Format:
Online Ressource (xxxii, 213 p.)
,
ill.
Edition:
Online-Ausg.
ISBN:
9004226516
,
9789004226517
Series Statement:
Visualising the Middle Ages v. 5
Content:
1.2.3.4.5.6.7.8.9.10.11.12.Signifying Absence: Experiencing Monochrome Imagery in Medieval Painting /A Possible Colonna Family Stemma in the Church of Santa Prassede, Rome /Small Worlds: The Orbs in the Westminster Retable and the Wilton Diptych /Duccio and Devotion to the Virgin's Foot in Early Sienese Painting /A Royal Gift from Paris to Assisi: The Evolution of Design and Iconography circa 1300 /The Original Setting and Historical Context of the Fourteenth-Century Anthropomorphic Trinity' of the Museo di Roma at Palazzo Braschi /Patronising Poverty: Devotional Imagery and the Franciscan Spirituals in Romagna and the Marche /Celebrating the Scholar and Teacher: The Tomb of Thomas Gallus at Sant'Andrea in Vercelli (Mid 14th Century) /Bartolomeo and Jacopino da Reggio's Brera Triptych: A Possible Source for Its Provenance /The Look of Love /Bologna and the Popes: Simone dei Crocefissi's Portraits of Urban V /Some Pilgrimage Sources for Altichiero /Jill Bain --John Osborne --Dillian Gordon --Joanna Cannon --Virginia Glenn --Claudia Bolgia --Jill Farquhar --Martina Schilling --Roberto Cobianchi --Anne Dunlop --Robert Gibbs --Louise Bourdua.
Content:
These studies explore aspects of Julian Gardner's wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy
Note:
Includes bibliographical references and index
Additional Edition:
9004210768
Additional Edition:
9004226516
Additional Edition:
Erscheint auch als Druck-Ausgabe
Language:
English
Keywords:
Electronic books
