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  • 1
    UID:
    almafu_BV042155736
    Format: X, 325 S. : , Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-1-84383-968-2
    Note: Rez.: Wagnerspectrum 11 (2015),1, S. 246-248 (Joachim Junker); The Wagner journal 9 (2015),3, S. 89-93 (Fred Bridgham). - Offers histories of music drama beginning with Wagner's Parsifal and then looking at works by Arnold Schoenberg, Richard Strauss, Luigi Dallapiccola, Luigi Nono and Hans Werner Henze , Contents; List of Musical Examples; Acknowledgements; Introduction: 'After Wagner'; Part I In the Shadow of German Idealism: From Parsifal to Capriccio; Prelude; 1. Wagner 'After Wagner': Parsifal; 2. Arnold Schoenberg's 'Biblical Way': Towards Moses und Aron; 3. Richard Strauss: Paths to (and from) Capriccio; Part II Composition after the Second World War: From Germany to Italy, and Back Again?; Prelude; 4. Luigi Dallapiccola, Il prigioniero: Imprisonment, Liberty, and the Word; 5. Luigi Nono, Intolleranza 1960; 6. Hans Werner Henze: Paths to (and from) Natascha Ungeheuer Part III Performance and the Fruitful Instability of the Work: From Parsifal to NonoPrelude; 7. Stefan Herheim's Parsifal; 8. Staging Lohengrin, or Not; 9. From Wagner to Nono; Bibliography; Index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musiktheater ; Musiktheater ; Rezeption ; 1813-1883 Wagner, Richard
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