Format:
472 S. :
,
zahlr. Ill.
Edition:
1. publ.
ISBN:
978-050-023-929-2
Note:
Includes bibliographical references (pages 437-446) and index
,
A dialogue with Linda Nochlin, the Maverick She -- 1970s -- Why have there been no great women artists? -- Miriam Schapiro: recent work -- Some women realists -- Women artists after the French Revolution -- 1980s -- Florine Stettheimer: rococo subversive -- Nancy Graves: the subversiveness of sculpture -- Morisot's West nurse: the construction of work and leisure in impressionist painting -- Zuka's French Revolution: a woman's place is public space -- 1990s -- Pornography as a decorative art: Joyce Kozloff's patterns of desire -- Starting from scratch: the beginnings of feminist art history -- Mary Cassatt's modernity -- Sylvia Sleigh: portraits of women artists and writers -- Deborah Kass: portrait of the artist as an appropriator -- 2000s -- Jenny Saville: floating in gender nirvana -- Mary Frank: encounters -- Seeing beneath the surface (Kathleen Gilje) -- A rage to paint: Joan Mitchell and the issue of femininity -- Sam Taylor-Wood: when the stars weep -- Alice Neel -- Unholy postures: Kiki Smith and the body -- Sarah Lucas: God is Dad -- "Why have there been no great women artists?" thirty years after -- Women artists then and now: painting, sculpture, and the image of the self -- Cecily Brown: the erotics of touch -- Existence and beading: the work of Liza Lou -- Black, white, and uncanny: Miwa Yanagi's Fairy tale -- Old-age style: late Louise Bourgeois -- 2010s -- Sophie Calle: word, image and the end of ekphrasis -- Ellen Altfest: a new, new realism -- Natalie Frank: the dark side of the fairy tale
Language:
English
Keywords:
Kunst
;
Feminismus
;
Künstlerin
;
Kunstkritik
;
Aufsatzsammlung
;
Aufsatzsammlung
Author information:
Nochlin, Linda 1931-2017
