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  • 1
    Online-Ressource
    Online-Ressource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665179802882
    Umfang: 1 online resource (324 p.)
    Ausgabe: 1st, New ed.
    ISBN: 9783035307504
    Serie: Cultural Interactions: Studies in the Relationship between the Arts 36
    Inhalt: With the migration of cinema into the art gallery, artists have been turning, with remarkable regularity and ingenuity, to Alfred Hitchcock-related images, sequences and iconography. The world of Hitchcock’s cinema – a classical cinema of formal unities and narrative coherence – represents more than the spectre of a supposedly dead art form: it transcends its own filmic and institutional contexts, becoming an important audio-visual lexicon of desire, loss, mystery and suspense. Through a detailed study of the Hitchcock-related work of artist-filmmakers Matthias Müller and Christoph Girardet, Johan Grimonprez, Pierre Huyghe, Douglas Gordon and Atom Egoyan, this book facilitates a dialogue between the creative appropriation of Hitchcock’s films and the cinematic practices that increasingly inform the wider field of the contemporary visual arts. Each chapter is structured around a consideration of how the artwork in question has reconfigured or ‘remade’ key Hitchcockian expressive elements and motifs – in particular, the relationship between mise en scène and the mechanics of suspense, time, memory, history and death. In a career that extended across silent and sound eras as well as the British, European and Hollywood industries, Hitchcock’s film œuvre can be seen as a history of the cinema itself. As the work of these contemporary artist-filmmakers shows, it was also a history of the future, a paradigm case par excellence.
    Anmerkung: Contents: Mapping the Field of Hitchcockian Appropriation – Found Footage in Flames: Matthias Müller and Christoph Girardet’s Phoenix Tapes – The Essay-Film (Expanded): Johan Grimonprez’s Double Take – Horror in Real-Time: Douglas Gordon’s 24 Hour Psycho – Participatory Remaking: Pierre Huyghe’s Remake – Screening Memory: Atom Egoyan’s Evidence / Felicia’s Journey.
    Weitere Ausg.: ISBN 9783034317801
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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