UID:
almafu_9958346348902883
Format:
1 online resource (xi, 298 pages) :
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digital, PDF file(s).
ISBN:
1-4744-2591-7
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1-4744-1845-7
,
1-4744-1143-6
Content:
Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments.
Note:
Title from publisher's bibliographic system (viewed on 29 Sep 2017).
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Frontmatter --
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Contents --
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List of Figures --
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Notes on the Contributors --
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Introduction: Filming Russian Classics—Challenges and Opportunities --
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1 Across the Russian Border --
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2 Dostoevskii’s “White Nights”: The Dreamer Goes Abroad --
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3 On Not Showing Dostoevskii’s Work: Robert Bresson’s Pickpocket --
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4 Stealing the Scene: Crime as Confession in Robert Bresson’s Pickpocket --
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5 The Eye-deology of Trauma: Killing Anna Karenina Softly --
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6 “A Vicious Circle”: Karen Shakhnazarov’s Ward no. 6 --
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7 A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences --
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8 Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe --
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9 Chasing the Wealth: The Americanization of Il’f and Petrov’s --
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10 Fassbinder’s Nabokov—From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment --
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11 “The Soviet Abroad (That We Lost)”: The Fate of Vasilii Aksenov’s Cult Novel A Starry Ticket on Paper and on Screen --
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Conclusion: Passport Control—Departing on a Cinematic Journey --
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Bibliography --
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Filmography --
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Index
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English
Additional Edition:
ISBN 1-4744-1142-8
Language:
English
DOI:
10.1515/9781474411431
