UID:
almafu_9961426851402883
Format:
1 online resource (256 pages)
Edition:
First edition.
ISBN:
9783658437398
Note:
Intro -- Acknowledgments -- Contents -- 1 Introducing the Mediaverse -- 1.1 Mediaverse, Web 2.0 and the Speculative Genre -- 1.2 Star Trek: Pioneering Speculative Television -- 1.3 Black Mirror & -- Techno-Dystopian Science Fiction -- 1.4 Genre-bending in The OA -- 1.5 Good Omens and Fantasy Fiction -- 2 The Star Trek Mediaverse -- 2.1 Star Trek: History and Fandom -- 2.2 Transmediality and Intermediality in Star Trek -- 2.3 Star Trek: Formatting, Franchising and the Fandom -- 2.4 Audience Criticism and Cultural Diffusion in Star Trek -- 3 Digital Consciousness in the Black Mirror Mediaverse -- 3.1 Techno-Dystopia and Black Mirror -- 3.2 Black Mirror: Bandersnatch and the Viewer as Player -- 3.3 Black Mirror: Bandersnatch and the Mediaverse -- 3.4 Striking Vipers and the Virtual Queer -- 3.5 Digital Consciousness in Black Museum -- 3.6 Techno-Dystopia and the Black Mirror Mediaverse -- 4 The Metamodern Utopia in The OA Mediaverse -- 4.1 Science Fiction and Fantasy Audiences -- 4.2 The OA and Storytelling -- 4.3 The OA and the Spiritual -- 4.4 The Intradiegetic Utopia -- 4.5 The Extradiegetic Vision and #SaveTheOA -- 4.6 Shared Interpretations and Performances in The OA Fandom -- 5 The Good Omens Mediaverse: Myth, Prophecies and the 'Voice of God' -- 5.1 Good Omens: The Myth and the Prophecy -- 5.2 Good Omens: A Metafictional Reading -- 5.3 Good Omens: A Modern Fantasy -- 5.4 Good Omens: Fantasy Fiction Meets Fanfiction -- 5.5 Neil Gaiman and Celebrity Culture -- 5.6 The Second Screen and the Paratextual Function of the Celebrity -- 6 Conclusion: The Mediaverse Toolkit -- Works Cited.
Additional Edition:
ISBN 9783658437381
Language:
English
