UID:
almafu_9961926533102883
Umfang:
1 online resource (243 pages)
Ausgabe:
1st ed.
ISBN:
1-00-318553-3
,
1-000-43769-8
,
1-003-18553-3
,
1-000-43782-5
Serie:
Routledge studies in Shakespeare
Anmerkung:
Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Tables -- Acknowledgements -- 1. Introduction: "A Rapture So Pure That Its Words Are Tears" -- 1.1. Dramatising and Theorising Affect -- 1.2. Affective Movements and Practices -- 1.3. Staging Amorous Emotion: Questions, Corpus, and Structure -- 2. Discoursing Love: Amorous Community in Shakespeare's Romeo and Juliet -- 2.1. Affective Communities in Romeo and Juliet -- 2.2. The Amorous Duality of Lover and Beloved -- 2.3. Affective Communities (De-)Constructed: Amorous Suicide in Romeo and Juliet -- 3. Composing Love: Topical Fields and Gestures in Hector Berlioz's Roméo et Juliette -- 3.1. Introduction: The Sublimity of Love and Music -- 3.2. Berlioz and the Musically Sublime -- 3.3. Theorising Musical Emotion -- 3.4. The Dramatic Symphony: Roméo et Juliette -- 3.5. "Pull Not Our Heart-Strings Thus": Romanticising Shakespeare -- 4. Choreographing Love: Balletic Contact in Sasha Waltz's Roméo et Juliette -- 4.1. Dancing Romeo and Juliet -- 4.2. Bodies and Spaces in Dialogue: The Works of Sasha Waltz -- 4.3. Emotion in Motion: Contrasting Classical and Non-Classical Theatre Dance -- 4.4. Establishing Balletic Contact in Roméo et Juliette -- 4.5. A Post-Modern Pas de Deux: Amorous Contact in the "Scène d'amour" -- 4.6. Choreographic Love Post-Mortem in Roméo et Juliette -- 5. "A Story of More Woe": Romeo and Juliet Beyond Hector Berlioz and Sasha Waltz -- 5.1. Beyond Hector Berlioz: Romeo and Juliet in Romantic Music -- 5.2. Beyond Sasha Waltz: Romeo and Juliet in Classical and Contemporary Ballet -- 6. Conclusion: Towards a Transmedial Theory of Love -- Bibliography -- Index.
Weitere Ausg.:
ISBN 1-03-202859-9
Sprache:
Englisch
