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  • 1
    Online Resource
    Online Resource
    Leiden ; Boston :Brill,
    UID:
    almahu_9949723636802882
    Format: 1 online resource (282 pages)
    Edition: First edition.
    ISBN: 90-04-69413-7
    Series Statement: Ancient Languages and Civilizations Series ; Volume 6
    Content: Pindar’s Pythian Twelve is the only choral lyric epinicion in our possession composed for the winner of a non-athletic competition. Often regarded as an ode of straightforward interpretation, close analysis of the text reveals that it presents several challenges to modern readers. This book offers an updated translation of the text and an investigation of the main interpretative issues of the epinicion with the aid of historical linguistics. By identifying devices which Pindar might have inherited from earlier periods of poetic language, the study provides insights into the thematic aspects of the ode as well as on Pindar’s compositional technique.
    Note: Intro -- ‎Contents -- ‎Preface -- ‎Figures, Tables, Schemes and Charts -- ‎Abbreviations -- ‎Part 1. Pindar's Pythian Twelve: Text and Linguistic Commentary -- ‎Chapter 1. Pindar's Pythian Twelve: Date, Performance, and Myth -- ‎1. The Ode -- ‎2. Date -- ‎3. Midas' Victory and Performance -- ‎4. The Myth -- ‎Chapter 2. Pythian Twelve's Ring-Composition -- ‎1. Ring-Composition and Ring-Compositions -- ‎2. Inherited Rings: Pindar and the Rigveda -- ‎3. Ring-Composition in Pythian Twelve -- ‎4. Schematic Representation -- ‎5. Descriptive Analysis -- ‎Chapter 3. Linguistic Remarks -- ‎1. Pindar's Kunstsprache: Introduction -- ‎2. The Pindaric Kunstsprache in Pythian Twelve -- ‎Chapter 4. Text -- ‎1. Colometry -- ‎2. Synopsis of Readings -- ‎3. Text -- ‎4. Translation -- ‎Chapter 5. Linguistic Commentary -- ‎1. Invocation (1-6) -- ‎1.1. Excursus: στέφανος and στεφάνωμα in Pindar -- ‎2. Transition (7-8) and Myth (8-24) -- ‎2.1. Weaving Songs: A 'Gendered Metaphor'? -- ‎2.2. Weaving Songs in Pindar and Indo-European -- ‎3. Transition (25-27) -- ‎4. Gnōmai (28-32) -- ‎Chapter 6. The νόμος πολυκέφαλος in Nonnus of Panopolis' Dionysiaca -- ‎1. The Gorgons' Bellowing in Nonnus' Dionysiaca -- ‎2. Nonn. D. 24.35-38 -- ‎3. Nonn. D. 40.215-233 -- ‎4. Nonn. D. 30.264-267 -- ‎5. Conclusions -- ‎Part 2. A Melody with Multiple Heads: A Vedic Parallel to Pindar's Pythian Twelve -- ‎Chapter 7. Introduction: A Comparative Approach to the Myth of Pythian Twelve -- ‎1. Methodological Premises -- ‎2. Rigveda 10.67 as a Comparandum -- ‎3. Similia inter dissimilia -- ‎4. Comparative Plan -- ‎Chapter 8. Br̥haspati and the Poetic Vision of Seven Heads Rigveda 10.67: Text and Commentary -- ‎1. Introduction -- ‎2. Repetitions and Rings in Rigveda 10.67 -- ‎3. Text and Translation -- ‎4. Commentary -- ‎Chapter 9. How to Find a Song of Multiple Heads: Collocations in Context. , ‎1. Features of the Enemy and His/Her Abode (Mytho-geography) -- ‎1.1. The Gorgons' Abode -- ‎1.2. Which Tradition(s) Does Pindar Follow? -- ‎1.3. The Daughters of Phorcus -- ‎1.4. Vala: Location and Descriptions -- ‎1.5. Features of the Enemy and His/Her Abode (Mytho-geography): Common Traits -- ‎2. Association with the Base Collocation [hero-kills-serpent] -- ‎2.1. From Lizards to Serpents -- ‎2.2. Reconstructing [Perseus-kills-serpentine-Gorgon]* -- ‎2.3. Indra's Combats -- ‎2.3.1. Indra, His Enemies, and His Divine Escort -- ‎2.3.2. The Cave and the Mountain -- ‎2.3.3. How to Smash the Enclosing Thing -- ‎2.4. Association with the Base Collocation [hero-kills-serpent]: Common Traits -- ‎3. Association with the Collocation [hero-drives away-goods(cattle, women etc.)] -- ‎3.1. Perseus Rescuer of Women: The Fate of Danae and Andromeda -- ‎3.2. Medusa's Combat and Andromeda's Rescue -- ‎3.3. Indra(/Br̥haspati), Trita Āptya and Θraētaona, Son of Āθβiia -- ‎3.4. Waters, Cows, and Women -- ‎3.5. Association with the Collocation [hero-drives away-goods(cattle, women etc.)]: Common Traits -- ‎4. Acoustic Dimensions of the Narratives -- ‎4.1. Perseus' Cry and/or Cheering -- ‎4.2. The Enemy's Voice -- ‎4.3. Athena's Musical Invention -- ‎4.4. Vala-Myth's Acoustic: Br̥haspati's Roar -- ‎4.5. Vala Laments -- ‎4.6. Angirasas' and Marutas' Songs -- ‎4.7. Acoustic Dimensions of the Narratives: Common Traits -- ‎5. Overview -- ‎6. [god-invents-song-multiple-headsadj./gen.] -- ‎Chapter 10. Midas' δόξα and Br̥haspati's dákṣinā -- ‎1. Midas' Toil and Glory -- ‎2. Midas and Perseus -- ‎3. Midas and Athena -- ‎4. Gk. δόξα and Ved. dákṣinā -- ‎5. Conclusions -- ‎Bibliography -- ‎Index of Selected Names, Things, and Collocations -- ‎Index of Selected Words -- ‎Index of Authors and Works. , English
    Additional Edition: ISBN 90-04-68807-2
    Language: English
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  • 2
    UID:
    almafu_9960117079902883
    Format: 1 online resource (xiii, 325 pages) : , digital, PDF file(s).
    ISBN: 1-281-94918-3 , 9786611949181 , 1-57113-628-2
    Series Statement: Studies in German Literature, Linguistics, and Culture
    Content: This is the first comparative study of a highly unlikely group of authors: eighteenth-century women peasants in England, Scotland, and Germany, women who, as a rule, received little or no formal education and lived by manual labor, many of them in dire poverty. Among them are the English washerwoman Mary Collier, the English domestic servants Elizabeth Hands and Molly Leapor, the German cowherd Anna Louisa Karsch, the Scottish diarywoman Janet Little, the Scottish domestic servant Christian Milne, and the English milkmaid Ann Cromartie Yearsley. Their literature is here linked with one of the major eighteenth-century aesthetic trends in all three countries, the Natural Genius craze, which culminated in highland primitivism in Scotland and England, and in the 'Sturm und Drang' in Germany. Kord's analysis of the peasant women's works and the bourgeois response enables us to find new answers to questions that have centrally influenced our thinking about what makes art Art. Kord's book provides a fresh look at some of this fascinating literature, and at the roles and attitudes of the lower classes and of women in the Art world of the day. It also advances a revolutionary thesis: that the eighteenth-century bourgeoisie established itself as the dominant cultural class not primarily, as is commonly held, in opposition to aristocratic culture, but more importantly through its dissociation from and suppression of lower-class art forms. SUSANNE KORD is Professor and Head of the Department of German at University College London. Her book 'Little Detours: The Letters and Plays of Luise Gottsched' was published by Camden House in 2000.
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Introduction: Aesthetic Evasions and Social Consequences -- , Back to Nature: Bourgeois Aesthetic Theory and Lower-Class Poetic Practice -- , Visionaries: The Artist As Servant, God, or Vegetable -- , Window Shoppers: The Servant As Artist -- , Wild and the Civilized: Poet Making -- , Wages of Suffering and the Wages of Sin: Class Issues and Literary Patronage -- , "Menial Maids, with No Release from Toil": Some Paradigms -- , "The Poet's Silence is the Triumph of Taste": The Case of Anna Louisa Karsch -- , "Drive Your Cows from the Foot of Parnassus": The Case of Ann Yearsley -- , Life As the Work: Counterfeit Confessions, Bogus Biographies, Literary Lives -- , Arcadian Shepherdesses and Toiling Peasants: On Poetry and Poverty -- , German Sappho: Controversies Surrounding a Legend -- , Man or a Mother? Anna Louisa Karsch Forgets Her Gender -- , Beauty and the Beasts: Fairy Tale Imagery -- , Unhappy Endings: Biographical Punishment -- , Literature of Labor: Poetic Images of Country Life -- , Physical Labor and Poetic "Idleness" -- , Rural Realities I: Pastoral Landscapes and Village Scenes -- , Rural Realities II: The Rustic at Work -- , Pastorals and Power: Social and Aesthetic Considerations -- , Inspired by Nature, Inspired by Love: Two Poets on Poetic Inspiration -- , Rural Muse: On Nature Inspiration and Book Learning -- , Under Love's Spell: Authors and Readers -- , Of Patrons and Critics: Reading the Bourgeois Reader -- , Reading the Reader: Of Critics and Posterity -- , Castle-Building: Of Patrons and Their Empty Promises -- , Conclusion: On the Gender and Class of Art -- , App.: Short Biographies of Women Peasant Poets. , English
    Additional Edition: ISBN 1-57113-268-6
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960117431302883
    Format: 1 online resource (xxi, 256 pages) : , digital, PDF file(s).
    ISBN: 1-316-28945-1 , 1-316-31011-6 , 1-316-32349-8 , 1-107-45844-7 , 1-316-33017-6 , 1-316-33351-5 , 1-316-32683-7 , 1-316-10449-4 , 1-316-32013-8
    Content: This is the first full-length study of Ecclesiastes using methods of philosophical exegesis, specifically those of the modern French philosophers Levinas and Blanchot. T. A. Perry opens up new horizons in the philosophical understanding of the Hebrew Bible, offering a series of meditations on its general spiritual outlook. Perry breaks down Ecclesiastes' motto 'all is vanity' and returns 'vanity' to its original concrete meaning of 'breath', the breath of life. This central and forgotten teaching of Ecclesiastes leads to new areas of breath research related both to environmentalism and breath control.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; Preface; List of abbreviations; List of credits; Part One Human Hebel ("Vanity"): Sins of Collection; 1 "I Qohelet Was King" (1:12): The Collector Theme (1:12-2:26); Autobiography and the Confessional Perspective; Sins of Collection: The Theme of King Qohelet; Wisdom: A Collectible or a What?; "I Qohelet Was King" (1:12): Aging and Vulnerability; 2 Fool's Toil (1:2-3); 3 Excess and Its Passions (1:8-11); The Vocabulary of Excess; The Passions; Quietism Then?; 4 A Practical Guide for Living Wisely , Setting Natural Limits: Cycles Organ and Self-Control: Eyes, Hands, Feet; What Is within the Range of Vision; The Near at Hand; Feet; Concepts of Time: The Present, Dailiness; Attitudes, Expectations, the Joy of Contentment; Part Two Universal Hebel ("Wind"): Transience, Time, and Indifference; 5 Cosmic Patterns of Return and Renewal; The Opening Cosmology (1:4-7); Wechseldauer: The Stable Structures of Transience; 6 The Catalog of Human Times (3:1-8); A Merismic Universe; Humans "Under the Sun": The Dialectic; Negatives; An Indifferent Universe and Its Song of Mere Being , Part Three The Hebel of "Dis-aster": Totalities, Transcendence, and Crossover Concepts7 Totalities and the Outside (Dehors); Totalities and Their Limitations; The Outside (Dehors) and the Neuter or Neutral; 8 Living "Under the Sun" and with Transience; 9 Breath of Breaths: Qohelet's Motto and Theme and Refrain; The Effects of Poetic Language; Toward the Peshat or Concrete Literal Meaning of Hebel: Is Breath "Vanity"?; The Dynamism and Transcendence of Metaphor: Cosmology; The Peshat as Metaphor: The Breath of Life; The All as the Hebel of Hebels: God as the Metaphor of Metaphors , Part Four The Hebel of Words10 Nothing Remains (1:3)? Nothing New (1:9; 12:8-12)?; The Great Inclusio (1:2-3; 12:8-9); Im-mortal Remains: The Great Void or the Nothing That Is; Mortal Remains: Writing Fragments, Collecting Students, Righting Proverbs (12:9-11); Qohelet as a Foundational Myth; Part Five Theological Conclusions; 11 Qohelet's Very Final Words; 12 Qohelet's Very First Words; 13 The "All" of Humans; Conclusions; Qohelet the Poet and the Practice of Language; Discussion; Debate; Judgment and Evaluation (e.g., "Better-Than" Statements); Skepticism and Piety , Back to Our Place: This World of Death and Rebirth : Primary or Transitional Experiences under the Sun; Living with and through Transience: Simple Joys, Simply Joy; Index , English
    Additional Edition: ISBN 1-316-31679-3
    Additional Edition: ISBN 1-107-08804-6
    Language: English
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  • 4
    Online Resource
    Online Resource
    Bamenda, Cameroon :Langaa Research & Publishing CIG,
    UID:
    almafu_9959241403602883
    Format: 1 online resource (134 p.)
    Edition: 1st ed.
    ISBN: 9956-792-09-8
    Content: In this collection of poems Nsah Mala casts a critical compassionate gaze at the predicaments in the lives of present day Cameroonians. The poet lambasts power abuse in Cameroon and Africa. He decries the lost glory of traditional values sacrificed at the altar of ingratiation and materialism. Insalubrities are condemned, ignorance and its ramifications satirised, and wanton destruction of the environment indicted. With a fascinating richness of imagery, Mala conveys the disillusionment, bitterness and traumas of ordinary Cameroonians - young and old - debased with impunity by the lethal and sterile grip on power of the high and might. The moral depravity and human frailties mused about in this exceptionally compelling collection have no room in Mala's paradise of Cameroon.
    Note: Poems. , Cover; Title page; Copyright page; Foreword; When the poet philosophizes and advises...; Forbidden; I Have Hope; Hands and Mouth; Best Friend; The Old Testament; What's Man?; Sometimes I Wonder; Never; I Am An Orphan; When the poet peeps on state matters and observes politics...; After The Coup; Termites And Birds; Cloudy Day; Kfifoyn's Verdicts; Family Farm; Eclipsed Family Name; Kamerun's Flag; When the poet puts on traditional regalia and plays ancestral music...; Crying Fons; Dividing Calabash; Real Sons And Daughters; Dry Season In Mbesa; The Young and the Old , When the poet remembers people in society for diverse reasons...Black Redeemer; The Name Ngam; Special Brother; Caring Carine; Without Shallote; Success Time Is Here; Toiling Widow; For Prisca Ansama; When the poet sings to motivate and venerates his Muses...; The Joy Of Studies; Make Sounds For Pounds; When the poet nauseates as decency, morality and dignity are slaughtered...; Musical Madness; Righting Feyiyn's Wrongs; Beasts' Response; When the poets laments social decay, reckless accidents and deaths...; Babies' Dump; Head In A Bag; Mimboman; Tonga 2011; Mournful Mondays , Syrian And Other GraveyardsWhen the poet decries the desecration of hygiene/sanitation and environment...; Dirt and Rubbish; Garbage Song; The Bank Of Secrets; Hygienic Corruption; Hovering Above Yaoundé; Mokolo Slums; When the poet bemoans Man's distortion of the ecological balance...; Dry Season; Environmental Foes; Innocent Ozone; Shrubs' Emergency; Filtered Rays; Leaves On Leave; When the poet fires ink and papers against mosquitoes and disease sources...; Blood Banks; Malaria Exported Him; Malaria And Fish; When Mosquitoes Sing; Bites of Insanity; Back cover , English
    Additional Edition: ISBN 9956-792-67-5
    Additional Edition: ISBN 1-336-00841-5
    Language: English
    Keywords: Electronic books.
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  • 5
    Book
    Book
    London :Faber and Gwyer,
    UID:
    almahu_BV017032914
    Format: XVI, 202 S.
    Edition: 1. publ.
    Language: English
    Subjects: English Studies
    RVK:
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  • 6
    Online Resource
    Online Resource
    Leipzig :B. G. Teubner,
    UID:
    almafu_9958355577302883
    Format: 1 online resource
    Edition: Reprint 2011
    ISBN: 9783110953060
    Series Statement: Beiträge zur Altertumskunde ; 87
    Note: Frontmatter -- , Acknowledgements -- , Introduction. Contents -- , List of Illustrations -- , Key to special Abbreviations -- , 1. Mystery Elements in Menander’s Dyscolus -- , 2. The Ass in the Cult of Dionysus as a Symbol of Toil and Suffering -- , 3. The Samia of Menander: An Interpretation of its Plot and Theme -- , 4. Une Cible de la Satire: Le locus amoenus -- , 5. Skiagraphia once again -- , 6. Ethos in Menander -- , 7. The happy Ending: Classical Tragedy and Apulian funerary Art -- , 8. Aeschylus’ Niobe and Apulian funerary Symbolism -- , 9. Rhetoric and visual Aids in Greece and Rome -- , 10. The Hetaera and the Housewife: The Splitting of the female Psyche in Greek Art -- , 11. The Brink of Death in Classical Greek Painting -- , 12. Patriotic Propaganda and counter-cultural Protest in Athens as evidenced by Vase Painting -- , 13. The gentle Satire of the Penthesileia Painter: A new Cup with Dionysiac Motifs -- , 14. The social Position of Attic Vase Painters and the Birth of Caricature -- , 15. The Corpus Vasorum Antiquorum, the Lexicon Iconographicum Mythologiae Classicae and the Beazley Archive Project: Different Databases for the Study of Greek Iconography -- , 16. Clytemnestra and Telephus in Greek Vase-Painting -- , 17. The feminist View of the Past: A Comment on the ‘Decentering’ of the Poems of Ovid -- , 18. Rembrandt’s Use of Classical Motifs -- , 19. The Greek medical Texts and the sexual Ethos of ancient Athens -- , 20. Scenes from Attic Tragedy on Vases found in Sicily and Lipari -- , Bibliography of original Publications -- , Figures , In English.
    Additional Edition: ISBN 978-3-11-187190-5
    Additional Edition: ISBN 978-3-598-77636-6
    Language: English
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Frankfurt a.M. :Peter Lang GmbH, Internationaler Verlag der Wissenschaften,
    UID:
    kobvindex_HPB1125111658
    Format: 1 online resource (196 pages).
    ISBN: 9783653069273 , 3653069270
    Series Statement: Cross-Roads Ser. ; v. 19
    Content: This book provides a comprehensive overview of the entirety of Wisława Szymborska's poetic oeuvre. The author reveals that - without reflecting on her early entanglement in socialist realism - Szymborska's mature anti-dogmatic attitude will remain unclear. The book shows how Szymborska's rhetoric and stylistics affect her messages.
    Note: Cover; Copyright information; Contents; Introduction; The Beginning; I After the War; The Nonexistent Debut; Inscription of Experience; The Incomplete Joy of Reconstruction; An Opening to the Future; Without Revision; II Embroiled in Newspeak; Ideological Faith; The Legacy of Socialist Realism and the Critics; Poetry: A Second Voice; Women International; The Toil of Poets; The Solemn Weather; Retouches, Departures; The Revision of Language; III Szymborska's Rhetorics; Types of Dialog; World Under Revision; Figures of Reservation; Nonexistence, Nothingness, Nothing; Contradiction and Tautology , Phraseological GamesRepetitions and Enumerations: The Poetics of Inventory; The Revision of Forms; IV Poetry and Painting; The Styles of Painting -- The Styles of Poetry; The Paradoxes of Time Transformations; Paintings: Memory, Dream, History; V Dialog with Texts of Culture; The Gallery of Ancestors: Literary Strolls; Music and Circumstances; VI The Dream of a Better World; Utopia and Anxiety; The Helpless Demiurge; Revisions, Voices; Bibliography; Index
    Additional Edition: Print version: Golubiewski, Mikolaj. World under Revision : The Poetry of Wisława Szymborska. Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, ©2019 ISBN 9783631676042
    Language: English
    Keywords: Criticism, interpretation, etc.
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  • 8
    UID:
    gbv_084047550
    Format: 1 CD , DDD , Beih. , 12 cm
    Uniform Title: Werke, Git Sprechst Ausw
    Note: Aufn.: 1988 , My Lady Hunsdon's puffe. - The passionate pilgrim: If music and sweet poetry agree. - The King of Denmark's galliard. - Envoi to the phoenix and the turtle. - Mignarda. - Venus and Adonis: The courser and the genet. - Queen Elizabeth her galliard. - Loth to depart. - Venus and Adonis: She looks upon his lips. - The Earl of Derby his galliard. - King Henry VIII: Orpheus with his lute. - Lachrimae pavin. - Sonet no. 27 (Weary with toil). - Sonet no. 61 (Is it thy will?). - Sonet no. 109 (O, never say that I was false of heart). - Tarleton's resurrection. - Othello: My mother had a maid call'd Barbara. - Tarleton's resurrection 2. - Twelfth night: Come away, come away, death. - A fancy. - Sonet no. 144 (Two loves I have). Sonet no. 129 (The expense of spirit). - Melancholy galliard. - The rape of Lucrece: But she hath lost a dearer thing than life. Ev'n in this thought. - Semper Dowland, semper dolens. - Sonet no. 119 (What potions have I drunk). - Sonet no. 30 (When to the sessions). - Orlando Sleepeth. - Cymbeline: Fear no more / Poetry by William Shakespeare. Music by John Dowland
    In: CD 17
    Language: Undetermined
    Keywords: CD
    Author information: Dowland, John 1562-1626
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  • 9
    UID:
    almafu_9960963231002883
    Format: 1 online resource (145 pages)
    ISBN: 1-78780-286-8
    Content: William Cowper was born 26th November 1731 in Berkhamsted, Hertfordshire. Traumatically he and his brother, John, were the only survivors, out of seven, to survive infancy. His mother died when he was six. His education, after several temporary schools, was stabilised at Westminster school. Here he established several life-long friendships and a dedication to Latin. Upon leaving he was articled to a solicitor in London and spent almost a decade training in Law. In 1763 he was offered a Clerkship of Journals in the House of Lords. With the examinations approaching Cowper had a mental breakdown. He tried to commit suicide three times and a period of depression and insanity seemed to settle on him. The end of this unhappy period saw him find refuge in fervent evangelical Christianity, and it was also the inspiration behind his much-loved hymns. This led to a collaboration with John Newton in writing 'Olney Hymns'. However dark forces were about to overwhelm Cowper. In 1773, he experienced a devastating attack of insanity, believing that he was eternally condemned to hell, and that God was instructing him to make a sacrifice of his own life. With great care and devotion his friend, Mary Unwin, nursed him back to health. In 1781 Cowper had the good fortune to meet a widow, Lady Austen, who inspired a new bout of poetry writing. Cowper himself tells of the genesis of what some have considered his most substantial work, 'The Task'. In 1786 he began his translations from the Greek into blank verse of Homer's 'The Iliad' and 'The Odyssey'. These translations, published in 1791, were the most significant since those of Alexander Pope earlier in the century. Mary Unwin died in 1796, plunging Cowper into a gloom from which he never fully recovered though he did continue to write. William Cowper was seized with dropsy and died on 25th April 1800.
    Language: English
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  • 10
    Online Resource
    Online Resource
    [Place of publication not identified] :Routledge,
    UID:
    almahu_9949385384802882
    Format: 1 online resource (188 pages)
    Edition: Second edition.
    ISBN: 9781003234432 , 1003234437 , 9781000491944 , 1000491943 , 9781000499070 , 1000499073
    Content: Differentiating Instruction With Menus: Literature (Grades 6-8):
    Note: Chapter 1: Choice Chapter 2: How to Use Menus in the Classroom Chapter 3: Guidelines for Products Chapter 4: Rubrics The MenusHow to Use the Menu Pages Chapter 5: Novels, Short Stories, and Drama Little Women ⁰́₋The People Could Fly The Dark Is Rising The Tale of the Mandarin Ducks Roll of Thunder, Hear My Cry A Wrinkle in Time ⁰́₋Eleven Dragonwings Black Ships Before Troy: The Story of the Iliad The Diary of Anne Frank: A Play Sorry, Wrong Number ⁰́₋Blood, Toil, Tears and Sweat Chapter 6: Poetry ⁰́₋Paul Revere⁰́₉s Ride ⁰́₋O Captain! My Captain ⁰́₋Jabberwocky ⁰́₋The Railway Train ⁰́₋The Song of Wandering Aengus ⁰́₋The Road Not Taken ⁰́₋Chicago ⁰́₋I, Too, Sing America The Book of Questions References About the Author Common Core State Standards Alignment
    Language: English
    Keywords: Electronic books. ; Electronic books.
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