Format:
Online-Ressource (190 p.)
ISBN:
9780817354404
Series Statement:
Theatre History Studies
Content:
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre
Note:
Description based upon print version of record
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CONTENTS; List of Illustrations; The Copeland Opera House; The Masculine Transformations of "Genial" John McCullough; The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance; The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon; "There Was No Resisting John Canoe":Circum-Atlantic Transracial Performance; "Talking B(l)ack": Construction of Gender and Race in the Plays of Eulalie Spence; Employing Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre; BOOK REVIEWS; Books Received
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Contributors
Additional Edition:
9780817380212
Additional Edition:
9780817354404
Additional Edition:
Erscheint auch als Druck-Ausgabe Theatre History Studies 2007 : Volume 27
Language:
English
Keywords:
Electronic books
URL:
Volltext
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