Kooperativer Bibliotheksverbund

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Format: 137 S.

ISBN: 3-87452-235-0

Series Statement: Göppinger Arbeiten zur Germanistik 120

Language: English

Subjects: German Studies

Keywords: von Eschenbach 1170-1220 Parzival Wolfram ; Publikum

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Format: 137 S , 21 cm

ISBN: 3874522350

Series Statement: Göppinger Arbeiten zur Germanistik 120

Note: Zusammenfassung in deutscher Sprache

Language: English

Subjects: German Studies

Keywords: Wolfram von Eschenbach 1170-1220 Parzival ; Publikum

URL: Inhaltsverzeichnis

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Format: 137 S. [Fotodr.]

Series Statement: Goeppinger Arbeiten zur Germanistik. 120

Language: Undetermined

Subjects: German Studies

Keywords: Wolfram von Eschenbach 1170-1220 Parzival ; Publikum

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Format: 1 online resource (viii, 357 pages) : , digital, PDF file(s).

ISBN: 0-511-51952-4

Content: Although much work has recently been done on the relationship between poet, narrator and audience in medieval literature, no sustained attempt has yet been made to inquire into the ways in which the listener's responses are rhetorically controlled and guided in the case of the Parzival of Wolfram von Eschenbach. This book attempts such an inquiry by combining five approaches which have so far been used only separately or partially: the narrator's use of a point of view technique, a specific problem concerning the medieval technique, a specific problem concerning the medieval reception of his work, a procedure best described as 'revealing while concealing', the technique used in naming characters, and the theme of recognition in Parzival. These approaches are combined and applied in detail to the narrative sequence of Wolfram's romance. Although the narratives dealing with Gahmuret, Parzival and Gawan are all dealt with, the lion's share falls to Parzival as the hero of the work (whereby special importance is attached to his crucial dialogue with the hermit Trevrizent in Book IX), but due regard is also paid to Gawan as a means of highlighting the special position of the hero. The discussion throughout is organised around the various encounters in the work in which recognition or non-recognition plays a part.

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Cover; Half-title; Title; Copyright; Contents; Preface ; Abbreviations ; 1 Possibilities ; The narrator's point of view technique; The medieval reception of 'Parzival'; Revealing while concealing; The technique of naming; The theme of recognition; 2 Gahmuret (Books I and II) ; Gahmuret and Kaylet; Gahmuret at Kanvoleis; Gahmuret and the Anschouwe knight; 3 Parzival's youth (Books III and IV) ; Parzival and Jeschute; Parzival and Sigune; Parzival and Ither Parzival at PelrapeireParzival and Condwiramurs; Parzival and Clamide's men; Kingrun and Clamide; 4 Parzival's failure (Books V and VI) ; Parzival at Munsalvaesche; Parzival and Sigune; Parzival, Jeschute and Orilus; Parzival and the Round Table; 5 Gawan (Books VII-VIII and X-XIII) ; Bearosche; Schanpfanzun; Gawan and Urians; Schastel Marveile; Gawan and Gramoflanz; Gawan's surprise; 6 Parzival and Trevrizent (Book IX) ; Parzival and Sigune; Parzival and Trevrizent 7 Parzival's success (Books XIV-XVI) Parzival and Gawan; Parzival and Gramoflanz; Parzival and Feirefiz; Cundrie at the Round Table; Parzival at Munsalvsesche; Parzival and Trevrizent; Loherangrin in Brabant; 8 Conclusions ; Realistic details; Possibilities of recognition; Parzival's process of self-recognition; Parzival's naming; Appendix A The recognition of Parzival at Munsalvæsche and by Trevrizent; Appendix B Trevrizent's 'lie' ; Bibliography ; Index , English

Additional Edition: ISBN 0-521-02074-3

Additional Edition: ISBN 0-521-24500-1

Language: English

URL: https://doi.org/10.1017/CBO9780511519529

UID:

Format: 1 Online-Ressource (viii, 357 pages) , digital, PDF file(s)

ISBN: 9780511519529

Content: Although much work has recently been done on the relationship between poet, narrator and audience in medieval literature, no sustained attempt has yet been made to inquire into the ways in which the listener's responses are rhetorically controlled and guided in the case of the Parzival of Wolfram von Eschenbach. This book attempts such an inquiry by combining five approaches which have so far been used only separately or partially: the narrator's use of a point of view technique, a specific problem concerning the medieval technique, a specific problem concerning the medieval reception of his work, a procedure best described as 'revealing while concealing', the technique used in naming characters, and the theme of recognition in Parzival. These approaches are combined and applied in detail to the narrative sequence of Wolfram's romance. Although the narratives dealing with Gahmuret, Parzival and Gawan are all dealt with, the lion's share falls to Parzival as the hero of the work (whereby special importance is attached to his crucial dialogue with the hermit Trevrizent in Book IX), but due regard is also paid to Gawan as a means of highlighting the special position of the hero. The discussion throughout is organised around the various encounters in the work in which recognition or non-recognition plays a part

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)

Additional Edition: ISBN 9780521245005

Additional Edition: ISBN 9780521020749

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521245005

Language: English

DOI: 10.1017/CBO9780511519529

URL: Volltext  (lizenzpflichtig)

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Format: 1 online resource (728 p.)

ISBN: 9789633865002

Content: More than sixty friends and colleagues pay tribute to the distinguished professor János Bak's 70th birthday. Notable contributors from many countries dedicate previously unpublished essays and articles in this celebratory Festschrift. Reflecting the intellectual calibre of János Bak, scholars not only of medieval history, but also from the fields of modern history, philosophy, linguistics, art history and political science provide a broad range of perspectives on a wide range of disciplinary areas thus allowing a wide readership audience.

Note: Frontmatter -- , TABULA GRATULATORIA -- , TABLE OF CONTENTS -- , ACKNOWLEDGMENTS -- , PREFACE -- , I. PERSONALIA -- , BAKSI -- , FINDING (AND LOSING?) THE RIGHT PATH TOGETHER (1945-48) -- , "DORANGE: " A STORY OF SOLIDARITY -- , THE IMRE NAGY INSTITUTE IN BRUSSELS . A LETTER OF SORTS TO JÁNOS BAK -- , BAK-AS I SEE HIM -- , II. ARTES -- , KUNSTHISTORISCHE BEMERKUNGEN ZUR VISION DES HEILIGEN GERHARD/GELLÉRT -- , BYZANTIUM AND THE WEST: MUSIC AS A CULTURAL BETRAYER -- , THE HOLY FATHER AND THE DEVI LS , O R COULD THE HUNGARIAN ANGEVIN LEGENDARY HAVE BEEN ORDERED FOR A POPE? -- , "YOUNG, RICH , AND BEAUTIFUL. " THE VISUALIZATION OF MALE BEAUTY IN THE LATE MIDDLE AGES -- , III. REBELLIONES -- , VIOLENCE AND THE QUEEN'S BODY: MEDIEVAL CONSORTS , STATECRAFT, AND DISORDER IN TWELFTH-CENTURY FRANCE -- , VIOLENCE AND THE SOCIAL ORDER IN A MEDIEVAL SOCIETY: THE EVIDENCE FROM THE HENRYKÓW REGION, CA. 1150- CA. 1300 -- , LE JUIF AU TRIBUNAL: CRACOVIE, XVEME SIECLE -- , IMAGES AND DESIGNATIONS FOR REBELLIOUS PEASANTS IN LATE MEDIEVAL HUNGARY -- , UTOPIA AND REFORMATION IN CENTRAL EUROPE -- , IV. MAJESTAS -- , DIE GEBURT JESU, DER KAISER AUGUSTUS UND DIE SIBYLLE VON TIVOLI -- , THE ADVENTUS OF CONSTANTIUS II TO ROME 3 5 7 A . D . -- , A GLIMPSE OF OPENNESS I N MEDIEVAL SOCIETY: AL-HAKAM II OF CÓRDOBA AND HIS NON-MUSLIM COLLABORATORS -- , EXEAT AULA? RULERSHIP IN GOTTFRIED VON STRASSBURG'S TRISTAN -- , THE LIVRES BLEU AND ROUGE. TWO CORONATION MANUS CRI PTS IN THE CATHEDRAL OF REIMS -- , FEMALE CONTROL OF DYNASTIC POLITICS IN SIXTEENTH--CENTURY POLAND -- , V. HAGIOGRAPHICA -- , MANKIND'S COMMON INTELLECTUAL SUBSTANCE: A STUDY IN THE LETTERS OF SAINT ANTONY AND HIS LIFE BY SAINT ATHANASIUS -- , CONSTANTINE-CYRIL, APOSTLE OF THE SLAVS, AS " BIBLIOTHECARY, " OR HOW BYZANTINE WAS THE AUTHOR OF CONSTANTINE'S VITA ? -- , ST. STEPHEN OF PERM: MISSIONARY AND POPULAR SAINT -- , DIE UNGARNMISSION DES HL. ADALBERTS -- , WAS THE CULT OF SAINT BARTHOLOMEW A ROYAL OPTION IN EARLY MEDIEVAL CROATIA? -- , "SPEKYN FOR GODDYS CAWSE" : MARGERY KEMPE AND THE SEVEN SPIRITUAL WORKS OF MERCY -- , VI. QUOTIDIANA -- , FEASTS , GAMES , AND INVERSIONS : REFLECTIONS ON THE UPS AND DOWNS OF SF-GALL -- , A MEDIEVAL PARADE? -- , SIGNS OF POWER AND SIGNS OF HOSPITALITY: THE FESTIVE ENTRIES OF THE ORDENSMEISTER INTO LATE MEDIEVAL REVAL -- , BEER IN EASTERN EUROPE IN THE MIDDLE AGES -- , KERBHÖLZER IN ALTEUROPA-ZWIS CHEN DORFSCHMIEDE UND SCHATZAMT -- , HOUSING IN EIGHTEENTH-CENTURY HUNGARIAN CITIES -- , VII. VARIA MEDIEVALIA -- , A GIFT AWAITS AN ANSWER. A PAGE FROM THE CULTURAL HISTORY OF SOCIETY -- , CAROLINGIAN ELOPEMENTS AS A SIDELIGHT ON COUNTS AND VASSALS -- , TRANSCONTINENTAL TRADE FROM EAST-CENTRAL EUROPE TO WESTERN EUROPE (FOURTEENTH AND FIFTEENTH CENTURIES) -- , ENEMY, OBSTACLE, ALLY? HE GREEK IN WESTERN CRUSADE PROPOSALS (1274-1311) -- , ETERNAL ALLEGIANCES . DUNS S COTUS ' PLACE IN THE DEBATE ABOUT THE POSSIBILITY OF AN ETERNALLY CREATED WORLD -- , THE VERNACULAR LANGUAGES OF EAST CENTRAL EUROPE IN THE MEDIEVAL PERIOD -- , A PREFACE, MAINLY TEXTUAL, TO ALCUIN'S DE RATIONE ANIMAE -- , VIII. HUNGARICA -- , ERBTEILUNG UND FAMILIENBILDUNG -- , THE FILIAL QUARTER AND FEMALE INHERITANCE IN MEDIEVAL HUNGARIAN LAW -- , FIELD SYSTEMS IN MEDIEVAL HUNGARY -- , WAS THERE A BOURGEOISIE IN MEDIEVAL HUNGARY? -- , DIE UNGARISCHE POLITIK KONRADS II -- , DUX ET PRAECEPTOR HIEROSOLIMITANORUM. KÖNIG LADISLAUS (LÁSZLÓ) VON UNGARN ALS IMAGINARER KREUZRITTER -- , DIE DOMKAPITEL UND IHRE DOMHERREN BIS ANFANG DES 1 2 . JAHRHUNDERTS IN UNGARN -- , SUMMA POTESTAS POST DEUM-PAPAL DILECTIO AND HUNGARIAN DEVOTIO IN THE REIGN OF INNOCENT III -- , THE MANTLE OF BÉLA IV -- , HUNGARIANS IN AN ANONYMOUS BYZANTINE GEOGRAPHICAL TREATISE -- , THE KNIGHTS OF ST. JOHN AND THE HUNGARIAN PRIVATE LEGAL LITERACY UP TO THE MID-FOURTEENTH CENTURY -- , DEFINING THE POSITION OF CROATIA DURING THE RESTORATION OF ROYAL POWER (1345-1361) . AN OUTLINE -- , THE FADING GLORY OF A FORMER ROYAL SEAT: THE CASE OF MEDIEVAL TEMESVÁR -- , A HISTORY OF THE CYKO FAMILY OF POMÁZ -- , UN AMBASSADEUR BIEN CHOISI : BERNARDINUS DE FRANGIPANUS ET SA MISSION A NAPLES , EN 1476 -- , ISTVÁN WERBŐCZY ALS POLITIKER IN DER ZEIT VOR MOHÁCS ( 1 526) -- , SEBASTIAN THÖKÖLY AND HIS SENSIBILITY TOWARDS RELIGIOUS QUESTIONS -- , LA BIBLIOTHEQUE DE GERGELY BERZEVICZY -- , THE "BATTLE" OF NAGYKOVÁCSI. A PERSONAL MEMOIR RECONFIRMED BY THE ENEMY -- , IX. HISTORIOGRAPHICA -- , MYTHS CHASING MYTHS : THE LEGEND OF THE TROJAN ORIGIN OF THE FRENCH AND ITS DISMANTLING -- , GESCHICHTSSCHREIBUNG IM DIENSTE VON HERRSCHAFTSINTERESSEN AM BEISPIEL FRANKREICHS IM SPATMITTELALTER -- , THE REIGN OF HENRY IV OF ENGLAND , 1399-1413. A CENTURY OF H I STORICAL RESEARCH AND WRITING -- , THE HISTORIOGRAPHY OF THE SO-CALLED "EAST COLONISATION" AND THE CURRENT STATE OF RESEARCH -- , THE SURVIVAL OF MEDIEVAL TRADITIONS AT EARLY AMERICAN COLLEGES TO CA. 1800 -- , DAS BEISPIEL UNGARN IM STANDIS CHEN OSTEUROPA -- , C. A. MACARTNEY'S STUDIES ON EARLY HUNGARIAN H ISTORY -- , ENGLISHNESS BETWEEN CLASS AND ETHNICITY -- , BIBLIOGRAPHY OF THE WORKS OF JÁNOS M. BA K -- , LIST OF CONTRIBUTORS , In English.

Language: English

URL: https://www.degruyter.com/isbn/9789633865002

URL: https://www.degruyter.com/isbn/9789633865002

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Format: xii, 188 p. : , ill. (some col.)

Edition: 1st ed.

ISBN: 1-281-72890-X , 9786611728908 , 0-300-13820-2

Content: Some fifty years before Chrétien de Troyes wrote what is probably the first and certainly the most influential story of the Holy Grail, images of the Virgin Mary with a simple but radiant bowl (called a "grail" in local dialect) appeared in churches in the Spanish Pyrenees. In this fascinating book, Joseph Goering explores the links between these sacred images and the origins of one of the West's most enduring legends. While tracing the early history of the grail, Goering looks back to the Pyrenean religious paintings and argues that they were the original inspiration of the grail legend. He explains how storytellers in northern France could have learned of these paintings and how the enigmatic "grail" in the hands of the Virgin came to form the centerpiece of a story about a knight in King Arthur's court. Part of the allure of the grail, Goering argues, was that neither Chrétien nor his audience knew exactly what it represented or why it was so important. And out of the attempts to answer those questions the literature of the Holy Grail was born.

Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , Preface -- , Chapter 1. Chrétien de Troyes Perceval or the Conte du Graal -- , Chapter 2. Wolfram von Eschenbach Parzival -- , Chapter 3. Robert de Boron Joseph d'Arimathie (La grant estoire dou graal) -- , Chapter 4. Hélinand of Froidmont -- , Chapter 5. The Bishop of Roda/Barbastre and the Churches of Taüll -- , Chapter 6. The Master of St. Clement -- , Chapter 7. The Virgin and the Grail in the Pyrenees -- , Chapter 8. Perceval and the Grail -- , Notes -- , Index , English

Additional Edition: ISBN 0-300-10661-0

Language: English

DOI: 10.12987/9780300138207

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Format: Online-Ressource (423 S.) , Ill.

Edition: 1. Aufl.

ISBN: 9783847107491

Series Statement: Alexander Kluge-Jahrbuch. Band 004

Content: ***Angaben zur beteiligten Person Potthast: Dr. Barbara Potthast ist Professorin für Neuere deutsche Literatur an der Universität Stuttgart. Ihre Forschungsschwerpunkte sind das 18. und 19. Jahrhundert.

Content: ***Angaben zur beteiligten Person Pauval: Vincent Pauval lehrte bis 2013 deutsche Sprache und Literatur sowie Komparatistik an der Université Blaise Pascal in Clermont-Ferrand.

Content: ***Angaben zur beteiligten Person Schulte: Christian Schulte ist Professor für Theater- und Medienkulturen der Neuzeit am Institut für Theater-, Film- und Medienwissenschaft der Universität Wien.

Content: ***Angaben zur beteiligten Person Siebers: Dr. Winfried Siebers ist seit 2005 wissenschaftlicher Mitarbeiter am Interdisziplinären Institut für Kulturgeschichte der Frühen Neuzeit an der Universität Osnabrück.

Content: ***Angaben zur beteiligten Person Stollmann: Dr. Rainer Stollmann war bis 2012 Professor für Kulturgeschichte an der Universität Bremen.

Content: ***Angaben zur beteiligten Person Combrink: Thomas Combrink ist Literaturwissenschaftler und Mitarbeiter von Alexander Kluge.

Content: ***Angaben zur beteiligten Person Martens: Dr. Gunther Martens ist Forschungsprofessor für deutsche Literaturwissenschaft am Institut für deutsche Sprache und Literatur der Universität Gent, Belgien.

Content: Marx spricht im »Kapital« von den »animal spirits«, den »Lebensgeistern«. Sie erwachen, wenn Menschen räumlich zusammen sind. So ist schon ein Publikum keinesfalls die bloße Summe von Einzelnen. Das Wichtigste geschieht zwischen den Menschen, denn: »Keiner ist alleine schlau genug.« »Kooperation« gibt es aber auch in ihnen: »Ich denke, weil ich davon absehen kann, daß ich bin. Ich bin nämlich keineswegs allein, sondern in mir sind die anderen, und die denken unaufhörlich, weil das ihre Notwehrform ist.« In Alexander Kluges Begriffsinventar und in seiner praktischen Arbeit ist »Kooperation« eines der wichtigsten Stichwörter. Das Jahrbuch 2017 konzentriert sich darauf.  Marx speaks in "Das Kapital" of the "animal spirits", the "spirits of life". They awaken when people are together spatially. Thus, an audience is by no means a mere sum of individuals. The most important things happen between people, because: "No one person who stands alone is smart enough". "Cooperation" is also within them: "I think I am, because I can ignore it. I am actually by no means alone; others are within me, and they think incessantly, because that is their form of self-defence." In Alexander Kluge's conceptual inventory as well as in his practical work, "cooperation" is one of the most important key words to be noted. This will be the focal point of the 2017 Yearbook.

Additional Edition: ISBN 9783737007498

Language: German

DOI: 10.14220/9783737007498

URL: https://doi.org/10.14220/9783737007498

UID:

Format: 1 online resource (563p.)

ISBN: 9783110432466

Series Statement: De Gruyter Reference

Content: The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present.By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.

Note: Frontmatter -- , Acknowledgments -- , Table of contents -- , List of Contributors -- , List of Abbreviations -- , Introduction: King Arthur’s Court in Medieval European Literature -- , Section I. The Context of Arthurian Romance -- , Historical Context: The Middle Ages and the Code of Chivalry -- , The International Arthurian Society and Arthurian Scholarship -- , The Evolution of the Critical Canon -- , Text-Types and Formal Features -- , The Arthur-Figure -- , The Manuscript Context of Arthurian Romance -- , Readership and Audience -- , Section II. Approaching Arthurian Romance: Theories and Key Terms -- , Chronology, Anachronism and Translatio Imperii -- , Historiography: Fictionality vs. Factuality -- , Rewriting: Translation, Continuation and Adaptation -- , Intertextuality -- , New Philology/Manuscript Studies -- , Text and Image -- , Material Studies -- , The Natural World -- , Gender/Queer Studies -- , Orality, Literacy and Performativity of Arthurian Texts -- , Medievalism -- , Post-Colonial Studies -- , Section III. Reading Arthurian Romances: Content, Method and Context -- , Heinrich von dem Türlin’s Diu Crône: Life at the Arthurian Court -- , Herr Ivan: Chivalric Values and Negotiations of Identity -- , La Tavola Ritonda: Magic and the Supernatural -- , Chrétien de Troyes’ Lancelot, ou le Chevalier de la charrette: Courtly Love -- , Sir Percyvell of Galles: A Quest for Values -- , Peredur son of Efrawg: The Question of Translation and/or Adaptation -- , The Roman van Walewein and Moriaen: Travelling through Landscapes and Foreign Countries -- , The Iberian Post-Vulgate Cycle: Cyclicity in Translation -- , Wolfram von Eschenbach’s Parzival: Searching for the Grail -- , Chrétien de Troyes’ Erec et Enide: Women in Arthurian Romance -- , Merlin: Christian Ethics and the Question of Shame -- , De ortu Walwanii and Historia Meriadoci: Technologies in/of Romance -- , Jaufre: Genre Boundaries and Ambiguity -- , Index , In English.

Additional Edition: ISBN 978-3-11-043247-3

Additional Edition: ISBN 978-3-11-043248-0

Additional Edition: ISBN 978-3-11-044061-4

Language: English

DOI: 10.1515/9783110432466

URL: https://doi.org/10.1515/9783110432466

URL: https://doi.org/10.1515/9783110432466