UID:
almafu_9960117369902883
Format:
1 online resource (166 pages) :
,
digital, PDF file(s).
ISBN:
1-78204-594-5
Series Statement:
Medieval English theatre ; 37
Content:
〈I〉Medieval English Theatre〈/I〉 is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.〈BR〉 This volume includes essays on spectatorship, audience reception and records of early drama, especially in Scotland, besides engaging with the current interest in the Towneley Plays and the history of its manuscript. Editors: Sarah Carpenter, Pamela M. King, Meg Twycross, Greg Walker.
Note:
Title from publisher's bibliographic system (viewed on 08 Mar 2016).
,
Frontcover; Contents; Editorial; In honorem John J. McGavin; John J. McGavin: Bibliography; The Places of Foolery: Robert Armin and fooling in Edinburgh; George Bannatyne's 'Sertane Mirry Interludis', and Sir David Lyndsay's play; The Linlithgow Interlude of 1540 and Lyndsay's Satire of the Thrie Estaitis; Stage Directions in Lyndsay's Ane Satire of the Thrie Estaits; The Dramatic Voice of William Dunbar; How to Track a Bear in Southwark: a learning module; The Digby Mary Magdalen in Performance: a merry peripeteia; 'Thus am I Rent on Rode': taking apart the Towneley Crucifixion
,
The Second Shepherds' Play: a play for the Christmas season'They did not come out of an Abbey in Lancashire': Francis Douce and the manuscript of the Towneley Plays
Additional Edition:
ISBN 1-84384-416-8
Language:
English
DOI:
10.1515/9781782045946
URL:
http://www.cambridge.org/core/product/identifier/9781782045946/type/BOOK
