Kooperativer Bibliotheksverbund

UID:

Umfang: 1 online resource (xv, 404 pages) : , digital, PDF file(s).

ISBN: 9781316050873 (ebook)

Inhalt: A History of New Zealand Literature traces the genealogy of New Zealand literature from its first imaginings by Europeans in the eighteenth century. Beginning with a comprehensive introduction that charts the growth of, and challenges to, a nationalist literary tradition, the essays in this History illuminate the cultural and political intricacies of New Zealand literature, surveying the multilayered verse, fiction and drama of such diverse writers as Katherine Mansfield, Allen Curnow, Frank Sargeson, Janet Frame, Keri Hulme, Witi Ihimaera and Patricia Grace. Written by a host of leading scholars, this History devotes special attention to the lasting significance of colonialism, biculturalism and multiculturalism in New Zealand literature. A History of New Zealand Literature is of pivotal importance to the development of New Zealand writing and will serve as an invaluable reference for specialists and students alike.

Anmerkung: Title from publisher's bibliographic system (viewed on 05 Apr 2016). , Machine generated contents note: 1. A world of waters: imagining, voyaging, entanglement Ingrid Horrocks; 2. Early Māori literature: the writing of Hakaraia Kiharoa Arini Loader; 3. Samuel Butler's influence Simon During; 4. Maoriland reservations Jane Stafford; 5. Katherine Mansfield: colonial modernist Bridget Orr; 6. Colonial ecologies: Guthrie-Smith's Tutira and writing in the settled environment Philip Steer; 7. Defiance and melodrama: fiction in the period of national 'invention', 1920-50 Alex Calder; 8. Journalism and high culture: Robin Hyde among the cultural nationalists Nikki Hessell; 9. 'Simply by sailing in a new direction': the poetics of distance Stuart Murray; 10. 'Rough architects': New Zealand literature and its institutions from Phoenix to Landfall Christopher Hilliard; 11. Against the social pattern: New Zealand fiction, 1950-70 Timothy Jones; 12. Janet Frame: myths of authorship, 1950-90 Marc Delrez; 13. Te ao hou: Te pataka Alice Te Punga Somerville; 14. Out of the drawing room and onto the beach: drama, 1950-70 Mark Houlahan; 15. 'Physician of society': the poet in the 1950s and 1960s Alan Riach; 16. From Hiruharama to Hataitai: the domestication of New Zealand poetry, 1972-90 Harry Ricketts and Mark Williams; 17. The novel, the short story and the rise of a new reading public, 1972-90 Lydia Wevers; 18. 'Dbed and chocolate wheaten beaten': drama defining the nation, 1972-90 David O'Donnell; 19. The Māori renaissance 1972 Melissa Kennedy; 20. 'While history happens elsewhere': fiction and political quietism, 1990-2014 Dougal McNeill; 21. Anecdote in post-1990s New Zealand poetry Anna Smaill; 22. From exploring identity to facing the world: drama since 1990 Stuart Young; 23. From meadow to paddock: children's and young adult literature Anna Jackson; 24. 'Nafanua and the New World': Pasifika's writing of Niu Zealand Selina Tusitala Marsh; 25. New Zealand literature in the program era, or, the spirit of nationalism past Hugh Roberts.

Weitere Ausg.: Print version: ISBN 9781107085350

Sprache: Englisch

URL: https://doi.org/10.1017/CBO9781316050873

URL: Volltext  (lizenzpflichtig)

UID:

Umfang: 1 online resource

ISBN: 9781119129578 , 1119129575 , 9781119129585 , 1119129583 , 9781119129592 , 1119129591 , 1119129567 , 9781119129561

Serie: The Journal of Philosophy of Education Book Series

Anmerkung: Title Page ; Copyright Page; Contents; Preface; Acknowledgements; Chapter 1 Today's Thinking: Following the Lines of Rationalism ; INTRODUCTION; THE POLICY AND PRACTICE OF THINKING; Thinking in Educational Policy; Thinking in Practice; Some Initial Questions; THINKING IN THEORY; Introduction; Critical Thinking; Thinking Skills; Richer than Rationalism?; Philosophy for Children; Philosophy in Schools; Summary; THE SUBJECT OF THOUGHT; Thinking as Representation; The Thinking Subject; THE EXPERIENCE OF THINKING; Possible Challenges; A Phenomenological Route; Overview of Book; NOTES. , Chapter 2 A Brief Detour: 'Authentic' and 'Poetic' Thinking INTRODUCTION; AUTHENTIC THINKING; POETIC THINKING; PROBLEMS WITH BONNETT'S ACCOUNT; Problems with Authentic Thinking; Problems with Poetic Thinking; BEYOND BONNETT; NOTES ; Chapter 3 'Ahead of All Beaten Tracks': Ryle, Heidegger, and the Ways of Thinking ; 'AHEAD OF ALL BEATEN TRACKS'; A SHARED PATH; Introduction; Ryle's Positive Reception of Phenomenology; Heidegger's Indebtedness to Husserl; Ryle Contra Phenomenology; Heidegger's Critique of Husserl; Summary; AT THE CROSSROADS; Introduction; Ryle's Interpretation of Heidegger. , The Knowledge ObjectionThe Charge of Subjectivism; FORGING A NEW PATH; Introduction; Being-in-the-World Reconsidered ; Returning to Ryle; Meaning and Interpretation; Truth as Disclosure and Truth as Correctness; RYLE REVISITED; WAYS OF THINKING; NOTES ; Chapter 4 A Way Beyond: Thinking Responsibly with Heidegger ; INTRODUCTION; THE TURN TO LANGUAGE; Language in Question; Language as Representation; Language as Productive; Language and Poiesis; Revealing and Concealing; A WAY BEYOND; Beyond Subjectivism; The Context of Disclosure; Responsiveness, Not Resignation; An Example. , THE RESPONSIBILITY OF THINKINGImplications and Consequences; Example One: The Cabinet Maker's Apprentice; Example Two: The Jug and the Fourfold; CONCLUSION; NOTES; Chapter 5 Following the Sign: Derrida and the Language of Thought ; INTRODUCTION; A THEMATIC POINT; ROUTE ONE: PAST STRUCTURALISM; Traditional View of Signs; Sassurean Foundations; Glimpsing the Opening; DERRIDA'S ACCOUNT OF SIGNS; Saussure's Relapse; Derrida's Critique; Writing and 'Arche-Writing' ; TWO KEY NOTIONS; Difference and Differance; The Metaphysics of Presence; CONCLUSION; NOTES. , Chapter 6 Out of the Ordinary: Incorporating Limits with Derrida and Austin INTRODUCTION; AUSTIN; From Descriptions to Performatives; Meaning, Thoughts, and Contexts; Summary; RETRACING DERRIDA; Loose Ends; Austin's Exclusions; 'So What?' Objections; Ditches and Differences; CAVELL'S CRITIQUE; Introducing Cavell; Cavell's Challenge; Responding to Cavell; Cavell Reconsidered; OUT OF THE ORDINARY; NOTES; Chapter 7 The Way Before the Way Before: Crossing Paths with Heidegger and Derrida ; INTRODUCTION; PRELIMINARY THREADS; EARLY; Spirit of)Being and Time; The Question of the Question; MIDDLE.

Weitere Ausg.: Print version: Williams, Emma, 1984 May 14- Ways we think. Chichester, UK ; Malden, MA : John Wiley & Sons, 2016 ISBN 9781119129561

Sprache: Englisch

Schlagwort(e): Electronic books. ; Electronic books. ; Electronic books.

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119129592

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119129592

URL: https://onlinelibrary.wiley.com/doi/book/10.1002/9781119129592

UID:

Umfang: 1 online resource (214 pages)

Ausgabe: 1st ed.

ISBN: 9781802700763

Serie: Places and Spaces, Medieval to Modern - ARC Series

Inhalt: Exploring architectural remnants of the past--from castles and cathedrals to village churches--and the work of writers, illuminators, and craftspeople, this volume demonstrates the pervasive nature of architecture as a category of medieval thought.

Anmerkung: Front Cover -- Half-title -- Series information -- Title page -- Copyright information -- Table of contents -- List of Illustrations -- Acknowledgments -- Introduction. Architectural Representation in Medieval Textual and Material Culture -- Architectural Representation: Sources and Approaches -- The Volume -- Chapter 1. Designing the Regensburg Spire and Harburg Tabernacle -- Chapter 2. Wilfrid's Restoration of the Church at York and the Permanence of Sacred Buildings in Post-Conversion Northumbria -- The Cleansing of the Church of York -- The Conversion of Sacred Structures -- The Threat of Impermanence in the Early Northumbrian Church -- Conclusion -- Chapter 3. Heaven-Roofs and Holy Altars: Envisioning a Seventh-Century English Church in Aldhelm's Carmina Ecclesiastica 3 -- Chapter 4. "Beaten Down and Built Anew": Saint Erkenwald and Old St. Paul's -- Saint Erkenwald in its Architectural Setting -- Transcending the Cathedral -- Conclusion -- Chapter 5. Castle Viewscapes in Literature and Landscapes -- Introduction -- Cultural Landscape Approach to the Study of Castles -- Trim Historical Overview -- Projective Views from Trim Castle -- Digital Record of Trim -- Castle Viewscapes in Medieval Literature -- Castles in Romances -- Castles in Moral and Religious Allegory -- Conclusion -- Chapter 6. Architectural Alignment in Early Medieval English Settlements -- Yeavering: A Royal Vill in Northumbria (Present-Day Northumberland) -- Cowdery's Down: A High-Status Settlement in Wessex (Present-Day Hampshire) -- Cowage Farm: A High-Status Settlement In Wessex (Present-Day Wiltshire) -- Chalton: A Village in Wessex (Present-Day Hampshire) -- Drayton/Sutton Courtenay: A Possible Royal Centre in Wessex (Present-Day Oxfordshire) -- Sprouston: A Royal Vill in Northumbria (Present-Day Scottish Borders) -- Conclusions -- Chapter 7. Underneath the Arches. , Introduction: Sicilian Palimpsests -- The Poet and his Work -- Representing Sicilian Cities -- Time and Space, Order and Architecture -- Chapter 8. Reading the Saint's Church -- Continuities with the Institutional Allegorical Tradition -- Differences from the Institutional Allegorical Tradition -- Vernacular Saints' Lives and Church Allegory in London, British Library, Additional MS 35298 -- Conclusion -- Select Bibliography -- Primary Sources -- Manuscripts -- Online Resources -- Secondary Sources -- Index.

Weitere Ausg.: Print version: Bailey, Hannah M. Architectural Representation in Medieval Textual and Material Culture Amsterdam : Arc Humanities Press,c2023 ISBN 9781802700008

Sprache: Englisch

Schlagwort(e): Electronic books. ; Electronic books ; Electronic books

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Umfang: 1 online resource (264 pages) : , color illustrations, color maps.

Ausgabe: 1st American edition.

ISBN: 0-7566-7170-1

Serie: Eyewitness travel back roads

Inhalt: This vacation guide describes twenty-five driving tours along the back roads of Great Britain, ranging from one to five days. It uses in-depth local knowledge to create driving tours full of original ideas for activities, off-the-beaten-track stops, and authentic places to eat and stay.

Anmerkung: Includes index. , Drive 1 : Lizard Point and the south Cornwall coast : St. Ives to Tavistock, 4-5 days -- Drive 2 : headlands and coves : Bideford to Bodmin Moor, 3-4 days -- Drive 3 : North Devon coast and Exmoor : Taunton to Barnstaple, 2-3 days -- Drive 4 : Hardy country and the Jurassic coast : Swanage to Sherborne, 3 days -- Drive 5 : a spiritual journey : Salisbury to Glastonbury, 4 days -- Drive 6 : the villages of the Cotswolds : Cirencester to Broadway, 2-3 days -- Drive 7 : through the Chilterns : Chalfont St. Giles to Henley-on-Thames, 2 days -- Drive 8 : exploring the south downs : Beachy Head to Chichester, 3-4 days -- Drive 9 : the garden of England : Ashdown Forest to Battle, 3-4 days -- Drive 10 : the River Cam and constable country : Cambridge to East Bergholt, 3-4 days -- Drive 11 : the broads and the north Norfolk coast : Norwich to Heacham, 3 days -- Drive 12 : borderlands to beacons : Hereford to Blaenavon, 3 days -- Drive 13 : wonders of west Wales : Llandovery to Newport, 4 days -- Drive 14 : through Snowdonia National Park : Machynlleth to Llandudno, 4 days -- Drive 15 : along Offa's Dyke : Ludlow to Holywell, 4 days -- Drive 16 : around the peak district : Ashbourne to Matlock Bath, 2-3 days -- Drive 17 : Yorkshire dales and abbeys : Harrogate to Bolton Abbey, 3 days -- , Drive 18 : north Yorkshire moors and coast : York to Sutton Park, 4 days -- Drive 19 : the poetry of the lakes : Carlisle to Coniston, 5 days -- Drive 20 : wild Northumbria : Kielder Water to Lindisfarne Island, 2 days -- Drive 21 : history and romance in the borders : Edinburgh to Rosslyn Chapel, 2-3 days -- Drive 22 : the kingdom of Fife : St. Andrews to Culross, 1-2 days -- Drive 23 : the wild west coast of Scotland : Inveraray to Plockton, 5-6 days -- Drive 24 : the heart of Scotland : Perth to Loch Lomond, 3-4 days -- Drive 25 : on the Highlands Whisky Trail : Inverness to Aberdeen, 3-4 days. , English

Weitere Ausg.: ISBN 0-7566-5913-2

Sprache: Englisch

UID:

Umfang: 1 Online-Ressource (VIII, 142 Seiten)

ISBN: 9789004501836

Serie: Mini-Monographs in Literary and Cultural Studies volume 1

Inhalt: Preface -- 1 Literary Tourism -- 1 Literature and Geography -- 2 Poetic Maps -- 3 Writers and Territorial Marketing -- 4 The Origins of Literary Tourism -- 5 Authentic Locations, Invented Locations -- 6 Time, Absence, Memory -- 2 Literary Guides -- 1 Aci Trezza without Verga -- 2 Giampaolo Dossena and "Literary Locations" -- 3 Watching Europe, Watched from Europe -- 4 Literary Guides: Types and Classifications -- 5 The Writer as Guide -- 3 Writers' Homes -- 1 "There is the Poet's Home": Ugo Ojetti in the Rooms of the Writers -- 2 House Museums, Houses without Museums, Museums without Houses -- 3 Writers' Houses: Classifications and Types -- 4 From House to House -- 5 Narrate, Reinventing -- 6 The Story of One's Own Home, the Story of Others' Homes -- 7 A Room All to Herself -- 4 Literary Parks -- 1 The Two Nievo's -- 2 "Against the Corruption of Landscapes" -- 3 The Season of Global Subsidy -- 4 The Park "System" -- 5 Literary Festivals -- 1 "A Festival is First and Foremost a Location" -- 2 Topic, Time, Space -- 3 Effetto Festival -- Illustrations -- Index.

Inhalt: This book comprehensively explores the space of literary tourism and how literature can introduce, promote, and contribute to the awareness of cultural landmarks. Aimed not only at literature enthusiasts, but also at those who love to travel along less beaten paths, In the Poets' Footsteps: Literature, Tourism, and Promotion tells the story of literary tourism between the beginning of the 1800s and today. Giovanni Capecchi surveys the methods most used today, namely printed and online literary guides, that offer a wide panorama of writers' homes and evaluates literary festivals as events capable of giving cultural and economic opportunities to the territories that host them. Rich in examples and "case studies", capable of linking literature and economics, the book is itself a journey: a trip to real or imaginary locations, in the footsteps of poets, to discover places that have hosted and inspired great writers. After its success in Italy, where the second edition is about to be published, this book is now being released simultaneously in English and in Spanish

Anmerkung: Includes bibliographical references and index

Weitere Ausg.: ISBN 9789004472488

Weitere Ausg.: Erscheint auch als Druck-Ausgabe In the Poets' Footsteps : Literature, Tourism, and Regional Promotion Leiden : BRILL, 2022 ISBN 9789004472488

Sprache: Englisch

DOI: 10.1163/9789004501836

URL: DOI

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

UID:

Umfang: 1 online resource (681 pages)

Ausgabe: 1st ed.

ISBN: 9780819575258

Serie: Wesleyan Poetry Series

Inhalt: Essential writings from the catalyst of the Latin American experimental tradition.

Anmerkung: Cover -- Selected Writings of CÉSAR VALLEJO -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Note on This Edition -- List of Translators -- BOOK ONE: 1915-1919 -- From Romanticism in Castilian Poetry -- Introduction -- Critique of Romanticism -- From The Black Heralds -- The Black Heralds -- The Spider -- The Poet to His Lover -- Dregs -- The Black Cup -- Imperial Nostalgias -- Ebony Leaves -- Autochthonous Tercet -- Huaco -- Dead Idyll -- Agape -- The Voice in the Mirror -- Our Bread -- The Miserable Supper -- The Eternal Dice -- Distant Footsteps -- To My Brother Miguel -- Januneid -- Epexegesis -- Articles and Chronicles -- With Manuel González Prada -- With José María Eguren -- Abraham Valdelomar Has Died -- Letters -- To Óscar Imaña, January 29, 1918 -- To Óscar Imaña, August 2, 1918 -- To Manuel Natividad Vallejo, December 2, 1918 -- Dedication of a Copy of The Black Heralds to Friends in Trujillo, July 1919 -- BOOK TWO: 1920-1923 -- From Trilce -- I. "Who's making all that racket" -- II. "Time Time" -- IV. "Two carts grind our eardrums down" -- VI. "The suit that tomorrow I wore" -- IX. "I sdrive to dddeflect at a blow the blow" -- X. "Primary and final stone of groundless" -- XIII. "I think about your sex" -- XVII. "This 2 distills in a single batch" -- XVIII. "Oh the four walls of the cell" -- XX. "Flush with the beaten froth bulwarked" -- XXIII. "Estuous oven of those my sweet rolls" -- XXV. "Chess bishops upthrust to stick" -- XXVIII. "I've had lunch alone now" -- XXX. "Burn of the second" -- XXXI. "Hope between cotton bawls" -- XXXVI. "We struggle to thread ourselves through a needle's eye" -- XXXVIII. "This crystal waits to be sipped" -- XLII. "Wait, all of you. Now I'm going to tell you" -- XLIV. "This piano journeys within" -- XLV. "I lose contact with the sea" -- XLIX . "Murmured in restlessness, I cross". , L. "Cerberus four times" -- LII. "And we'll get up when we feel" -- LV. "Samain would say" -- LVI. "Every day I wake blindly" -- LVII. "The highest points craterized" -- LVIII. "In the cell, in what's solid" -- LXI. "Tonight I get down from my horse" -- LXIII. "Dawn cracks raining" -- LXV. "Mother, tomorrow I am going to Santiago" -- LXVIII. "We're at the fourteenth of July" -- LXX. "Everyone smiles at the nonchalance" -- LXXI. "Coils the sun does in your cool hand" -- LXXIII. "Another ay has triumphed" -- LXXV. "You are dead" -- LXXVII. "It hails so hard, as if to remind me" -- From Scales -- Northwestern Wall -- Antarctic Wall -- East Wall -- Doublewide Wall -- Windowsill -- Beyond Life and Death -- The Release -- Wax -- From Savage Lore -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Letters -- To La Reforma, August 12, 1920 -- To Óscar Imaña, October 26, 1920 -- To Gastón Roger, December 1920 -- To Óscar Imaña, February 12, 1921 -- To Óscar Imaña, June 1, 1922 -- To Antenor Orrego, 1922 -- To Manuel Natividad Vallejo, June 16, 1923 -- To Carlos C. Godoy, Esq., June 16, 1923 -- To Víctor Clemente Vallejo, July 14, 1923 -- To Carlos Raygada, September 15, 1923 -- Articles and Chronicles -- The Blue Bird -- La Rotonde -- Cooperation -- BOOK THREE : 1924-1928 -- Articles and Chronicles -- Paris Chronicle -- Spain in the International Exhibit of Paris -- Modern Man -- Between France and Spain -- The Need to Die -- The History of America -- The Assassin of Barrès -- The Poet and the Politician -- The State of Spanish Literature -- Da Vinci's Baptist -- In Defense of Life -- A Great Scientific Discovery -- Latest Scientific Discoveries -- The Idols of Contemporary Life -- Avant-Garde Religions -- Against Professional Secrets -- The New Disciplines -- Life as a Match -- Artists Facing Politics -- Contribution to Film Studies -- Madness in Art. , The Passion of Charles Chaplin -- Invitation to Clarity -- Proletarian Literature -- Colonial Societies -- The Psychology of Diamond Specialists -- Literature behind Closed Doors -- Vanguard and Rearguard -- Anniversary of Baudelaire -- The Masters of Cubism -- Tolstoy and the New Russia -- From Art and Revolution -- The Revolutionary Function of Thought -- The Work of Art and the Social Sphere -- Grammatical Rule -- Poetry and Imposture -- Tell Me How You Write and I'll Tell You What You Write -- Universality of Verse for the Unity of Languages -- Aesthetic and Machinism -- Autopsy of Surrealism -- New Poetry -- The Image and Its Syrtes -- The Mayakovsky Case -- Regarding Artistic Freedom -- My Self- Portrait in the Light of Historical Materialism -- From Against Professional Secrets -- From Feuerbach to Marx -- Explanation of History -- "An animal is led" -- "There exist questions" -- The Head and Feet of Dialectics -- The Death of Death -- The Motion Inherent in Matter -- Individual and Society -- Negations of Negations -- Reputation Theory -- Noise of a Great Criminal's Footsteps -- Conflict between the Eyes and the Gaze -- Languidly His Liqueur -- Vocation of Death -- From Toward the Reign of the Sciris -- 1. The Other Imperialism -- 2. The Seer -- 3. The Peace of Túpac Yupanqui -- 4. An Accident on the Job -- 5. Byzantium, West Longitude -- From Moscow vs. Moscow -- The Final Judgment -- Death -- From The River Flows between Two Shores -- Act 1, Scene 1 -- Act 1, Scene 2 -- Act 1, Scene 3 -- Letters -- To Pablo Abril de Vivero, May 14, 1924 -- To Pablo Abril de Vivero, May 26, 1924 -- To Alcides Spelucín, July 1924 -- To Pablo Abril de Vivero, October 19, 1924 -- To Pablo Abril de Vivero, November 5, 1924 -- To Juan Larrea, March 12, 1926 -- To Ricardo Vegas García, May 15, 1926 -- To Juan Larrea, July 26, 1926. , To Alcides Spelucín, September 14,1926 -- To José Carlos Mariátegui, December 10, 1926 -- To Emilio Armaza, December 10, 1926 -- To Pablo Abril de Vivero, July 24, 1927 -- To Luis Alberto Sánchez, August 18, 1927 -- To Pablo Abril de Vivero, September 12, 1927 -- To Pablo Abril de Vivero, October 19, 1927 -- To Rafael Méndez Dorich, February 17, 1928 -- To Pablo Abril de Vivero, March 17, 1928 -- To Pablo Abril de Vivero, April 26, 1928 -- To Pablo Abril de Vivero, October 19, 1928 -- To Pablo Abril de Vivero, December 27, 1928 -- Notebooks -- Entries from 1926-1928 -- BOOK FOUR: 1929-1935 -- From Human Poems -- Good Sense -- I Am Going to Speak of Hope -- "No one lives in the house" -- Height and Hair -- Hat, Overcoat, Gloves -- Black Stone on a White Stone -- "And don't say another word to me" -- "It was Sunday in the clear ears of my jackass" -- "Today I like life much less" -- Epistle to the Passersby -- The Hungry Man's Rack -- "Considering coldly" -- "Idle on a stone" -- Paris, October 1936 -- "And if after so many words" -- Telluric and Magnetic -- "The miners came out of the mine" -- From Reflections at the Foot of the Kremlin -- 8. Literature: A Meeting of Bolshevik Writers -- 9. The Day of a Stonemason: Love, Sports, Alcohol, and Democracy -- 14. Film: Russia Inaugurates a New Era on the Silver Screen -- From Russia Facing the Second Five- Year Plan -- What Is the Workers' Club? -- Workers Discuss Literature -- The Mechanical Landscape -- Art and Revolution -- Dialectics and Manual Labor -- Articles and Chronicles -- The Lessons of Marxism -- The Youth of America in Europe -- Megalomania of a Continent -- The Economic Meaning of Traffic -- New Poetry from the United States -- Buried Alive -- From Warsaw to Moscow -- Mundial in Russia -- Mundial in Eastern Europe -- Three Cities in One -- Latest Theater News from Paris -- An Incan Chronicle. , The Incas, Revived -- From Tungsten -- Chapter 1 -- Paco Yunque -- From Brothers Colacho -- Act 1, Scene 1 -- Act 1, Scene 2 -- Letters -- To Néstor P. Vallejo, October 27, 1929 -- To José Carlos Mariátegui, October 17, 1929 -- To Gerardo Diego, January 6, 1930 -- To Gerardo Diego, January 27, 1932 -- To Juan Larrea, January 29, 1932 -- Notebooks -- Entries from 1929-1935 -- BOOK FIVE: 1936-1938 -- Articles and Chronicles -- Recent Discoveries in the Land of the Incas -- The Andes and Peru -- Man and God in Incan Sculpture -- The Great Cultural Lessons of the Spanish Civil War -- Popular Statements of the Spanish Civil War -- The Writer's Responsibility -- From Human Poems -- "Today I would like to be happy willingly" -- Poem to Be Read and Sung -- "The tip of man" -- "My chest wants and does not want its color" -- "I stayed on to warm up the ink" -- "The peace, the wausp, the shoe heel, the slopes" -- "Confidence in glasses, not in the eye" -- "Alfonso: you are looking at me" -- "Chances are, I'm another" -- The Book of Nature -- "The anger that breaks the man into children" -- Intensity and Height -- Guitar -- The Nine Monsters -- "A man walks by with a baguette on his shoulder" -- The Soul That Suffered from Being Its Body -- "Let the millionaire walk naked, stark naked!" -- "The fact is the place where I put on" -- "In short, I have nothing with which" -- The Wretched -- Sermon on Death -- From Spain, Take This Cup from Me -- I. Hymn to the Volunteers for the Republic -- III. "He used to write with his big finger in the air" -- IV. "The beggars fight for Spain" -- VIII. "Back here, / Ramón Collar" -- X. Winter during the Battle for Teruel -- XII. Mass -- XV. Spain, Take This Cup from Me -- From The Tired Stone -- Act 1, Scenes 1-6 -- Act 2, Scenes 1-2 -- Letters -- To Juan Luis Velásquez, June 13, 1936 -- To Juan Larrea, October 28, 1936. , To Juan Larrea, January 22, 1937.

Weitere Ausg.: Print version: Vallejo, César Selected Writings of César Vallejo Middletown, CT. 06459 : Wesleyan University Press,c2015 ISBN 9780819574848

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: Click to View

UID:

Umfang: xv, 404 Seiten , Illustrationen

Ausgabe: First published

ISBN: 9781107085350

Inhalt: "A History of New Zealand Literature traces the genealogy of New Zealand literature from its first imaginings by colonial Europeans to the development of a national canon in the twentieth century. Beginning with a comprehensive introduction that charts the growth of a national literary tradition, this History includes extensive essays that illuminate the cultural and political intricacies of New Zealand literature. Organized thematically, these essays survey the multilayered verse and fiction of such diverse writers as Katherine Mansfield, Allen Curnow, Frank Sargeson, Janet Frame, Keri Hulme, Witi Ihimaera and Patricia Grace. Written by a host of leading scholars, this History devotes special attention to the lasting significance of colonialism and multiculturalism in New Zealand literature. This book is of pivotal importance to the development of New Zealand writing and will serve as an invaluable reference for specialists and students alike"--

Inhalt: Machine generated contents note: 1. A world of waters: imagining, voyaging, entanglement Ingrid Horrocks; 2. Early Māori literature: the writing of Hakaraia Kiharoa Arini Loader; 3. Samuel Butler's influence Simon During; 4. Maoriland reservations Jane Stafford; 5. Katherine Mansfield: colonial modernist Bridget Orr; 6. Colonial ecologies: Guthrie-Smith's Tutira and writing in the settled environment Philip Steer; 7. Defiance and melodrama: fiction in the period of national 'invention', 1920-50 Alex Calder; 8. Journalism and high culture: Robin Hyde among the cultural nationalists Nikki Hessell; 9. 'Simply by sailing in a new direction': the poetics of distance Stuart Murray; 10. 'Rough architects': New Zealand literature and its institutions from Phoenix to Landfall Christopher Hilliard; 11. Against the social pattern: New Zealand fiction, 1950-70 Timothy Jones; 12. Janet Frame: myths of authorship, 1950-90 Marc Delrez; 13. Te ao hou: Te pataka Alice Te Punga Somerville; 14. Out of the drawing room and onto the beach: drama, 1950-70 Mark Houlahan; 15. 'Physician of society': the poet in the 1950s and 1960s Alan Riach; 16. From Hiruharama to Hataitai: the domestication of New Zealand poetry, 1972-90 Harry Ricketts and Mark Williams; 17. The novel, the short story and the rise of a new reading public, 1972-90 Lydia Wevers; 18. 'Dbed and chocolate wheaten beaten': drama defining the nation, 1972-90 David O'Donnell; 19. The Māori renaissance 1972 Melissa Kennedy; 20. 'While history happens elsewhere': fiction and political quietism, 1990-2014 Dougal McNeill; 21. Anecdote in post-1990s New Zealand poetry Anna Smaill; 22. From exploring identity to facing the world: drama since 1990 Stuart Young; 23. From meadow to paddock: children's and young adult literature Anna Jackson; 24. 'Nafanua and the New World': Pasifika's writing of Niu Zealand Selina Tusitala Marsh; 25. New Zealand literature in the program era, or, the spirit of nationalism past Hugh Roberts

Anmerkung: Literaturangaben , Verantwortlichkeitsangabe auf dem Umschlag: edited by Mark Williams , Machine generated contents note: 1. A world of waters: imagining, voyaging, entanglement Ingrid Horrocks; 2. Early Māori literature: the writing of Hakaraia Kiharoa Arini Loader; 3. Samuel Butler's influence Simon During; 4. Maoriland reservations Jane Stafford; 5. Katherine Mansfield: colonial modernist Bridget Orr; 6. Colonial ecologies: Guthrie-Smith's Tutira and writing in the settled environment Philip Steer; 7. Defiance and melodrama: fiction in the period of national 'invention', 1920-50 Alex Calder; 8. Journalism and high culture: Robin Hyde among the cultural nationalists Nikki Hessell; 9. 'Simply by sailing in a new direction': the poetics of distance Stuart Murray; 10. 'Rough architects': New Zealand literature and its institutions from Phoenix to Landfall Christopher Hilliard; 11. Against the social pattern: New Zealand fiction, 1950-70 Timothy Jones; 12. Janet Frame: myths of authorship, 1950-90 Marc Delrez; 13. Te ao hou: Te pataka Alice Te Punga Somerville; 14. Out of the drawing room and onto the beach: drama, 1950-70 Mark Houlahan; 15. 'Physician of society': the poet in the 1950s and 1960s Alan Riach; 16. From Hiruharama to Hataitai: the domestication of New Zealand poetry, 1972-90 Harry Ricketts and Mark Williams; 17. The novel, the short story and the rise of a new reading public, 1972-90 Lydia Wevers; 18. 'Dbed and chocolate wheaten beaten': drama defining the nation, 1972-90 David O'Donnell; 19. The Māori renaissance 1972 Melissa Kennedy; 20. 'While history happens elsewhere': fiction and political quietism, 1990-2014 Dougal McNeill; 21. Anecdote in post-1990s New Zealand poetry Anna Smaill; 22. From exploring identity to facing the world: drama since 1990 Stuart Young; 23. From meadow to paddock: children's and young adult literature Anna Jackson; 24. 'Nafanua and the New World': Pasifika's writing of Niu Zealand Selina Tusitala Marsh; 25. New Zealand literature in the program era, or, the spirit of nationalism past Hugh Roberts.

Sprache: Englisch

Fachgebiete: Anglistik

Schlagwort(e): Neuseeland ; Literatur ; Geschichte ; Neuseeland ; Literatur ; Geschichte 1760-2014 ; Geschichte ; Aufsatzsammlung

URL: Inhaltsverzeichnis

UID:

Umfang: 1 online resource (681 p.)

Ausgabe: 1st ed.

ISBN: 0-8195-7525-9

Serie: Wesleyan Poetry

Originaltitel: Works. Selections.

Inhalt: "Selected Writings of Cesar Vallejo has all the best writing of a major Spanish modernist" --

Anmerkung: Description based upon print version of record. , Cover; Selected Writings of CÉSAR VALLEJO; Title; Copyright; CONTENTS; Acknowledgments; Introduction; Note on This Edition; List of Translators; BOOK ONE: 1915-1919; From Romanticism in Castilian Poetry; Introduction; Critique of Romanticism; From The Black Heralds; The Black Heralds; The Spider; The Poet to His Lover; Dregs; The Black Cup; Imperial Nostalgias; Ebony Leaves; Autochthonous Tercet; Huaco; Dead Idyll; Agape; The Voice in the Mirror; Our Bread; The Miserable Supper; The Eternal Dice; Distant Footsteps; To My Brother Miguel; Januneid; Epexegesis; Articles and Chronicles , With Manuel González PradaWith José María Eguren; Abraham Valdelomar Has Died; Letters; To Óscar Imaña, January 29, 1918; To Óscar Imaña, August 2, 1918; To Manuel Natividad Vallejo, December 2, 1918; Dedication of a Copy of The Black Heralds to Friends in Trujillo, July 1919 ; BOOK TWO: 1920-1923; From Trilce; I. "Who's making all that racket"; II. "Time Time"; IV. "Two carts grind our eardrums down"; VI. "The suit that tomorrow I wore"; IX. "I sdrive to dddeflect at a blow the blow"; X. "Primary and final stone of groundless"; XIII. "I think about your sex" , XVII. "This 2 distills in a single batch"XVIII. "Oh the four walls of the cell"; XX. "Flush with the beaten froth bulwarked"; XXIII. "Estuous oven of those my sweet rolls"; XXV. "Chess bishops upthrust to stick"; XXVIII. "I've had lunch alone now"; XXX. "Burn of the second"; XXXI. "Hope between cotton bawls"; XXXVI. "We struggle to thread ourselves through a needle's eye"; XXXVIII. "This crystal waits to be sipped"; XLII. "Wait, all of you. Now I'm going to tell you"; XLIV. "This piano journeys within"; XLV. "I lose contact with the sea"; XLIX . "Murmured in restlessness, I cross" , L. "Cerberus four times"LII. "And we'll get up when we feel"; LV. "Samain would say"; LVI. "Every day I wake blindly"; LVII. "The highest points craterized"; LVIII. "In the cell, in what's solid"; LXI. "Tonight I get down from my horse"; LXIII. "Dawn cracks raining"; LXV. "Mother, tomorrow I am going to Santiago"; LXVIII. "We're at the fourteenth of July"; LXX. "Everyone smiles at the nonchalance"; LXXI. "Coils the sun does in your cool hand"; LXXIII. "Another ay has triumphed"; LXXV. "You are dead"; LXXVII. "It hails so hard, as if to remind me"; From Scales; Northwestern Wall , Antarctic WallEast Wall; Doublewide Wall; Windowsill; Beyond Life and Death; The Release; Wax; From Savage Lore; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Letters; To La Reforma, August 12, 1920; To Óscar Imaña, October 26, 1920; To Gastón Roger, December 1920; To Óscar Imaña, February 12, 1921; To Óscar Imaña, June 1, 1922; To Antenor Orrego, 1922; To Manuel Natividad Vallejo, June 16, 1923; To Carlos C. Godoy, Esq., June 16, 1923; To Víctor Clemente Vallejo, July 14, 1923; To Carlos Raygada, September 15, 1923; Articles and Chronicles; The Blue Bird; La Rotonde; Cooperation , BOOK THREE : 1924-1928 , English

Weitere Ausg.: ISBN 0-8195-7484-8

Sprache: Englisch

UID:

Umfang: 1 online resource (383 pages)

Ausgabe: 1st ed.

ISBN: 1-62837-472-1

Serie: Bible and Women Series ; v.4.2

Inhalt: For many, the Middle Ages in general evokes a sense of thesinister and brings to mind a world of fear, superstition, andreligious fanaticism. For Jews it was a period marked bypersecutions, pogroms, and expulsions. Yet at the same time, theMiddle Ages was also a time of lively cultural exchange andheightened creativity for Jews. In 〈em〉The Jewish Middle Ages〈/em〉,contributors explore the ways in which the stories of biblicalwomen, including, Eve, Sarah, Hagar, Rebekah, Zipporah, Ruth,Esther, and Judith, make their way into the rich tapestry ofmedieval Jewish literature, mystical texts, and art, particularlyin works emanating from Ashkenazic circles. Contributors includeCarol Bakhos, Judith R. Baskin, Elisheva Baumgarten, DagmarBörner-Klein, Constanza Cordoni, Rachel Elior, Meret Gutmann-Grün,Robert A. Harris, Yuval Katz-Wilfing, Sheila Tuller Keiter, KatrinKogman-Appel, Gerhard Langer, Aurora Salvatierra Ossorio, andFelicia Waldman. These essays give us a glimpse into the role womenplayed and the authority they assumed in medieval Jewish culturebeyond the rabbinic centers of Palestine and Babylonia.

Anmerkung: Table of Contents -- Front Matter(pp. i-iv) -- Front Matter(pp. i-iv) -- https://doi.org/10.2307/jj.1176891.1 -- https://www.jstor.org/stable/jj.1176891.1 -- Table of Contents(pp. v-vi) -- Table of Contents(pp. v-vi) -- https://doi.org/10.2307/jj.1176891.2 -- https://www.jstor.org/stable/jj.1176891.2 -- Acknowledgments(pp. vii-viii) -- Acknowledgments(pp. vii-viii) -- Carol Bakhos -- https://doi.org/10.2307/jj.1176891.3 -- https://www.jstor.org/stable/jj.1176891.3 -- Abbreviations(pp. ix-xii) -- Abbreviations(pp. ix-xii) -- https://doi.org/10.2307/jj.1176891.4 -- https://www.jstor.org/stable/jj.1176891.4 -- Introduction(pp. 1-10) -- Introduction(pp. 1-10) -- Carol Bakhos -- https://doi.org/10.2307/jj.1176891.5 -- https://www.jstor.org/stable/jj.1176891.5 -- Part of an extensive international series exploring the reception history of female characters in the Bible with an eye toward gender-relevant biblical themes, this volume focuses on the different ways in which women of the biblical tradition are treated in Jewish literature of the medieval period. It does so within a variety of linguistic and cultural contexts, paying special attention to literature emanating from Ashkenazic circles. -- During the medieval period, Jews were given considerable communal autonomy, affording leaders an opportunity to control the degree to which community members engaged in non-Jewish practices. Like their ancestors who lived under Hellenistic and. . . -- Cultural Setting -- Gender and Daily Life in the Jewish Communities of Medieval Europe(pp. 13-32) -- Gender and Daily Life in the Jewish Communities of Medieval Europe(pp. 13-32) -- Elisheva Baumgarten -- https://doi.org/10.2307/jj.1176891.6 -- https://www.jstor.org/stable/jj.1176891.6 -- In a poem written in memory of his wife, Dulcia (d. 1196), who was murdered together with their two daughters during an attack on their house, Eleazar ben Judah of Worms (d. 1232), a well-known author and leader of the German-Jewish community, describes the many deeds that made Dulcia a pious, God-fearing woman as well as an ideal wife and mother. Eleazar ben Judah modeled his eulogy on the last chapter of Proverbs (Prov 31:10-31), starting each line with a quote from Proverbs and then elaborating on Dulcia's own life. He begins: -- Who can find a woman of valor. . . -- Late Midrashic Literature -- "If You Keep Silent in This Crisis" (Esth 4:14): Esther the Medieval Biblical Heroine(pp. 35-54) -- "If You Keep Silent in This Crisis" (Esth 4:14): Esther the Medieval Biblical Heroine(pp. 35-54) -- Constanza Cordoni -- https://doi.org/10.2307/jj.1176891.7 -- https://www.jstor.org/stable/jj.1176891.7 -- The Scroll of Esther, the name by which the book of Esther is known in the context of Jewish liturgy, is read during the festival of Purim (celebrated on the fourteenth and fifteenth days of the Hebrew month of Adar). The book purports to provide the historical origins of the festival.¹ The narrative as transmitted in the Hebrew Bible may be summed up as follows. Under the reign of Ahasuerus, the Jewish communities of his kingdom faced annihilation because of the malicious plans of the vizier Haman. Haman had been offended by the Jew Mordecai, who refused to bow down. . . -- Judith in the Hebrew Literature of the Middle Ages(pp. 55-70) -- Judith in the Hebrew Literature of the Middle Ages(pp. 55-70) -- Dagmar Börner-Klein -- https://doi.org/10.2307/jj.1176891.8 -- https://www.jstor.org/stable/jj.1176891.8 -- The heroine of the book of Judith is a young, beautiful widow who lives in the city of Bethulia, which is being besieged by Nebuchadnezzar's troops.¹ The troops of the Assyrian king are led by Holofernes, who wants to capture Bethulia so that he can press forward to Jerusalem.² When the drinking water in besieged Bethulia begins to run short and the city elders consider capitulation, Judith plans her own single-handed rescue operation. She puts on her most beautiful clothing and, together with her maidservant, goes into the enemy camp and succeeds in calling upon Holofernes. Holofernes is so impressed. . . -- Commentary -- The Tradition of Eve in the Commentaries of Rashi and Ramban(pp. 73-90) -- The Tradition of Eve in the Commentaries of Rashi and Ramban(pp. 73-90) -- Gerhard Langer -- https://doi.org/10.2307/jj.1176891.9 -- https://www.jstor.org/stable/jj.1176891.9 -- Biblical and parabiblical themes appear in diverse forms in the Middle Ages. Judith, for example, who for a long time played hardly any role in the Jewish tradition, emerges from obscurity.¹ Along with genres already known from late antiquity, such as midrash, piyyut, or parabiblical narratives, there appear now, among others, the commentary, the sermon, and the mystical treatment of the tradition. The halakic pervasion of the commandments is further developed; rules of faith are established. In the liturgy, standards that are valid to the present day are set, but the narrative also is given greater space. The idea of. . . -- Sarah and Hagar in Medieval Jewish Commentaries(pp. 91-102) -- Sarah and Hagar in Medieval Jewish Commentaries(pp. 91-102) -- Carol Bakhos -- https://doi.org/10.2307/jj.1176891.10 -- https://www.jstor.org/stable/jj.1176891.10 -- Much like classical rabbinic literature, medieval commentaries attempt to fill in several gaps in the story of Sarah and Hagar and to address many potentially unsettling implications with respect to the moral character of Abraham and Sarah. And, much like their exegetical predecessors, Jewish medieval commentators were not of one mind in their characterization of these biblical figures. They scrutinize biblical passages for what is said and what is intended to be said, for not only the meaning on the surface but also the meaning in the interstices of any given verse or phrase. This is especially the case with. . . -- The Voice of the Woman: Narrating the Song of Songs in Twelfth-Century Rabbinic Exegesis(pp. 103-132) -- The Voice of the Woman: Narrating the Song of Songs in Twelfth-Century Rabbinic Exegesis(pp. 103-132) -- Robert A. Harris -- https://doi.org/10.2307/jj.1176891.11 -- https://www.jstor.org/stable/jj.1176891.11 -- From the period of canonization through the premodern era, the Song of Songs has been almost universally interpreted as an allegorical work. This holds true for Christianity as well as Judaism. Rabbinic masters such as Rabbi Akiva championed the book as celebrating God's love for the people of Israel and narrating (among other things) the exodus from Egypt and the revelation of the Torah on Mount Sinai.¹ While exegesis of the Song is found throughout ancient rabbinic literature (both talmudim and midrashim), the most centralized location for rabbinic interpretation eventually found its expression in the midrash on the Song of. . . -- The Irony of the Eshet Hayil: Proverbs 31:10-31 in Jewish Medieval Exegesis(pp. 133-150) -- The Irony of the Eshet Hayil: Proverbs 31:10-31 in Jewish Medieval Exegesis(pp. 133-150) -- Sheila Tuller Keiter -- https://doi.org/10.2307/jj.1176891.12 -- https://www.jstor.org/stable/jj.1176891.12 -- The book of Proverbs, along with Ecclesiastes and the book of Job, constitutes a major portion of the Jewish Bible's wisdom literature. Like Song of Songs and Ecclesiastes, Proverbs attributes its authorship to King Solomon. Following the lead of the rabbis of the Talmud and midrash, the rabbinic commentators of the Middle Ages took the Solomonic authorship of these books for granted. However, the rabbis of the Middle Ages made little effort to read into Proverbs content specific to the Solomon narrative beyond that which was already contained in midrash. This includes their treatment of the final twenty-two verses of. . . -- Hasidei Ashkenaz -- Representations of Biblical Women in the Writings of the Hasidei Ashkenaz(pp. 153-170) -- Representations of Biblical Women in the Writings of the Hasidei Ashkenaz(pp. 153-170) -- Judith R. Baskin -- https://doi.org/10.2307/jj.1176891.1 , In the second part of the essay, I explicate the ways in which the authors of Sefer Hasidim signify specific biblical women and female personifications. The final section discusses the extensive exegesis of the "woman. . . -- Poetry and Piyyut -- Biblical Women in the Hebrew Poetry of Al-Andalus(pp. 173-188) -- Biblical Women in the Hebrew Poetry of Al-Andalus(pp. 173-188) -- Aurora Salvatierra Ossorio -- https://doi.org/10.2307/jj.1176891.14 -- https://www.jstor.org/stable/jj.1176891.14 -- During the tenth through fifteenth centuries, first in al-Andalus¹ and later in Christian Spain, medieval Iberia became the stage for one of the most fascinating expressions of Jewish culture throughout its history. Particularly from the time of the Caliphate of Córdoba, the Jews of al-Andalus were a people who prided themselves on living exclusively in accordance with the religious values that served as their sign of identity, zealously protecting themselves from outside influences and yet feeling attracted by the intellectual and artistic climate of the era. Arab culture was thus added to the Jewish tradition as part of the education. . . -- The Female Figure Zion in the Liturgical Literature of Al-Andalus(pp. 189-216) -- The Female Figure Zion in the Liturgical Literature of Al-Andalus(pp. 189-216) -- Meret Gutmann-Grün -- https://doi.org/10.2307/jj.1176891.15 -- https://www.jstor.org/stable/jj.1176891.15 -- Is the female person speaking here Zion? On the basis of the Hebrew forms, it cannot be determined whether the "I" who is speaking here is masculine or feminine. But the voice sounds like an echo from Song 5:7 where the loving woman laments that watchmen beat her. Here though, the voice adds being loved and being spurned to that scene of being beaten, elements that are not found in the Song of Songs. These scenes possibly allude to the bitter postbiblical experiences of Zion as a mirror image of the Jewish people. If this poem actually does portray the. . . -- Mysticism -- The Development of the Feminine Dimension of God in the Jewish Mystical Tradition(pp. 219-246) -- The Development of the Feminine Dimension of God in the Jewish Mystical Tradition(pp. 219-246) -- Rachel Elior -- https://doi.org/10.2307/jj.1176891.16 -- https://www.jstor.org/stable/jj.1176891.16 -- Unlike other languages, Hebrew has no gender-neutral nouns or any gender-neutral verbs. Each inflection of a verb in all of its tenses, each and every pronoun, every pluralization of a noun and its accompanying adjective, each compound construct (noun or adjective) touching on person, object, or concept-in all such cases the speaker or writer must choose between the feminine or masculine form of expression. This iron-clad grammatical requirement has far-reaching consequences concerning the identity of an unseen biblical God, a God who creates and who explains, a giver of laws and dispenser of justice and benevolence, one who makes. . . -- The Biblical Woman Who Is Not in the Bible: Feminine Imagery in Kabbalah(pp. 247-262) -- The Biblical Woman Who Is Not in the Bible: Feminine Imagery in Kabbalah(pp. 247-262) -- Felicia Waldman -- https://doi.org/10.2307/jj.1176891.17 -- https://www.jstor.org/stable/jj.1176891.17 -- One of the most significant moments in the one thousand years of medieval Judaism, a period characterized by the geographic dispersion of the Jews living "under Crescent and Cross,"¹ was the emergence toward the end of the twelfth century of kabbalah. Kabbalistic thought revolutionized the Jewish world and its outlook on everything, from daily life to social interaction and even international relations. It presented ideas that challenged the establishment, sometimes even verging on heresy, but which were always daring and eventually managed to win the support of a vast number of the members of the Jewish elite class. -- Kabbalah was. . . -- The Figure of Ruth as a Convert in the Zohar(pp. 263-282) -- The Figure of Ruth as a Convert in the Zohar(pp. 263-282) -- Yuval Katz-Wilfing -- https://doi.org/10.2307/jj.1176891.18 -- https://www.jstor.org/stable/jj.1176891.18 -- The biblical figure of Ruth is the protagonist of the book of Ruth or the scroll of Ruth (Megillat Ruth), a rather small book of only four chapters in the Hebrew Bible. According to the story, Ruth is the Moabite wife of an Israelite living in the land of Moab. She is married to a son of Elimelech and his wife Naomi who come to Moab to escape a famine. After Elimelech and his two sons die, Naomi decides to return to the land of Israel. Despite Naomi urging her to stay in Moab, Ruth insists on accompanying Naomi to. . . -- Art -- Female Protagonists in Medieval Jewish Book Art(pp. 285-322) -- Female Protagonists in Medieval Jewish Book Art(pp. 285-322) -- Katrin Kogman-Appel -- https://doi.org/10.2307/jj.1176891.19 -- https://www.jstor.org/stable/jj.1176891.19 -- From the time that Jewish culture embraced the visual arts, various forms of cyclic or programmatic visualization of biblical history came into being. Embedded within a narrative framework, cyclic treatments of biblical events allow us to investigate the way in which medieval Jewish visual language approached any particular group of protagonists. Image cycles reflect selections made by either the team who produced them, the manuscript's patron, or both. The selection of specific themes underscored the specific interests of the patronage. The themes chosen conveyed these agendas and are indicative of the reception of the contents on the part of those. . . -- Bibliography(pp. 323-350) -- Bibliography(pp. 323-350) -- https://doi.org/10.2307/jj.1176891.20 -- https://www.jstor.org/stable/jj.1176891.20 -- Contributors(pp. 351-354) -- Contributors(pp. 351-354) -- https://doi.org/10.2307/jj.1176891.21 -- https://www.jstor.org/stable/jj.1176891.21 -- Ancient Sources Index(pp. 355-364) -- Ancient Sources Index(pp. 355-364) -- https://doi.org/10.2307/jj.1176891.22 -- https://www.jstor.org/stable/jj.1176891.22 -- Modern Authors Index(pp. 365-370) -- Modern Authors Index(pp. 365-370) -- https://doi.org/10.2307/jj.1176891.23 -- https://www.jstor.org/stable/jj.1176891.23.

Weitere Ausg.: ISBN 1-62837-471-3

Weitere Ausg.: ISBN 1-58983-572-7

Sprache: Englisch

UID:

Umfang: 298 p. : , 2ill., black and white.

ISBN: 9781137461964 : , 1137461969 :

Inhalt: What, and when, is British Romanticism, if seen not in island isolation but cosmopolitan integration with European Romantic literature, history and culture? The essays here range from poetry and the novel to science writing, philosophy, visual art, opera and melodrama; from France and Germany to Italy and Bosnia.

Anmerkung: Electronic book text. , Epublication based on: 9781137461957, 2015. , Publisher’s recommended alternative: 9781137461971, 2015. , List Of Illustrations Acknowledgements Notes On The ContributorsIntroduction. Into The Eurozone: European Dimensions Of British Romanticism, Then And Now-- Steve Clark And Tristanne Connolly 1. The Genealogy Of The Scientific Sublime: Glaciers, Mountains, And The Alternating Modes Of Representation-- Kaz Oishi 2. Et In Arcadia Ego: Philosophical Aesthetics And The Origins Of European Romanticism In Shaftesbury's Characteristics And Rousseau's Reveries-- Evy Varsamopoulou 3. Cross-Channel Discourses Of Sensibility: Madeleine De Scudery's Clelie (1660) And Charlotte Lennox's The Female Quixote (1752)-- Kimiyo Ogawa 4. Amphibious Grown: Hester Thrale, Della Crusca And The Italian Origins Of British Romanticism-- Steve Clark5. L'Exception Anglaise: Joseph Priestley Abroad And Romantic Poetics-- Stephen Bygrave6. 'Mistaken For Natives Of The Soil': Translation And Erasmus Darwin's Loves Of The Plants-- Tristanne Connolly 7. Family, Marriage, And The State In Romanticism's Other Genres-- David Shakespeare8. 'What Means This Wild, This Allegorick Mask?': British Anticipations Of Romantic Opera C. 1740-- David Chandler9. Blake And The European (Pre)History Of Melodrama: Beyond The Borders Of Time And Stage-- Diane Piccitto10. From The English To The French Revolution: The Body, The World, And Experience In Locke's Essay, Bentley's 'A Prospect Of Vapourland', And Blake's Songs-- Peter Otto11. 'Some Roads Unfold Before Us / Without A Beaten Track': Unearthing Bosnia's Romantic Spirit Through The Poetry Of Mak Dizdar-- Maja Pasovic Bibliography Index. , Document , PDF.

Sprache: Englisch

URL: Online resource 'available content' page