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  • 1
    UID:
    kobvindex_ZMS08174538
    Format: 1 Online-Ressource (50 Seiten) , Textdatei , 1,23 MB
    Edition: Revised and updated english version of the german original
    Series Statement: Working paper 2019, 3
    Content: This Working Paper argues that conflicts in refugee shelters in Germany can largely be attributed to structural causes. These include the asylum regime, the interplay between the physical layout and social relationships within refugee shelters, and the specific properties of the refugee accommodation system, which can be regarded as a “total institution”. Further, there are other causes of conflict, which can be located at the personal level. On the basis of a qualitative survey, we worked with more than 200 participants in 33 refugee shelters operated at state and municipal level across the federal state (Land) of North Rhine-Westphalia (NRW). Based on the data collected, we analyse five types of conflict: Conflicts at the individual level, group conflicts, aggressive behaviour and criminality, domestic and sexual violence and conflicts between residents and staff as well as conflict between institutions. The hypothesis that reported cases of conflict represent more than a mere collection of isolated cases was confirmed. Instead, conflict can usually be ascribed to certain interrelated root causes. Participants themselves were often unaware of the processes at work here. We therefore recommend a comprehensive approach to conflict prevention that takes both structural and personal causes of conflict into account. In this manner, the shelter situation could be improved significantly for refugees and staff. (AUT)
    Language: English
    Author information: Christ, Simone
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Durham, NC :Duke University Press,
    UID:
    kobvindex_HPB754634232
    Format: 1 online resource (xxx, 262 pages) : , illustrations, map
    Edition: Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011.
    ISBN: 9780822394099 , 082239409X , 1283273306 , 9781283273305 , 9786613273307 , 6613273309
    Series Statement: e-Duke books scholarly collection.
    Content: Offers perspectives on how we may try to attain global security, using her knowledge of the recent war in Bosnia as a case study and arguing that decisions by both participants and policy makers should not be made from just one vantage point.
    Note: Inside : "Esteemed Mr. Carrington" -- Outside : a convenient euphemism -- Inside : angels and animals -- Outside : Carter and conscience -- Inside : "If I left, everyone would flee" -- Outside : none of our business -- Inside : Silajdžić -- Outside : unintended consequences -- Inside : the bread factory -- Outside : elegant tables -- Inside : the unspeakable -- Outside : the politics of rape -- Inside : an unlikely soldier -- Outside : happy Fourth of July -- Inside : women on the side -- Outside : contact sport -- Inside : an artificial war -- Outside : clashes -- Inside : crossing the fault line -- Outside : "The truth about Goražde" -- Inside : loyal -- Outside : Pentagon sympathies -- Inside : family friends -- Outside : extremists -- Inside : family ties -- Outside : federation -- Inside : school days -- Outside : forces and counterforces -- Inside : blood -- Outside : trade-offs -- Inside : grim lullaby -- Outside : security and cooperation -- Inside : Sarajevo Cinderella -- Outside : failure at Srebrenica -- Inside : Magbula's parrot -- Outside : the accident -- Inside : boys pretending -- Outside : bombs and bluffs -- Inside : side by side -- Outside: decisions at Dayton -- Inside : morning has broken -- Outside : waiting for Christmas -- Inside : Serb exodus -- Outside : refugees in Austria -- Inside : refugees at the residence -- Outside : diplobabble -- Inside : displaced -- Outside : sowing and reaping -- Inside : Banja Luka bitterness -- Outside : war criminals -- Inside : uncatchable -- Outside : evenhanded -- Inside : no justice in Srebrenica -- Outside : the tribunal -- Inside : waiting for the truth -- Outside : intelligence and political will -- Inside : professor, perpetrator, president -- Outside : the fourth warring party -- Inside : city signs -- Outside : out of step -- Inside : by a thread -- Outside : missing -- Inside : surviving the peace -- Outside : press tour -- Inside : organized for action -- Outside : Lyons -- Inside : "What's an NGO"? -- Outside : skewed -- Inside : a league of their own -- Outside : "With all due respect" -- Inside : Beethoven's Fifth -- Outside : "Neither free nor fair" -- Inside : Sarajevo red -- Outside : re-leaf -- Inside : watermelons -- Outside Arizona -- Inside : three hundred gold coins -- Outside : mistrust in Mostar -- Inside : new bridges -- Outside : Air Force One -- Bridging : six lessons: Test truisms; question stereotypes; find out-of-power allies; appreciate domestic dynamics; find fault; embrace responsibility. , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English.
    Additional Edition: Print version: Hunt, Swanee. Worlds apart. Durham, N.C. : Duke University Press, 2011 ISBN 9780822349754
    Additional Edition: ISBN 0822349752
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Military history.
    URL: Concordia University of Edmonton Access  ((Unlimited Concurrent Users))
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    North Carolina : Duke University Press
    UID:
    gbv_746663188
    Format: Online-Ressource (298 p)
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    ISBN: 9780822349754
    Content: Offers perspectives on how we may try to attain global security, using her knowledge of the recent war in Bosnia as a case study and arguing that decisions by both participants and policy makers should not be made from just one vantage point
    Note: Description based upon print version of record , Contents; Author's Note; Map of Yugoslavia; Prologue; Acknowledgments; Context; Part I: War; Section 1: Officialdom; Section 2: Victims or Agents?; Section 3: Deadly Stereotypes; Section 4: Fissures and Connections; Section 5: The End Approaches; Part II : Peace; Section 6: After Dayton; Section 7: Imperfect Justice; Section 8: International Inadequacies; Section 9: Women's Initiative; Section 10: Recreating Community; Bridging: Six Lessons from Bosnia; Epilogue; Notes; Index , Inside : "Esteemed Mr. Carrington"Outside : a convenient euphemism -- Inside : angels and animals -- Outside : Carter and conscience -- Inside : "If I left, everyone would flee" -- Outside : none of our business -- Inside : Silajdžić -- Outside : unintended consequences -- Inside : the bread factory -- Outside : elegant tables -- Inside : the unspeakable -- Outside : the politics of rape -- Inside : an unlikely soldier -- Outside : happy Fourth of July -- Inside : women on the side -- Outside : contact sport -- Inside : an artificial war -- Outside : clashes -- Inside : crossing the fault line -- Outside : "The truth about Goražde" -- Inside : loyal -- Outside : Pentagon sympathies -- Inside : family friends -- Outside : extremists -- Inside : family ties -- Outside : federation -- Inside : school days -- Outside : forces and counterforces -- Inside : blood -- Outside : trade-offs -- Inside : grim lullaby -- Outside : security and cooperation -- Inside : Sarajevo Cinderella -- Outside : failure at Srebrenica -- Inside : Magbula's parrot -- Outside : the accident -- Inside : boys pretending -- Outside : bombs and bluffs -- Inside : side by side -- Outside: decisions at Dayton -- Inside : morning has broken -- Outside : waiting for Christmas -- Inside : Serb exodus -- Outside : refugees in Austria -- Inside : refugees at the residence -- Outside : diplobabble -- Inside : displaced -- Outside : sowing and reaping -- Inside : Banja Luka bitterness -- Outside : war criminals -- Inside : uncatchable -- Outside : evenhanded -- Inside : no justice in Srebrenica -- Outside : the tribunal -- Inside : waiting for the truth -- Outside : intelligence and political will -- Inside : professor, perpetrator, president -- Outside : the fourth warring party -- Inside : city signs -- Outside : out of step -- Inside : by a thread -- Outside : missing -- Inside : surviving the peace -- Outside : press tour -- Inside : organized for action -- Outside : Lyons -- Inside : "What's an NGO"? -- Outside : skewed -- Inside : a league of their own -- Outside : "With all due respect" -- Inside : Beethoven's Fifth -- Outside : "Neither free nor fair" -- Inside : Sarajevo red -- Outside : re-leaf -- Inside : watermelons -- Outside Arizona -- Inside : three hundred gold coins -- Outside : mistrust in Mostar -- Inside : new bridges -- Outside : Air Force One -- Bridging : six lessons: Test truisms; question stereotypes; find out-of-power allies; appreciate domestic dynamics; find fault; embrace responsibility. , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9780822394099
    Additional Edition: ISBN 9780822349754
    Additional Edition: Print version Worlds Apart : Bosnian Lessons for Global Security
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Oxford : New Internationalist
    UID:
    gbv_83700313X
    Format: Online-Ressource (273 p)
    ISBN: 9781904456483
    Content: Intro -- Book Title -- Acknowledgments -- Reviews -- Contents -- Who's Who -- Introduction -- 1. Waiting for War -- 2. War: 'Shock and Awe' -- 3. 'We have nothing' : The rebuilding of Iraq -- 4. To Kurdistan -- 5. Saddam's arrest -- 6. Health in a shattered state -- 7. Incommunicado: Prisoners in Abu Gharaib -- 8. Start of the Circus -- 9. Asking the fairies: The circus in the squatter camps -- 10. Another day -- 11. Playing with the lost boys -- 12. Happy family -- 13. The most famous circus in Iraq -- 14. 'Collateral damage' -- 15. The bomb -- 16. Circus to Kurdistan -- 17. Circus in the South -- 18. Falluja -- 19. Falluja's refugees -- 20. Thawra -- 21. Where have all the women gone? -- 22. Universities -- 23. De-ba'athification -- Chapter 24 -- Further Reading and Resources -- About the New Internationalist.
    Note: Description based upon print version of record , ""Book Title""; ""Acknowledgments""; ""Reviews""; ""Contents""; ""Who's Who""; ""Introduction""; ""1. Waiting for War""; ""2. War: 'Shock and Awe'""; ""3. 'We have nothing' : The rebuilding of Iraq""; ""4. To Kurdistan""; ""5. Saddam's arrest""; ""6. Health in a shattered state""; ""7. Incommunicado: Prisoners in Abu Gharaib""; ""8. Start of the Circus""; ""9. Asking the fairies: The circus in the squatter camps""; ""10. Another day""; ""11. Playing with the lost boys""; ""12. Happy family""; ""13. The most famous circus in Iraq""; ""14. 'Collateral damage'""; ""15. The bomb"" , ""16. Circus to Kurdistan""""17. Circus in the South""; ""18. Falluja""; ""19. Falluja's refugees""; ""20. Thawra""; ""21. Where have all the women gone?""; ""22. Universities""; ""23. De-ba'athification""; ""Chapter 24""; ""Further Reading and Resources""; ""About the New Internationalist""
    Additional Edition: ISBN 9781780260075
    Additional Edition: ISBN 9781904456483
    Additional Edition: Print version Don't Shoot the Clowns : Taking a Circus to the Children of Iraq
    Language: English
    Keywords: Electronic books
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  • 5
    Online Resource
    Online Resource
    Sacramento : Litwin Books
    UID:
    gbv_836929888
    Format: Online-Ressource (249 p)
    ISBN: 9781936117901
    Content: Intro -- Table of Contents -- Foreword -- Preface -- Editor's Acknowledgements -- Editor's Note -- Finding the Way Home February 1989 -- No Chocolates for Breakfast April 1989 -- Waiting for a Taxi June 1989 -- The Dance of Revolution August 1989 -- Where Is the Rage? October 1989 -- Unrecorded Agonies December 1989 -- Wrong or White February 1990 -- Mandela and the Kingdom Come April 1990 -- Diversity or Death June 1990 -- In the Presence of Giants August 1990 -- A Chance at Grace October 1990 -- Intifada, U.S.A. December 1990 -- Requiem for Sara February 1991 -- The Big-Time Coward April 1991 -- A New Politics of Sexuality July 1991 -- Thomas Was Not the Point November 1991 -- Can I Get a Witness? December 1991 -- The Fire This Time January 1992 -- Toward a Manifest New Destiny February 1992 -- Valentine's Day, 1992 March 1992 -- Requiem for the Champ April 1992 -- The Light of the Fire June 1992 -- Willing and Able August 1992 -- This Time I'll Vote November 1992 -- On the Night of November 3, 1992 January 1993 -- Islam and the U.S.A. Today February 1993 -- I Am Seeking an Attitude May 1993 -- The Truth of Rodney King June 1993 -- Bosnia Betrayed September 1993 -- Freedom Time November 1993 -- A Good Fight December 1993 -- Give Me Two Reasons March 1994 -- A Powerful Hatred May 1994 -- We Are All Refugees July 1994 -- Innocent of What? September 1994 -- Where I Live Now January 1995 -- Where I Live Now, Part Two March 1995 -- In the Land of White Supremacy June 1995 -- Manifesto of the Rubber Gloves August 1995 -- My Mess, and Ours October 1995 -- The Street Where I live December 1995 -- Stories of a Visitor February 1996 -- Justice at Risk April 1996 -- Where Is the Sisterhood? June 1996 -- Eyewitness in Lebanon August 1996 -- Not a Good Girl October 1996 -- For Clinton, With Disgust November 1996 -- A Gathering Purpose January 1998.
    Note: Description based upon print version of record , ""Table of Contents""; ""Foreword""; ""Preface""; ""Editor�s Acknowledgements""; ""Editor�s Note""; ""Finding the Way Home February 1989""; ""No Chocolates for Breakfast April 1989""; ""Waiting for a Taxi June 1989""; ""The Dance of Revolution August 1989""; ""Where Is the Rage? October 1989""; ""Unrecorded Agonies December 1989""; ""Wrong or White February 1990""; ""Mandela and the Kingdom Come April 1990""; ""Diversity or Death June 1990""; ""In the Presence of Giants August 1990""; ""A Chance at Grace October 1990""; ""Intifada, U.S.A. December 1990"" , ""Requiem for Sara February 1991""""The Big-Time Coward April 1991""; ""A New Politics of Sexuality July 1991""; ""Thomas Was Not the Point November 1991""; ""Can I Get a Witness? December 1991""; ""The Fire This Time January 1992""; ""Toward a Manifest New Destiny February 1992""; ""Valentine�s Day, 1992 March 1992""; ""Requiem for the Champ April 1992""; ""The Light of the Fire June 1992""; ""Willing and Able August 1992""; ""This Time I�ll Vote November 1992""; ""On the Night of November 3, 1992 January 1993""; ""Islam and the U.S.A. Today February 1993"" , ""I Am Seeking an Attitude May 1993""""The Truth of Rodney King June 1993""; ""Bosnia Betrayed September 1993""; ""Freedom Time November 1993""; ""A Good Fight December 1993""; ""Give Me Two Reasons March 1994""; ""A Powerful Hatred May 1994""; ""We Are All Refugees July 1994""; ""Innocent of What? September 1994""; ""Where I Live Now January 1995""; ""Where I Live Now, Part Two March 1995""; ""In the Land of White Supremacy June 1995""; ""Manifesto of the Rubber Gloves August 1995""; ""My Mess, and Ours October 1995""; ""The Street Where I live December 1995"" , ""Stories of a Visitor February 1996""""Justice at Risk April 1996""; ""Where Is the Sisterhood? June 1996""; ""Eyewitness in Lebanon August 1996""; ""Not a Good Girl October 1996""; ""For Clinton, With Disgust November 1996""; ""A Gathering Purpose January 1998""; ""The Stoning of Bill Clinton November 1998""; ""O, California! January 1999""; ""Breast Cancer: Still Here February 1999""; ""From the Kosovo Series: First Three Poems June 1999""; ""From the Kosovo Series: Next Three Poems July 1999""; ""Good News of Our Own August 1999""; ""The Hunters and the Hunted October 1999"" , ""A Letter to Maria October 2000""""New Year Poem February 2001""; ""The Invisible People: An Unsolicited Report on Black Rage March 2001""; ""Scenario Revision #1 September 2001""; ""Do You Do Well to Be Angry November 2001""; ""Bibliography""; ""Endnotes""; ""Index""
    Additional Edition: ISBN 9781634000123
    Additional Edition: ISBN 9781936117901
    Additional Edition: Print version Life as Activism : June Jordan's Writings from The Progressive
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
    Author information: Jordan, June 1936-2002
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  • 6
    Online Resource
    Online Resource
    Penguin Young Readers Group
    UID:
    kobvindex_ZLB34479164
    ISBN: 9780525553922
    Content: " Heartbreak and hope exist together in this remarkable graphic novel about growing up in a refugee camp, as told by a Somali refugee to the Newbery Honor-winning creator of Roller Girl. Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . but it would also mean leaving his brother, the only family member he has left, every day. Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story."
    Content: Rezension(1): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: Starred review from February 1, 2020Gr 4-8- Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed's life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where it felt like all you ever did was wait, is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families' painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson's usual fare, this title still features the expressive, gentle style of Roller Girl or All's Faire in Middle School -the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author's notes go into greater detail about Mohamed's life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. VERDICT With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to perverse.- Darla Salva Cruz, Suffolk Cooperative Library System, Bellport, NYCopyright 2020 School Library Journal, LLC Used with permission. " Rezension(2): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: February 15, 2020 A Somali boy living in a refugee camp in Kenya tries to make a future for himself and his brother in this near memoir interpreted as a graphic novel by collaborator Jamieson. Omar Mohamed lives in Dadaab Refugee Camp in Kenya with his younger brother, Hassan, who has a seizure disorder, and Fatuma, an elderly woman assigned to foster them in their parents' absence. The boys' father was killed in Somalia's civil war, prompting them to flee on foot when they were separated from their mother. They desperately hope she is still alive and looking for them, as they are for her. The book covers six years, during which Omar struggles with decisions about attending school and how much hope to have about opportunities to resettle in a new land, like the United States. Through Omar's journey, and those of his friends and family members, readers get a close, powerful view of the trauma and uncertainty that attend life as a refugee as well as the faith, love, and support from unexpected quarters that get people through it. Jamieson's characteristically endearing art, warmly colored by Geddy, perfectly complements Omar's story, conjuring memorable and sympathetic characters who will stay with readers long after they close the book. Photographs of the brothers and an afterword provide historical context,Mohamed and Jamieson each contribute an author's note. This engaging, heartwarming story does everything one can ask of a book, and then some. (Graphic memoir. 9-13) COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(3): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from March 2, 2020 Based on coauthor Mohamed’s childhood after fleeing Somalia on foot with his younger brother, this affecting graphic novel follows the brothers’ life in a Kenyan refugee camp. Though loving foster mother Fatuma cares for the boys, Mohamed watches out for his largely nonverbal younger brother, Hassan, who experiences occasional seizures, and is fearful of leaving him even to attend school. Mohamed longs to find their biological mother, and—like nearly everyone in the vast camp—waits for a life-changing, seemingly arbitrary UN interview that will determine whether the boys will be resettled, perhaps in the U.S. or Canada. Jamieson and Mohamed together craft a cohesive, winding story that balances daily life and boredom, past traumas, and unforeseen outcomes alongside camp denizens’ ingenuity and community. Expressive, memorable characters by Jamieson ( Roller Girl ) work and play against backdrops of round-topped UN tents, while colorist Iman Geddy’s deep purple skies drive home the title. The result of this team effort is a personal and poignant entry point for young readers trying to understand an unfair world. Back matter includes photographs of the brothers and authors’ notes. Ages 9–12." Rezension(4): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: Starred review from March 15, 2020 Grades 6-8 *Starred Review* Omar Mohamed was a child when soldiers attacked his village in Somalia. Separated from his parents, he and his younger brother, Hassan, eventually made their way to Dadaab, a crowded refugee camp in Kenya where he now spends his days scrambling for food and taking care of Hassan, who is nonverbal and suffers from debilitating seizures. A chance to attend school is a dream come true, but the opportunity weighs heavily on Omar,school is a selfish choice when you have no parents and a brother who needs constant looking after. Debut author Mohamed shares his absorbing story with absolute honesty, laying bare every aspect of his life's many challenges,even after surviving unimaginable circumstances, he remains compassionate?to others as well as himself. While Mohamed's story is riveting in its own right, the illustrations bring warmth and depth to the tale. Drawing with evident empathy and deep respect, Jamieson captures the many significant moments in Mohamed's life with charming detail. Wonderfully expressive figures convey complex and conflicted emotions, and the rich colors imbue the story with life. Mohamed's experience is unfortunately not unique, but it is told with grace, humility, and forgiveness. This beautiful memoir is not to be missed.(Reprinted with permission of Booklist, copyright 2020, American Library Association.) "
    Language: English
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  • 7
    Online Resource
    Online Resource
    Verso
    UID:
    kobvindex_ZLB34927216
    ISBN: 9781839764028
    Content: " With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, Marlowe Granados's stunning début brilliantly captures a summer of striving in New York City Refreshing and wry in equal measure, Happy Hour is an intoxicating novel of youth well spent. Isa Epley is all of twenty-one years old, and already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York City for a summer of adventure with her best friend, one newly blond Gala Novak. They have little money, but that's hardly going to stop them from having a good time. In her diary, Isa describes a sweltering summer in the glittering city. By day, the girls sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side to the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert their social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa's bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour is a novel about getting by and having fun in a world that wants you to do neither. "
    Content: Rezension(1): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from July 5, 2021 In Granados’s amusingly mischievous debut, a young ingenue comes to New York City from London for a summer, seeking to bury her grief over her mother’s death. By night, Isa Epley and her friend Gala Novak rub shoulders with celebrities and intellectuals. By day, they make ends meet selling clothes on consignment. Gala’s gift for being in the right place at the right time opens up new vistas for the impressionable Isa, who records her nighttime adventures in her diary or in notes on her phone (“It’s inconspicuous,I look as though I am being aloof and texting, but I am noticing and observing all the time”). All of 21 (“an unserious age,” according to her), Isa contents herself with cocktails and the kind of men likely to pay for them, trying to tell the sincere patrons of the arts from the phonies as she pursues a quest for “Social Capital,” while Gala comes dangerously close to drifting into a cult. Isa’s keen perception lifts this comedy of manners above the surface she and Gala attempt to glide on for the summer’s duration (“If I were to describe typical New York conversation, it would be two people waiting for their turn to talk”). This perfectly sums up a new age of innocence." Rezension(2): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: Starred review from August 1, 2021 A pair of beautiful, undocumented party girls live the high life in New York...though they literally do not know where their next meal is coming from. As this glamorous, intelligent debut novel opens, 21-year-old best friends Isa and Gala land in New York to spend the summer. They plan to use their pretty faces as passports to the New York demimonde and to make grocery money by selling dresses at a market stall. Since the latter turns out to be quite the losing operation, they are constantly looking for gigs that pay cash. As audience members at a TV shoot, they only get fifty dollars each, but collectively, that's at least one late-night cab home, a dozen oysters during happy hour, a small bottle of Tanqueray, and maybe one unlimited seven-day MetroCard. They respond to ads looking for foot models and makeup shoots, one seeking a pair of friends, one of whom had to be Diverse. (Diverse is about all we ever really know about Isa's background,Gala, we learn in a throwaway remark, was a Bosnian baby refugee.) Being members of what one acquaintance calls the precariat can be exhausting. When the girls try to improve their minds by attending a boring lecture on the new Belle Epoque touted in the New Yorker, Gala wonders, Do you think they have a list of who's in the One Percent? It would certainly make things more efficient. The book, Isa's putative diary, is chock-full of aper�us. On the Red Hook neighborhood of Brooklyn: Being far away from a subway station must be conducive to making art. On a typical New York conversation: two people waiting for their turn to talk. On the aloof brutes Isa's always fallen for: The mind reels with all the possibilities of what they might feel or think about you. Usually it is nothing like what you expect and much less complex than the thoughts you generously assign to them. The girls have known each other since they were at least 16 (that's when Isa spent six months living in Gala's bedroom and Gala got her tooth knocked out at a rave), but this summer will test their friendship and propel them into their next chapters. Like the many cocktails sipped by our discerning narrator: effervescent, tart, and intoxicating. COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED. "
    Language: English
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  • 8
    Online Resource
    Online Resource
    Haymarket Books
    UID:
    kobvindex_ZLB34418757
    ISBN: 9781642591194
    Content: " This is a reminder of hope and possibility, of kindness and compassion, and perhaps most salient imagination and liberty. Through the imaginations of our childhoods, can we find our true selves liberated in adulthood? Chelsea Handler In her debut children's book, Rebecca Solnit reimagines a classic fairytale with a fresh, feminist Cinderella and new plot twists that will inspire young readers to change the world, featuring gorgeous silhouettes from Arthur Rackham on each page. In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes.Rebecca Solnit is the author of more than twenty books including Men Explain Things to Me, Call Them by Their True Names, Hope in the Dark, and The Mother of All Questions.Arthur Rackham (1867– 1939) was a prominent British illustrator of many classic children's books from The Fairy Tales of the Brothers Grimm to Sleeping Beauty. His watercolor silhouettes were featured in the original edition of Cinderella. "
    Content: Biographisches: " Arthur Rackham (1867-1939) was described by The London Times as one of the most eminent book illustrators of his day with a special place in the hearts of children. He was a prominent British illustrator of many classic children's books from The Fairy Tales of the Brothers Grimm to Sleeping Beauty to Fairy Tales by Hans Andersen and dozens more. His illustrations from the 1919 edition of Cinderella are timeless examples of his unique and beautiful watercolor sillouettes. " Rezension(2): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: February 25, 2019 In this progressive retelling, Solnit carefully excises nearly every aspect of the “Cinderella” tale that readers might find objectionable. No one falls in love, the prince wishes he was a farmer, and the stepsisters eventually apologize to Cinderella, who herself says, “It was very interesting to see all the fancy clothes... but even more interesting to see lizards become footwomen.” Every possible moral lesson is explicitly spelled out—“everyone can be a fairy godmother if they help someone who needs help, and anyone can be a wicked stepmother”—and the low-key action, which resolves in everyone finding the work that suits them, supports the idea that “there is no happily ever after, only... tomorrow... and the day after that.” Illustrations based on Rackham’s masterful, timeless silhouettes offer a counterpoint to a text that is very much of the moment. Ages 7–10. " Rezension(3): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: With a little help from her fairy godmother, Cinderella takes care of business while learning how to be her best and freest self. With the avowed intention of creating a kinder vision of the familiar tale that also gets away from the invidious notion that marrying (preferably marrying up) is the main chance in life for women, Solnit (Call Them by Their True Names, 2018, Kirkus Prize winner in nonfiction) offers younger readers this revisionist Cinderella. She arrives at the ball attended by transformed footwomen, befriends Prince Nevermind (who really just wants to be a farmer), and, while her stepsisters take up careers in fashion, goes on to open a cake shop where she harbors refugee children. The author's efforts to get away from sexist tropes and language aren't entirely successful (one stepsister becomes a seamstress, for instance), and an analytical afterword in cramped type that rivals the tale itself for length further weighs down the wordy, lecture-laden narrative. Still, readers ready to question the assumptions innate in most variants, European ones in particular, will find this one refreshing. The carefully selected Rackham silhouettes, first published a century ago, invest Ella with proactive spirit while (as the author notes) sidestepping racial determinations (in skin color at least, if not hair texture). A story with a serious claim to universality again proves that it can bear a carriage full of messages. (lengthy source note) (Folktale. 8-10) COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED. (Online Review) " Rezension(4): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: August 16, 2019 Gr 2-4- Though she still has plenty of dirty chores to do, Cinderella is not confined to household drudgery in this feminist reworking of the old tale. She's a good cook and bakes ginger cookies, and she's out and about visiting farms and the marketplace, becoming friends with all the workers there. On the day of the Prince's ball she's a skillful hairdresser for Pearlita and Paloma, those obnoxious stepsisters. And she's the most talented dancer when she herself arrives at the ball. Solnit tells the story in five numbered segments. She mostly follows the general scheme of Perrault, but this is not the romantic story of falling in love that he was telling. The fairy godmother, a little blue woman, shows up when Cinderella wishes that someone might help her. The familiar magic happens. Cinderella and Prince Nevermind (we don't know how or why the character names were devised) will become friends as both are liberated from their confining lives. In the lengthy closing section they are too young to marry but she owns a very successful bake shop, and he becomes a farm worker. Solnit explains how Ella (no more cinders) is a liberator-someone who helps others figure out how to be free. Selected silhouettes from Rackham's Cinderella and Sleeping Beauty work pretty well with the long narrative with its generous phrasing of conversations, descriptions, explanation of personality traits, and several philosophical lessons along the way. In a long afterword, the author discusses choices she made in selecting this story, reworking it, and choosing the Rackham illustrations. The liberator theme may be murky for many children. The feminization of some characters-the coachwoman, the footwomen, Cinderella's real mother the sea captain-will strike some readers as rather forced. Nonetheless, this is a version of the oft-told tale that will surely find a place among the copious retellings. VERDICT Give this variant to older fairy-tale fans. It could certainly be a fun discussion choice.-Margaret Bush, Simmons College, Boston Copyright 2019 School Library Journal, LLC Used with permission. "
    Language: English
    Author information: Solnit, Rebecca
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  • 9
    Online Resource
    Online Resource
    Sourcebooks
    UID:
    kobvindex_ZLB34227826
    ISBN: 9781402264047 , 9781402264030
    Content: " One year he'll be gone for one year and then we'll be together again and everything will be back to the way it should be. The day David left, I felt like my heart was breaking. Sure, any long– distance relationship is tough, but David was going to war to fight, to protect, to put his life in danger. We can get through this, though. We'll talk, we'll email, we won't let anything come between us. I can be on army girlfriend for one year. But will my sweet, soulful, funny David be the same person when he comes home? Will I? And what if he doesn't come home at all...? A tender and honest examination of love, longing, and loyalty in the face of modern war. Laura Ruby, author of Bad Apple While He Was Away is a wonderful love story with writing that is skillful and true. Amy Timberlake, author of That Girl Lucy Moon "
    Content: Biographisches: "Karen Schreck once had lunch with the Queen of Holland. There were many forks. Perhaps this inspired her (failed) attempt at waitressing. She lives outside Chicago with her husband and two children. Visit karenschreck.com/blog" Rezension(2): "A Soul Unsung: Karen Schreck pens a poignant and inspiring story of love and war, trials and tribulations, and finding oneself.-Blogger Susan, A Soul Unsung " Rezension(3): "In The Next Room:the relationship between Penna and her mom... was complicated and broken at times, but ultimately very powerful.- Zoe" Rezension(4): "I Devour Books: While He Was Away was a very moving, very well written story, and it sucked me in almost from the beginning.-Kreag" Rezension(5): "Fictionators:I loved that even though [Penna] felt weak, she made herself be strong- Kassiah" Rezension(6): "Blkosiner's Book Blog:...once I opened the book, I did not want to put it down. - Brandi" Rezension(7): "The Book Whisperer:Schreck's story will tax and strain your emotions, as well as, consume your attention way after the last page- The Book Whisperer " Rezension(8): "365 Days of Reading:...a subtly hopeful, emotionally moving novel.- Lauren " Rezension(9): "Confessions of a Bookaholic:I did really enjoy[ed] Karen's writing style and realistic portrayal of a young couple dealing with being apart.- Blogger Jessica, Confessions of a Bookaholic" Rezension(10): "To Read or Not To Read:... a powerful story about coping with change.- Blogger Marcie, To Read or Not To Read " Rezension(11): "LC's Adventures in Library Land:...about everything I could ask for in a book!- Blogger Lea, LC's Adventures in Library Land " Rezension(12): "Justin's Book Blog:I loved these characters.-Blogger Justin, Justin's Book Blog " Rezension(13): "Esther's Ever After:It keeps tugging at your heart, and it just doesn't let go.- Blogger Brenna, Esther's Ever After " Rezension(14): "Shortie Says:Inspiring, hopeful, and eye-opening...This story is so much more then a boy who leaves a girl for Iraq. Blogger Jena, Shortie Says " Rezension(15): "Emily's Crammed Bookshelf:Schreck did an amazing job with keeping things interesting." Rezension(16): "Librisnotes:a nuanced recounting of love, loyalty, loss, forgiveness and healing across three generations.- Blogger Librisnotes " Rezension(17): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: April 15, 2012 When her boyfriend David leaves for a stint in Iraq, Penna is anxious and devastated, but eventually she finds ways to cope. At first, observing Penna change from a girl totally absorbed in her boy to one who has other concerns, friends and responsibilities is like watching paint dry. But the pace rapidly picks up as both David and Penna become more caught up in their immediate environments. Penna discovers information about a grandmother who has been missing in her life, gets pulled into waiting tables at her mother's restaurant and finds new friends with whom she can share her current life. In Iraq, David struggles with the mind-numbing work of patrols and the terror that interrupts it, and he focuses on an orphanage for Iraqi refugee children as a way to be useful. Strong characterization, the vivid setting of a small Oklahoma town and the clear depiction of present life, with Skype, e-mail and phones with their inadequate promise of instant communication, strengthen the narrative and ground it in the present. Paralleling Penna's story is her discovery of a grandmother who lost her first husband in World War II. The perils of war limn the memories of the women left behind and cast into relief both their devotion and their need to continue to live separate and independent lives. A strong entry in the growing genre of fiction about the Iraq war. (Fiction. 12 & up) COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(18): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: June 1, 2012Gr 9 Up- Penna is determined to be a positive Army girlfriend while her boyfriend, David, is stationed in Iraq. Faced with the prospect of a year without him, the 18-year-old is wrought with fear, worry, and loneliness. As relative newcomers to Killdeer, a small Oklahoma town, Penna and her mother have few ties to the community beyond the house and restaurant they inherited from her grandfather. Friendless and alone while her mother works long hours, Penna waits for phone calls from David and begins to uncover some family history in the attic. Her contact with him is infrequent, and instead of spending her time preparing her art portfolio for college, she lies in bed rereading his letters. In an attempt to pry Penna from her depression, her mother hires her as a server at the restaurant. Despite her lack of skills as a waitress, Penna begins to make new friends and a new purpose. As her maturity and self-awareness develop, she connects with her mother as well as her estranged grandmother. She also comes to terms with her separation from David. Teens will devour this title quickly despite some stilted dialogue and one-dimensional characters. The ending is realistic and void of any fairy-tale solutions that might diminish the harsh realities of what soldiers often face.- Lynn Rashid, Marriotts Ridge High School, Marriottsville, MDCopyright 2012 Library Journal, LLC Used with permission. "
    Language: English
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