Format:
1 Online-Ressource (VII, 280 Seiten).
ISBN:
978-0-511-49768-1
Series Statement:
Contemporary artists and their critics
Content:
Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion which is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society, but also a subversive commentary on worldviews and the factors necessary for their formation
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015). - Erscheinungsjahr des E-Books: 2009
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 978-0-521-79115-1
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 0-521-79115-4
Language:
English
Subjects:
Art History
Keywords:
Pop-Art
;
Postmoderne
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Aufsatzsammlung
DOI:
10.1017/CBO9780511497681
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
https://doi.org/10.1017/CBO9780511497681
