UID:
almafu_9959677307702883
Umfang:
1 online resource (396 p.)
Inhalt:
Collection of essays, aimed at an undergraduate audience, focusing on cultural policy and production after the Mexican revolution.
Anmerkung:
Description based upon print version of record.
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Contents; List of Illustrations; Acknowledgments; Introduction Mary Kay Vaughan and Stephen E. Lewis; I. The Aesthetics of Nation Building; The Noche Mexicana and the Exhibition of Popular Arts:Two Ways of Exalting Indianness; The Sickle, the Serpent, and the Soil: History, Revolution,Nationhood, and Modernity in the Murals of Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros; Painting in the Shadow of the Big Three Frida Kahlo; María Izquierdo; The Mexican Experience of Marion and Grace Greenwood; Mestizaje and Musical Nationalism in Mexico
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Revolution in the City Streets: Changing Nomenclature, Changing Form, and the Revision of Public MemoryII. Utopian Projects of the State; Saints, Sinners, and State Formation: Local Religion and Cultural Revolution in Mexico; Nationalizing the Countryside: Schools and Rural Communitiesin the 1930s; The Nation, Education, and the ''Indian Problem'' in Mexico,1920-1940; For the Health of the Nation: Gender and the Cultural Politics o fSocial Hygiene in Revolutionary Mexico; III. Mass Communications and Nation Building
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Remapping Identities: Road Construction and Nation Building in Postrevolutionary MexicoNational Imaginings on the Air: Radio in Mexico, 1920-1950; Screening the Nation; IV. Social Constructions of Nation; An Idea of Mexico: Catholics in the Revolution; Guadalajaran Women and the Construction of National Identity; ''We Are All Mexicans Here'': Workers, Patriotism, and UnionStruggles in Monterrey; Final Reflections, What Was Mexico's Cultural Revolution?; Contributors; Index
Weitere Ausg.:
ISBN 0-8223-3668-5
Sprache:
Englisch