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  • 1
    UID:
    gbv_555343820
    Format: 36 p , 21 cm. (8vo)
    Edition: [Chester, Vt Readex, a division of Newsbank, Inc 2002- Online-Ressource Early American imprints. First series ; no. 31629
    Note: Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text , "The charge, by the Reverend Josiah Winship, of Woolwich."--p. [32]-34 , "The right hand of fellowship, by the Reverend Jonathan Ellis, of Topsham."--p. [35]-36 , Evans, 31629 , Half-title: Mr. Whitman's ordination sermon. June 10th, 1795 , Noyes, R.W. Maine, 98 , Microform version available in the Readex Early American Imprints series
    Language: English
    Keywords: Ordination sermons ; Ordination sermons
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    Online Resource
    Online Resource
    Greenwood, | New York :Bloomsbury Publishing (US),
    UID:
    almafu_9961252495202883
    Format: 1 online resource (409 pages) : , illustrations
    Edition: 1st ed.
    ISBN: 979-84-00-68001-4 , 979-82-16-11216-7 , 1-4408-4255-8
    Content: 〈b〉This reference investigates the role of landscape in popular works and in doing so explores the time in which they were written.〈/b〉 〈i〉Literary Geography: An Encyclopedia of Real and Imagined Settings〈/i〉 is an authoritative guide for students, teachers, and avid readers who seek to understand the importance of setting in interpreting works of literature, including poetry. By examining how authors and poets shaped their literary landscapes in such works as 〈i〉The Great Gatsby〈/i〉 and 〈i〉Nineteen Eighty-Four〈/i〉, readers will discover historical, political, and cultural context hidden within the words of their favorite reads. The alphabetically arranged entries provide easy access to analysis of some of the most well-known and frequently assigned pieces of literature and poetry. Entries begin with a brief introduction to the featured piece of literature and then answer the questions: "How is literary landscape used to shape the story?"; "How is the literary landscape imbued with the geographical, political, cultural, and historical context of the author's contemporary world, whether purposeful or not?" Pop-up boxes provide quotes about literary landscapes throughout the book, and an appendix takes a brief look at the places writers congregated and that inspired them. A comprehensive scholarly bibliography of secondary sources pertaining to mapping, physical and cultural geography, ecocriticism, and the role of nature in literature rounds out the work.
    Note: Acknowledgments Introduction Place in Poetry Place in Prose A-Z Entries 〈i〉Absalom, Absalom!〈/i〉 〈i〉Adventures of Huckleberry Finn〈/i〉 〈i〉Adventures of Sherlock Holmes〈/i〉 〈i〉All Quiet on the Western Front〈/i〉 〈i〉All the Pretty Horses〈/i〉 〈i〉Almanac of the Dead〈/i〉 〈i〉Antigone〈/i〉 Anzaldúa, Gloria Arthurian Tales 〈i〉As I Lay Dying〈/i〉 〈i〉Awakening, The〈/i〉 〈i〉Beloved〈/i〉 Berry, Wendell 〈i〉Billy Budd〈/i〉 Bishop, Elizabeth 〈i〉Bless Me, Ultima〈/i〉 〈i〉Book Thief, The〈/i〉 〈i〉Brave New World〈/i〉 〈i〉Brideshead Revisited〈/i〉 〈i〉Call of the Wild, The〈/i〉 〈i〉Catcher in the Rye, The〈/i〉 〈i〉Ceremony〈/i〉 〈i〉Crime and Punishment〈/i〉 〈i〉Crucible, The〈/i〉 〈i〉Daisy Miller〈/i〉 〈i〉Death of a Salesman〈/i〉 Dickinson, Emily 〈i〉Dispatches〈/i〉 〈i〉Dracula〈/i〉 〈i〉Ender's Game〈/i〉 〈i〉Enemy of the People, An〈/i〉 〈i〉Extremely Loud & Incredibly Close〈/i〉 "Fall of the House of Usher, The" 〈i〉Fear and Loathing in Las Vegas〈/i〉 〈i〉Frankenstein〈/i〉 Frost, Robert 〈i〉Glass Menagerie, The〈/i〉 〈i〉Grapes of Wrath, The〈/i〉 〈i〉Great Expectations〈/i〉 〈i〉Great Gatsby, The〈/i〉 〈i〉Gulliver's Travels〈/i〉 〈i〉Hamlet〈/i〉 〈i〉Handmaid's Tale, The〈/i〉 〈i〉Harry Potter〈/i〉 Series, The Hass, Robert Heaney, Seamus 〈i〉Heart of Darkness〈/i〉 〈i〉Hitchhiker's Guide to the Galaxy, The〈/i〉 〈i〉House on Mango Street, The〈/i〉 Hughes, Langston Hugo, Richard 〈i〉Hunger Games, The〈/i〉 Irving, Washington 〈i〉Jane Eyre〈/i〉 〈i〉Jungle, The〈/i〉 〈i〉King Lear〈/i〉 〈i〉Kite Runner, The〈/i〉 〈i〉Last of the Mohicans, The〈/i〉 〈i〉Long Day's Journey into Night〈/i〉 〈i〉Lord of the Flies〈/i〉 〈i〉Lord of the Rings〈/i〉 〈i〉Macbeth〈/i〉 "Metamorphosis, The" 〈i〉Midsummer Night's Dream, A〈/i〉 〈i〉Moby Dick〈/i〉 〈i〉My Àntonia〈/i〉 〈i〉Nineteen Eighty-Four〈/i〉 〈i〉No Country for Old Men〈/i〉 〈i〉Odyssey, The〈/i〉 〈i〉Oedipus Rex〈/i〉 〈i〉Of Mice and Men〈/i〉 〈i〉Old Man and the Sea, The〈/i〉 Oliver, Mary 〈i〉Oliver Twist〈/i〉 〈i〉On the Road〈/i〉 〈i〉One Flew Over the Cuckoo's Nest〈/i〉 〈i〉One Hundred Years of Solitude〈/i〉 〈i〉Plague, The〈/i〉 Poe, Edgar Allan 〈i〉Poisonwood Bible, The〈/i〉 〈i〉Pride and Prejudice〈/i〉 〈i〉Raisin in the Sun, A〈/i〉 〈i〉Red Badge of Courage, The〈/i〉 〈i〉Robinson Crusoe〈/i〉 〈i〉Romeo and Juliet〈/i〉 〈i〉Scarlet Letter, The〈/i〉 〈i〉Slaughterhouse-Five〈/i〉 Snyder, Gary 〈i〉Sound and the Fury, The〈/i〉 Stevens, Wallace 〈i〉Streetcar Named Desire, A〈/i〉 〈i〉Sula〈/i〉 〈i〉Sun Also Rises, The〈/i〉 〈i〉Their Eyes Were Watching God〈/i〉 〈i〉Things They Carried, The〈/i〉 〈i〉To Kill a Mockingbird〈/i〉 〈i〉Uncle Tom's Cabin〈/i〉 〈i〉Waiting for Godot〈/i〉 Walcott, Derek Whitman, Walt Williams, William Carlos 〈i〉Wizard of Oz, The〈/i〉 Wordsworth, William 〈i〉Wuthering Heights〈/i〉 "Yellow Wallpaper, The" Appendix: Literary Landscapes and Capital Cities Bibliography About the Editor and Contributors Index
    Additional Edition: ISBN 1-4408-4254-X
    Language: English
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  • 3
    AV-Medium
    AV-Medium
    [Berlin] : Motor Entertainment GmbH
    UID:
    kobvindex_ZLB34161820
    Format: 1 CD , 1 Booklet , 12 cm
    Note: Timo Scharf - vocals, acoustic guitar ; Rod Jones - electric guitar, acoustic guitar, backing vocals, piano ; Kris Pohl - bass guitar, percussion ... , Recorded at Post Electric Studio in Leith, Scotland , Nebraska. Sparrows. Home. Lost. Three sisters. Eddie. Numbers. Waiting for whitman. Atlas. Leave. Blackout.
    Language: English
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  • 4
    Online Resource
    Online Resource
    Pittsburgh, Pennsylvania :University of Pittsburgh Press,
    UID:
    almafu_9959243266302883
    Format: 1 online resource (143 p.)
    Edition: 1st ed.
    ISBN: 0-8229-7837-7
    Series Statement: Pitt Poetry Series
    Uniform Title: Poet in Andalucía
    Note: Bibliographic Level Mode of Issuance: Monograph , Intro -- Contents -- Preface -- I. Poems of Soledad con Biznagas in Málaga -- Ojalá -- Walking to the Alcázar -- The Wounded Horse and a Tree in an Old Night -- Gypsy with a Song -- Tomás Heredia, 8 -- Biznagas -- II. Maktoub, the Moor Said -- El País -- Tree of Red Leaves, Jaén 2009 -- Paraguas Perdido -- The Courtyard of Colegiata del Salvador -- Sacromonte -- The Moor -- III. Alleys and Reveries -- Christmas in Benalmádena -- On the Way to Jerez de la Frontera -- The Thing about Feathers -- Now That -- Prophet in Andalucía -- IV. Constelación en el Ateneo de Sevilla -- Seven Stars in Sevilla -- V. In Córdoba -- Alhandal y las Murallas de Córdoba -- 10 Qit'as -- Patios -- VI. By the Door, or Is It Death -- Dado -- La Guerra -- While Waiting for Death -- VII. Granada -- Sheets of Dry Wind -- Granada Sings Whitman -- VIII. Convivencia -- Awon / Sin -- Convivencia / Two Ghazals Two Tzvis -- Abásho -- The Book of Toledo -- IX. Flight to Catalunya and Afternoons in Galicia -- Testament in Barcelona -- Quartet in Catalunya -- Waltz of a Dream -- Santiago -- X. The Poet Arrives in Tangier and Afterward -- Tanger Bleu -- La Movida -- The Traveler -- On My Way to Tamarit -- Notes and Memories -- Acknowledgments. , Disponible también en ed. papel , English
    Language: English
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  • 5
    Online Resource
    Online Resource
    Athens :University of Georgia Press, | Baltimore, Md. :Project MUSE,
    UID:
    almafu_9959245255502883
    Format: 1 online resource (318 pages)
    Edition: 1st ed.
    ISBN: 0-8203-4732-9 , 0-8203-4787-6
    Content: "McCullough has collected the voices of living poets and scholars in thoughtful and considered exfoliation of the confluence of poetry and race in our time: the difficulties, the nuances, the unexamined, the feared, the questions, and the quarrels across aesthetic camps and biases. The book brings together essays by a range of writers and academics whose work varies in style from personal accounts and lyrical essays to challenging criticisms. McCullough believes this approach allows for more avenues and angles of exploration on this complex topic. She has also strived to be as inclusive as possible, to reach past the black/white perception of race and offer essays from numerous racial backgrounds. The anthology covers many issues that cross racial and ethnic borders and is divided into sections based on these issues: Americanism, the experience of unsilencing and crossing borders, interrogating whiteness, and language itself"--
    Content: "A Sense of Regard, says Laura McCullough, "is an effort to collect the voices of living poets and scholars in thoughtful and considered exfoliation of the current confluence of poetry and race, the difficulties, the nuances, the unexamined, the feared, the questions, and the quarrels across aesthetic camps and biases." The contributors discuss issues as various as their own diverse racial and ethnic backgrounds. Their essays, which range in style from the personal and lyrical to the critical, are organized into four broad groupings: Americanism, the experience of unsilencing and crossing borders, interrogating whiteness, and language itself. To read them is to listen in as the contributors speak what they know, discover what they do not, and in the process often find something new in themselves and their topic. As a reader you are invited, says McCullough, "to be moved from one sense of regard to another: to be provoked and to linger in that state. To query, quarrel, and consider." A Sense of Regard grew out of a recent gathering of the Association of Writers and Writing Programs (AWP), where a poet's comments on the work of another sparked impassioned and contentious conversations in person, in print, and online. Though race is often thought of as an age-old topic in poetry, McCullough saw clearly that there is still much to discuss, study, and tease apart. Moving the conversation beyond the specificity of those initial AWP encounters, with their mostly black/white focus on race, these essays provide a context and a safe starting place for some urgently needed discussions we too rarely have. "--
    Note: Bibliographic Level Mode of Issuance: Monograph , Cover Page -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- I. Racialization & -- Reimagination: Whitman & -- the New Americans -- 1. America Singing: An Address to the Newly Arrived Peoples -- 2. Song -- 3. Finding Family with Native American Women Poets -- 4. Walt and I: What's American about American Poetry? -- 5. Inaugural Poems and American Hope -- 6. Refusal of the Mask in Claudia Rankine's Post-9/11 Poetics -- 7. I Am Not a Man -- II. The Unsayable & -- the Subversive -- 8. Shut Up and Be Black -- 9. Unsexing I Am Joaquín through Chicana Feminist Poetic Revisions -- 10. New Female Poets Writing Jewishly -- 11. Looking for Parnassus in America -- 12. The Radical Nature of Helene Johnson's This Waiting for Love -- 13. Writing between Worlds -- 14. Letting Science Tell the Story -- 15. Identity Indictment -- III. Imperialism & -- Experiments: Comedy, Confession, Collage, Conscience -- 16. Carrying Continents in Our Eyes: Arab American Poetry after 9/11 -- 17. A Mystifying Silence: Big and Black -- 18. Writing White -- 19. Writing like a White Guy -- 20. Whiteness Visible -- 21. The Gentle Art of Making Enemies -- 22. No Laughing Matter: Race, Poetry, and Humor -- 23. The Unfinished Politics of Nathaniel Mackey's Splay Anthem -- IV. Self as Center: Sonics, Code Switching, Culture, Clarity -- 24. Code Switching, Multilanguaging, and Language Alterity -- 25. New Living the Old in a New Way: The Jazz Idiom as Post-Soul Continuum -- 26. Arthur Sze's Tesselated Poems -- 27. Ed Roberson and the Magic Hour -- 28. Asian Americans: The Front and Back of the Bus -- 29. One Migh Could Heah They Voice: Conjuring African American Dialect Poems -- 30. What's American about American Poetry -- 31. What It Means to Be an American Poet -- Contributors -- Index. , English
    Additional Edition: ISBN 0-8203-4761-2
    Additional Edition: ISBN 1-322-94937-9
    Language: English
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  • 6
    Online Resource
    Online Resource
    Pittsburgh, Pennsylvania :University of Pittsburgh Press,
    UID:
    almafu_9959236991202883
    Format: 1 online resource (225 p.)
    Series Statement: Pitt poetry series
    Content: "This book collects all twenty-nine forewords from The Best American Poetry series. Beginning with a new introduction by David Lehman and a foreword by poet Denise Duhamel (guest editor for The Best American Poetry 2013), the collection conveys a sense of American poetry in the making, year by year, over the course of a quarter of a century"--
    Content: "The acclaimed annual, The Best American Poetry, is the most prestigious showcase of new poetry in the United States and Canada. Each year since the series began in 1988, David Lehman has contributed a foreword, and this has evolved into a sort of state-of-the-art address that surveys new developments and explores various matters facing poets and their readers today. This book collects all twenty-nine forewords (including the two written for the retrospective "Best of the Best" volumes for the tenth and twenty-fifth anniversaries.) Beginning with a new introduction by Lehman and a foreword by poet Denise Duhamel (guest editor for The Best American Poetry 2013), the collection conveys a sense of American poetry in the making, year by year, over the course of a quarter of a century"--
    Note: Includes index. , Contents; Foreword by Denise Duhamel; Acknowledgments; Introduction; 1988. "like dropping a rose petal down the Grand Canyon and waiting for the echo"; 1989. in an unlit alcove where bookstore patrons fear to tread; 1990. to inflame passions, disturb the complacent, and arouse the anxiety of despots; 1991. a poem entitled "Cigarettes" by a poet named Ash; 1992. The question of poetry and its audience; 1993. the gust of fresh air that turned into the blizzard of '93; 1994. It's safe to say that the inaugural was the best-attended poetry reading of the decade , 1995. At least somebody played ball in 19941996. a given volume in this series might hang question marks over all three terms in the title; 1997. As a gimmick, if that's what it is, National Poetry Month worked; The Best of the Best American Poetry, 1988-1997 (1998). The debate is joined; 1998. The president spoke of having had to memorize 100 lines of Macbeth; 1999. "Whitman rocks"; 2000. "Now I know how poems feel"; 2001. "Everybody else was analog and Nietzsche was digital"; 2002. The day now marks a boundary; 2003. "How many people have to die before you can become president?" , 2004. canons do not remain fixed for long2005. the creative writing workshop [and] the fall of civilization; 2006. Accessibility-as a term and, implicitly, as a value; 2007. Undoubtedly the most parodied of all poems; 2008. Who says that hot poems can't get you into trouble in 2008?; 2009. "that is how I should talk if I could talk poetry"; 2010. McChrystal sent copies of "The Second Coming" to his special operators; 2011. in Dickinson's brain, "wider than the sky"; 2012. the "uncanny" is a category too little invoked , The Best of the Best American Poetry, 25th Anniversary Edition (2013). "Every time I read Pessoa I think"2013. It was his poetry that kept him going; 2014. In the antagonism between science and the humanities; Index of Names , English
    Additional Edition: ISBN 0-8229-8097-5
    Additional Edition: ISBN 0-8229-4439-1
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 7
    Online Resource
    Online Resource
    Santa Barbara, Calif : Praeger | New York : Bloomsbury Publishing (US)
    UID:
    gbv_1895316847
    Format: 1 Online-Ressource (xv, 189 p) , maps , cm
    ISBN: 0313397333 , 0313397341 , 9780313397332 , 9780313397349 , 9798400613494
    Series Statement: Battles and leaders of the American Civil War
    Note: Includes bibliographical references and index , Lincoln, war, and emancipation : from Ft. Sumter to the Peninsular Campaign -- McClellan on the Peninsula -- Waiting for the moment : Lincoln and emancipation in the summer of 1862 -- Europe ponders Confederate recognition -- Lee crosses the Potomac : the Maryland campaign begins -- McClellan and Lee at Antietam, September 15 to 21 -- Lincoln emancipates and voters react -- Europe reacts to Antietam and emancipation -- From Antietam to Gettysburg : Lincoln defends emancipation. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: Erscheint auch als ISBN 0313397333
    Language: English
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  • 8
    Online Resource
    Online Resource
    New York, New York :Oxford University Press,
    UID:
    almafu_9959244538602883
    Format: 1 online resource (521 p.)
    Edition: 2nd ed.
    ISBN: 0-19-976086-1
    Content: February 1, 2002 marks the 100th birthday of Langston Hughes. To commemorate the centennial of his birth, Arnold Rampersad has contributed new Afterwords to both volumes of his highly-praised biography of this most extraordinary and prolific American writer. In young adulthood Hughes possessed a nomadic but dedicated spirit that led him from Mexico to Africa and the Soviet Union to Japan, and countless other stops around the globe. Associating with political activists, patrons, and fellow artists, and drawing inspiration from both Walt Whitman and the vibrant Afro-American culture, Hughes soon
    Note: Includes index. , ""Cover""; ""Contents""; ""1. A Kansas Boyhood (1902 to 1915)""; ""2. Outsetting Bard (1915 to 1921)""; ""3. My People (1921 to 1923)""; ""4. On the Big Sea (1923 to 1924)""; ""5. We Have Tomorrow (1924 to 1926)""; ""6. A Lion at Lincoln (1926 to 1927)""; ""7. Godmother and Langston (1927 to 1930)""; ""8. Flight and Fall (1930 to 1931)""; ""9. Starting Over (1931 to 1932)""; ""10. Good Morning, Revolution (1932 to 1933)""; ""11. Waiting on Roosevelt (1933 to 1935)""; ""12. Still Waiting on Roosevelt (1935 to 1937)""; ""13. Earthquake Weather (1937 to 1939)"" , ""14. The Fall of a Titan (1939 to 1941)""""Afterword""; ""Abbreviations""; ""Notes""; ""Acknowledgments""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" , English
    Additional Edition: ISBN 0-19-514642-5
    Additional Edition: ISBN 1-306-30046-0
    Language: English
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  • 9
    UID:
    gbv_138166617
    Format: XX, 370 S
    Language: English
    Keywords: USA ; Nordamerika ; Amerika ; Biografie
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  • 10
    UID:
    edocfu_9959799713102883
    Format: Online-Ressource , Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text , 36 p , 21 cm. (8vo)
    Edition: Online edition [Chester, Vt Readex, a division of Newsbank, Inc 2002- Includes files in TIFF, GIF and PDF formats with inclusion of keyword searchable text Early American Imprints : Evans 1639-1800 (Series I) / EAI I ; 041019-6 Microform version available in the Readex Early American Imprints series
    Note: "The charge, by the Reverend Josiah Winship, of Woolwich."--p. [32]-34 , "The right hand of fellowship, by the Reverend Jonathan Ellis, of Topsham."--p. [35]-36 , Evans, 31629 , Half-title: Mr. Whitman's ordination sermon. June 10th, 1795 , Noyes, R.W. Maine, 98
    Language: English
    Keywords: Ordination sermons
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