Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Keywords
  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill
    UID:
    gbv_179459129X
    Format: 1 Online-Ressource
    ISBN: 9789004342330
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a ‘past’ Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers’ expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean ‘Binta’ Breeze, Makeda Silvera, and Joan Riley
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    UID:
    almahu_9949702613702882
    Format: 1 online resource (xxiv, 210 pages)
    ISBN: 9789004342330
    Series Statement: Cross/cultures, v. 196
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a 'past' Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers' expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean 'Binta' Breeze, Makeda Silvera, and Joan Riley
    Note: Preliminary Material -- Introduction -- Work Songs, Proverbs, and Storytelling in Jamaican Literary Tradition -- The African-Jamaican Aesthetic, Pan-Africanism, and Decolonization in Early Jamaican Literature -- Crossing Over to the Diaspora: The Reggae Aesthetic, Dub, and the Literary Diaspora -- Gendering Dub Culture Across Diaspora: Jamaican Female Dub Poets in Canada and England -- Home Away from Home: The African-Jamaican Aesthetic in Diasporic Novels -- Conclusion -- Works Cited -- Index.
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    UID:
    almahu_9949415933602882
    Format: 1 online resource (234 p.)
    ISBN: 9789004342330
    Series Statement: Cross/Cultures
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a 'past' Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers' expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean 'Binta' Breeze, Makeda Silvera, and Joan Riley
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    UID:
    edoccha_9960030935602883
    Format: 1 online resource (234 pages).
    Series Statement: Cross/cultures : readings in post/colonial literatures and cultures in English ; volume 196
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a ‘past’ Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers’ expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean ‘Binta’ Breeze, Makeda Silvera, and Joan Riley
    Note: Preliminary Material -- Introduction -- Work Songs, Proverbs, and Storytelling in Jamaican Literary Tradition -- The African-Jamaican Aesthetic, Pan-Africanism, and Decolonization in Early Jamaican Literature -- Crossing Over to the Diaspora: The Reggae Aesthetic, Dub, and the Literary Diaspora -- Gendering Dub Culture Across Diaspora: Jamaican Female Dub Poets in Canada and England -- Home Away from Home: The African-Jamaican Aesthetic in Diasporic Novels -- Conclusion -- Works Cited -- Index.
    Additional Edition: ISBN 90-04-33800-4
    Additional Edition: ISBN 90-04-34233-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    UID:
    edocfu_9960030935602883
    Format: 1 online resource (234 pages).
    Series Statement: Cross/cultures : readings in post/colonial literatures and cultures in English ; volume 196
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a ‘past’ Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers’ expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean ‘Binta’ Breeze, Makeda Silvera, and Joan Riley
    Note: Preliminary Material -- Introduction -- Work Songs, Proverbs, and Storytelling in Jamaican Literary Tradition -- The African-Jamaican Aesthetic, Pan-Africanism, and Decolonization in Early Jamaican Literature -- Crossing Over to the Diaspora: The Reggae Aesthetic, Dub, and the Literary Diaspora -- Gendering Dub Culture Across Diaspora: Jamaican Female Dub Poets in Canada and England -- Home Away from Home: The African-Jamaican Aesthetic in Diasporic Novels -- Conclusion -- Works Cited -- Index.
    Additional Edition: ISBN 90-04-33800-4
    Additional Edition: ISBN 90-04-34233-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    UID:
    almahu_9949281354502882
    Format: 1 online resource (234 pages).
    Series Statement: Cross/cultures : readings in post/colonial literatures and cultures in English ; volume 196
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a ‘past’ Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers’ expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean ‘Binta’ Breeze, Makeda Silvera, and Joan Riley
    Note: Preliminary Material -- Introduction -- Work Songs, Proverbs, and Storytelling in Jamaican Literary Tradition -- The African-Jamaican Aesthetic, Pan-Africanism, and Decolonization in Early Jamaican Literature -- Crossing Over to the Diaspora: The Reggae Aesthetic, Dub, and the Literary Diaspora -- Gendering Dub Culture Across Diaspora: Jamaican Female Dub Poets in Canada and England -- Home Away from Home: The African-Jamaican Aesthetic in Diasporic Novels -- Conclusion -- Works Cited -- Index.
    Additional Edition: ISBN 90-04-33800-4
    Additional Edition: ISBN 90-04-34233-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    UID:
    almafu_9960030935602883
    Format: 1 online resource (234 pages).
    Series Statement: Cross/cultures : readings in post/colonial literatures and cultures in English ; volume 196
    Content: The African-Jamaican Aesthetic explores the ways in which diasporic African-Jamaican writers employ cultural referents aesthetically in their literary works to challenge dominant European literary discourses; articulate concerns about racialization and belonging; and preserve and enact cultural continuities in their new environment(s). The creative works considered provide insight into how local and indigenous Caribbean knowledges are both changed by the transfer to new, diasporic locales and reflect a unified consciousness of African-Jamaican roots and culture. The works surveyed also reveal significant connections with a ‘past’ Africa. Indeed, Africa is treated as a central source of aesthetic influence in these writers’ expression of local cultures and indigenous knowledges. Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. Writers discussed include Claude McKay, Una Marson, Louise Bennett, Afua Cooper, Lillian Allen, Linton Kwesi Johnson, Benjamin Zephaniah, Lillian Allen, Jean ‘Binta’ Breeze, Makeda Silvera, and Joan Riley
    Note: Preliminary Material -- Introduction -- Work Songs, Proverbs, and Storytelling in Jamaican Literary Tradition -- The African-Jamaican Aesthetic, Pan-Africanism, and Decolonization in Early Jamaican Literature -- Crossing Over to the Diaspora: The Reggae Aesthetic, Dub, and the Literary Diaspora -- Gendering Dub Culture Across Diaspora: Jamaican Female Dub Poets in Canada and England -- Home Away from Home: The African-Jamaican Aesthetic in Diasporic Novels -- Conclusion -- Works Cited -- Index.
    Additional Edition: ISBN 90-04-33800-4
    Additional Edition: ISBN 90-04-34233-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean breese an makeda?
Did you mean breeze an mageda?
Did you mean breeze an makeba?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages