Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    New York, NY : Cambridge University Press
    UID:
    (DE-627)173531949X
    Format: 1 Online-Ressource (1 volume)
    ISBN: 0511113463 , 9780511113468
    Series Statement: Cambridge studies in Renaissance literature and culture [49]
    Content: 7 "The English straine": absolutism, class, and Drayton's Ideas, 1594-1619Afterword: Engendering class: Drayton, Wroth, Milton, and the genesis of the public sphere; Notes; Index
    Content: Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; 1 Sonnet sequences and social distinction; 2 Post-romantic lyric: class and the critical apparatus of sonnet conventions; 3 "An Englishe box": Calvinism and commodities in Anne Lok's A Meditation of a Penitent Sinner; 4 "Nobler desires" and Sidney's Astrophil and Stella; 5 "So plenty makes me poore": Ireland, capitalism, and class in Spenser's Amoretti and Epithalamion; 6 "Till my bad angel fire my good one out": engendering economic expertise in Shakespeare's Sonnets
    Content: Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed. The tensions inherent in the genre - between lyric and narrative, between sonnet and sequence - offered writers a means of reconceptualizing the relation between individuals and society, a way to try to come to grips with the broad social transformations taking place at the end of the sixteenth century. By stressing the struggle over social classification, the book revises studies that have tied the influence of sonnet sequences to either courtly love or to Renaissance individualism. Drawing on Marxist aesthetic theory, it offers detailed examinations of sequences by Lok, Sidney, Spenser, Shakespeare and Milton. It will be valuable to readers interested in Renaissance and genre studies, and post-Marxist theories of class
    Note: Includes bibliographical references and index , Series numbering inferred from publisher's listing
    Additional Edition: 128020284X
    Additional Edition: 9781280202841
    Additional Edition: 0521842549
    Additional Edition: Erscheint auch als Druck-Ausgabe Warley, Christopher, 1969- Sonnet sequences and social distinction in Renaissance England New York, NY : Cambridge University Press, 2005
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages