Format:
1 Online-Ressource (302 Seiten) :
,
Illustrationen.
ISBN:
978-90-485-4202-4
Content:
As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 978-94-6298-946-7
Language:
English
Subjects:
General works
Keywords:
Kunst
;
Film
;
Filmtheorie
;
Filmtheorie
;
Ästhetik
;
Kunst
;
Kino
;
Aufsatzsammlung
;
Aufsatzsammlung
DOI:
10.1017/9789048542024
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
https://doi.org/10.1515/9789048542024
URL:
https://www.degruyter.com/isbn/9789048542024
URL:
https://www.degruyter.com/view/title/594613
URL:
https://doi.org/10.1515/9789048542024
URL:
https://www.degruyter.com/isbn/9789048542024
URL:
https://www.cambridge.org/core/product/identifier/9789048542024/type/BOOK
