In:
TDR/The Drama Review, MIT Press, Vol. 54, No. 4 ( 2010-12), p. 54-80
Abstract:
Making noisy art for noisy times, New York ensemble Big Art Group's hyper-mediated aesthetic stages the sensory surfeit of modern life. Employing batteries of screens, prismatic live-feed video, and roaring digital soundscapes, the company's experiments with attention and perception create a new model for political theatre grounded in the contested dynamics of spectatorship.
Type of Medium:
Online Resource
ISSN:
1054-2043
,
1531-4715
DOI:
10.1162/DRAM_a_00024
Language:
English
Publisher:
MIT Press
Publication Date:
2010
detail.hit.zdb_id:
2019311-7
detail.hit.zdb_id:
3093459-X
SSG:
9,3
SSG:
7,25