In:
Journal of Arabic Literature, Brill, Vol. 44, No. 2 ( 2013), p. 121-144
Abstract:
In the last few decades, the landscape of Franco-Arab fiction has seen a great many authorship scandals, in which French non-Arab authors have impersonated Arabs and found publishing success. In this essay, I revisit these scandals while focusing on a recent “autobiographical” novel that raised suspicions of ghostwriting: 2011’s Tout le monde aime Mohamed ( Everyone Loves Mohamed ) by Malik Kuzman. An impressionistic collage of homo-erotic encounters, its fleeting structure recalls that of Barthes’ Incidents , a series of social vignettes culled from the author’s time in Morocco. I explore the simultaneity of Barthes’ Death of the Author argument and the emergence of these authorship scandals in post-colonial Franco-Arab fiction, and suggest that it is not accidental. In a similar vein, I analyze how the heritage of literary collaborations between Europeans and North Africans, often eroticized, has informed authorship scandals in post-immigration France.
Type of Medium:
Online Resource
ISSN:
0085-2376
,
1570-064X
DOI:
10.1163/1570064x-12341263
Language:
Unknown
Publisher:
Brill
Publication Date:
2013
detail.hit.zdb_id:
2067309-7
SSG:
6,23
