UID:
almafu_9959173218402883
Format:
1 online resource (VIII, 276 p.)
ISBN:
9783110580761
Series Statement:
Cinepoetics – English edition ; 7
Content:
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
Note:
Frontmatter --
,
Contents --
,
Acknowledgments --
,
1 Splitting the Spectator --
,
2 Suspense: Forms of Cinematic Thinking --
,
3 Paranoia: Forms of Mediatization --
,
4 Melancholy: Ways of Perceiving History --
,
5 A History of Feeling --
,
List of figures --
,
Bibliography --
,
Subject index --
,
Name index
,
In English.
Additional Edition:
ISBN 9783110579727
Additional Edition:
ISBN 9783110579604
Language:
English
Keywords:
Hochschulschrift
DOI:
10.1515/9783110580761
URL:
https://doi.org/10.1515/9783110580761
URL:
http://purl.org/coar/access_right/c_16ec
URL:
Volltext
(URL des Erstveröffentlichers)
