UID:
almafu_9960072751402883
Format:
1 online resource (705 p.)
Edition:
Second edition.
ISBN:
9786612711183
,
9781282711181
,
1282711180
,
9780080879260
,
0080879268
Series Statement:
The Morgan Kaufmann Series in Computer Graphics
Content:
*The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images!At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is detailed with hundreds of secrets that will help make your comps seamless. For beginners or experts, Ron walks you through the processes of analysis and workflows - linear thinking which will help you become deft and successfully tackle any shot. - Dennis Muren ASC, Senior Visual Effects
Note:
Description based upon print version of record.
,
Front Cover; The Art and Science of Digital Compositing: Techniques for Visual Effects, Animation and Motion Graphics; Copyright Page; Contents; Introduction to the Second Edition; Chapter 1 Introduction to Digital Compositing; Definition; Historical Perspective; Terminology; Organization of the Book; Chapter 2 Learning to See; Judging Color, Brightness, and Contrast; Light and Shadow; The Camera; Resolution Limits; Focus and Depth of Field; Lens Flares and Other Lens Artifacts; Motion Blur; Depth, Distance, and Perspective; Perspective and the Camera; Depth Cues; Visual ""Correctness""
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Chapter 3 The Digital Representation of Visual InformationImage Generation; Pixels, Components, and Channels; Spatial Resolution; Bit Depth; Normalized Values; Beyond Black and White; Floating-point and High Dynamic Range Imagery (HDRI); The HSV Color Representation; The YUV Color Representation; Image Input Devices; Digital Image File Formats; File Format Features; Variable Bit Depths; Different Spatial Resolutions; Compression; Comment Information in a Header; Additional Image Channels; Vendor-specific File Format Implementations; Compression; Run-length Encoding; Lossy Compression
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Chroma SubsamplingImage Sequence Compression; Choosing a File Format; Nonlinear Color Encoding; Chapter 4 Basic Image Manipulation; Terminology; Color Manipulations; RGB Multiply; Add; Gamma Correction; Invert; Contrast; Channel Swapping; HSV Manipulations; Look-up Table Manipulations; Expression Language; Spatial Filters; Convolves; Blurring; Sharpen; Median Filter; Geometric Transformations; Panning; Rotation; Scale; 3D Transforms; Warping; Expression Language; Filtering Algorithms; Motion Blur; Chapter 5 Basic Image Compositing; Multisource Operators; Add; Subtract; Mix; The Matte Image
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The Integrated Matte ChannelOver; Additional Operators; Multiply; Screen; Maximum and Minimum; In; Out; Atop; Masks; Compositing with Premultiplied Images; Color Correcting and Combining Premultiplied Images; Luminosity and the Image-Matte Relationship; Morphing; Chapter 6 Matte Creation and Manipulation; Rotoscoping; Techniques; Motion Blur; Limitations; Procedural Matte Extraction; Keying Based on Luminance; Keying Based on Chrominance; The Color Difference Method; Difference Matting; Specialized Keying Software; Matte Manipulations; Checking the Solidity of your Matte; Garbage Mattes
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Edge MattesCombining Mattes; Image Processing on Mattes; Chapter 7 Time and Temporal Manipulations; Apparent Motion; Temporal Resolution; Temporal Artifacts; Changing the Length or Timing of a Sequence; Keyframing; Chapter 8 Image Tracking and Stabilization; Tracking an Element into a Plate; Choosing the Feature to Track; Limiting the Search Area; Human Intervention; Using Tracking Curves Manually; Tracking Multiple Points; Stabilizing a Plate; Camera Tracking; Chapter 9 Interface Interactions; Workflow; The Evolution of Interactivity; Methods of Representing the Compositing Process
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Layer Lists
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English
Additional Edition:
ISBN 9780123706386
Additional Edition:
ISBN 0123706386
Language:
English
Subjects:
Computer Science
,
Engineering
URL:
Volltext
(URL des Erstveröffentlichers)