Featuring new essays on this important director and his films, this collection explores Hartley's work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputation, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking.This book, up-to-date through Hartley's latest film, Ned Rifle (2014), includes new scholarship on the director's early work as well as reflections on his cinema in connection with new theories and approaches to independent filmmaking. Covering the entire trajectory of his career, including both his features and short films, the book also includes new readings of several of Hartley's seminal films, including Amateur (1994), Flirt (1995), and Henry Fool (1997)

Note: Includes bibliographical references and index , Frontmatter -- -- Contents -- -- Acknowledgements -- -- Notes on Contributors -- -- Introduction: Hal Hartley: A Quality of Attention Steven Rybin -- -- 1. Up Close and Impersonal: Hal Hartley and the Persistence of Tradition David Bordwell -- -- 2. ‘Young. Middle-Class. College-Educated. Unskilled.’: Hal Hartley in 1991 Mark L. Berrettini -- -- 3. ‘Some Things Shouldn’t Be Fixed’: Frameworks of Critical Reception and the Early Career of Hal Hartley Jason Davids Scott -- -- 4. The Locality of Hal Hartley: The Aesthetics and Business of Smallness Steven Rawle -- -- 5. Hal Hartley’s Romantic Comedy Sebastian Manley -- -- 6. A New Man: The Logic of the Break in Hal Hartley’s Amateur Daniel Varndell -- -- 7. Not Getting It: Flirt as Anti-Puzzle Film Steven Rybin -- -- 8. Poiesis and Media in The Book of Life and No Such Thing Fernando Gabriel Pagnoni Berns -- -- 9. Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors) Zachary Tavlin -- -- 10. Parker Posey as Hal Hartley’s ‘Captive Actress’ -- -- 11. The Figure Who Writes: On the Henry Fool Trilogy -- -- Filmography -- -- Bibliography -- -- Index , Mode of access: Internet via World Wide Web. , In English

Additional Edition: Print version Cinema of Hal Hartley London ; New York : Wallflower Press, [2017]

Language: English

DOI: 10.7312/rybi17616

URL: Volltext

URL: Volltext

URL: Cover

UID:

Format: 1 online resource (200 p.)

ISBN: 3-11-065382-6

Content: The Doctoral School for Theatre and Performing Arts and the Research Centre of The Faculty of Theatre at the George Enescu National University of Arts in Iaşi, having the mission of promoting the contribution of personalities in the area of theatre research and creating contexts for sharing their expertise with the doctoral students and young graduates, have proposed holding annual academic meetings. Starting with 2015, these meetings were at first organized as National Symposiums, and, since 2018, they are held as International Conferences. Our purpose is that of rekindling the dialogue between theoreticians and practitioners in our country, at European level and not only.Each year, the participants' contributions were gathered in the pages of consistent volumes that have been indexed on international databases, so that their ideas and information can go further than the context of these meetings. Aims and Scope: promoting the results of theatre research at national and international level promoting young researchers passing the dialogue between theatre theoreticians and practitioners to the wide audience the continuous discovery of new ways to innovate stage practice, and the revitalization of theoretical resources creating teams of theatre researchers, professors and doctoral students, theoreticians and theatre practitioners following the transdisciplinary directions between theatre and connected areas: literature, film, music, philosophy, anthropology, sociology, etc. ABSTRACTING & INDEXING 1918-2018: 100 Years of Theater Research in Iași is covered by the following services: Baidu Scholar Directory of Open Access Books (DOAB) EBSCO Discovery Service Google Scholar Naver Academic Naviga (Softweco) Primo Central (ExLibris) ReadCube Semantic Scholar Summon (ProQuest) TDOne (TDNet) WorldCat (OCLC)

Note: Frontmatter -- , Contents -- , IMAGES FROM THE DRAMA SCHOOL AND NATIONAL THEATRE OF IAȘI -- , The Mentors' Legacy -- , About Pedagogy: Generational Theatre -- , Theatre Research, between to Be or Not to Be... -- , Ideology vs. Re-Theatricalization. Vasile Alecsandri National Theatre in Iaşi. Documentary: 1947-1971 -- , Chirița in the Province - Radiography of a Century. (Iaşi National Theatre - 1952, 1982, 1997, 2018) -- , 19th Century Roots of the Scenography in Iaşi, which Left an Impact on the Art of Performance in the Theatre of Iaşi -- , Censorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views -- , RESEARCHES INTO THEATRICAL PEDAGOGY, LANGUAGE OF ANIMATION THEATRE AND ART OF ACTING -- , Defining Aspects in Forming the Artistic Personality of the Animation Theatre Actor -- , About the Innovative Role of the Animated Object on the Dramatic Theatre Scene -- , Styles, Techniques and Interpretations in the Creation of Bunraku Puppets -- , School as a Laboratory -- , The Actor's Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff's Artistic Beliefs and the Feldenkrais Method in Puppetry) -- , The Expressivity of an Actor's Speech on and off the Stage -- , Psycho-pedagogical Approaches in the Training of the Acting Student -- , The Identity of Romanian Ballet -- , INTERFERENCES - DRAMATIC LITERATURE, RESEARCHES AND PERFORMING ASPECTS -- , Matei Vișniec - Romanian Playwright and Promoter of Young Talents -- , Ștefan Oprea - the Profile of an Authentic Researcher -- , Researchers for Iași, Revolving around Shakespeare's Plays -- , The Monologue in the Dramatic Text and in the Performance -- , Dramaturgy - Society's Mirror -- , Theological and Philosophical Aspects of the Fool in England -- , Interferences and Connections between Samuel Beckett's Prose and Theatre - a Few Situations Encountered in My Research -- , The Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century -- , Balance and Imbalance in the Process of Research of Gogol's Characters -- , PERSPECTIVES FROM PRESENT TO FUTURE -- , The New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends -- , The New Wave of Independent Theatre in Romania - Some Considerations -- , Theatricality in the Beginning of the Posthuman Era -- , Theatre and Creative Industries , Issued also in print. , In English.

Additional Edition: ISBN 3-11-065381-8

Language: English

DOI: 10.2478/9783110653823

UID:

Format: 1 online resource (200 p.)

ISBN: 3-11-065382-6

Content: The Doctoral School for Theatre and Performing Arts and the Research Centre of The Faculty of Theatre at the George Enescu National University of Arts in Iaşi, having the mission of promoting the contribution of personalities in the area of theatre research and creating contexts for sharing their expertise with the doctoral students and young graduates, have proposed holding annual academic meetings. Starting with 2015, these meetings were at first organized as National Symposiums, and, since 2018, they are held as International Conferences. Our purpose is that of rekindling the dialogue between theoreticians and practitioners in our country, at European level and not only.Each year, the participants' contributions were gathered in the pages of consistent volumes that have been indexed on international databases, so that their ideas and information can go further than the context of these meetings. Aims and Scope: promoting the results of theatre research at national and international level promoting young researchers passing the dialogue between theatre theoreticians and practitioners to the wide audience the continuous discovery of new ways to innovate stage practice, and the revitalization of theoretical resources creating teams of theatre researchers, professors and doctoral students, theoreticians and theatre practitioners following the transdisciplinary directions between theatre and connected areas: literature, film, music, philosophy, anthropology, sociology, etc. ABSTRACTING & INDEXING 1918-2018: 100 Years of Theater Research in Iași is covered by the following services: Baidu Scholar Directory of Open Access Books (DOAB) EBSCO Discovery Service Google Scholar Naver Academic Naviga (Softweco) Primo Central (ExLibris) ReadCube Semantic Scholar Summon (ProQuest) TDOne (TDNet) WorldCat (OCLC)

Note: Frontmatter -- , Contents -- , IMAGES FROM THE DRAMA SCHOOL AND NATIONAL THEATRE OF IAȘI -- , The Mentors' Legacy -- , About Pedagogy: Generational Theatre -- , Theatre Research, between to Be or Not to Be... -- , Ideology vs. Re-Theatricalization. Vasile Alecsandri National Theatre in Iaşi. Documentary: 1947-1971 -- , Chirița in the Province - Radiography of a Century. (Iaşi National Theatre - 1952, 1982, 1997, 2018) -- , 19th Century Roots of the Scenography in Iaşi, which Left an Impact on the Art of Performance in the Theatre of Iaşi -- , Censorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views -- , RESEARCHES INTO THEATRICAL PEDAGOGY, LANGUAGE OF ANIMATION THEATRE AND ART OF ACTING -- , Defining Aspects in Forming the Artistic Personality of the Animation Theatre Actor -- , About the Innovative Role of the Animated Object on the Dramatic Theatre Scene -- , Styles, Techniques and Interpretations in the Creation of Bunraku Puppets -- , School as a Laboratory -- , The Actor's Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff's Artistic Beliefs and the Feldenkrais Method in Puppetry) -- , The Expressivity of an Actor's Speech on and off the Stage -- , Psycho-pedagogical Approaches in the Training of the Acting Student -- , The Identity of Romanian Ballet -- , INTERFERENCES - DRAMATIC LITERATURE, RESEARCHES AND PERFORMING ASPECTS -- , Matei Vișniec - Romanian Playwright and Promoter of Young Talents -- , Ștefan Oprea - the Profile of an Authentic Researcher -- , Researchers for Iași, Revolving around Shakespeare's Plays -- , The Monologue in the Dramatic Text and in the Performance -- , Dramaturgy - Society's Mirror -- , Theological and Philosophical Aspects of the Fool in England -- , Interferences and Connections between Samuel Beckett's Prose and Theatre - a Few Situations Encountered in My Research -- , The Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century -- , Balance and Imbalance in the Process of Research of Gogol's Characters -- , PERSPECTIVES FROM PRESENT TO FUTURE -- , The New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends -- , The New Wave of Independent Theatre in Romania - Some Considerations -- , Theatricality in the Beginning of the Posthuman Era -- , Theatre and Creative Industries , Issued also in print. , In English.

Additional Edition: ISBN 3-11-065381-8

Language: English

DOI: 10.2478/9783110653823

UID:

Format: 1 Online-Ressource (284 pages) , illustrations

ISBN: 9789004647190

Series Statement: Literature and Cultural Studies - Book Archive pre-2000 4

Content: From the Fool to the Wildman, from the irate Reformer to the festive Masqueraders, this collection of articles offers a variety of topics, approaches, and agendas in the study of early modern European theatre. With samplings from Scandinavia, Germany, England, France, the Iberian peninsula, and even the New World, this collection also spans time, from the late fifteenth century to the present. In the process, Carnival and the carnivalesque are examined from archival, Bakhtinian, cultural, and even political points of view. The articles in this collection reveal the variety and inherent vitality of scholarship in early modern theatre. The thirteen essays have been selected from presentations made at the Eighth Triennial Congress of the Société Internationale pour l'Etude du Théâtre Médiéval held in Toronto (1995), under the auspices of the Records of Early English Drama project and Victoria University in the University of Toronto

Note: Includes bibliographical references and index , English

Additional Edition: ISBN 9789042005655

Additional Edition: Erscheint auch als Druck-Ausgabe Carnival and the Carnivalesque Leiden : Brill, 1999 ISBN 9789042005655

Language: English

DOI: 10.1163/9789004647190

URL: lizenzpflichtig

UID:

Format: 1 online resource (223 pages)

ISBN: 0-231-85084-0

Series Statement: Directors' Cuts

Content: Over the course of nearly thirty years, Hal Hartley has cultivated a reputation as one of America's most steadfastly independent film directors. From his breakthrough films - The Unbelievable Truth (1989), Trust (1990), and Simple Men (1992) - to his recently completed 'Henry Fool' trilogy, Hartley has honed a rigorous, deadpan, and instantly recognizable film style informed by both European modernism and playful revisions of Classical Hollywood genres. Featuring new essays on this important director and his films, this collection explores Hartley's work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputation, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking.This book, up-to-date through Hartley's latest film, Ned Rifle (2014), includes new scholarship on the director's early work as well as reflections on his cinema in connection with new theories and approaches to independent filmmaking. Covering the entire trajectory of his career, including both his features and short films, the book also includes new readings of several of Hartley's seminal films, including Amateur (1994), Flirt (1995), and Henry Fool (1997).

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Notes on Contributors -- , Introduction: Hal Hartley: A Quality of Attention Steven Rybin / , 1. Up Close and Impersonal: Hal Hartley and the Persistence of Tradition David Bordwell / , 2. 'Young. Middle-Class. College-Educated. Unskilled.': Hal Hartley in 1991 Mark L. Berrettini / , 3. 'Some Things Shouldn't Be Fixed': Frameworks of Critical Reception and the Early Career of Hal Hartley Jason Davids Scott / , 4. The Locality of Hal Hartley: The Aesthetics and Business of Smallness Steven Rawle / , 5. Hal Hartley's Romantic Comedy Sebastian Manley / , 6. A New Man: The Logic of the Break in Hal Hartley's Amateur Daniel Varndell / , 7. Not Getting It: Flirt as Anti-Puzzle Film Steven Rybin / , 8. Poiesis and Media in The Book of Life and No Such Thing Fernando Gabriel Pagnoni Berns / , 9. Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors) Zachary Tavlin / , 10. Parker Posey as Hal Hartley's 'Captive Actress' / , 11. The Figure Who Writes: On the Henry Fool Trilogy / , Filmography -- , Bibliography -- , Index , In English.

Additional Edition: ISBN 0-231-17616-3

Additional Edition: ISBN 0-231-17617-1

Language: English

DOI: 10.7312/rybi17616

UID:

Format: 1 online resource : , 24 b&w illustrations

ISBN: 9780231850841

Series Statement: Directors' Cuts

Content: Over the course of nearly thirty years, Hal Hartley has cultivated a reputation as one of America's most steadfastly independent film directors. From his breakthrough films – The Unbelievable Truth (1989), Trust (1990), and Simple Men (1992) – to his recently completed 'Henry Fool' trilogy, Hartley has honed a rigorous, deadpan, and instantly recognizable film style informed by both European modernism and playful revisions of Classical Hollywood genres. Featuring new essays on this important director and his films, this collection explores Hartley's work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputation, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking.This book, up-to-date through Hartley's latest film, Ned Rifle (2014), includes new scholarship on the director's early work as well as reflections on his cinema in connection with new theories and approaches to independent filmmaking. Covering the entire trajectory of his career, including both his features and short films, the book also includes new readings of several of Hartley's seminal films, including Amateur (1994), Flirt (1995), and Henry Fool (1997).

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Notes on Contributors -- , Introduction: Hal Hartley: A Quality of Attention Steven Rybin -- , 1. Up Close and Impersonal: Hal Hartley and the Persistence of Tradition David Bordwell -- , 2. ‘Young. Middle-Class. College-Educated. Unskilled.’: Hal Hartley in 1991 Mark L. Berrettini -- , 3. ‘Some Things Shouldn’t Be Fixed’: Frameworks of Critical Reception and the Early Career of Hal Hartley Jason Davids Scott -- , 4. The Locality of Hal Hartley: The Aesthetics and Business of Smallness Steven Rawle -- , 5. Hal Hartley’s Romantic Comedy Sebastian Manley -- , 6. A New Man: The Logic of the Break in Hal Hartley’s Amateur Daniel Varndell -- , 7. Not Getting It: Flirt as Anti-Puzzle Film Steven Rybin -- , 8. Poiesis and Media in The Book of Life and No Such Thing Fernando Gabriel Pagnoni Berns -- , 9. Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors) Zachary Tavlin -- , 10. Parker Posey as Hal Hartley’s ‘Captive Actress’ -- , 11. The Figure Who Writes: On the Henry Fool Trilogy -- , Filmography -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.7312/rybi17616

URL: https://doi.org/10.7312/rybi17616